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| dionne brand poems: The Blue Clerk Dionne Brand, 2018-09-18 Dionne Brand, author of the Griffin Poetry Prize-winning collection Ossuaries, returns with a startlingly original work about the act of writing itself. On a lonely wharf a clerk in an ink blue coat inspects bales and bales of paper that hold a poet's accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained. In The Blue Clerk award-winning poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Keipja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges. Through these essay poems, Brand explores memory, language, culture, and time, offering beautiful and jarring juxtapositions (The Wire is the latest version of The Adventures of Huckleberry Finn), and endlessly haunting language (On a road like this you don't know where you are. Whether you have arrived or whether you are still on your way. Whether you are still at the beginning or at the end. You are in the middle all the time. What would be the sign?). An essential observer and one of the most accomplished poets writing today, Dionne Brand's latest engages intimately with the act and difficulty of writing, the relationship between the author and the world, and the relationship between the author and art. Profound, moving, and wise in equal parts, The Blue Clerk is a work of staggering intellect and imagination, and a truly sublime piece of writing from one of Canada's most renowned, honoured, and bestselling poets. |
| dionne brand poems: The Blue Clerk Dionne Brand, 2018-08-23 On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges. Through these essay poems, Brand explores memory, language, culture, and time while intimately interrogating the act and difficulty of writing, the relationship between the poet and the world, and the link between author and art. Inviting the reader to engage with the resonant meanings of the withheld, Brand offers a profound and moving philosophy of writing and a wide-ranging analysis of the present world. |
| dionne brand poems: Land to Light on Dionne Brand, 2001 Brand writes about Canada as it is seen by an outsider and about the outsiders who have come here over and settled over the years, uncomfortable with the land and its people, uncomfortable sometimes with themselves. Winner of the 1997 Governor General's Award for English poetry. |
| dionne brand poems: Fierce Departures Dionne Brand, 2009 The selections in Fierce Departures, drawn from Dionne Brand s work since 1997, delineate with searing eloquence how history marks and dislocates peoples of the African diaspora, how nations, concretely and conceptually, fail to create safe haven, and how human desire persists nevertheless. Through a widening canvas, Brand unfolds the (im)possibilities of belonging for those whom history has dispossessed. Yet she also shows how Canada, and in particular Toronto, remade by those who alight on it, is a place of contingency. Known for her linguistic intensity and lyric brilliance, Brand consoles through the beauty of her work and disturbs with its uncompromising demand for ethical witness. In her introduction, editor Leslie C. Sanders traces the evolution of Brand s poetic concerns and changing vision. In particular, she observes Brand s complex use of landscape and language to delineate the ethical and emotional issues around the desire for place. She argues that Brand reformulates Northrop Frye s question Where is here?, disturbing and expanding the national imaginary. As afterword, Brand has selected passages from her evocative collection of essays A Map to the Door of No Return. Read as an ars poetica, the passages summon the presences of those whose lives are circumscribed by the histories the poet narrates as her own. |
| dionne brand poems: Inventory Dionne Brand, 2006-03-28 In Dionne Brand’s incantatory, deeply engaged, beautifully crafted long poem, the question is asked, What would an inventory of the tumultuous early years of this new century have to account for? Alert to the upheavals that mark those years, Brand bears powerful witness to the seemingly unending wars, the ascendance of fundamentalisms, the nameless casualties that bloom out from near and distant streets. An inventory in form and substance, Brand’s poem reckons with the revolutionary songs left to fragment, the postmodern cities drowned and blistering, the devastation flickering across TV screens grown rhythmic and predictable. Inventory is an urgent and burning lamentation. |
| dionne brand poems: Theory Dionne Brand, 2018-09-18 A smart, sensual and witty novel about what happens when love and intellect are set on a collision course. This compact tour de force affirms Dionne Brand's place as one of Canada's most dazzling and influential artists. Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics—a revolutionary work that its author believes will synthesize and thereby transform the world. While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavour: first, there is beautiful and sensual Selah, who scoffs at the narrator's constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally, spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head and the spirit) upends and reorients the narrator's life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant. By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender—and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves. A gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write. |
| dionne brand poems: Nomenclature: New and Collected Poems Dionne Brand, 2022-08-23 An immense achievement, comprising a decades-long career—new and collected poetry from one of Canada’s most honoured and significant poets. Los Angeles Times Book Prize for Poetry, Winner Toronto Book Award, Shortlist Spanning almost four decades, Dionne Brand’s poetry has given rise to whole new grammars and vocabularies. With a profound alertness that is attuned to this world and open to some other, possibly future, time and place, Brand’s ongoing labours of witness and imagination speak directly to where and how we live and reach beyond those worlds, their enclosures, and their violences. Nomenclature: New and Collected Poems begins with a new long poem, the titular Nomenclature for the Time Being, in which Dionne Brand’s diaspora consciousness dismantles our quotidian disasters. In addition to this searing new work, Nomenclature collects eight volumes of Brand’s poetry published between 1982 and 2010 and includes a critical introduction by the literary scholar and theorist Christina Sharpe. Nomenclature: New and Collected Poems, features the searching and centering cantos of Primitive Offensive; the sharp musical conversations of Winter Epigrams and Epigrams to Ernesto Cardenal in Defense of Claudia; the documentary losses of revolutions in Chronicles of the Hostile Sun, in which “The street was empty/with all of us standing there.” No Language Is Neutral reads language, coloniality, and sexuality as a nexus. Land to Light On writes intimacies and disaffections with nation, while in thirsty a cold-eyed flâneur surveys the workings of the city. In Inventory, written during the Gulf Wars, the poet is “the wars’ last and late night witness,” her job not to soothe but to “revise and revise this bristling list/hourly.” Ossuaries’ futurist speaker rounds out the collection, and threads multiple temporal worlds—past, present, and future. This masterwork displays Dionne Brand’s ongoing body of thought—trenchant, lyrical, absonant, discordant, and meaning-making. Nomenclature: New and Collected Poems is classic and living, a record of one of the great writers of our age. |
| dionne brand poems: Inventory Dionne Brand, 2013-11-26 In Dionne Brand’s incantatory, deeply engaged, beautifully crafted long poem, the question is asked, What would an inventory of the tumultuous early years of this new century have to account for? Alert to the upheavals that mark those years, Brand bears powerful witness to the seemingly unending wars, the ascendance of fundamentalisms, the nameless casualties that bloom out from near and distant streets. An inventory in form and substance, Brand’s poem reckons with the revolutionary songs left to fragment, the postmodern cities drowned and blistering, the devastation flickering across TV screens grown rhythmic and predictable. Inventory is an urgent and burning lamentation. |
| dionne brand poems: This Will Be Good Mallory Tater, 2018 Intro -- Copyright -- Dedication -- The Lessening -- First Storm -- Bedroom Crucifix -- Sitter -- Morning -- Such Talented Girls -- Early For The Fire -- Witches -- Good Fruit -- All Things Wasting -- Unbendable Light -- New Girls Follow -- In Such Humidity -- Secret Washing -- Gold Course -- Insomnia In Two Parts -- This Will Be Good -- Sedona -- Someday Scattered -- The Losing -- Fever -- I Don't Know How To Be A Hungry Woman -- Blue Tuesday -- Sestina For The Losing -- Houses -- Ottawa General: Eating Disorder Ward -- Period -- Skeleton -- Tidy The Guilt -- What We No Longer Want -- The Losses -- My Mother's Father -- Maternity Jacket -- On The Train To Royal Columbian Hospital -- Rahila Corches -- Widower -- That Childhood Street -- Girl At The Ice Rink -- Not Yet In Season -- Stop Bath -- With Him In Secret -- Loss Is Loss -- What Was Worse -- Bad Wool -- Copper Intrauterine Device -- Hannah's Party I -- Hannah's Party Ii -- L'eclipse Totale Du Coeur -- Dying Place -- Dying Place -- Acknowledgements -- About The Author -- Colophon |
| dionne brand poems: Writing Lovers Méira Cook, 2005 Is it possible to capture something as ephemeral as love with mere words? Méira Cook draws on Lacan, Derrida, Barthes, and Kristeva to wrestle with the theoretical problems of representing the unrepresentable. In Writing Lovers she searches for a language adequate to articulating the discourse of passion, desire, and longing in the love poetry of Dionne Brand, Elizabeth Smart, Daphne Marlatt, Dorothy Livesay, Kristjana Gunnars, and Nicole Markotic.In writings by the French post-structuralists, rhetorical tropes such as speechlessness, fragmentation, and deflection testify to the writer's difficulty in broaching the subject of love. Similarly, Cook shows that love poetry proceeds out of a profound failure of language resulting from the opacity of discourse, its lack of neutrality, or the fugitive transparency of reference. Writing Lovers also explores race, ethnicity, age, and sexual identity within the context of the passionate excesses of amatory discourse. |
| dionne brand poems: Love Enough Dionne Brand, 2015-05-05 From our acclaimed poet and novelist: a gem of a novel that sizzles about love—between lovers, between friends, and for the places we live in—and pays homage to each moment of experience. Love lasted only one year but the time felt like several springs strung together. In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here—June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another. The young man Bedri experiences the terrible isolation brought about by an act of violence, while his father, Da'uud, casualty of a geopolitical conflict, driving a taxi, is witness to curious gestures of love and anger; Lia faces the sometimes unbridgeable chasms of family; and fierce June, ambivalent and passionate with her string of lovers, now in middle age discovers: There is nothing universal or timeless about this love business. It is hard if you really want to do it right. Brand is our greatest observer—of actions, of emotions, of the little things that often go unnoticed but can mean the turn of a day. At once lucid and dream-like, Love Enough is a profoundly modern work that speaks to the most fundamental questions of how we live now. |
| dionne brand poems: In Another Place, Not Here Dionne Brand, 2000 A Caribbean immigrant in Toronto returns to her island, where she meets a woman hoping to escape into a better life. |
| dionne brand poems: What We All Long For Dionne Brand, 2008-11-25 Gripping at times, heartrending at others, What We All Long For is an ode to a generation of longing and identity, and to the rhythms and pulses of a city and its burgeoning, questioning youth. Dionne Brand's multicultural infusion follows the stories of a close circle of twenty-something second-generations living in downtown Toronto—and the secrets they hide from their families. Tuyen is a lesbian avant-garde artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends—each of whom is grappling with their own familial complexities and heartache. Tuyen is love with her best friend Carla, a biracial bicycle courier. Oku is a jazz-loving poet who, unbeknowst to his Jamaican-born parents, has dropped out of college. He is tormented by his unrequited love for Jackie, a gorgeous black woman who runs a hiphop clothing store. Meanwhile, Tuyen's lost brother, Quy—now a criminal in the Thai underworld—sets out for Toronto to find his long-lost family. Gripping at times, heart-wrenching at others, Dionne Brand's What We All Long For is a story of identity, love and loss—the universal experience of being human, and discovering the nature of our longing. |
| dionne brand poems: An Autobiography of the Autobiography of Reading Dionne Brand, 2020-01-08 The geopolitics of empire had already prepared me for this…coloniality constructs outsides and insides—worlds to be chosen, disturbed, interpreted, and navigated—in order to live something like a real self. Internationally acclaimed poet and novelist Dionne Brand reflects on her early reading of colonial literature and how it makes Black being inanimate. She explores her encounters with colonial, imperialist, and racist tropes; the ways that practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own expression and its own consciousness. |
| dionne brand poems: Palace of the Peacock (Faber Editions) Wilson Harris, 2021-11-02 The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ... 'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' T sitsi Dangarembga 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey 'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil 'The Guyanese William Blake . Such poetic intensity.' Angela Carter I dreamt I awoke with one dead seeing eye and one living closed eye ... A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers. 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Amazing ... Masterly ... Near-miraculous.' Observer 'Staggering ... Both brilliant and terrifying.' The Times 'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville |
| dionne brand poems: Come Back to Me My Language J. Edward Chamberlin, 1993 Combining the African sources and British colonial traditions, this poetry shares its roots with rap and reggae and has the same hold on the popular imagination. It discusses the work of more than thirty poets and performers and gives detailed analyses of the major ones. |
| dionne brand poems: The Dyzgraphxst Canisia Lubrin, 2020-03-24 Windham-Campbell Prize, Winner OCM Bocas Prize for Caribbean Literature, Winner OCM Bocas Prize for Caribbean Literature Poetry, Winner Griffin Poetry Prize, Winner Derek Walcott Prize for Poetry, Winner Rebel Women Lit Caribbean Readers' Awards, Finalist Governor General's Literary Award for Poetry, Finalist Trillium Book Award for Poetry, Finalist Raymond Souster Award, Longlist Pat Lowther Memorial Award, Longlist Quill & Quire 2020 Books of the Year: Editor’s Picks CBC Best Canadian Poetry of 2020 Winnipeg Free Press Top 10 Poetry Picks of 2020 The Paris Review, Contributor's Edition, Best Books of 2020 The Dyzgraphxst presents seven inquiries into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me. |
| dionne brand poems: Kitten's Spring Eugenie Fernandes, 2012-03 A young kitten explores the wilderness as other animals celebrate spring. On board pages. |
| dionne brand poems: Magnetic Equator Kaie Kellough, 2019-03-26 An original, inventive--and visually stunning--exploration of place, identity, language, and experience from the acclaimed poet, novelist, and sound performer. GRIFFIN POETRY PRIZE WINNER QWF A.M. KLEIN PRIZE FOR POETRY FINALIST The poems in Kaie Kellough's third collection drift between South and North America. They seek their ancestry in Georgetown, Guyana, in the Amazon Rainforest, and in the Atlantic Ocean. They haunt the Canadian Prairie. They recall the 1980s in the suburbs of Calgary, and they reflect on the snowed-in, bricked-in boroughs of post-referendum Montréal. They puzzle their language together from the natural world and from the works of Caribbean and Canadian writers. They reassemble passages about seed catalogues, about origins, about finding a way in the world, about black ships sailing across to land. They struggle to explain a state of being hemisphered, of being present here while carrying a heartbeat from elsewhere, and they map the distances travelled. |
| dionne brand poems: Refusing Heaven Jack Gilbert, 2009-04-02 More than a decade after Jack Gilbert’s The Great Fires, this highly anticipated new collection shows the continued development of a poet who has remained fierce in his avoidance of the beaten path. In Refusing Heaven, Gilbert writes compellingly about the commingled passion, loneliness, and sometimes surprising happiness of a life spent in luminous understanding of his own blessings and shortcomings: “The days and nights wasted . . . Long hot afternoons / watching ants while the cicadas railed / in the Chinese elm about the brevity of life.” Time slows down in these poems, as Gilbert creates an aura of curiosity and wonder at the fact of existence itself. Despite powerful intermittent griefs–over the women he has parted from or the one lost to cancer (an experience he captures with intimate precision)–Gilbert’s choice in this volume is to “refuse heaven.” He prefers this life, with its struggle and alienation and delight, to any paradise. His work is both a rebellious assertion of the call to clarity and a profound affirmation of the world in all its aspects. It braces the reader in its humanity and heart. |
| dionne brand poems: Bikeman Thomas F. Flynn, 2008-08 On September 11, 2001, journalist Tom Flynn set off on his bike toward the World Trade Towers not knowing what he was riding into. Bikeman is one man's journey back to the horrors of that day and to the humanity that somehow emerged from the dust and the death. Both heartbreaking and haunting, his words will stay with you like that 'forever September morning.' --Meredith Vieira, NBC's Today Tom Flynn brings to his subject three invaluable attributes: the eye of a seasoned journalist, the soul of a poet, and his stunning, first-hand experience of that horrific day. --David Friend, Vanity Fair From Bikeman: The dead from here are my forever companions I am their pine box, their marble reliquary, their bronze urn, the living, breathing coffin they never had, their final resting place without a stone. I move on at peace. Modeled on Dante's Inferno, veteran journalist Thomas Flynn's Bikeman chronicles the morning of September 11, 2001 like no other published work. Flynn delivers a personal account of his experiences beginning with the first strike on the World Trade Center when he decided to follow his journalist's instinct and point his bike's handlebars in the direction of the north tower. His story continues as he transitions from reporter to participant hoping to survive the fall of the south tower. Now Flynn, as both journalist and now survivor, must come to terms with the harrowing ordeal and somehow find peace in the very act of surviving. Part journalist's record, part survivor's eulogy, Flynn writes: Survival is the absence of death. It is a subdued, a hushed existence. . . I live to talk about it, to relate the tale as it happens, not only its extremities and cruelty, but also the goodness that flourishes too. |
| dionne brand poems: Sans Souci Dionne Brand, 2023-04-25 The breathtaking debut short story collection—first published in 1989—from one of Canada's most original and influential writers. Newly available in a special reissue edition from Knopf Canada. “This is political art at its searing best.”—The Women's Review of Books Since her the appearance of her novel In Another Place, Not Here, which was a New York Times Notable Book in 1998, award-winning author Dionne Brand has become one of the most revered figures in Canadian fiction. Sans Souci is Brand’s bold fiction debut, collecting eleven stories that breathe life and language into the lives of women in the Caribbean and the Black diaspora, often dealing with the process—and aftermath—of transit and arrival. Brand’s fiction dissects sexual violence, racial prejudice, and war, while attending to the full spectrum of experiences of those who live in the shadow of a shared colonial past—experiences encompassing both joy and sorrow, release and constraint. Now available for the first time in more than a decade, Sans Souci and Other Stories is a foundational work from one of our most cherished literary artists and thinkers. |
| dionne brand poems: At the Full and Change of the Moon Dionne Brand, 2000-08-14 Named one of the Los Angeles Times' Ten Best Books of the Year, Brand's second novel begins in 1824 Trinidad and spans over 100 years detailing a family's tragic history. |
| dionne brand poems: Fore Day Morning Dionne Brand, 1978 |
| dionne brand poems: Infinite Citizen of the Shaking Tent Liz Howard, 2015-04-14 Winner of the 2016 Griffin Poetry Prize A stunning debut book of poems from a bold new voice unafraid to engage with the exigencies of our contemporary world. In Liz Howard’s wild, scintillating debut, the mechanisms we use to make sense of our worlds – even our direct intimate experiences of it – come under constant scrutiny and a pressure that feels like love. What Howard can accomplish with language strikes us as electric, a kind of alchemy of perception and catastrophe, fidelity and apocalypse. The waters of Northern Ontario shield country are the toxic origin and an image of potential. A subject, a woman, a consumer, a polluter; an erotic force, a confused brilliance, a very necessary form of urgency – all are loosely tethered together and made somehow to resonate with our own devotions and fears; made “to be small and dreaming parallel / to ceremony and decay.” Liz Howard is what contemporary poetry needs right now. |
| dionne brand poems: Voodoo Hypothesis Canisia Lubrin, 2017 Voodoo Hypothesis is a subversion of the imperial construct of blackness and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of evil and savagery. Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary black experience? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself. |
| dionne brand poems: Wood Mountain Poems Andrew Suknaski, 2006 Description not found. |
| dionne brand poems: Sonnet's Shakespeare Sonnet L'Abbe, 2019-08-20 Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use the master's tools on the Bard's house, attempting to dismantle his monumental place in her pysche and in the poetic canon. In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one aggrocultured Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance. |
| dionne brand poems: Where the Words Come from Tim Bowling, 2002 In April, 2000, when the celebrated Canadian poet Al Purdy died, Alberta writer Tim Bowling decided that the best way to pay homage to Purdy would be to devote an entire book to the many fine poets still living and writing in Canada. Where the Words Come From is a comprehensive collection of eighteen interviews, in each of which a younger, less widely known poet questions an older, more established peer on a wide range of issues related to what Chaucer called the craft so long to learn. Why does a person become a poet? Where do the ideas for poems originate? How do poets feel about such matters as publication, reviews and prizes? What influences and interests drive a poet's creativity? And what value does poetry have for the individual and for the community at large? Poets are rarely given such an opportunity to discuss what matters to them most in their art, and this alone makes Where the Words Come From an important contribution to Canadian culture. But, in addition, the bringing together of generations, from poets in their late twenties to those in their mid eighties, and including all the decades in between, makes this gathering of voices a unique representation of the past, present, and future of poetry in Canada. Among the poets interviewed are many of the most honoured who have ever published in this country: P.K. Page, Margaret Avison, Phyllis Webb, Don Coles, Don McKay, Margaret Atwood, Michael Ondaatje and Patrick Lane. And the poets asking the questions form the nucleus of Canada's poetry future, including Stephanie Bolster, Carmine Starnino, Ken Babstock, Helen Humphreys, David O'Meara and Julie Bruck. A highly readable treasure trove of talk and insight for affirmed fans of Canadian poetry, as well as for anyone interested in learning more about this most intriguing of art forms, Where the Words Come From celebrates over a half-century of wonderful writing while it looks ahead to a future that promises continued excitement and excellence. |
| dionne brand poems: The January Children Safia Elhillo, 2017 Sillerman First Book Prize for African Poets 2018 Arab American Book Award Winner, Poetry A taut debut collection of heartfelt poems.--Publishers Weekly In her dedication Safia Elhillo writes, The January Children are the generation born in Sudan under British occupation, where children were assigned birth years by height, all given the birth date January 1. What follows is a deeply personal collection of poems that describe the experience of navigating the postcolonial world as a stranger in one's own land. The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan's history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani--an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds. No longer content to accept manmade borders, Elhillo navigates a new and reimagined world. Maintaining a sense of wonder in multiple landscapes and mindscapes of perpetually shifting values, she leads the reader through a postcolonial narrative that is equally terrifying and tender, melancholy and defiant. |
| dionne brand poems: Settler Education Laurie D. Graham, 2016-03-22 A tone-perfect elegiac meditation on the impossibility of engaging with painful history and the necessity of doing so. – Margaret Atwood, Thomas Morton Memorial Prize for Poetry In the stunning poems of Settler Education, Laurie D. Graham vividly explores the Plains Cree uprising at Frog Lake -- the death of nine settlers, the hanging of six Cree warriors, the imprisonment of Big Bear, and the opening of the Prairies to unfettered settlement. In ways possible only with such an honest act of imagination, and with language at once terse and capacious, Settler Education reckons with how these pasts repeat and reconstitute themselves in the present. |
| dionne brand poems: Heavenly Questions Gjertrud Schnackenberg, 2011-09 'Heavenly Questions' is a setting of six long poems of passion, mourning and redemption. Shifting effortlessly between the lyric and the epic, it is her most deeply compassionate and strikingly personal book of poetry as well as a powerful work of intellectual, aesthetic and technical innovation. |
| dionne brand poems: Whereas Layli Long Soldier, 2019-04-18 'I was blown away by Layli Long Soldier's WHEREAS.' Maggie Nelson, author of The Argonauts WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. A POETRY BOOK SOCIETY SPECIAL COMMENDATION. 'In what is clearly a golden age for American poetry, Layli Long Soldier has to be out in front – one of the best collections of the century.' Andrew McMillan |
| dionne brand poems: Motion in Poetry Motion, 2002 Motion in Poetry charts a journey in language that is rich in contemporary African-Canadian rhythms. Invoking the spirit of Toronto's dub poet legends, Brathwaite makes a name for herself within the spoken word vernacular, while in other poems, strict, Standard English is put to the service of her unique and powerful storytelling. Motion in Poetry reads like a swaying ride through life, love, raw desire, political irony, fiery emotions about race, class and gender, touching sadness and sweet, dry humour. |
| dionne brand poems: Bleeding Light Sheniz Janmohamed, 2010 Bleeding Light is a collection of poems in ghazal form that traces the steps of a woman's journey through night. She knows that in order to witness dawn, she has to travel through dusk first. Throughout her journey, she is caught between West and East, religion and heresy, love and anti-love, darkness and the knowledge of light. Each couplet is an independent thought and reflection, a pearl strung into a necklace. Bleeding Light is fraught with opposing, stark and often violent imagery heavily influenced by Sufi philosophy. |
| dionne brand poems: Bread Out of Stone Dionne Brand, 2019-10-08 An evocative and insightful essay collection, Bread Out of Stone brings Dionne Brand’s signature unflinching eye and personal history to issues of sex, sexism and sexual autonomy; politics, community and the centrality of whiteness in Canadian culture; diaspora and immigration; violence and stereotypes; racial imagination; and music, art, literature and freedom. First published in 1998, this edition includes a new introduction from the critically acclaimed writer. These prescient essays, whose bearing still have a tight grip in contemporary culture, offer commentary and criticism in Brand’s uniquely poetic and unimpeachable way. |
| dionne brand poems: A Kind of Perfect Speech Dionne Brand, Malaspina University College. Institute for Coastal Research, 2008-04-01 |
| dionne brand poems: Ossuaries Dionne Brand, 2010-03-30 Dionne Brand’s hypnotic, urgent long poem is about the bones of fading cultures and ideas, about the living museums of spectacle where these bones are found. At the centre of Ossuaries is the narrative of Yasmine, a woman living an underground life, fleeing from past actions and regrets, in a perpetual state of movement. She leads a solitary clandestine life, crossing borders actual (Algiers, Cuba, Canada), and timeless. Cold-eyed and cynical, she contemplates the periodic crises of the contemporary world. This is a work of deep engagement, sensuality, and ultimate craft from an essential observer of our time and one of the most accomplished poets writing today. |
Dionne Warwick - Wikipedia
Marie Dionne Warwick (/ diˈɒn ˈwɔːrwɪk / dee-ON WOR-wik; [1] born Marie Dionne Warrick; December 12, 1940) is an American singer, actress, and television host.
Dionne Warwick - That's What Friends Are For - YouTube
Dionne Warwick's official music video for 'That's What Friends Are For' ft. Elton John, Gladys Knight & Stevie Wonder. Click to listen to Dionne Warwick on Spotify: http://smarturl.it ...
Dionne Warwick - Songs, Age & Albums - Biography
Apr 2, 2014 · Soul singer Dionne Warwick became a superstar with early hits like "Walk On By" and "I Say a Little Prayer," and later with albums like 'Dionne and Heartbreaker.'
Music | Dionne Warwick
Dionne Warwick, a six-time Grammy Award-winning singer, actress, television host, and former United Nations Global Ambassador for the Food and Agriculture Organization and United …
Dionne Warwick prepares for one of the final performances at
5 hours ago · EAST ORANGE, N.J. (PIX11) — East Orange superstar and legend Dionne Warwick has done it all. Now she is at the Apollo, one of the final performances before the …
Music legend Dionne Warwick to perform at Apollo Theater
13 hours ago · NY1 is celebrating Black Music Month with a profile of Grammy-winning artist and Rock & Roll Hall of Fame inductee Dionne Warwick. The music legend will perform at the …
Dionne Warwick returns to the Apollo for one night only - MSN
1 day ago · In honor of Black Music Month, Grammy-winning icon and Rock & Roll Hall of Fame inductee Dionne Warwick takes center stage at Harlem's legendary Apollo Theater for "Dionne …
Exclusive: Dionne Warwick Opens Up About Her Legacy And …
Oct 18, 2024 · When it comes to icons in music, the legendary Dionne Warwick is a “one-of-one.” In a career that has spanned more than six decades, Warwick is the second-most charted …
Dionne Warwick - Biography - IMDb
Dionne Warwick was born on December 12, 1940 in East Orange, New Jersey, USA. She is an actress and producer, known for Alive (1993), The Happytime Murders (2018) and Bird Box …
'Music Royalty' Singer, 84, Leaves Fans Breathless at Concert
Jun 3, 2025 · Singer Dionne Warwick has been captivating fans for decades with her incredible and powerful voice, and there's no denying that she's true "music royalty." With iconic songs …
Dionne Warwick - Wikipedia
Marie Dionne Warwick (/ diˈɒn ˈwɔːrwɪk / dee-ON WOR-wik; [1] born Marie Dionne Warrick; December 12, 1940) is an American singer, actress, and television host.
Dionne Warwick - That's What Friends Are For - YouTube
Dionne Warwick's official music video for 'That's What Friends Are For' ft. Elton John, Gladys Knight & Stevie Wonder. Click to listen to Dionne Warwick on Spotify: http://smarturl.it ...
Dionne Warwick - Songs, Age & Albums - Biography
Apr 2, 2014 · Soul singer Dionne Warwick became a superstar with early hits like "Walk On By" and "I Say a Little Prayer," and later with albums like 'Dionne and Heartbreaker.'
Music | Dionne Warwick
Dionne Warwick, a six-time Grammy Award-winning singer, actress, television host, and former United Nations Global Ambassador for the Food and Agriculture Organization and United …
Dionne Warwick prepares for one of the final performances at
5 hours ago · EAST ORANGE, N.J. (PIX11) — East Orange superstar and legend Dionne Warwick has done it all. Now she is at the Apollo, one of the final performances before the …
Music legend Dionne Warwick to perform at Apollo Theater
13 hours ago · NY1 is celebrating Black Music Month with a profile of Grammy-winning artist and Rock & Roll Hall of Fame inductee Dionne Warwick. The music legend will perform at the …
Dionne Warwick returns to the Apollo for one night only - MSN
1 day ago · In honor of Black Music Month, Grammy-winning icon and Rock & Roll Hall of Fame inductee Dionne Warwick takes center stage at Harlem's legendary Apollo Theater for "Dionne …
Exclusive: Dionne Warwick Opens Up About Her Legacy And …
Oct 18, 2024 · When it comes to icons in music, the legendary Dionne Warwick is a “one-of-one.” In a career that has spanned more than six decades, Warwick is the second-most charted …
Dionne Warwick - Biography - IMDb
Dionne Warwick was born on December 12, 1940 in East Orange, New Jersey, USA. She is an actress and producer, known for Alive (1993), The Happytime Murders (2018) and Bird Box …
'Music Royalty' Singer, 84, Leaves Fans Breathless at Concert
Jun 3, 2025 · Singer Dionne Warwick has been captivating fans for decades with her incredible and powerful voice, and there's no denying that she's true "music royalty." With iconic songs …
