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| discrepant awareness: The Theory and Analysis of Drama Manfred Pfister, 1988 Manfred Pfister's book is the first to provide a coherent comprehensive framework for the analysis of plays in all their dramatic and theatrical dimensions. The material on which his analysis is based covers all genres and periods. His approach is systematic rather than historical, combining more abstract categorisations with detailed interpretations of sample texts. |
| discrepant awareness: Discrepant Awareness K. P. S. Jochum, 1979 «Discrepant awareness» describes the unequal distribution of knowledge and information among various characters in a drama as well as in the relationship between dramatic characters and audience. Only a few studies of this important dramatic element have been written so far. This book attempts to define discrepant awareness and to explore its various possibilities of usage in a coherent body of dramatic literature. |
| discrepant awareness: Shakespearean Narrative R. Rawdon Wilson, 1995 The book also relates Shakespeare's understanding of the narrative in the plays to the brilliant narrative poems that he wrote in the early 1590s. It also examines the narrative conventions that are used in the embedded, or inset, narratives in the plays. Particular attention is paid to the way Shakespeare creates fictional entities, such as worlds and characters, in the plays. A great deal of emphasis is placed on Shakespeare's innovative transformations of traditional narrative conventions. |
| discrepant awareness: Catharsis in Healing, Ritual, and Drama Thomas J. Scheff, 1979 |
| discrepant awareness: Eduard Meyer William William Musgrave Calder, Alexander Demandt, 1990 Eduard Meyer (1855-1930) was among the most important historians of his age. After Mommsen he is the best known German ancient historian. From 1902 he taught ancient history in Berlin and from 1919/20 he was vice-chancellor. His most important work Geschichte des Altertums includes the ancient oriental cultures, contains a sociological- anthropological methodology and considers all humane studies, especially religious history. This collection treats aspects of Meyer's biography - including his journey to America, his relations with his contemporaries (M. Weber, O. Spengler, U.von Wilamowitz), his university politics, his role in the First World War, his positions on Christianity and Judaism, history of philosophy, and particular research results and their effect. |
| discrepant awareness: Shakespeare Ronald L. Dotterer, 1989 Seventeen critics are represented in this collection of essays designed to illustrate the vitality and range of traditional and new approaches to Shakespeare studies. |
| discrepant awareness: Shakespeare as Prompter Murray Cox, Alice Theilgaard, 1994 Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with inaccessible patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision. |
| discrepant awareness: Shakespearean Tragedy and Its Double Kent Cartwright, 2010-11-01 |
| discrepant awareness: Narrative in Drama Irene J.F. de Jong, 1991-07-01 This book, consisting of three self-contained studies, deals with the Euripidean messenger-speech. The first study concerns the form of the messenger-speech, which is that of a first-person narrative, and the consequences of this form. The second study analyses the messenger's style of presentation. In the third study the place and function of the messenger-speech within the play is discussed. Although scholars have dealt with the messenger-speech before, there is no single, up-to-date work of reference available. The present study aims at filling this void, while making use of analytical tools deriving from narratology and drama-theory. Eight appendices are added, which provide the reader with complete lists of phenomena discussed in the main text. Often considered transparent and self-explanatory, the messenger-speeches are now shown to be both complex and subtle texts. |
| discrepant awareness: When the Bad Bleeds Imke Pannen, 2010 Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account. |
| discrepant awareness: REAL. Vol. 3 Herbert Grabes, H. J. Diller, Hans Bungert, 2020-05-18 No detailed description available for REAL YEARBOOK VOL. 3 REAL E-BOOK. |
| discrepant awareness: Everyman and Mankind Douglas Bruster, Eric Rasmussen, 2011-11-01 Everyman and Mankind are morality plays which mark the turn of the medieval period to the early modern, with their focus on the individual. Everyman follows a man's journey towards death and his efforts to secure himself a life thereafter, whilst Mankind shows a man battling with temptation and sin, often with great humour. Both texts are modernised here and edited to the highest standards of scholarship, with full on-page commentaries giving the depth of information and insight associated with all Arden editions. The comprehensive, illustrated introduction argues that the plays signal the birth of the early modern consciousness and puts them in their historic and religious contexts. An account is also given of the staging and performance history of the plays and their critical history and significance. With a wealth of helpful and incisive commentary this is the finest edition of the plays available. |
| discrepant awareness: Theatre and Humanism Kent Cartwright, 1999-09-09 English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century. |
| discrepant awareness: The Fourth Gospel and the Manufacture of Minds in Ancient Historiography, Biography, Romance, and Drama Tyler Smith, 2019-03-27 The Fourth Gospel and the Manufacture of Minds in Ancient Historiography, Biography, Romance, and Drama is the first book-length study of genre and character cognition in the Gospel of John. Informed by traditions of ancient literary criticism and the emerging discipline of cognitive narratology, Tyler Smith argues that narrative genres have generalizable patterns for representing cognitive material and that this has profound implications for how readers make sense of cognitive content woven into the narratives they encounter. After investigating conventions for representing cognition in ancient historiography, biography, romance, and drama, Smith offers an original account of how these conventions illuminate the Johannine narrative’s enigmatic cognitive dimension, a rich tapestry of love and hate, belief and disbelief, recognition and misrecognition, understanding and misunderstanding, knowledge, ignorance, desire, and motivation. |
| discrepant awareness: Cognition Beyond the Brain Stephen J Cowley, Frédéric Vallée-Tourangeau, 2013-06-13 Cognition Beyond the Brain challenges neurocentrism by advocating a systemic view of cognition based on investigating how action shapes the experience of thinking. The systemic view steers between extended functionalism and enactivism by stressing how living beings connect bodies, technologies, language and culture. Since human thinking depends on a cultural ecology, people connect biologically-based powers with extended systems and, by so doing, they constitute cognitive systems that reach across the skin. Biological interpretation exploits extended functional systems. Illustrating distributed cognition, one set of chapters focus on computer mediated trust, work at a construction site, judgement aggregation and crime scene investigation. Turning to how bodies manufacture skills, the remaining chapters focus on interactivity or sense-saturated coordination. The feeling of doing is crucial to solving maths problems, learning about X rays, finding an invoice number, or launching a warhead in a film. People both participate in extended systems and exert individual responsibility. Brains manufacture a now to which selves are anchored: people can act automatically or, at times, vary habits and choose to author actions. In ontogenesis, a systemic view permits rationality to be seen as gaining mastery over world-side resources. Much evidence and argument thus speaks for reconnecting the study of computation, interactivity and human artifice. Taken together, this can drive a networks revolution that gives due cognitive importance to the perceivable world that lies beyond the brain. Cognition Beyond the Brain is a valuable reference for researchers, practitioners and graduate students within the fields of Computer Science, Psychology, Linguistics and Cognitive Science. |
| discrepant awareness: What's Love Got to Do with It? Thomas J. Scheff, 2015-11-17 What do pop songs have to say about love? Surprisingly, this book shows that most popular love songs express much more about alienation, infatuation, estrangement, jealousy, and heartbreak than about love. Scheff takes the reader on a tour of popular lyrics from 80 years of American song to reveal the emotional and relational meaning of lyrics. He shows that popular love songs typically steer listeners away from a healthy connection to the emotions surrounding love. Readers will gain a deeper understanding of love songs while appreciating the author's suggestions for how listeners and artists could enrich the art of the love song. |
| discrepant awareness: Shakespeare Survey Allardyce Nicoll, 2002-11-28 The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback. |
| discrepant awareness: Shakespeare's Theatre Hugh Macrae Richmond, 2004-01-01 Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins> |
| discrepant awareness: The Art of Comedy Writing Arthur Asa Berger, 2017-09-29 Just as a distinctive literary voice or style is marked by the ease with which it can be parodied, so too can specific aspects of humor be unique. Playwrights, television writers, novelists, cartoonists, and film scriptwriters use many special technical devices to create humor. Just as dramatic writers and novelists use specific devices to craft their work, creators of humorous materials?from the ancient Greeks to today's stand-up comics?have continued to use certain techniques in order to generate humor. In The Art of Comedy Writing, Arthur Asa Berger argues that there are a relatively limited number of techniques?forty-five in all?that humorists employ. Elaborating upon his prior, in-depth study of humor, An Anatomy of Humor, in which Berger provides a content analysis of humor in all forms?joke books, plays, comic books, novels, short stories, comic verse, and essays?The Art of Comedy Writing goes further. Berger groups each technique into four basic categories: humor involving identity such as burlesque, caricature, mimicry, and stereotype; humor involving logic such as analogy, comparison, and reversal; humor involving language such as puns, wordplay, sarcasm, and satire; and finally, chase, slapstick, and speed, or humor involving action. Berger claims that if you want to know how writers or comedians create humor study and analysis of their humorous works can be immensely insightful. This book is a unique analytical offering for those interested in humor. It provides writers and critics with a sizable repertoire of techniques for use in their own future comic creations. As such, this book will be of interest to people inspired by humor and the creative process?professionals in the comedy field and students of creative writing, comedy, literary humor, communications, broadcast/media, and the humanities. |
| discrepant awareness: Novel Ideas Paul Williams, 2019-12-24 This concise yet comprehensive study explores innovative practice in the novel and, from the perspective of creative writing, the astonishing resilience of the novel form. It offers a practical guide to the many possibilities available to the writer of the novel, with each chapter offering exercises to encourage innovation and to expand the creative writer's narrative skills. Beginning with early iterations of the novel in the 17th century, this book follows the evocation of innovation in the novel through Realism, Modernism, Postmodernism and into today's dizzying array of digital and interactive possibilities. While guiding the reader through the possibilities available (in both genre and literary fiction), this book encourages both aspiring and established writers to produce novels with imagination, playfulness and gravitas. Dynamic and interactive, this text is distinctive in offering a grounding in the literary history of the novel, while also equipping readers to write in the form themselves. It is an essential resource for any student of creative writing, or anyone with an interest in writing their own novel. |
| discrepant awareness: Spectacle and Public Performance in the Late Middle Ages and the Renaissance , 2006-04-01 No volume about the spectacles and public performances of early modern England could pretend to treat comprehensively a body of materials so conspicuously vast. Rather than efforts to survey the territory, these essays are best understood in the original sense of the term as “essays”—as trials, attempts, experiments to open alternative ways of understanding that vast corpus of mystery plays, civic pageants, court masques and professional dramas that constitute its subject. The book crosses traditional period lines, including studies of Medieval as well as Renaissance entertainments. Once more, the essays are not organized according to a single critical or historical methodology. They employ an eclectic range of interpretive practices, reflecting the variety of interpretive approaches now current in the field. Contributors include: Tiffany J. Alkan, Robert W. Barrett, Jr., Sarah Beckwith, Tom Bishop, Peter Cockett, Richard K. Emmerson, Peter Holland, Nora Johnson, Richard C. McCoy, Lauren Shohet, and Robert E. Stillman. |
| discrepant awareness: Medieval and Renaissance Drama in England John Pitcher, 1999-03 This volume, published annually, contains essays by critics and cultural historians, as well as reviews of the many books and essays dealing with the cultural history of medieval and early modern England as expressed by and realised in its drama. |
| discrepant awareness: Gatekeepers William Marling, 2016-03-15 The romantic idea of the writer as an isolated genius has been discredited, but there are few empirical studies documenting the role of gatekeeping in the literary process. How do friends, agents, editors, translators, small publishers, and reviewers-not to mention the changes in technology and the publishing industry-shape the literary process? This matrix is further complicated when books cross cultural and language barriers, that is, when they become part of world literature. Gatekeepers builds on the work of Pierre Bourdieu, Randall Collins, James English, and Mark McGurl, describing the multi-layered gatekeeping process in the context of World Literature after the 1960s. It focuses on four case studies: Gabriel García Márquez, Charles Bukowski, Paul Auster and Haruki Murakami. The two American authors achieved remarkable success overseas owing to canny gatekeepers; the two international authors benefited tremendously from well-curated translation into English. Rich in archival materials (correspondence between authors, editors, and translators, and publishing industry analyses), interviews with publishers and translators, and close readings of translations, this study shows how the process and production of literature depends on the larger social forces of a given historical moment. William Marling also documents the ever-increasing Anglo-centric dictate on the gatekeeping process. World literature, the book argues, is not so much a republic of letters as a field of chance on which the conversation is partly bracketed by historic events and technological opportunities. |
| discrepant awareness: No Country for Old Men Lynnea Chapman King, Rick Wallach, Jim Welsh, 2009-08-03 In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards', including Best Picture, Best Director, and Best Adapted Screenplay. In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies. |
| discrepant awareness: World Editors Gustavo Guerrero, Benjamin Loy, Gesine Müller, 2020-12-16 The existence of World Literature depends on specific processes, institutions, and actors involved in the global circulation of literary works. The contributions of this volume aim to pay attention to these multiple material dimensions of Latin American 20th and 21st century literatures. From perspectives informed by materialism, sociology, book studies, and digital humanities, the articles of this volume analyze the role of publishing houses, politics of translation, mediators and gatekeepers, allowing insights into the processes that enable books to cross borders and to be transformed into globally circulating commodities. The book focusses both on material (re)sources of literary archives, key actors in literary and cultural markets, prizes and book fairs, as well as on recent dimension of the digital age. Statements of some of the leading representatives of the global publishing world complement these analyses of the operations of selection and aggregation of value to literary texts. |
| discrepant awareness: Comedy on Stage and Screen Wieland Schwanebeck, 2022-09-26 This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book features an overview of key comic techniques (including slapstick, puns, and wit), as well as concise summaries of major theoretical debates (including the superiority theory and the Freudian account of laughter). The book works with many examples from the history of Anglophone comedy, including Oscar Wilde, Monty Python, and classic sitcoms. It addresses current research into cringe humour and the controversial topic of diversity in the field of comedy, and it connects classical tropes of comedy (like the fool or the marriage plot) to present-day examples. The book thus serves as an up-to-date study guide for everyone interested in comedy and its various subgenres. |
| discrepant awareness: Narrative Unreliability in the Twentieth-Century First-Person Novel Elke D'hoker, Gunther Martens, 2008-12-10 This volume deals with the occurrence and development of unreliable first-person narration in twentieth century Western literature. The different articles in this collection approach this topic both from the angle of literary theory and through a detailed reading of literary texts. By addressing questions concerning the functions, characteristics and types of unreliability, this collection contributes to the current theoretical debate about unreliable narration. At the same time, the collection highlights the different uses to which unreliability has been put in different contexts, poetical traditions and literary movements. It does so by tracing the unreliable first-person narrator in a variety of texts from Dutch, German, American, British, French, Italian, Polish, Danish and Argentinean literature. In this way, this volume significantly extends the traditional ‘canon’ of narrative unreliability. This collection combines essays from some of the foremost theoreticians of unreliability (James Phelan, Ansgar Nünning) with essays from experts in different national traditions. The result is a collection that approaches the ‘case’ of narrative unreliability from a new and more varied perspective. |
| discrepant awareness: Antigone, Interrupted Bonnie Honig, 2013-05-02 A new interpretation of Sophocles' Antigone, exploring the intertwined history of law, politics, gender and humanism. |
| discrepant awareness: Shakespeare David M. Bergeron, Geraldo U. de Sousa, 1987 This updated edition should be welcomed by anyone interested in Shakespeare. Particularly useful are its pithy introductions and bibliographies on various critical approaches. -- David Bevington, editor of Complete Works of Shakespeare. A handy, compact map to the changing and contested field of Shakespeare studies. -- Bruce R. Smith, author of Homosexual Desire in Shakespeare's England. Copyright © Libri GmbH. All rights reserved. |
| discrepant awareness: Shakespeare and the Classical Tradition Lewis Walker, 2019-05-24 This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics. |
| discrepant awareness: Shakespeare: A Midsummer Night's Dream Nicolas Tredell, 2010-05-06 A stimulating and comprehensive critical survey of the responses to A Midsummer Night's Dream, as well as the key debates and developments, from the seventeenth century to the present day. Leading the reader through material chronologically, the Guide explores the main themes and interpretations and draws on a rich range of critical writings. |
| discrepant awareness: Singer-Songwriters Engelbert Thaler, 2018-07-16 The times they are a-changing: Who would have expected Bob Dylan to receive the Nobel Prize for Literature as the first songwriter ever? And the British Bob Dylan, i.e. Donovan, stated: Wir haben die Poesie, die Philosophie und Literatur, wir haben Mythen und Legenden in das Musikbusiness gebracht. These are some of the reasons why this book is dedicated to the use of songwriters in English Language Teaching. As all edited volumes in the SELT (Studies in English Language Teaching) series, it follows a triple aim: 1.Linking TEFL with related academic disciplines, 2.Balancing TEFL research and classroom practice, 3.Combining theory, methodology and exemplary lessons. This triple aim is reflected in the three-part structure of this volume: Part A (Theory), Part B (Methodology), Part C (Classroom) with six concrete lesson plans. |
| discrepant awareness: Handbook of the Sociology of Emotions: Volume II Jan E. Stets, Jonathan H. Turner, 2014-08-18 Handbook of the Sociology of Emotions Volume II presents all new chapters in the ever developing area of the sociology of emotions. The volume is divided into two sections: Theoretical Perspectives and Social Arenas of Emotions. It reviews major sociological theories on emotions, which include evolutionary theory, identity theory, affect control theory, social exchange theory, ritual theory, and cultural theory among others. Social arenas where emotions are examined include, but are not limited to, the economy and the workplace, the family, mental health, crime, sports, technology, social movements and the field of science. All the chapters review the major theories and research in the area and each chapter ends with some discussion of directions for future research. The Sociology of Emotions is a fast growing and vital field in the broad discipline of Sociology. This volume II follows the Handbook of the Sociology of Emotions which was first published in 2006. In 2008, this first handbook received the “Outstanding Recent Contribution” in the Emotions Section of the American Sociological Association. With contributions from leading scholars from different areas in the discipline, such as neurosociology, culture, economics, mental health, gender, social movements, discussing state-of-art theory and research on emotions in sociology this volume will generate wider appeal to the sociological community. |
| discrepant awareness: The Haunted Stage Marvin Carlson, 2003 Uncovers the ways in which the spectator's memory informs theatrical reception |
| discrepant awareness: Resources in Education , 1976 |
| discrepant awareness: Blending and the Study of Narrative Ralf Schneider, Marcus Hartner, 2012-10-30 The theory of Blending, or Conceptual Integration, proposed by Gilles Fauconnier and Marc Turner, is one of most promising cognitive theories of meaning production. It has been successfully applied to the analysis of poetic discourse and micro-textual elements, such as metaphor. Prose narrative has so far received significantly less attention. The present volume aims to remedy this situation. Following an introductory discussion of the connections between narrative and the processes of blending, the contributions demonstrate the range of applications of the theory to the study of narrative. They cover issues such as time and space, literary character and perspective, genre, story levels, and fictional minds; some chapters show how such phenomena as metalepsis, counterfactual narration, intermediality, extended metaphors, and suspense can be fruitfully studied from the vantage point of Conceptual Integration. Working within a theoretical framework situated at the intersection of narratology and the cognitive sciences, the book provides both fresh readings for individual literary and film narratives and new impulses for post-classical narratology. |
| discrepant awareness: Othello Philip C. Kolin, 2013-10-28 First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company. |
| discrepant awareness: Othello Philip Kolin, 2013-01-11 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
| discrepant awareness: The Oxford Handbook of Thucydides Ryan Balot, Sarah Forsdyke, Edith Foster, 2017-02-10 The Oxford Handbook of Thucydides contains newly commissioned essays on Thucydides as an historian, thinker, and writer. It also features chapters on Thucydides' intellectual context and ancient reception. The creative juxtaposition of historical, literary, philosophical, and reception studies allows for a better grasp of Thucydides' complex project and its intellectual context, while at the same time providing a comprehensive introduction to the author's ideas. The volume is organized into four sections of papers: History, Historiography, Political Theory, and Context and Reception. It therefore bridges traditionally divided disciplines. The authors engaged to write the forty chapters for this volume include both well-known scholars and less well-known innovators, who bring fresh ideas and new points of view. Articles avoid technical jargon and long footnotes, and are written in an accessible style. Finally, the volume includes a thorough introduction prefacing each paper, as well as several maps and an up-to-date bibliography that will enable further study. The Oxford Handbook of Thucydides offers a comprehensive introduction to a thinker and writer whose simultaneous depth and innovativeness have been the focus of intense literary and philosophical study since ancient times. |
| discrepant awareness: Shakespeare's Comedies of Awareness John Albert Stenzel, 1990 |
DISCREPANT Definition & Meaning - Merriam-Webster
The meaning of DISCREPANT is being at variance : disagreeing. How to use discrepant in a sentence.
DISCREPANT Definition & Meaning | Dictionary.com
Discrepant definition: (usually of two or more objects, accounts, findings etc.) differing; disagreeing; inconsistent.. See examples of DISCREPANT used in a sentence.
DISCREPANT | English meaning - Cambridge Dictionary
DISCREPANT definition: 1. showing a difference between two things that should be the same: 2. showing a difference…. Learn more.
Discrepant - Definition, Meaning & Synonyms - Vocabulary.com
DISCLAIMER: These example sentences appear in various news sources and books to reflect the usage of the word ‘discrepant'. Views expressed in the examples do not represent the opinion …
Discrepant - definition of discrepant by The Free Dictionary
discrepant - not in accord; "desires at variance with his duty"; "widely discrepant statements"
DISCREPANT definition and meaning | Collins English Dictionary
Inconsistent; conflicting; at variance.... Click for English pronunciations, examples sentences, video.
What does DISCREPANT mean? - Definitions.net
Discrepant generally refers to something that is contrasting, conflicting, differing or deviating from what is expected, standard, or usual. It can apply to things or situations that are inconsistent or …
Discrepant Definition & Meaning - YourDictionary
Lacking agreement; differing; at variance; inconsistent. (archaic) A dissident. From Latin discrepāntem, present participle of discrepāre (“to differ in sound, differ, disagree”), from dis- …
How To Use Discrepant In a Sentence? Easy Examples
Mar 5, 2024 · Whether used to highlight differences or inconsistencies, “discrepant” offers a nuanced way to express disparities. By observing how “discrepant” functions in different …
discrepant, adj. & n. meanings, etymology and more | Oxford …
What does the word discrepant mean? There are five meanings listed in OED's entry for the word discrepant, two of which are labelled obsolete. See ‘Meaning & use’ for definitions, usage, and …
DISCREPANT Definition & Meaning - Merriam-Webster
The meaning of DISCREPANT is being at variance : disagreeing. How to use discrepant in a sentence.
DISCREPANT Definition & Meaning | Dictionary.com
Discrepant definition: (usually of two or more objects, accounts, findings etc.) differing; disagreeing; inconsistent.. See examples of …
DISCREPANT | English meaning - Cambridge Dictionary
DISCREPANT definition: 1. showing a difference between two things that should be the same: 2. showing a difference…. Learn …
Discrepant - Definition, Meaning & Synonyms - Vocabulary.com
DISCLAIMER: These example sentences appear in various news sources and books to reflect the usage of the word ‘discrepant'. …
Discrepant - definition of discrepant by The Free Dictionary
discrepant - not in accord; "desires at variance with his duty"; "widely discrepant statements"
