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| dogeaters hagedorn: Dogeaters Jessica Hagedorn, 2013-08-06 Finalist for the National Book Award and a 2015 Wall Street Journal Book Club selection: An intense portrait of the Philippines in the late 1950s. Dogeaters follows a diverse set of characters through Manila, each exemplifying the country’s sharp distinctions between social classes. Celebrated novelist and playwright Jessica Hagedorn effortlessly shifts from the capital’s elite to the poorest of the poor. From the country’s president and first lady to an idealist reformer, from actors and radio DJs to prostitutes, seemingly unrelated lives become intertwined. |
| dogeaters hagedorn: Dogeaters Jessica Hagedorn, 2024-11-12 “An original, raw, and wild novel that has held its power and demands to be read.” —Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer Finalist for the National Book Award for Fiction and Winner of the American Book Award Jessica Hagedorn is the recipient of The Before Columbus Foundation’s 2024 Lifetime Achievement Award A classic and influential story centered on the cultural and political stakes of life in Marcos-era Philippines One of The Atlantic’s Great American Novels of the Past 100 Years Welcome to Manila in the turbulent period of the Philippines’ late dictator. It is a world in which American pop culture and local Filipino tradition mix flamboyantly, and gossip, storytelling, and extravagant behavior thrive. A wildly disparate group of characters—including movie stars and waiters, a young junkie and the richest man in the Philippines—becomes ensnared in a spiral of events culminating in a beauty pageant, a film festival, and an assassination. At the center of this maelstrom is Rio, a feisty schoolgirl who will grow up to live in America and look back with longing on the land of her youth. |
| dogeaters hagedorn: Manila Noir Jessica Tarahata Hagedorn, 2013 Manila is not for the faint of heart. Population: over ten million and growing by the minute. Climate: hot, humid and prone to torrential monsoon rains of biblical proportions. The ultimate femme fatale, she's complicated and mysterious, with a tainted, painful past. The perfect, torrid setting for noir. Edited by Dogeaters (Penguin, 1991) author and National Book Award Nominee Jessica Hagedorn, and featuring original stories from a stunning group of multi-award-winning authors. |
| dogeaters hagedorn: Toxicology Jessica Hagedorn, 2011-04-14 A bold new novel about the intersection of art, love, fame, and money from the acclaimed author of Dogeaters. Jessica Hagedorn's edgy and entertaining new novel centers on the lives of two women who are neighbors in Manhattan's West Village. Mimi Smith is a filmmaker of low-budget slasher movies in search of new material. Her neighbor Eleanor Delacroix is a legendary writer of erotic fiction, now nearing eighty and addicted to cocaine and gin. Their personal and artistic lives begin to collide in unexpected ways as Eleanor grieves over the recent death of her live-in lover, the renowned painter Yvonne Wilder, and as Mimi deals with the challenges presented by her newly sober brother Carmelo; her drug-dealing boyfriend, who has mysteriously disappeared; and her wayward fourteen-year-old daughter, Violet. Looming over all these characters is the ghost of Agnes-an illegal and cousin of Mimi's who might have been murdered by her New Jersey employers. Toxicology is a dark yet playful exploration of money, desire, mortality, and the connection between creativity and self-destruction. |
| dogeaters hagedorn: Dream Jungle Jessica Tarahata Hagedorn, 2003 When an ancient lost tribe is discovered in a remote mountainous area in the Philippines, an American film crew arrives hoping to create an epic film about the tribe, but as the crew tries to document the tribe's way of life, a series of events threatens both their lives and the tribe's existence. |
| dogeaters hagedorn: A Tall History of Sugar Curdella Forbes, 2022-01-04 A haunting, epic Caribbean love story, reminiscent of García Márquez's Love in the Time of Cholera. Winner of the 2020 Hurston/Wright Legacy Award for Fiction “A Tall History of Sugar is a gift for grown-up fans of fairy tales and those who love fiction that metes out hard and surprising truths. Forbes’s writing combines the gale-force imagination of Margaret Atwood with the lyrical pointillism of Toni Morrison.” —New York Times Book Review, Editors’ Choice A Tall History of Sugar tells the story of Moshe Fisher, a man who was “born without skin,” so that no one is able to tell what race he belongs to; and Arrienne Christie, his quixotic soul mate who makes it her duty in life to protect Moshe from the social and emotional consequences of his strange appearance. The narrative begins with Moshe’s birth in the late 1950s, four years before Jamaica’s independence from colonial rule, and ends in the era of what Forbes calls “the fall of empire,” the era of Brexit and Donald Trump. The historical trajectory layers but never overwhelms the scintillating love story as the pair fight to establish their own view of loving, against the moral force of the colonial “plantation” and its legacies that continue to affect their lives and the lives of those around them. Written in lyrical, luminous prose that spans the range of Jamaican Englishes, this remarkable story follows the couple’s mysterious love affair from childhood to adulthood, from the haunted environs of rural Jamaica to the city of Kingston, and then to England—another haunted locale in Forbes’s rendition. |
| dogeaters hagedorn: Danger and Beauty Jessica Hagedorn, 2002-03 Hagedorn muses about love and sex, and probes with wry humor and sharp social satire the heart-and hearbreaks-of the immigrant experience. Jessica Hagedorn is one of the best of a new generation of writers who are making American language new and who in the process are creating a new American Literature.-Russell Banks [Hagedorn] sees her native land from both near and far, with ambivalent love, the only kind of love worth writing about.-John Updike Jessica Hagedorn is a performance artist, poet, playwright, and formerly a commentator on NPR. Her novel, Dogeaters, won an American Book Award. Other books include the groundbreaking Charlie Chan Is Dead: An Anthology of Contemporary Asian American Fiction and The Gangster of Love. |
| dogeaters hagedorn: Pink Mountain on Locust Island Jamie Marina Lau, 2020-09-08 Fifteen-year-old Monk drifts through a monotonous existence in a grimy Chinatown apartment with her “grumpy brown couch” of a dad, until she meets high school senior Santa Coy (santacoyshotsauce@gmail.com). For a moment, it looks like he might be her boyfriend. But when Monk's dad becomes obsessed with Santa Coy's artwork, Monk finds herself shunted to the sidelines as her father and the object of her affections begin to hatch a scheme of their own. To keep up, Monk must navigate a combustible cocktail of odd assignments, peculiar places, and murky underworld connections. In Jamie Marina Lau's debut novel, shortlisted for Australia's prestigious Stella Prize when she was nineteen years old, hazily surreal vignettes conjure a multifaceted world of philosophical angst and lackadaisical violence. |
| dogeaters hagedorn: The Gangster of Love Jessica Hagedorn, 1997-10-01 Nominated for The Irish Times International Fiction Prize. The author's first novel, Dogeaters, was nominated for a National Book Award in 1990 and was voted the best book of the year by the Before Columbus Foundation.Rocky Rivera arrives in the U.S. from the Philippines the day that Jimi Hendrix dies. So begins a blazing coming-of-age story suffused with the tensions of immigration which finds Rocky moving from the counter-culture in 1960s San Francisco to the extravagant music scene in Manhattan of the 1980s.The Gangster of Love tells the story of the Rivera family as they make their new life in the States all the while haunted by the memory of the father and the homeland they left behind. Among its members are Rocky's haughty mother, who has impulsively left her father; Voltaire, her brother, prone to heavy depression and odd friendships with strangers; and Rocky herself, unsure about sex and worshipful of her boyfriend, the guitar-playing Elvis Chang, who must learn to accept reality amidst the myths and lures of American success and idolatry. |
| dogeaters hagedorn: Filipinx Angela Dimayuga, Ligaya Mishan, 2021-11-02 In her debut cookbook, acclaimed chef Angela Dimayuga shares her passion for Filipino food with home cooks. Filipinx offers 100 deeply personal recipes—many of them dishes that define home for Angela Dimayuga and the more than four million people of Filipino descent in the United States. The book tells the story of how Dimayuga grew up in an immigrant family in northern California, trained in restaurant kitchens in New York City—learning to make everything from bistro fare to Asian-American cuisine—then returned to her roots, discovering in her family’s home cooking the same intense attention to detail and technique she’d found in fine dining. In this book, Dimayuga puts a fresh spin on classics: adobo, perhaps the Filipino dish best known outside the Philippines, is traditionally built on a trinity of soy sauce, vinegar, and garlic—all pantry staples—but add coconut milk, vinegar, and oil, and it turns lush and silky; ribeye steaks bring extra richness to bistek, gilded with butter and a bright splash of lemon and orange juice. These are the punches of flavor and inspired recipes that home cooks have been longing for. A modern, welcoming resource for this essential cuisine, Filipinx shares exciting and approachable recipes everyone will wholeheartedly embrace in their own kitchens. |
| dogeaters hagedorn: Go Home! Rowan Hisayo Buchanan, 2018-02-19 An anthology of Asian diasporic writers musing on the notion of “home.” “Bold and devastating . . . the very definition of reclamation.” —The International Examiner Asian diasporic writers imagine “home” in the twenty-first century through an array of fiction, memoir, and poetry. Both urgent and meditative, this anthology moves beyond the model-minority myth and showcases the singular intimacies of individuals figuring out what it means to belong. “The notion of home has always been elusive. But as evidenced in these stories, poems, and testaments, perhaps home is not so much a place, but a feeling one embodies. I read this book and see my people—see us—and feel, in our collective outsiderhood, at home.” —Ocean Vuong, New York Times-bestselling author of On Earth We’re Briefly Gorgeous “To be from nowhere is the state of Asian diaspora, but there is also a wild humor and imagination that comes from being underestimated, rarely counted, hardly seen. Here, we begin to draw the hopeful outlines of a collective history for those so disparate yet often lumped together.” —Jenny Zhang, author of My Baby First Birthday “Language allows for many homes, and perhaps the writers—and readers of the anthology too—will succeed in returning home, or finding a home, through these words.” —NPR.org “Effectively dismantling all sorts of stereotypes, Buchanan’s anthology gives voice to notions of identity, belonging and displacement that are much more vast, complex and textually rich than mere geography.” —Shelf Awareness “Revolutionary for all the iterations of ‘home’ it shows through fiction, poetry, and memoir, sure to provoke a full range of emotions to swoon and clutch in my chest.” —Literary Hub |
| dogeaters hagedorn: Dogeaters Jessica Hagedorn, 1991 |
| dogeaters hagedorn: Nation, Race & History in Asian American Literature Maria C. Zamora, 2008 Nation, Race & History in Asian American Literature reflects on the symbolic processes through which the United States constitutes its subjects as citizens, connecting such processes to the global dynamics of empire building and a suppressed history of American imperialism. Through a comparative analysis of David Henry Hwang's M. Butterfly, Lois-Ann Yamanaka's Blu's Hanging, and Jessica Hagedorn's Dogeaters, this study considers the ways in which bodies challenge the categories asserted in nation-building. The book proposes that underwritten by the vast histories of American imperial migrations, there are texts and bodies which challenge and reconstitute the ever-vexed definition of «American». In «re-membering» such bodies, Maria C. Zamora proclaims our bodies as actual living texts, texts that are constantly bearing, contesting, and transforming meaning. Nation, Race & History in Asian American Literature will engage scholars interested in cultural and critical theory, citizenship and national identity, race and ethnicity, the body, gender studies, and transnational literature. |
| dogeaters hagedorn: Mother of Strangers Suad Amiry, 2022-08-02 A BEST BOOK OF THE YEAR from NPR • Set in Jaffa in between 1947 and 1951, this “fable-like historical novel of young love ... darkly humorous and touching” (Oprah Daily) is based on a true story during the beginning of the destruction of Palestine and displacement of its people. Based on the true story of two Jaffa teenagers, Mother of Strangers follows the daily lives of Subhi, a fifteen-year-old mechanic, and Shams, the thirteen-year-old student he hopes to marry one day. In this prosperous and cosmopolitan port city, with its bustling markets, cinemas, and cafés on the hills overlooking the Mediterranean Sea, we meet many other unforgettable characters as well, including Khawaja Michael, the elegant and successful owner of orange groves above the harbor; Mr. Hassan, the tailor who makes Subhi’s treasured English suit, which he hopes will change his life; and the very mischievous and outrageous Uncle Habeeb, who insists on introducing Subhi to the local bordello. With a thriving orange export business, Jaffa had always been a city welcoming to outsiders—the “Mother of Strangers”—where Muslims, Jews, and Christians lived peacefully together. Once the bombardment of the city begins in April 1948, Suad Amiry gives us the grim but fascinating details of the shock, panic, and destruction that ensues. Jaffa becomes unrecognizable, with neighborhoods flattened, families removed from their homes and separated, and those who remain in constant danger of arrest and incarceration. Most of the population flees eastward to Jordan or by sea to Lebanon in the north or to Egypt and Gaza in the south. Subhi and Shams will never see each other again. Suad Amiry has written a vivid and devastating account of a seminal moment in the history of the Middle East—the beginning of the end of Palestine and a portrait of a city irrevocably changed. |
| dogeaters hagedorn: Tropical Renditions Christine Bacareza Balance, 2016-04-21 In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a disobedient listening that reveals how Filipino musicians challenge dominant racialized U.S. imperialist tropes of Filipinos as primitive, childlike, derivative, and mimetic. Balance disobediently listens to how the Bay Area turntablist DJ group the Invisibl Skratch Piklz bear the burden of racialized performers in the United States and defy conventions on musical ownership; to karaoke as affective labor, aesthetic expression, and pedagogical instrument; to how writer and performer Jessica Hagedorn's collaborative and improvisational authorial voice signals the importance of migration and place; and how Pinoy indie rock scenes challenge the relationship between race and musical genre by tracing the alternative routes that popular music takes. In each instance Filipino musicians, writers, visual artists, and filmmakers work within and against the legacies of the U.S./Philippine imperial encounter, and in so doing, move beyond preoccupations with authenticity and offer new ways to reimagine tropical places. |
| dogeaters hagedorn: Reading the Literatures of Asian America Shirley Lim, Amy Ling, 1992-10-19 With the recent proliferation of critically acclaimed literature by Asian American writers, this groundbreaking collection of essays provides a unique resource for students, scholars, and the general reading public. The homogeneity implied by the term Asian American is replaced in this volume with the rich diversity of highly disparate peoples. Languages, religions, races and cultural and national backgrounds. Examining a century of Asian American literature from the late 19th century up through the contemporary experimental drama of Ping Chong, the contributors address the work of writers with Chinese, Japanese, Korean, Vietnamese, Filipino, East Indian, and Pacific Island ancestry. Asian Canadian and Hawaiian literature are also considered. |
| dogeaters hagedorn: Writing Human Rights Crystal Parikh, 2017-10-17 The legal texts and aspirational ideals of human rights are usually understood and applied in a global context with little bearing on the legal discourse, domestic political struggles, or social justice concerns within the United States. In Writing Human Rights, Crystal Parikh uses the international human rights regime to read works by contemporary American writers of color—Toni Morrison, Chang-rae Lee, Ana Castillo, Aimee Phan, and others—to explore the conditions under which new norms, more capacious formulations of rights, and alternative kinds of political communities emerge. Parikh contends that unlike humanitarianism, which views its objects as victims, human rights provide avenues for the creation of political subjects. Pairing the ethical deliberations in such works as Beloved and A Gesture Life with human rights texts like the United Nations Convention Against Torture, she considers why principles articulated as rights in international conventions and treaties—such as the right to self-determination or the right to family—are too often disregarded at home. Human rights concepts instead provide writers of color with a deeply meaningful method for political and moral imagining in their literature. Affiliating transnational works of American literature with decolonization, socialist, and other political struggles in the global south, this book illuminates a human rights critique of idealized American rights and freedoms that have been globalized in the twenty-first century. In the absence of domestic human rights enforcement, these literatures provide a considerable repository for those ways of life and subjects of rights made otherwise impossible in the present antidemocratic moment. |
| dogeaters hagedorn: Cowboy Graves Roberto Bolaño, 2024-10-03 Three fiercely original tales. An unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless gift for shaping the chaos of reality into fiction is unmistakable across these three novellas. In ‘Cowboy Graves,’ Arturo Belano – Bolaño's alter ego – returns to Chile after the coup to fight with his comrades for socialism. ‘French Comedy of Horrors’ finds a seventeen-year-old recruited into a secret society of artists in the sewers of Paris. And in ‘Fatherland,’ a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence. TRANSLATED BY NATASHA WIMMER ‘His work is as vital, thrilling and life-enhancing as anything in modern fiction’ Sunday Times ‘Fascinating... A rare opportunity for the reader to witness the creation of a seemingly inexhaustible body of work’ El Pais |
| dogeaters hagedorn: Your Duck Is My Duck Deborah Eisenberg, 2018-09-25 A much-anticipated collection of brilliantly observant short stories from one of the great American masters of the form. At times raucously hilarious, at times charming and delightful, at times as solemn and mysterious as a pond at midnight, Deborah Eisenberg’s stories gently compel us to confront the most disturbing truths about ourselves—from our intimate lives as lovers, parents, and children, to our equally troubling roles as citizens on a violent, terrifying planet. Each of the six stories in Your Duck is My Duck, her first collection since 2006, has the heft and complexity of a novel. With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand. In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us. |
| dogeaters hagedorn: Asian Americans Xiaojian Zhao, Edward J.W. Park Ph.D., 2013-11-26 This is the most comprehensive and up-to-date reference work on Asian Americans, comprising three volumes that address a broad range of topics on various Asian and Pacific Islander American groups from 1848 to the present day. This three-volume work represents a leading reference resource for Asian American studies that gives students, researchers, librarians, teachers, and other interested readers the ability to easily locate accurate, up-to-date information about Asian ethnic groups, historical and contemporary events, important policies, and notable individuals. Written by leading scholars in their fields of expertise and authorities in diverse professions, the entries devote attention to diverse Asian and Pacific Islander American groups as well as the roles of women, distinct socioeconomic classes, Asian American political and social movements, and race relations involving Asian Americans. |
| dogeaters hagedorn: The Americas of Asian American Literature Rachel C. Lee, 1999-10-04 Drawing on a wide array of literary, historical, and theoretical sources, Rachel Lee addresses current debates on the relationship among Asian American ethnic identity, national belonging, globalization, and gender. Lee argues that scholars have traditionally placed undue emphasis on ethnic-based political commitments--whether these are construed as national or global--in their readings of Asian American texts. This has constrained the intelligibility of stories that are focused less on ethnicity than on kinship, family dynamics, eroticism, and gender roles. In response, Lee makes a case for a reconceptualized Asian American criticism that centrally features gender and sexuality. Through a critical analysis of select literary texts--novels by Carlos Bulosan, Gish Jen, Jessica Hagedorn, and Karen Yamashita--Lee probes the specific ways in which some Asian American authors have steered around ethnic themes with alternative tales circulating around gender and sexual identity. Lee makes it clear that what has been missing from current debates has been an analysis of the complex ways in which gender mediates questions of both national belonging and international migration. From anti-miscegenation legislation in the early twentieth century to poststructuralist theories of language to Third World feminist theory to critical studies of global cultural and economic flows, The Americas of Asian American Literature takes up pressing cultural and literary questions and points to a new direction in literary criticism. |
| dogeaters hagedorn: American Knees Shawn Wong, 2005 I cracked up reading Shawn Wong's witty, tender, wise, and sexy new novel. His lovable but ambivalent protagonist collides memorably with a cast of female characters who are a welcome change from the shrinking violets and silent martyrs we've come to expect from 'ethnic' literature. American Knees is contemporary to the bone - a highly entertaining, deftly written, provocative and moving work of fiction. -- Jessica Hagedorn, author of Dogeaters Shawn Wong is the author of the award-winning novel Homebase and an editor of several anthologies of Asian American literature, including Aiiieeeee! and The Big Aiiieeeee! He is the director of the University Honors Program at the University of Washington. Read about the movie, Americanese, based on Shawn Wong's book, at: http://www.americanesethemovie.com |
| dogeaters hagedorn: Legitimizing Empire Faye Caronan, 2015-05-30 When the United States acquired the Philippines and Puerto Rico, it reconciled its status as an empire with its anticolonial roots by claiming that it would altruistically establish democratic institutions in its new colonies. Ever since, Filipino and Puerto Rican artists have challenged promises of benevolent assimilation and portray U.S. imperialism as both self-interested and unexceptional among empires. Faye Caronan's examination interprets the pivotal engagement of novels, films, performance poetry, and other cultural productions as both symptoms of and resistance against American military, social, economic, and political incursions. Though the Philippines became an independent nation and Puerto Rico a U.S. commonwealth, both remain subordinate to the United States. Caronan's juxtaposition reveals two different yet simultaneous models of U.S. neocolonial power and contradicts American exceptionalism as a reluctant empire that only accepts colonies for the benefit of the colonized and global welfare. Her analysis, meanwhile, demonstrates how popular culture allows for alternative narratives of U.S. imperialism, but also functions to contain those alternatives. |
| dogeaters hagedorn: Heaven is Just Another Country Jaime Jacinto, 1996 |
| dogeaters hagedorn: The Greenwood Encyclopedia of Asian American Literature Guiyou Huang, 2008-12-30 Asian American literature dates back to the close of the 19th century, and during the years following World War II it significantly expanded in volume and diversity. Monumental in scope, this encyclopedia surveys Asian American literature from its origins through 2007. Included are more than 270 alphabetically arranged entries on writers, major works, significant historical events, and important terms and concepts. Thus the encyclopedia gives special attention to the historical, social, cultural, and legal contexts surrounding Asian American literature and central to the Asian American experience. Each entry is written by an expert contributor and cites works for further reading, and the encyclopedia closes with a selected, general bibliography of essential print and electronic resources. While literature students will value this encyclopedia as a guide to writings by Asian Americans, the encyclopedia also supports the social studies curriculum by helping students use literature to learn about Asian American history and culture, as it pertains to writers from a host of Asian ethnic and cultural backgrounds, including Afghans, Chinese, Japanese, Koreans, Filipinos, Iranians, Indians, Vietnamese, Hawaiians, and other Asian Pacific Islanders. The encyclopedia supports the literature curriculum by helping students learn more about Asian American literature. In addition, it supports the social studies curriculum by helping students learn about the Asian American historical and cultural experience. |
| dogeaters hagedorn: Postmodern Humanism in Contemporary Literature and Culture T. Davis, K. Womack, 2016-01-23 Davis and Womack investigate the emerging gaps between literary scholarship and the reading experience. The idea of reconciling the void - the locus of our sociocultural disillusionment and despair in an uncertain world - concerns explicit artistic attempts to represent the ways in which human beings seek out meaning, hope and community. |
| dogeaters hagedorn: Fiona and Jane Jean Chen Ho, 2023-01-03 A TIME, NPR, VOGUE, OPRAH DAILY, AND VULTURE BEST BOOK OF THE YEAR (SO FAR) One of TIME’s 100 Must-Read Books of 2022 “Ho's debut work is the perfect modern example of great American fiction. . . . You will love it.” —Jake Tapper “Intimate, cinematic. . . . The world Ho creates between the two women feels like one friend reading the other’s story, wishing she were there.” —The New York Times Book Review “[Fiona and Jane] is about an incredible lifelong friendship between two Asian American women growing up in Southern California—absolutely adored that book.” —Ailsa Chang, NPR’s “All Things Considered” “Intricately rendered. . . . Fiona and Jane celebrates a woman’s ability to be late, to show up in their own lives when and where they want to, to change their minds, to be lonely and to be in love, and to be respected regardless.” —The Washington Post A witty, warm, and irreverent book that traces the lives of two young Taiwanese American women as they navigate friendship, sexuality, identity, and heartbreak over two decades. Best friends since second grade, Fiona Lin and Jane Shen explore the lonely freeways and seedy bars of Los Angeles together through their teenage years, surviving unfulfilling romantic encounters, and carrying with them the scars of their families' tumultuous pasts. Fiona was always destined to leave, her effortless beauty burnished by fierce ambition—qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father's sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other's lives, their friendship both a beacon of home and a reminder of all they've lost. In stories told in alternating voices, Jean Chen Ho's debut collection peels back the layers of female friendship—the intensity, resentment, and boundless love—to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back. Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America. NAMED A MOST ANTICIPATED BOOK OF 2022 BY VOGUE * USA TODAY * TIME * OPRAH DAILY * PARADE * THE WASHINGTON POST * BUZZFEED * GOOD HOUSEKEEPING * MARIE CLAIRE * FORTUNE * GLAMOUR * W MAGAZINE * NYLON * BUSTLE * POPSUGAR * ELECTRIC LITERATURE * THE RUMPUS * DEBUTIFUL * AND MORE! |
| dogeaters hagedorn: Fake House Linh Dinh, 2000-09-05 Fake House, the first collection of short stories by poet Linh Dinh, explores the weird, atrocious, fond, and ongoing intimacies between Vietnam and the United States. Linked by a complicated past, the characters are driven by an intense and angry energy. The politics of race and sex anchor Dinh's work as his men and women negotiate their way in a post-Vietnam War world. Dinh has said of his own work, I incorporate a filth or uncleanness to make the picture more healthy--not to defile anything. While Fake House delves into the lives of marginal souls in two cultures, the characters' dignity lies, ultimately, in how they face the conflict in themselves and the world. |
| dogeaters hagedorn: Charlie Chan is Dead Jessica Tarahata Hagedorn, 1993 Stories by and about Asian Americans published from 1933 to the present. |
| dogeaters hagedorn: Asian American History and Culture: An Encyclopedia Huping Ling, Allan W. Austin, 2015-03-17 With overview essays and more than 400 A-Z entries, this exhaustive encyclopedia documents the history of Asians in America from earliest contact to the present day. Organized topically by group, with an in-depth overview essay on each group, the encyclopedia examines the myriad ethnic groups and histories that make up the Asian American population in the United States. Asian American History and Culture covers the political, social, and cultural history of immigrants from East Asia, Southeast Asia, South Asia, the Pacific Islands, and their descendants, as well as the social and cultural issues faced by Asian American communities, families, and individuals in contemporary society. In addition to entries on various groups and cultures, the encyclopedia also includes articles on general topics such as parenting and child rearing, assimilation and acculturation, business, education, and literature. More than 100 images round out the set. |
| dogeaters hagedorn: The Book of Salt Monique Truong, 2004 Considering whether he will accompany his employers, Gertrude Stein and Alice B. Toklas, to America, a personal cook remembers his youth in French-colonial Vietnam, his years as a galley hand at sea, and his days cooking for the doyennes of the Lost Generation. Reader's Guide available. Reprint. |
| dogeaters hagedorn: Historical Dictionary of Asian American Literature and Theater Wenying Xu, 2012-04-12 The Historical Dictionary of Asian American Literature and Theater covers the history of Asian American literature and theater through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on authors, books, and genres. This book is an excellent access point for students, researchers, and anyone wanting to know more about this important topic. |
| dogeaters hagedorn: Beyond the Nation Martin Joseph Ponce, 2012-02-01 Part of the American Literatures Initiative Series Beyond the Nation charts an expansive history of Filipino literature in the U.S., forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. Beyond the Nation considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. Ponce elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities. |
| dogeaters hagedorn: Sons and Other Flammable Objects Porochista Khakpour, 2007 Khakpour delivers a unique and powerful first novel, with rolling storytelling cadences and a wry wit, that is at once a comedy and a tragedy, a family history and a modern coming-of-age story with a distinctly timeless resonance. |
| dogeaters hagedorn: Radical Representations Barbara Foley, 1993 In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics. Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of writers to the organized left. Her grasp of the left's positions on the Negro question and the woman question enables a nuanced analysis of the relation of class to race and gender in the proletarian novel. Moreover, examining the articulation of political doctrine in different novelistic modes, Foley develops a model for discussing the interplay between politics and literary conventions and genres. Radical Representations recovers a literature of theoretical and artistic value meriting renewed attention form those interested in American literature, American studies, the U. S. left, and cultural studies generally. |
| dogeaters hagedorn: In the Country Mia Alvar, 2016 A powerful, globe-trotting debut short-story collection from an exciting new writer--vivid, character-driven stories about Filipinos from every walk of life. Mia Alvar's stunning debut gives us a vivid, insightful picture of the Filipino diaspora: exiles and emigrants and wanderers uprooting their families to begin new lives in the Middle East and America--and, sometimes, turning back. One man smuggles drugs from his pharmacy in New York to Manila for his ailing father, only to discover an alarming truth about his mother. A woman living in Bahrain faces a challenge that compels her to question her marriage. A college student in Manila struggling to write fiction knows that her brother, who has gone abroad to make money, is the one living a life that stories are made of. The novella-length title story follows the unexpected fates of a journalist and a nurse during the 1970s labor strikes in Manila. Exploring the universal experience of loss, displacement, and the longing to connect across borders both real and imagined, In the Country speaks to the heart of everyone who has ever searched for a place to call home-- |
| dogeaters hagedorn: Asian American Playwrights Miles Liu, 2002-05-30 In the late nineteenth century, Asian American drama made its debut with the spotlight firmly on the lives and struggles of Asians in North America, rather than on the cultures and traditions of the Asian homeland. Today, Asian American playwrights continue to challenge the limitations of established theatrical conventions and direct popular attention toward issues and experiences that might otherwise be ignored or marginalized. While Asian American literature came into full bloom in the last 25 years, Asian American drama has yet to receive the kind of critical attention it warrants. This reference book serves as a versatile vehicle for exploring the field of Asian American drama from its recorded conception to its present stage. Included are alphabetically arranged entries for 52 Asian American dramatists of origins from India, Pakistan, Vietnam, the Philippines, Japan, Korea, and China. Each entry includes relevant biographical information that contextualizes the works of a playwright, an interpretive description of selected plays that spotlights recurring themes and plots, a summary of the playwright's critical reception, and a bibliography of primary and secondary works. The entries are written by expert contributors and reflect the ethnic diversity of the Asian American community. The volume closes with a selected, general bibliography, which includes anthologies, scholarly studies, and periodicals. |
| dogeaters hagedorn: Family Lexicon Natalia Ginzburg, 2017-04-25 A masterpiece of European literature that blends family memoir and fiction An Italian family, sizable, with its routines and rituals, crazes, pet phrases, and stories, doubtful, comical, indispensable, comes to life in the pages of Natalia Ginzburg’s Family Lexicon. Giuseppe Levi, the father, is a scientist, consumed by his work and a mania for hiking—when he isn’t provoked into angry remonstration by someone misspeaking or misbehaving or wearing the wrong thing. Giuseppe is Jewish, married to Lidia, a Catholic, though neither is religious; they live in the industrial city of Turin where, as the years pass, their children find ways of their own to medicine, marriage, literature, politics. It is all very ordinary, except that the background to the story is Mussolini’s Italy in its steady downward descent to race law and world war. The Levis are, among other things, unshakeable anti-fascists. That will complicate their lives. Family Lexicon is about a family and language—and about storytelling not only as a form of survival but also as an instrument of deception and domination. The book takes the shape of a novel, yet everything is true. “Every time that I have found myself inventing something in accordance with my old habits as a novelist, I have felt impelled at once to destroy [it],” Ginzburg tells us at the start. “The places, events, and people are all real.” |
| dogeaters hagedorn: Concerto Al-Quds Adūnīs, 2017-01-01 A cri de coeur or fully imagined poem on the myth and history of Jerusalem/Al-Quds from the author revered as the greatest living Arabic poet At the age of eighty-six, Adonis, an Arabic poet with Syrian origins, a critic, an essayist, and a devoted secularist, has come out of retirement to pen an extended, innovative poem on Jerusalem/Al-Quds. It is a hymn to a troubled city embattled by the conflicting demands of Jews, Christians, and Muslims. Adonis's city, as a coveted land, ought to suggest the universal love of humanity; as a land of tragedy, a place of contending history and beliefs, and a locus of bitterness, conflict, hatred, rivalry, and blood. Wrapping multiple voices, historical references, and political viewpoints within his ecstatic lyricism, Adonis has created a provocative work of unique beauty and profound wisdom, beautifully rendered in English by award-winning poet Khaled Mattawa. |
| dogeaters hagedorn: Transitive Cultures Christopher B. Patterson, 2018-04-02 Winner of the 2020 Shelley Fisher Fishkin Prize from the American Studies Association Texts written by Southeast Asian migrants have often been read, taught, and studied under the label of multicultural literature. But what if the ideology of multiculturalism—with its emphasis on authenticity and identifiable cultural difference—is precisely what this literature resists? Transitive Cultures offers a new perspective on transpacific Anglophone literature, revealing how these chameleonic writers enact a variety of hybrid, transnational identities and intimacies. Examining literature from Malaysia, Singapore, and the Philippines, as well as from Southeast Asian migrants in Canada, Hawaii, and the U.S. mainland, this book considers how these authors use English strategically, as a means for building interethnic alliances and critiquing ruling power structures in both Southeast Asia and North America. Uncovering a wealth of texts from queer migrants, those who resist ethnic stereotypes, and those who feel few ties to their ostensible homelands, Transitive Cultures challenges conventional expectations regarding diaspora and minority writers. |
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