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| early korean literature: Early Korean Literature David Richard McCann, 2000 Preeminent scholar and translator David R. McCann presents an anthology of his own translations of classic works encompassing the major genres and authors of the Korean literary tradition -- stories, legends, poems, historical vignettes, and other works -- with introductory essays to aid in their understanding. |
| early korean literature: Anthology of Korean Literature Peter H. Lee, 2021-05-25 This books offers a comprehensive sampling of the major genres of poetry and prose written from about A.D. 600 to the end of the nineteenth century. The book contains a dazzling array of myths and legends, essays and biographies, love poems and Zen poems, satirical tales and tales of wonder, stories of adventure and of heroism, as well as quieter works treating the farmer's works and days and the pleasures and sorrows of the simple life. |
| early korean literature: A History of Korean Literature Peter H. Lee, 2003-12-18 This is a comprehensive narrative history of Korean literature. It provides a wealth of information for scholars, students and lovers of literature. Combining both history and criticism the study reflects the latest scholarship and offers a systematic account of the development of all genres. Consisting of twenty-five chapters, it covers twentieth-century poetry, fiction by women and the literature of North Korea. This is a major contribution to the field and a study that will stand for many years as the primary resource for studying Korean literature. |
| early korean literature: What is Korean Literature? Yŏng-min Kwŏn, Bruce Fulton, 2019 Outlining the major developments, characteristics, genres, and figures of the Korean literary tradition from earliest times into the new millennium, this volume includes examples, in English translation, of each of the genres and works by several of the major figures discussed in the text, as well as suggestions for further reading-- |
| early korean literature: Soldiers on the Cultural Front Tatiana Gabroussenko, 2010-07-26 In 1946 Democratic People's Republic of Korea (DPRK) leader Kim Il Sung described the country's writers as soldiers on the cultural front, thus clearly defining what the nascent Communist regime expected from its intellectuals. As a result, many literary nonentities were rewarded with fame and success (often only to be relegated once again to obscurity within a few years) while many outstanding luminaries of the past were erased from the pages of official publications or even lost their lives. The Soviet cultural impact brought new tropes, artistic images, and rhetoric, which were quickly absorbed into the North Korean discourse. However, the cultural politics of the DPRK and the USSR revealed profound and irreconcilable disparities that were rooted in the different political conditions and traditions of each country. -- Book Jacket. |
| early korean literature: A Ready-Made Life Chong-un Kim, 1998-07-01 A Ready Made Life is the first volume of early modern Korean fiction to appear in English in the U.S. Written between 1921 and 1943, the sixteen stories are an excellent introduction to the riches of modern Korean fiction. They reveal a variety of settings, voices, styles, and thematic concerns, and the best of them, masterpieces written mainly in the mid-1930s, display an impressive artistic maturity. Included among these authors are Hwang Sun-won, modern Korea's greatest short story writer; Kim Tong-in, regarded by many as the author who best captures the essence of the Korean identity; Ch'ae Man-shik, a master of irony; Yi Sang, a prominent modernist; Kim Yu-jong, whose stories are marked by a unique blend of earthy humor and compassion; Yi Kwang-su and Kim Tong-ni, modernizers of the language of twentieth-century Korean fiction; and Yi Ki-yúng, Yi T'ae-jun, and Pak T'ae-won, three writers who migrated to North Korea shortly after Liberation in 1945 and whose works were subsequently banned in South Korea until democratization in the late 1980s. One way of reading the stories, all of which were written during the Japanese occupation, is that beneath their often oppressive and gloomy surface lies an anticolonial subtext. They can also be read as a collective record of a people whose life choices were severely restricted, not just by colonization, but by education (either too little or too much, as the title story shows) and by a highly structured society that had little tolerance for those who overstepped its boundaries. Life was unremittingly onerous for many Koreans during this period, whatever their social background. In the stories, educated city folk fare little better than farmers and laborers. A Ready-Made Life will provide scholars and students with crucial access to the literature of Korea's colonial period. A generous opening essay discusses the collection in the context of modern Korean literary history, and short introductions precede each story. Here is a richly diverse testament to a modern literature that is poised to assume a long overdue place in world literature. |
| early korean literature: Early Korean Literature David McCann, 2000-09-14 Preeminent scholar and translator David R. McCann presents an anthology of his own translations of works ranging across the major genres and authors of Korean writing—stories, legends, poems, historical vignettes, and other works—and a set of critical essays on major themes. A brief history of traditional Korean literature orients the reader to the historical context of the writings, thus bringing into focus this rich literary tradition. The anthology of translations begins with the Samguk sagi, or History of the Three Kingdoms, written in 1145, and ends with The Story of Master Hô, written in the late 1700s. Three exploratory essays of particular subtlety and lucidity raise interpretive and comparative issues that provide a creative, sophisticated framework for approaching the selections. |
| early korean literature: The Korean Vernacular Story Si Nae Park, 2020-08-04 As the political, economic, and cultural center of Chosŏn Korea, eighteenth-century Seoul epitomized a society in flux: It was a bustling, worldly metropolis into which things and people from all over the country flowed. In this book, Si Nae Park examines how the culture of Chosŏn Seoul gave rise to a new vernacular narrative form that was evocative of the spoken and written Korean language of the time. The vernacular story (yadam) flourished in the nineteenth century as anonymously and unofficially circulating tales by and for Chosŏn people. The Korean Vernacular Story focuses on the formative role that the collection Repeatedly Recited Stories of the East (Tongp’ae naksong) played in shaping yadam, analyzing the collection’s language and composition and tracing its reception and circulation. Park situates its compiler, No Myŏnghŭm, in Seoul’s cultural scene, examining how he developed a sense of belonging in the course of transforming from a poor provincial scholar to an urbane literary figure. No wrote his tales to serve as stories of contemporary Chosŏn society and chose to write not in cosmopolitan Literary Sinitic but instead in a new medium in which Literary Sinitic is hybridized with the vernacular realities of Chosŏn society. Park contends that this linguistic innovation to represent tales of contemporary Chosŏn inspired readers not only to circulate No’s works but also to emulate and cannibalize his stylistic experimentation within Chosŏn’s manuscript-heavy culture of texts. The first book in English on the origins of yadam, The Korean Vernacular Story combines historical insight, textual studies, and the history of the book. By highlighting the role of negotiation with Literary Sinitic and sinographic writing, it challenges the script (han’gŭl)-focused understanding of Korean language and literature. |
| early korean literature: Yi Kwang-su and Modern Korean Literature, Mujŏng Ann Sung-hi Lee, 2005 Yi Kwang-su (1892-1950) was one of the pioneers of modern Korean literature. When the serialization of Mujông (The Heartless) began in 1917, it was an immediate sensation, and it occupies a prominent place in the Korean literary canon. The Heartless is the story of a love triangle among three youths during the Japanese occupation. Yi Hyông-sik is a young man in his mid-twenties who is teaching English at a middle school in Seoul. Brilliant but also shy and indecisive, he is torn between two women. Kim Sôn-hyông is from a wealthy Christian family; she has just graduated from a modern, Western-style school and is planning on continuing her studies in the United States. Pak Yông-ch'ae is a musically gifted young woman who was raised in a traditional Confucian manner; due to family misfortune, she has become a kisaeng but remains devoted to Hyông-sik whom she knew as a child. The Heartless goes beyond the level of romantic melodrama and uses these characters to depict Korea's struggles with modern culture and national identity.A long critical introduction discusses Yi Kwang-su's life and work from his birth in 1892 to the publication of his first novel The Heartless in 1917. It contains in-depth analyses of the novel, Yi Kwang-su's literary theory, and early short stories. |
| early korean literature: Premodern Korean Literary Prose Michael J. Pettid, Gregory N. Evon, Chan E. Park, 2018-01-23 This anthology presents new translations of Korean prose works from the tenth to the nineteenth century. It offers insight into past Korean societies by highlighting genres that have largely not been translated, such as diaries, short fictional biographies, erotic tales, oral narratives, and novellas, all of which illustrate the depth and variety of premodern Korean writings. The selections are intended to show what literate people of the premodern period enjoyed reading and demonstrate the cultural diversity of the creation of literature, including a range of writings by women and nonelites such as commoners. The volume also includes critical essays and short introductions to contextualize the materials and explain the ideological backdrop behind the creation of the works. |
| early korean literature: On the Eve of the Uprising and Other Stories from Colonial Korea , 2010-08-31 Collected here are translations into English of six classic stories from colonial Korea (1910-1945) as well as the time of liberation (1945-1948). Each piece takes a different perspective on a defining process in Korean history—the colonization and modernization under Japanese rule. The volume demonstrates the rich variety of registers, settings, styles, and thematic concerns that characterized the literary production of early modern Korea.The editor's introduction places the collection in the context of modern Korean literary history, and short biographies precede each story. In its judicious selection of classic texts, On the Eve of the Uprising and Other Stories from Colonial Korea offers an unprecedented opportunity to explore the intellectual complexity and artistic richness of colonial Korean literature. |
| early korean literature: Kinship Novels of Early Modern Korea Ksenia Chizhova, 2021-01-12 The lineage novel flourished in Korea from the late seventeenth to the early twentieth century. Ksenia Chizhova foregrounds lineage novels and the domestic world in which they were read to recast the social transformations of Chosŏn Korea and the development of early modern Korean literature. |
| early korean literature: The White Book Han Kang, 2019-02-19 FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that . . . exposes the fragility of human life.”—from the Nobel Prize citation SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE • A “formally daring, emotionally devastating, and deeply political” (The New York Times Book Review) exploration of personal grief through the prism of the color white, from the internationally bestselling author of The Vegetarian “Stunningly beautiful. . . one of the smartest reflections on what it means to remember those we’ve lost.”—NPR Shortlisted for the International Booker Prize, Han Kang’s The White Book is a meditation on color, as well as an attempt to make sense of her older sister’s death, who died in her mother’s arms just a few hours after she was born. In captivating, starkly beautiful language, The White Book is a letter from Kang to her sister, offering a multilayered exploration of color and its absence, and of the tenacity and fragility of the human spirit. |
| early korean literature: The Real Modern Christopher P. Hanscom, 2020-05-11 The contentious relationship between modernism and realism has powerfully influenced literary history throughout the twentieth century and into the present. In 1930s Korea, at a formative moment in these debates, a “crisis of representation” stemming from the loss of faith in language as a vehicle of meaningful reference to the world became a central concern of literary modernists as they operated under Japanese colonial rule. Christopher P. Hanscom examines the critical and literary production of three prose authors central to 1930s literary circles—Pak T’aewon, Kim Yujong, and Yi T’aejun—whose works confront this crisis by critiquing the concept of transparent or “empiricist” language that formed the basis for both a nationalist literary movement and the legitimizing discourse of assimilatory colonization. Bridging literary and colonial studies, this re-reading of modernist fiction within the imperial context illuminates links between literary practice and colonial discourse and questions anew the relationship between aesthetics and politics. The Real Modern challenges Eurocentric and nativist perspectives on the derivative particularity of non-Western literatures, opens global modernist studies to the similarities and differences of the colonial Korean case, and argues for decolonization of the ways in which non-Western literatures are read in both local and global contexts. |
| early korean literature: A New History of Korea Ki-baik Lee, 1988-03-15 One of the first, most widely-read and respected histories of Korea, Ki-baik Lee's Han'guksa Sillon has been translated into English by Edward W. Wagner. A New History of Korea offers Western readers a distillation of the best scholarship on Korean history and culture from the earliest times to the student revolution of 1960. |
| early korean literature: The Oxford Handbook of Classical Chinese Literature (1000 BCE-900 CE) Wiebke Denecke, Wai-yee Li, Xiaofei Tian, 2017 This volume introduces readers to classical Chinese literature from its beginnings (ca. 10th century BCE) to the tenth century BCE through a conceptual framework centered on textual production and transmission. It focuses on recuperating historical perspectives for the period it surveys, and attempts to draw connections between the past and present. |
| early korean literature: The Orchid Door unknown, 2016-12-01 |
| early korean literature: Questioning Minds , 2009-10-15 Available for the first time in English, the ten short stories by modern Korean women collected here touch in one way or another on issues related to gender and kinship politics. All of the protagonists are women who face personal crises or defining moments in their lives as gender-marked beings in a Confucian, patriarchal Korean society. Their personal dreams and values have been compromised by gender expectations or their own illusions about female existence. They are compelled to ask themselves Who am I? Where am I going? What are my choices? Each story bears colorful and compelling testimony to the life of the heroine. Some of the stories celebrate the central character’s breakaway from the patriarchal order; others expose sexual inequality and highlight the struggle for personal autonomy and dignity. Still others reveal the abrupt awakening to mid-life crises and the seasoned wisdom that comes with accepting the limits of old age. The stories are arranged in chronological order, from the earliest work by Korea’s first modern woman writer in 1917 to stories that appeared in 1995—approximately one from each decade. Most of the writers presented are recognized literary figures, but some are lesser-known voices. The introduction presents a historical overview of traditions of modern Korean women’s fiction, situating the selected writers and their stories in the larger context of Korean literature. Each story is accompanied by a biographical note on the author and a brief critical analysis. A selected bibliography is provided for further reading and research. Questioning Minds marks a departure from existing translations of Korean literature in terms of its objectives, content, and format. As such it will contribute to the growth of Korean studies, increasing the availability of material for teaching Korean literature in English, and stimulate readership of its writers beyond the confines of the peninsula. |
| early korean literature: Origins of North Korea's Juche Jae-Jung Suh, 2012-12-07 This book argues that North Korea has outlived forecasts of its collapse because of Juche—a unique political institution built on the simple notion of self-determination, whose meanings and limits have been shaped by Koreans’ experiences with colonialism, war, and development amidst surrounding superpowers that have complicated their aspirations. |
| early korean literature: The Novel in Transition Jooyeon Rhee, 2019 Having been marginalized from the literature-proper sphere of Confucian elite culture, the novel began to transform significantly at turn of the twentieth century in Korea. Selected novels in transformation that Jooyeon Rhee investigates in this book include both translated and creative historical novels, domestic novels, and crime novels, all of which were produced under the spell of civilization and enlightenment. Rhee places the transformation of the novel in the complex nexus of civilization discourses, transnational literary forces, and modern print media to show how they became a driving force behind the development of modern Korean literature. Gender is an analytical category central to this book since it became an important epistemological ground on which to define the Korean nation and modernity in literature at the time, and because the novel was one of the most effective technologies that mediated and populated knowledge about gender roles and relations. The masculine norms and principles articulated in novels, Rhee argues, are indicative of writers' and translators' negotiation with political and cultural forces of the time; their observations of the ambiguity of modernity manifest in the figure of mobile, motivated, and forward-looking woman and immobile, emotional, and suppressed men.-- Del editor. |
| early korean literature: Form and Freedom in Korean Poetry McCann, 1988-06-01 |
| early korean literature: The Living Reed Pearl S. Buck, 2012-08-21 An “absorbing and fast-moving” saga of Korea as experienced by one unforgettable family, from the Nobel Prize–winning author of The Good Earth (The New York Times). “The year was 4214 after Tangun of Korea, and 1881 after Jesus of Judea.” So begins Pearl S. Buck’s The Living Reed, an epic historical novel seen through the eyes of four generations of Korean aristocracy. As the chronicle begins, the Kims are living comfortably as advisors to the Korean royal family. But that world is torn apart with the Japanese invasion, when the queen is killed and the Kims are thrust into hiding. Through their story, Buck traces the country’s journey from the late nineteenth century through the end of the Second World War. “The Korean people come hauntingly alive,” wrote the Journal of Asian Studies about The Living Reed. “The remarkable novels of Pearl S. Buck have given the world an awakened understanding and appreciation of the Chinese people, and now she has wrought a like marvel for Korea.” A New York Times bestseller, The Living Reed is an enlightening account of a nation’s fight for survival and a gripping tale of a family caught in the ebb and flow of history. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate. |
| early korean literature: Korea Eugene Y. Park, 2022-02-15 This book is a comprehensive account of Korean history from early times to December 2020. |
| early korean literature: The Routledge Companion to Korean Literature Heekyoung Cho, 2022-03-15 The Routledge Companion to Korean Literature consists of 35 chapters written by leaders in the field, who explore significant topics and who have pioneered innovative approaches. The collection highlights the most dynamic current scholarship on Korean literature, presenting rigorous literary analysis, interdisciplinary methodologies, and transregional thinking so as to provide a valuable and inspiring resource for researchers and students alike. This Companion has particular significance as the most extensive collection to date of English-language articles on Korean literature; it both offers a thorough intellectual engagement with current scholarship and addresses a broad range of topics and time periods, from premodern to contemporary. It will contribute to an understanding of literature as part of a broad sociocultural process that aims to put the field into conversation with other fields of study in the humanities and social sciences. While presenting rigorous and innovative academic research that will be useful to graduate students and researchers, the chapters in the collection are written to be accessible to the average upper-level undergraduate student and include only minimal use of academic jargon. In an effort to provide substantially helpful material for researching, teaching, and learning Korean literature, this Companion includes as an appendix an extensive list of English translations of Korean literature. |
| early korean literature: The Columbia Anthology of Modern Korean Poetry David McCann, 2004-03-24 Korea's modern poetry is filled with many different voices and styles, subjects and views, moves and countermoves, yet it still remains relatively unknown outside of Korea itself. This is in part because the Korean language, a rich medium for poetry, has been ranked among the most difficult for English speakers to learn. The Columbia Anthology of Modern Korean Poetry is the only up-to-date representative gathering of Korean poetry from the twentieth century in English, far more generous in its selection and material than previous anthologies. It presents 228 poems by 34 modern Korean poets, including renowned poets such as So Chongju and Kim Chiha. |
| early korean literature: Early Korean Literature David Richard McCann, 2000 Preeminent scholar and translator David R. McCann presents an anthology of his own translations of classic works encompassing the major genres and authors of the Korean literary tradition -- stories, legends, poems, historical vignettes, and other works -- with introductory essays to aid in their understanding. |
| early korean literature: A History of the Korean Language Ki-Moon Lee, S. Robert Ramsey, 2011-03-03 A History of the Korean Language is the first book on the subject ever published in English. It traces the origin, formation, and various historical stages through which the language has passed, from Old Korean through to the present day. Each chapter begins with an account of the historical and cultural background. A comprehensive list of the literature of each period is then provided and the textual record described, along with the script or scripts used to write it. Finally, each stage of the language is analyzed, offering new details supplementing what is known about its phonology, morphology, syntax, and lexicon. The extraordinary alphabetic materials of the 15th and 16th centuries are given special attention, and are used to shed light on earlier, pre-alphabetic periods. |
| early korean literature: Literature and Film in Cold War South Korea Theodore Hughes, 2012-03-20 Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization. |
| early korean literature: Beasts of a Little Land Juhea Kim, 2021-12-07 A spectacular debut filled with great characters and heart.” —Lisa See, author of Snow Flower and the Secret Fan FINALIST FOR THE 2022 DAYTON LITERARY PEACE PRIZE · FINALIST FOR THE BALCONES FICTION PRIZE · LONGLISTED FOR THE HWA DEBUT CROWN AWARD An epic story of love, war, and redemption set against the backdrop of the Korean independence movement, following the intertwined fates of a young girl sold to a courtesan school and the penniless son of a hunter In 1917, deep in the snowy mountains of occupied Korea, an impoverished local hunter on the brink of starvation saves a young Japanese officer from an attacking tiger. In an instant, their fates are connected—and from this encounter unfolds a saga that spans half a century. In the aftermath, a young girl named Jade is sold by her family to Miss Silver’s courtesan school, an act of desperation that will cement her place in the lowest social status. When she befriends an orphan boy named JungHo, who scrapes together a living begging on the streets of Seoul, they form a deep friendship. As they come of age, JungHo is swept up in the revolutionary fight for independence, and Jade becomes a sought-after performer with a new romantic prospect of noble birth. Soon Jade must decide whether she will risk everything for the one who would do the same for her. From the perfumed chambers of a courtesan school in Pyongyang to the glamorous cafes of a modernizing Seoul and the boreal forests of Manchuria, where battles rage, Juhea Kim’s unforgettable characters forge their own destinies as they wager their nation’s. Immersive and elegant, Beasts of a Little Land unveils a world where friends become enemies, enemies become saviors, heroes are persecuted, and beasts take many shapes. A Recommended Read from: USA Today · The Washington Post · Entertainment Weekly · The Today Show · Real Simple · Good Morning America · Harper's Bazaar · Buzzfeed · Fortune · Vulture · Goodreads · Lit Hub · Book Riot · PopSugar · E! Online · Ms. Magazine · Chicago Review of Books · Bustle · The Oregonian · The Millions |
| early korean literature: River of Fire and Other Stories Chŏnghŭi O, 2012 These nine stories range from O Chonghui's first published work in 1968 to one of her last publications in 1994. Her early stories are compact, often chilling accounts of family dysfunction, reflecting the decline of traditional, agrarian economics and the rise of urban, industrial living. Later stories are more expansive, weaving eloquent, occasionally wistful reflections on lost love and tradition together with provocative explorations of sexuality and gender. |
| early korean literature: Selected Poems of Sŏ Chŏngju Chŏng-ju Sŏ, David Richard McCann, 1989 A record of the words and teachings of Confucius, The Analects is considered the most reliable expression of Confucian thought. However, the original meaning of Confucius's teachings have been filtered and interpreted by the commentaries of Confucianists of later ages, particularly the Neo-Confucianists of the Song dynasty, not altogether without distortion. In this monumental translation by Professor D. C. Lau, an attempt has been made to interpret the sayings as they stand. The corpus of the sayings is taken as an organic whole and the final test of the interpretation rests on the internal consistency it exhibits. In other words, The Analects is read in the light of The Analects.This results in a truer understanding of Confucius' thought than the traditional interpretation and paves the way for a re-assessment of its importance in the history of Chinese thought and its relevance to the present day world. This volume also contains an introduction to the life and teachings of Confucius, and three appendices on the events in the life of Confucius, on his disciples, and on the composition of The Analects. |
| early korean literature: Sourcebook of Korean Civilization Peter H. Lee, 1996 This is a two-volume set, containing the constituent parts of the sourcebook: From Early Times to the Sixteenth Century and From the Seventeenth Century to the Modern Period. The two volumes cover past systems of thought, beliefs, roles and customs vital to Korean society and culture. |
| early korean literature: Writers of the Winter Republic Youngju Ryu, 2016 |
| early korean literature: When Adam Opens His Eyes Chŏng-il Chang, 2013-11-16 First published in 1990, this is a sensational and highly controversial novel by one of Korea’s most electrifying contemporary authors, which plows through contemporaneous Korean mores with aplomb. First published in 1990, this is a sensational and highly controversial novel by one of Korea’s most electrifying contemporary authors. A preposterous coming-of-age story, melding sex, death, and high school in a manner reminiscent of some perverse collision between Georges Bataille and Beverly Cleary, the narrator of this book plows through contemporaneous Korean mores with aplomb, bound for destruction, or maturity—whichever comes first. |
| early korean literature: Beautiful and Useless Min Jeong Kim, 2020-10-06 In Beautiful and Useless, Kim Min Jeong exposes the often funny and contradictory rifts that appear in the language of everyday circumstance. She uses slang, puns, cultural referents, and 'naughty, unwomanly language in order to challenge readers to expand their ideas of not only what a poem is, but also how women should speak. In this way Kim undermines patriarchal authority by displaying the absurd nature of gender expectations. But even larger than issues of gender, these poems reveal the illogical systems of power behind the apparent structures that govern the logic of everyday life. By making the source of these antagonisms and gender transgressions visible, they make them less powerful. This skillful translation from Soeun Seo and Jake Levine, brings the full playfulness and intelligence of Kim's lyricism to English-language readers. |
| early korean literature: Lonesome You Wan-sŏ Pak, 2013-11-16 Originally published in Korean as Nomudo ssulssurhan tangsin by Ch'angjak kwa Pip'yongsa, Seoul, 1998--Title page verso. |
| early korean literature: Cold Candies Lee Young-ju, 2021-10 Cold Candies encapsulate the saccharine strangeness of a woman's life. Fragments of narratives about girls, dolls, sisters, mothers, men, lizards, the moon, and pillows are brought together into otherworldly images that are devastating, yet familiar. Lee Young-ju is one of South Korea's most original minds, and this collection, curated and translated by National Endowment of Arts Fellow Jae Kim, features a selection from her extraordinary body of work. These prose poems are often self-portraits, and together, they are as much an account of her life as it is an attempt to understand it. Pulling out threads from her past, she examines its traumas and tragedies and unravels a haunting dreamscape of intimacy and kinship. |
| early korean literature: 소나기 황순원, 2015 |
| early korean literature: Korean Literature Peter H. Lee, 1991 |
| early korean literature: How Literatures Begin Joel B. Lande, Denis Feeney, 2021-07-20 A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern times Literature is such a familiar and widespread form of imaginative expression today that its existence can seem inevitable. But in fact very few languages ever developed the full-fledged literary cultures we take for granted. Challenging basic assumptions about literatures by uncovering both the distinct and common factors that led to their improbable invention, How Literatures Begin is a global, comparative history of literary origins that spans the ancient and modern world and stretches from Asia and Europe to Africa and the Americas. The book brings together a group of leading literary historians to examine the practices, technologies, institutions, and individuals that created seventeen literary traditions: Chinese, Japanese, Korean, Indian, Greek, Latin, Hebrew, Syriac, Arabic, English, Romance languages, German, Russian, Latin American, African, African American, and world literature. In these accessible accounts, which are framed by general and section introductions and a conclusion by the editors, literatures emerge as complex weaves of phenomena, unique and deeply rooted in particular times and places but also displaying surprising similarities. Again and again, new literatures arise out of old, come into being through interactions across national and linguistic borders, take inspiration from translation and cultural cross-fertilization, and provide new ways for groups to imagine themselves in relation to their moment in history. Renewing our sense of wonder for the unlikely and strange thing we call literature, How Literatures Begin offers fresh opportunities for comparison between the individual traditions that make up the rich mosaic of the world’s literatures. The book is organized in four sections, with seventeen literatures covered by individual contributors: Part I: East and South Asia: Chinese (Martin Kern), Japanese (Wiebke Denecke), Korean (Ksenia Chizhova), and Indian (Sheldon Pollock); Part II: The Mediterranean: Greek (Deborah Steiner), Latin (Joseph Farrell), Hebrew (Jacqueline Vayntrub), Syriac (Alberto Rigolio), and Arabic (Gregor Schoeler); Part III: European Vernaculars: English (Ingrid Nelson), Romance languages (Simon Gaunt), German (Joel Lande), and Russian (Michael Wachtel); Part IV: Modern Geographies: Latin American (Rolena Adorno), African (Simon Gikandi), African American (Douglas Jones), and world literature (Jane O. Newman). |
EARLY Definition & Meaning - Merriam-Webster
The meaning of EARLY is near the beginning of a period of time. How to use early in a sentence.
EARLY | definition in the Cambridge English Dictionary
EARLY meaning: 1. near the beginning of a period of time, or before the usual, expected, or planned time: 2…. Learn more.
EARLY definition and meaning | Collins English Dictionary
Early means near the beginning of a period in history, or in the history of something such as the world, a society, or an activity. ...the early stages of pregnancy. ...Fassbinder's early films. …
Early - definition of early by The Free Dictionary
1. in or during the first part of a period of time, course of action, or series of events: early in the year. 2. in the early part of the morning: to get up early. 3. before the usual or appointed time; …
early - WordReference.com Dictionary of English
occurring in the first part of a period of time, a course of action, a series of events, etc.: an early hour of the day. occurring before the usual or appointed time: an early dinner. belonging to a …
What does Early mean? - Definitions.net
Early refers to a point in time that occurs before a specified time, event, or expected occurrence. It can also refer to something near the beginning or at the initial stage of a period or process. …
early | meaning of early in Longman Dictionary of ...
early meaning, definition, what is early: in the first part of a period of time, e...: Learn more.
EARLY Definition & Meaning - Merriam-Webster
The meaning of EARLY is near the beginning of a period of time. How to use early in a sentence.
EARLY | definition in the Cambridge English Dictionary
EARLY meaning: 1. near the beginning of a period of time, or before the usual, expected, or planned time: 2…. Learn more.
EARLY definition and meaning | Collins English Dictionary
Early means near the beginning of a period in history, or in the history of something such as the world, a society, or an activity. ...the early stages of pregnancy. ...Fassbinder's early films. …
Early - definition of early by The Free Dictionary
1. in or during the first part of a period of time, course of action, or series of events: early in the year. 2. in the early part of the morning: to get up early. 3. before the usual or appointed time; …
early - WordReference.com Dictionary of English
occurring in the first part of a period of time, a course of action, a series of events, etc.: an early hour of the day. occurring before the usual or appointed time: an early dinner. belonging to a …
What does Early mean? - Definitions.net
Early refers to a point in time that occurs before a specified time, event, or expected occurrence. It can also refer to something near the beginning or at the initial stage of a period or process. …
early | meaning of early in Longman Dictionary of ...
early meaning, definition, what is early: in the first part of a period of time, e...: Learn more.
