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| dr strangelove based on book: Red Alert Peter Bryant, 2018-11-10 This book was originally published in the U.K. under the title Two Hours to Doom (written by Peter Bryant, the penname of writer Peter George). This intricately plotted and well-thought out novel conjures the vision of apocalyptic threat of nuclear war and illustrates just how absurdly easy such an attack can be triggered. Dr. Strangelove is based on the novel. |
| dr strangelove based on book: Dr. Strangelove Peter George, 2000 A novelisation of a screenplay in which a mad scientist brings about a nuclear holocaust, resulting in frantic telephone calls being made between the White House and the Kremlin. From the author of RED ALERT. |
| dr strangelove based on book: Calling Dr. Strangelove George Case, 2014-08-21 Stanley Kubrick's Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb is one of the most celebrated and significant films ever made. This book traces the movie's origins as a thriller novel through its evolution into a devastating black comedy, to its ultimate reception as an undisputed cinema classic. A wealth of fresh detail is provided on Dr. Strangelove's production, its initial reception and its lasting influence. The book also examines the film within the context of the real-life superpower standoff it satirized and evaluates its place alongside director Kubrick's entire catalog of famous works. Drawn from interviews, biographical research and extensive cultural analysis, this work is an indispensable resource for Kubrick fans, movie buffs and students of Cold War history. |
| dr strangelove based on book: Deconstructing Dr. Strangelove Sean M. Maloney, 2020-07-01 King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film's historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War's deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality--or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era's defining films. |
| dr strangelove based on book: Fail-Safe Eugene Burdick, Harvey Wheeler, 2013-09-27 From the New York Times–bestselling authors, this “chilling and engrossing” nuclear-showdown thriller packs “a multi-megaton wallop” (Chicago Tribune). Originally published during the Cuban Missile Crisis, this suspenseful novel takes off as a group of American bombers—armed with a deadly payload of nuclear weapons—heads towards Moscow, their motives unknown. Suddenly, a nuclear apocalypse looms closer than it ever has, and the lives of millions depend on the high-stakes diplomacy of leaders on both sides of the divide. The basis for the classic 1964 movie starring Henry Fonda, this two-million-copy bestseller is not only a terrifying thriller, but a fascinating social commentary on Cold War politics and a look at how, in a world poised on the brink, accidents and mistakes can have catastrophic consequences. Exploring the thin line between peace and global destruction that characterized this turbulent era, it is as timely as ever—“gripping, exciting and almost unbearably fascinating” (Los Angeles Times). “Excruciatingly tense.” —The Wall Street Journal |
| dr strangelove based on book: Edward Teller Peter Goodchild, 2004 Goodchild unravels the complex web of harsh early experiences, character flaws, and personal and professional frustrations that lay behind the paradox of the father of the H-bomb. |
| dr strangelove based on book: The Doomsday Machine Daniel Ellsberg, 2017-12-05 Shortlisted for the Andrew Carnegie Medal for Excellence in Nonfiction Finalist for The California Book Award in Nonfiction The San Francisco Chronicle's Best of the Year List Foreign Affairs Best Books of the Year In These Times “Best Books of the Year Huffington Post's Ten Excellent December Books List LitHub's “Five Books Making News This Week” From the legendary whistle-blower who revealed the Pentagon Papers, an eyewitness exposé of the dangers of America's Top Secret, seventy-year-long nuclear policy that continues to this day. Here, for the first time, former high-level defense analyst Daniel Ellsberg reveals his shocking firsthand account of America's nuclear program in the 1960s. From the remotest air bases in the Pacific Command, where he discovered that the authority to initiate use of nuclear weapons was widely delegated, to the secret plans for general nuclear war under Eisenhower, which, if executed, would cause the near-extinction of humanity, Ellsberg shows that the legacy of this most dangerous arms buildup in the history of civilization--and its proposed renewal under the Trump administration--threatens our very survival. No other insider with high-level access has written so candidly of the nuclear strategy of the late Eisenhower and early Kennedy years, and nothing has fundamentally changed since that era. Framed as a memoir--a chronicle of madness in which Ellsberg acknowledges participating--this gripping exposé reads like a thriller and offers feasible steps we can take to dismantle the existing doomsday machine and avoid nuclear catastrophe, returning Ellsberg to his role as whistle-blower. The Doomsday Machine is thus a real-life Dr. Strangelove story and an ultimately hopeful--and powerfully important--book about not just our country, but the future of the world. |
| dr strangelove based on book: Dr. Strangelove's America Margot A. Henriksen, 2023-04-28 Did America really learn to stop worrying and love the bomb, as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned I Have a Dream speech or with Elvis Presley's throbbing I'm All Shook Up? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a culture of consensus. Nonetheless, Henriksen says, a culture of dissent arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from flower power to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century. Did America really learn to stop worrying and love the bomb, as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned |
| dr strangelove based on book: Dr Strangelove, I Presume Michael Foot, 1999-01-01 In May 1998, India resumed the underground testing of nuclear weapons. Pakistan responded with tests of its own, and all of a sudden the arms race was on again. Not that it ever stopped—China, Israel, Iran, and Iraq have been pursuing weapons-building programs, and the ultimate horror of nuclear weapons in the hands of terrorists draws ever near. In this book, Michael Foot looks back over 40 years of fighting the nuclear menace and surveys the world scene at the close of the 20th century as a warning of the continuing danger of building weapons of mass destruction. |
| dr strangelove based on book: Reconstructing Strangelove Mick Broderick, 2017 With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film. |
| dr strangelove based on book: Mr Strangelove Ed Sikov, 2011-08-19 Peter Sellers was a genius, whose unique mastery created enduring comic characters. But behind the man that could make the world laugh was a tragic sadness. Employing his creations as masks to hide behind, Sellers was convinced his own life was meaningless and empty. Acclaimed (On Sunset Boulevard - the story of Billy WIlder) biographer Ed Sikov has spoken to many who knew and worked with Sellers, including Sophia Loren, Goldie Hawn, and Roman Polanski. Sikov reveals how Sellers was a casualty of his own insecurities and used his public persona to mask his tormented private life, littered with four marriages (and three divorces), countless affairs, and drug and alcohol abuse. This is the authoritative and touching story of a majestic comedian, showing the very private face of a man whose world was lived through the public arena. 'An authoritative biography and a compulsive page turner.' Michael Palin, New York Times 'Sikov's book is often melancholy, but always informative, and entertaining... They don't really make 'em like that any more - you can't get the wood you know' Simon Louvish, Guardian |
| dr strangelove based on book: The Philosophy of Stanley Kubrick Jerold J. Abrams, 2007-05-04 In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism—the belief that philosophical truth has meaning only if it is chosen by the individual—has come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick's films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick's war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fears—especially the fear of death—when facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick's interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick's films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. Taken together, the essays in The Philosophy of Stanley Kubrick are an engaging look at the director's stark vision of a constantly changing moral and physical universe. They promise to add depth and complexity to the interpretation of Kubrick's signature films. |
| dr strangelove based on book: All the Rage A. L. Kennedy, 2014 A dozen sharp new stories by one of contemporary fiction's acknowledged masters |
| dr strangelove based on book: Doomsday Men P. D. Smith, 2007-12-10 The gripping, untold story of the doomsday bomb—the ultimate weapon of mass destruction. “Chillingly compelling.” —New Scientist In 1950, Hungarian-born scientist Leo Szilard made a dramatic announcement on American radio: science was on the verge of creating a doomsday bomb. For the first time in history, mankind realized that he had within his grasp a truly God-like power, the ability to destroy life itself. The shockwave from this statement reverberated across the following decade and beyond. If detonated, Szilard’s doomsday device—a huge cobalt-clad H-bomb—would pollute the atmosphere with radioactivity and end all life on earth. The scientific creators of such apocalyptic weapons had transformed the laws of nature into instruments of mass destruction and for many people in the Cold War there was little to distinguish real scientists from that fictional master of megadeath, Stanley Kubrick's Dr. Strangelove. Indeed, as P. D. Smith’s chilling account, Doomsday Men, shows, the dream of the superweapon begins in popular culture. This is a story that cannot be told without the iconic films and fictions that portray our deadly fascination with superweapons, from H.G. Wells’s The War of the Worlds to Nevil Shute’s On the Beach and Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Although scientists admitted it was possible to build the cobalt bomb, no superpower would admit to having created one. However, it remained a terrifying possibility, striking fear into the hearts of people around the world. The story of the cobalt bomb is an unwritten chapter of the Cold War, but now P. D. Smith reveals the personalities behind this feared technology and shows how the scientists responsible for the twentieth century's most terrible weapons grew up in a culture dreaming of superweapons and Wellsian utopias. He argues that, in the end, the doomsday machine became the ultimate symbol of humanity’s deepest fears about the science of destruction. “Weaving together biography, science and art, Smith has created a compelling history of physics in the twentieth century, focusing on the long-lasting search for ever more destructive weapons—from the development of chemical warfare in World War I Germany through the arms race of the Cold War. . . . Captivating and thoroughly referenced, this chronicle should interest a wide audience, from science and history buffs to armchair politicos.” —Publishers Weekly |
| dr strangelove based on book: Fail Safe Eugene Burdick, Harvey Wheeler, 1999-07-10 Something has gone wrong. A group of American bombers armed with nuclear weapons is streaking past the fail-safe point, beyond recall, and no one knows why. Their destination -- Moscow. In a bomb shelter beneath the White House, the calm young president turns to his Russian translator and says, I think we are ready to talk to Premier Kruschchev. Not far away, in the War Room at the Pentagon, the secretary of defense and his aides watch with growing anxiety as the luminous blips crawl across a huge screen map. High over the Bering Strait in a large Vindicator bomber, a colonel stares in disbelief at the attack code number on his fail-safe box and wonders if it could possibly be a mistake. First published in 1962, when America was still reeling from the Cuban missle crisis, Fail-Safe reflects the apocalyptic attitude that pervaded society during the height of the Cold War, when disaster could have struck at any moment. As more countries develop nuclear capabilities and the potential for new enemies lurks on the horizon, Fail-Safe and its powerful issues continue to respond. |
| dr strangelove based on book: Watching YouTube Michael Strangelove, 2010-01-01 Michael Strangelove provides a broad overview of the world of amateur online videos and the people who make them. He describes how online digital video is both similar to and different from traditional home-movie-making and argues that we are moving into a post-television era characterized by mass participation. --from publisher description. |
| dr strangelove based on book: Dr. Strangelove Dr. Strangelove Kristan Horton, 2015-03-19 Pending |
| dr strangelove based on book: Hitchcock Lost and Found Alain Kerzoncuf, Charles Barr, 2015-03-17 Known as the celebrated director of critical and commercial successes such as Psycho (1960) and The Birds (1963), Alfred Hitchcock is famous for his distinctive visual style and signature motifs. While recent books and articles discussing his life and work focus on the production and philosophy of his iconic Hollywood-era films like Notorious (1946) and Vertigo (1958), Hitchcock Lost and Found moves beyond these seminal works to explore forgotten, incomplete, lost, and recovered productions from all stages of his career, including his early years in Britain. Authors Alain Kerzoncuf and Charles Barr highlight Hitchcock's neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director's career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the filmmaker's career and achievements. |
| dr strangelove based on book: A Pacifist's Guide to the War on Cancer Bryony Kimmings, Brian Lobel, Tom Parkinson, 2016-10-19 An all-singing, all-dancing celebration of ordinary life and death. Single mum Emma confronts the highs and lows of life with a cancer diagnosis; that of her son and of the real people she encounters in the daily hospital grind. Groundbreaking performance artist Bryony Kimmings creates fearless theatre to provoke social change, looking behind the poster campaigns and pink ribbons at the experience of serious illness. |
| dr strangelove based on book: The Empire of Mind Michael Strangelove, 2005 Where many critics see the Internet as an instrument of corporate hegemony, Michael Strangelove sees something else: an alternative space inhabited by communities dedicated to anarchic freedom, culture jamming, alternative journalism, and resistance to authoritarian forms of consumer capitalism and globalization. In The Empire of Mind, Dr. Strangelove, the scholar Canadian Business referred to as the acknowledged dean of Internet entrepreneurs and Wired called the Canadian guru of Internet advertising, presents the compelling argument that the Internet and new digital communication technology actually undermine the power of capital, producing an alternative symbolic economy. Strangelove contends that the Internet breaks with the capitalist logic of commodification and that, while television produces a passive consumer audience, Internet audiences are more active, creative, and subversive. Writers, activists, and artists on the Internet undermine commercial media and its management of consumer behaviour, a behaviour that is challenged by the Web's tendency toward the disintegration of intellectual property rights. Case studies describe the invention of new meaning given to cultural and consumer icons like Barbie and McDonald's and explore how novel modes of online news production alter the representation of the world as it is produced by the mainstream, corporate press. In the course of exploring new media, The Empire of Mind also makes apparent that digital piracy will not be eliminated. The Internet community effectively converts private property into public, thereby presenting serious obstacles for the management of consumer behaviour and significantly eroding brand value. Much to the dismay of the corporate sector, online communities are disinterested in the ethics of private property. In fact, the entire philosophical framework on which capitalism is based is threatened by these alternative means of cultural production. |
| dr strangelove based on book: A Brief History of Economic Genius Paul Strathern, 2004 Strathern brings the reader along in a lively, breezy and elegant manner, through Adam Smith and Hume; the French Optimists and British Pessimists: Saint-Simon and Owen; Marx and Hegel; Pareto; Veblen; Schumpeter, Keynes, John Nash and finally fullcircle back to von Neumann. Strathern uncovers the genuine progression of the development of mathematics and economic theory, from double-entry booking keeping to the discovery of standard deviation and the various applications of probability theory. These brilliant economists and mathematicians often were aware of each other, had met each other or read each other's work thereby influencing and building upon one another's conclusions. Strathern manages his broad swath of historical information and condenses it into a very usable, readable and informative format. |
| dr strangelove based on book: Able One Ben Bova, 2011-03-29 Can an experimental defense system stop North Korean missile strikes? Able One is a timely thrill-ride by a six-time Hugo Award-winner and one of science fiction's most respected novelists. |
| dr strangelove based on book: Stanley Kubrick Directs Alexander Walker, 1972 This book tells how Stanley Kubrick makes films--how he translates his won vision of a story into cinematic terms, finding original ways to use camera angles and camera movement, lighting, composition, depth, and other techniques; and how he edits to achieve jarring juxtapositions, suspense and surprise, a heightened sense of time, and a perfectly crystallized total concept. The book also shows how his films relate to one another. The more than 350 photographs illustrate the visual flow of Paths of Glory, Dr. Strange love, 2001: A Space Odyssey, and A Clockwork Orange, as well as the methods used in Killer's Kiss, The Killing, and Lolita.--back cover. |
| dr strangelove based on book: Stanley Kubrick Vincent Lobrutto, 1999-05-07 Stanley Kubrick, director of the acclaimed filmsPath of Glory, Spartacus, Lolita, Dr. Strangelove, 2001: Space Odyssey. A Clockwork Orange, The Shining, and Full Metal Jacket, is arguably one of the greatest American filmmakers. Yet, despite being hailed as “a giant” by Orson Welles, little is known about the reclusive director. Stanley Kubrick—the first full-length study of his life—is based on assiduous archival research as well as new interviews with friends, family, and colleagues.Film scholar Vincent LoBRutto provides a comprehensive portrait of the director, from his high school days, in the Bronx and his stint as a photographer for Look magazine, through the creation of his wide-ranging movies, including the long-awaited Eyes Wide Shut. The author provides behind-the-scenes details about writing, filming, financing, and reception of the director's entire output, paying close attention to the technical innovations and to his often contentious relationships with actors. This fascinating biography exposes the enigma that is Stanley Kubrick while placing him in context of film history. |
| dr strangelove based on book: Dr. Strangelove Peter George, 2016-10-27 ...U.S. GENERAL RUNS AMUCK... ...H-BOMBERS ATTACK RUSSIA... PRESIDENT AND RED PREMIER IN HOT-LINE STRUGGLE TO SAVE WORLD Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, more commonly known as Dr. Strangelove, is a 1963 political satire black comedy that satirizes the Cold War fears of a nuclear conflict between the USSR and the USA. The novel, written by Peter George, is based on a screenplay by Stanley Kubrick, Peter George and Terry Southern, which was released as a film—directed, produced, and co-written by Stanley Kubrick, starring Peter Sellers and George C. Scott—in 1964. |
| dr strangelove based on book: Stanley Kubrick David Mikics, 2020-08-18 An engrossing biography of one of the most influential filmmakers in cinematic history A cool, cerebral book about a cool, cerebral talent. . . . A brisk study of [Kubrick's] films, with enough of the life tucked in to add context as well as brightness and bite.--Dwight Garner, New York Times An engaging and well-researched primer to the work of a cinematic legend.--Library Journal Kubrick grew up in the Bronx, a doctor's son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self-taught filmmaker and self-proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick's Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever-curious polymath immersed in friends and family. Drawing on interviews and new archival material, David Mikics for the first time explores the personal side of Kubrick's films. |
| dr strangelove based on book: Pattern of Death Peter George, 2016-10-27 |
| dr strangelove based on book: Pedagogical Journeys through World Politics Jamie Frueh, 2019-07-16 This edited volume is a collection of twenty-three autobiographical narratives by successful teachers of global politics and international relations. The diverse contributors (from a variety of institutional contexts, sub-disciplines, and countries) describe their development as teachers, articulate mission statements for their teaching, and link both to pedagogical practices that exemplify their teaching philosophies. Rather than provide specific recipes for authoritative techniques, the essays empower readers as creative developers of their own approaches to teaching global politics. They demonstrate the multiple ways that instructors have grounded deliberate pedagogical designs in a variety of deeper philosophical commitments, and resources are provided to facilitate discussion and collaborative deliberation between groups of readers. |
| dr strangelove based on book: Dr Strangelove's Game Paul Strathern, 2018-03-02 |
| dr strangelove based on book: Flash and Filigree Terry Southern, 1996 Terry Southern is an acclaimed satirist of American culture, the writer responsible for Candy and the screenplay of Dr. Strangelove. In Flash and Filigree, his first novel, he delivers yet another outrageously funny commentary on the dark side of our national life. Frederick Eichner, world-renowned dermatologist, is visited by the entrancingly irritating Mr. Felix Treevly, who comes to him as a patient and stays as an obsession. Mr. Treevly leads the doctor into a series of hilarious and increasingly weird situations, which, with the assistance of a drunken private detective, a mad judge, a car crash, and a hashish party, finally drive him to mayhem. A wild whirlwind of a novel, Flash and Filigree is a work of comic genius from one of the wittiest writers of our time. |
| dr strangelove based on book: Exhibit Piece Philip K. Dick, 2014-12-16 Twenty-second century historian George Miller is completely dedicated to his job studying the history and culture of the twentieth century, and has even created an accurate replica of a twentieth-century dwelling. But when George investigates an odd noise in the exhibit, he stumbles upon a strange reality existing inside of his replica. Philip K. Dick was an American science-fiction novelist, short-story writer and essayist. His first short story, “Beyond Lies the Wub,” was published shortly after his high school graduation. Some of his most famous short stories were adapted for film, including “The Minority Report,” “Paycheck,” “Second Variety” (adapted into the film Screamers) and “We Can Remember It For You Wholesale” (adapted into the film Total Recall). HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library. |
| dr strangelove based on book: Full Metal Jacket Stanley Kubrick, Gustav Hasford, Michael Herr, 1987 |
| dr strangelove based on book: The Film Book Ronald Bergan, 2011-10-03 Film is the world's most popular artistic medium. What began as a novelty at country fairs rapidly became the consummate art form of the twentieth century, spanning both popular culture and high art. The Film Book enables you to identify different cinematic genres, appreciate the style of celebrated directors, see how a film is made, and understand why the greatest movies deserve their reputation. The book is unique in encompassing each of these key aspects and, as such, outspans the many other guides and film companions on the market. The guide is split into seven distinct sections, each of which deals with a particular aspect of film. The first of these chapters is a detailed history of the art form over the last 120 years, charting its evolution from a musical event accompanied by pictures, through its numerous developments and innovations-talking pictures; color film; video and DVD; online films; computer-generated special effects; and the modern 3D experience. The second shows how these techniques are applied in practice, taking the reader behind the camera to explore the film-making process and find out who's who on set, offering a useful insight into how movies are brought to life. Sections 3 to 6 look at the films themselves. Providing an overview of cinematic styles and genres, the third section covers everything from westerns, musicals, and sci-fi to arthouse cinema, the avant-garde, and the cult movie, whilst the fourth compares and contrasts the major styles of international cinema, with key schools, movements, directors, and films. The fifth section profiles 100 of the film industry's greatest and most influential directors, listing their key works and assessing their cinematic legacy, whilst the sixth section discusses 100 key cinematic works which invented, extended, or reinvented the art form. The closing section of the book is an interesting, and often provocative, range of lists compiled by a variety of film associations, publications, and institutions. Comprehensive, authoritative, and written with passion and verve, The Film Book is a unique treasure-trove of a guide that will appeal to anyone who loves movies. Table of Contents Prelims (5pp) Introduction (4pp) The story of film (56pp) 1896-1919: The Birth of Cinema 1920-1929: Silence is Golden 1930-1939: The Cinema Comes of Age 1940-1949: The Cinema Goes to War 1950-1959: The Cinema Fights Back 1970-1979: Independence Days 1980-1989: The International Years 1990-: Celluloid to Digital How movies are made (20pp) Pre-production Production Post-production World cinema (52pp) Africa The Middle East Iran Eastern Europe (including Poland, Hungary, and the Czech Republic) The Balkans (including Yugoslavia, Bugaria, Romania, Greece, and Turkey) Russian The Nordic countries (including Finland, Sweden, Norway, and Denmark) Germany France Italy United Kingdom Spain Portugal Canada Central America South America (including Argentina, Brazil, Mexico, and Chile) Australian and New Zealand China, Hong Kong, and Taiwan Japan Korea India Movie genres (52pp) Action-adventure Animation Avant-garde Biopic Comedy Costume drama Cult Disaster Documentary Epic Film Noir Gangster Horror Martial Arts Melodrama Musicals Propaganda Science Fiction and Fantasy Serials Series Teen Thrillers War Westerns 100 Key directors (92pp) Woody Allen Pedro Almodo ́var Robert Altman Michelangelo Antonioni Ingmar Bergman Bernado Bertolucci Tod Browning Luis Bun~uel Tim Burton Jane Campion Frank Capra Marcel Carne ́ Charlie Chaplin Chen Kaige Joel and Ethan Coen Francis Ford Coppola David Cronenburg George Cukor Michael Curtiz Cecil B. DeMille Jonathan Demme Brian De Palma Vittorio De Sica Stanley Donen Carl Drayer Clint Eastwood Blake Edwards Sergei Eisenstein Rainer Werner Fassbinder Federico Fellini Victor Fleming John Ford Milos Forman Abel Gance Jean-Luc Godard D.W. Griffith Howard Hawks Werner Herzog Alfred Hitchcock Hou Hsiao-Hsien John Huston Peter Jackson Elia Kazan Buster Keaton Krzysztof Kieslowski Fritz Lang David Lean Ang Lee Spike Lee Sergio Leone Ernst Lubitsch George Lucas Sidney Lumet David Lynch Alexander Mackendrick Joseph L. Mankiewicz Sam Mendes Lewis Milestone Vincente Minnelli F.W. Murnau Max Ophu ̈ls Yasujiro Ozu Georg Wilhelm Pabst Pier Paolo Pasolini Sam Peckinpah Roman Polanski Michael Powell/Emeric Pressburger Nicholas Ray Satyajit Ray Carol Reed Jean Renoir Eric Rohmer Roberto Rossellini John Schlesinger Martin Scorsese Ridley Scott Stephen Spielberg Josef von Sternberg Oliver Stone Erich von Stroheim Quentin Tarantino Andrei Tarkovsky Jacques Tati Franc ̧ois Truffaut Dziga Vertov Luchino Visconti Andrzej Wajda Raoul Walsh Peter Weir Orson Welles William Wellman Wim Wenders Billy Wilder Robert Wise John Woo William Wyler Franco Zeffirelli Zhang Yimou 100 Key Movies (52pp) Birth of a Nation (D.W. Griffith, 1915) The Cabinet of Dr. Caligari (Robert Wiene, 1919) Nosferatu: A Symphony of Terror (F.W. Murnau, 1921) Nanook of the North (Robert Flaherty, 1922) The Battleship Potemkin (Sergei Eisenstein, 1925) Metropolis (Fritz Lang, 1926) Napole ́on (Abel Gance, 1927) An Andalucian Dog (Un Chien Andalou) (Luis Bun~uel, 1928) The Passion of Joan of Arc (Carl Dreyer, 1928) All Quiet on the Western Front (Lewis Milestone, 1930) The Blue Angel (Joseph von Sternberg, 1930) City Lights (Charlie Chaplin, 1931) 42nd Street (Lloyd Bacon, 1933) Duck Soup (Leo McCarey, 1933) King Kong (Merian Cooper/Ernest Schoedsack, 1933) L'Atalante (Jean Vigo, 1934) Snow White and the Seven Dwarfs (Walt Disney, 1937) Olympia (Leni Riefenstahl, 1938) The Rules of the Game (La Re`gle du Jeu) (Jean Renoir, 1939) Gone with the Wind (Victor Fleming, 1939) The Philadelphia Story (George Cukor, 1940) His Girl Friday (Howard Hawks, 1940) The Grapes of Wrath (John Ford, 1940) Citizen Kane (Orson Welles, 1941) The Maltese Falcon (John Huston, 1941) The Little Foxes (William Wyler, 1941) To Be or Not To Be (Ernst Lubitsch, 1942) In Which We Serve (Noe ̈l Coward, 1942) Casablanca (Michael Curtiz, 1942) Ossessione (Luchino Visconti, 1942) Children of Paradise (Les Enfants du Paradis) (Marcel Carne ́, 1945) A Matter of Life and Death (Michael Powell/Emeric Pressburger, 1946) It's a Wonderful Life (Frank Capra, 1946) Bicycle Thieves (Ladri Di Biciclette) (Vittorio de Sica, 1948) Letter from an Unknown Woman (Max Ophu ̈ls, 1948) Passport to Pimlico (Henry Cornelius, 1949) The Third Man (Carol Reed, 1949) Orpheus (Orphe ́e) (Jean Cocteau, 1950) Rashomon (Akira Kurosawa, 1950) Singin' in the Rain (Gene Kelly/Stanley Donen, 1952) Tokyo Story (Yasujiro Ozu, 1953) On the Waterfront (Elia Kazan, 1954) All That Heaven Allows (Douglas Sirk, 1955) Rebel Without a Cause (Nicholas Ray, 1955) Pather Panchali (Satyajit Ray, 1955) The Night of the Hunter (Charles Laughton, 1955) The Seventh Seal (Ingmar Bergman, 1957) Vertigo (Alfred Hitchcock, 1958) Ashes and Diamonds (Andrzej Wajda, 1958) The 400 Blows (Franc ̧ois Truffaut, 1959) Some Like it Hot (Billy Wilder, 1959) Breathless (A Bout de Souffle) (Jean-Luc Godard, 1960) La Dolce Vita (Federico Fellini, 1960) Saturday Night and Sunday Morning (Karel Reisz, 1960) L'Avventura (Michelangelo Antonioni, 1960) Last Year in Marienbad (Alain Resnais, 1961) Lawrence of Arabia (David Lean, 1962) Dr. Strangelove (Stanley Kubrick, 1964) The Battle of Algiers (Gillo Pontecorvo, 1965) The Sound of Music (Robert Wise, 1965) Andrei Rublev (Andrei Tarkovsky, 1966) The Chelsea Girls (Andy Warhol, 1966) Bonnie and Clyde (Arthur Penn, 1967) The Wild Bunch (Sam Peckinpah, 1969) Easy Rider (Dennis Hopper, 1969) The Conformist (Bernardo Bertolucci, 1969) The Godfather (Francis Ford Coppola, 1972) Aguirre, Wrath of God (Werner Herzog, 1972) Nashville (Robert Altman, 1975) In the Realm of the Senses (Ai No Corrida) (Nagisa Oshima, 1976) Taxi Driver (Martin Scorsese, 1976) Annie Hall (Woody Allen, 1977) |
| dr strangelove based on book: Love and Death in Kubrick Patrick Webster, 2014-01-10 The films of Stanley Kubrick have left an indelible mark on the history of American cinema. This text explores the auteur's legacy, specifically positioning his body of work within the context of cultural theory. A single chapter is devoted to each of Kubrick's seven films: Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, The Shining, Full Metal Jacket, and Eyes Wide Shut. Particular attention is paid to the role of love and death in Kubrick's films, emphasizing his innovative exploration of love and sex, and the portrayal of mortality via masculine violence. |
| dr strangelove based on book: The Nuclear War Fun Book Victor Langer, Walter Thomas, 1982-01-01 |
| dr strangelove based on book: Ken Adam Designs the Movies Ken Adam, Christopher Frayling, 2008 FILMS, CINEMA. This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including Around the World in Eighty Days, through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his most celebrated films the first seven James Bond movies, including Dr. No, Goldfinger, Diamonds are Forever and Moonraker. Also included are production drawings for classics such as Chitty Chitty Bang Bang, Goodbye, Mr Chips, Sleuth and The Last Emperor. Adam's virtuoso sketches for films and other projects are accompanied by illuminating commentary from the eminent Sir Christopher Frayling, and together present an unrivaled archive of breathtaking and inspirational production design. |
| dr strangelove based on book: Human Reliability Program (Us Department of Energy Regulation) (Doe) (2018 Edition) The Law The Law Library, 2018-07-03 Human Reliability Program (US Department of Energy Regulation) (DOE) (2018 Edition) The Law Library presents the complete text of the Human Reliability Program (US Department of Energy Regulation) (DOE) (2018 Edition). Updated as of May 29, 2018 DOE is amending its regulation concerning the Human Reliability Program (HRP). This regulation provides the policies and procedures to ensure that individuals who occupy positions affording unescorted access to certain nuclear materials, nuclear explosive devices, facilities and programs meet the highest standards of reliability and physical and mental suitability. The revisions include some clarification of the procedures and burden of proof applicable in certification review hearings, the addition and modification of certain definitions, and a clear statement that a security concern can be reviewed pursuant to the HRP regulation in addition to the DOE regulations for determining eligibility for access to classified matter or special nuclear material. These revisions are intended to provide better guidance to HRP-certified individuals and to ensure consistency in HRP decision making. This book contains: - The complete text of the Human Reliability Program (US Department of Energy Regulation) (DOE) (2018 Edition) - A table of contents with the page number of each section |
| dr strangelove based on book: 32 Minutes Zach Kraft, 2018-05-20 President-Elect Abigail Armstrong had big plans for her Inauguration Day.Fielding a nuclear attack wasn't one of them...INAUGURATION DAY, IN THE NEAR FUTURE: A young and optimistic president-elect shivers in the cold, waiting for the ordeal to be over.Little does she realize, the ordeal hasn't even begun. Shortly after she takes the oath, the proceedings are interrupted with shocking news: the U.S. military has detected the launch of an intercontinental ballistic missile. The death toll, should the weapon strike the United States: upwards of 10 million people. Her advisers warn her that there are rules to this game, ones that must be followed if there's to be any hope of avoiding global nuclear war. Adding to the problem: buried in a bunker, and surrounded by career professionals with agendas of their own, she has no idea what to believe about the conditions unfolding topside.Soon she learns that the loneliest person on the planet is the one who's trying to save billions from annihilation. |
| dr strangelove based on book: The Disaster Film as Social Practice Joseph Zornado, Sara Reilly, 2024-07-26 Surveying disaster films from a Lacanian psychoanalytic perspective, this book explores the disaster film genre from its initial appearance in 1933 (The Grapes of Wrath, 1933) to its present-day form (Don’t Look Up!, 2021), laying bare the ideological unconscious at work within the genre. The Disaster Film as Social Practice examines environmental science, history, film and literature in its interdisciplinary analysis of the disaster film genre. It explores the interplay, and the dichotomy, of “restorative” and “reflective” disaster narratives. An analysis of cinema's role in symbolizing and managing collective anxiety around disaster and death narratives examines how disaster films, through their narrative structures and symbolic elements, contribute to the public's understanding and emotional processing of real-world threats, and how cinematic narratives shape and are shaped by public and private ideological discourses, reflecting deeper psychological and environmental truths. Finally, the book offers an overview of how the transformation of the disaster film genre over time tells a history through imagining the worst. Providing a nuanced understanding of the disaster film genre and its significance in contemporary culture and thought, this book will be of interest to scholars and students of film studies, cultural studies, media studies, and environmental studies. |
| dr strangelove based on book: Stalking the Antichrists (1940?1965) Volume 1 George E. Lowe, 2013-02 It is based on the inspiring definitions of the word introduction (1651): My actions of bringing in a newly weapon (since August 1945) brought into the world and to its process of the application in war and with an in-depth initiation in the knowledge of elementary instruction regarding Deterrents and Deterrence thereof, which leads to the knowledge or understanding of the impact of both fission and fusion nuclear weapons on war/politics/foreign policy/strategy and the fate of the Earth/Gaia/God's Creation, thanks to my insights gained personally at Grove City College, the University of Chicago, U.S. Navy (Air Intelligence Officer) and State Department (Foreign Service Officer) and herewith presented as my introduction to the formal introduction of my halting, but determined attempts to deter a thermonuclear World War III and Armageddon too (1945-2012). Modified from Introduction (Shorter Oxford English Dictionary (Third Edition, 1959, p. 1036) |
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