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| dr strangelove book: Red Alert Peter Bryant, 2018-11-10 This book was originally published in the U.K. under the title Two Hours to Doom (written by Peter Bryant, the penname of writer Peter George). This intricately plotted and well-thought out novel conjures the vision of apocalyptic threat of nuclear war and illustrates just how absurdly easy such an attack can be triggered. Dr. Strangelove is based on the novel. |
| dr strangelove book: Dr. Strangelove Peter George, 2000 A novelisation of a screenplay in which a mad scientist brings about a nuclear holocaust, resulting in frantic telephone calls being made between the White House and the Kremlin. From the author of RED ALERT. |
| dr strangelove book: Dr. Strangelove Peter George, 2016-10-27 ...U.S. GENERAL RUNS AMUCK... ...H-BOMBERS ATTACK RUSSIA... PRESIDENT AND RED PREMIER IN HOT-LINE STRUGGLE TO SAVE WORLD Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, more commonly known as Dr. Strangelove, is a 1963 political satire black comedy that satirizes the Cold War fears of a nuclear conflict between the USSR and the USA. The novel, written by Peter George, is based on a screenplay by Stanley Kubrick, Peter George and Terry Southern, which was released as a film—directed, produced, and co-written by Stanley Kubrick, starring Peter Sellers and George C. Scott—in 1964. |
| dr strangelove book: Calling Dr. Strangelove George Case, 2014-08-21 Stanley Kubrick's Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb is one of the most celebrated and significant films ever made. This book traces the movie's origins as a thriller novel through its evolution into a devastating black comedy, to its ultimate reception as an undisputed cinema classic. A wealth of fresh detail is provided on Dr. Strangelove's production, its initial reception and its lasting influence. The book also examines the film within the context of the real-life superpower standoff it satirized and evaluates its place alongside director Kubrick's entire catalog of famous works. Drawn from interviews, biographical research and extensive cultural analysis, this work is an indispensable resource for Kubrick fans, movie buffs and students of Cold War history. |
| dr strangelove book: Deconstructing Dr. Strangelove Sean M. Maloney, 2020-07-01 King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film's historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War's deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality--or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era's defining films. |
| dr strangelove book: Edward Teller Peter Goodchild, 2004 Goodchild unravels the complex web of harsh early experiences, character flaws, and personal and professional frustrations that lay behind the paradox of the father of the H-bomb. |
| dr strangelove book: Dr. Strangelove's America Margot A. Henriksen, 2023-04-28 Did America really learn to stop worrying and love the bomb, as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned I Have a Dream speech or with Elvis Presley's throbbing I'm All Shook Up? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a culture of consensus. Nonetheless, Henriksen says, a culture of dissent arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from flower power to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century. Did America really learn to stop worrying and love the bomb, as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned |
| dr strangelove book: Mr Strangelove Ed Sikov, 2011-08-19 Peter Sellers was a genius, whose unique mastery created enduring comic characters. But behind the man that could make the world laugh was a tragic sadness. Employing his creations as masks to hide behind, Sellers was convinced his own life was meaningless and empty. Acclaimed (On Sunset Boulevard - the story of Billy WIlder) biographer Ed Sikov has spoken to many who knew and worked with Sellers, including Sophia Loren, Goldie Hawn, and Roman Polanski. Sikov reveals how Sellers was a casualty of his own insecurities and used his public persona to mask his tormented private life, littered with four marriages (and three divorces), countless affairs, and drug and alcohol abuse. This is the authoritative and touching story of a majestic comedian, showing the very private face of a man whose world was lived through the public arena. 'An authoritative biography and a compulsive page turner.' Michael Palin, New York Times 'Sikov's book is often melancholy, but always informative, and entertaining... They don't really make 'em like that any more - you can't get the wood you know' Simon Louvish, Guardian |
| dr strangelove book: Reconstructing Strangelove Mick Broderick, 2017 With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film. |
| dr strangelove book: Dr Strangelove's Game Paul Strathern, 2018-03-02 |
| dr strangelove book: Fail-Safe Eugene Burdick, Harvey Wheeler, 2013-09-27 From the New York Times–bestselling authors, this “chilling and engrossing” nuclear-showdown thriller packs “a multi-megaton wallop” (Chicago Tribune). Originally published during the Cuban Missile Crisis, this suspenseful novel takes off as a group of American bombers—armed with a deadly payload of nuclear weapons—heads towards Moscow, their motives unknown. Suddenly, a nuclear apocalypse looms closer than it ever has, and the lives of millions depend on the high-stakes diplomacy of leaders on both sides of the divide. The basis for the classic 1964 movie starring Henry Fonda, this two-million-copy bestseller is not only a terrifying thriller, but a fascinating social commentary on Cold War politics and a look at how, in a world poised on the brink, accidents and mistakes can have catastrophic consequences. Exploring the thin line between peace and global destruction that characterized this turbulent era, it is as timely as ever—“gripping, exciting and almost unbearably fascinating” (Los Angeles Times). “Excruciatingly tense.” —The Wall Street Journal |
| dr strangelove book: Watching YouTube Michael Strangelove, 2010-01-01 Michael Strangelove provides a broad overview of the world of amateur online videos and the people who make them. He describes how online digital video is both similar to and different from traditional home-movie-making and argues that we are moving into a post-television era characterized by mass participation. --from publisher description. |
| dr strangelove book: The Philosophy of Stanley Kubrick Jerold J. Abrams, 2007-05-04 In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism—the belief that philosophical truth has meaning only if it is chosen by the individual—has come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick's films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick's war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fears—especially the fear of death—when facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick's interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick's films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. Taken together, the essays in The Philosophy of Stanley Kubrick are an engaging look at the director's stark vision of a constantly changing moral and physical universe. They promise to add depth and complexity to the interpretation of Kubrick's signature films. |
| dr strangelove book: The Doomsday Machine Daniel Ellsberg, 2017-12-05 Shortlisted for the Andrew Carnegie Medal for Excellence in Nonfiction Finalist for The California Book Award in Nonfiction The San Francisco Chronicle's Best of the Year List Foreign Affairs Best Books of the Year In These Times “Best Books of the Year Huffington Post's Ten Excellent December Books List LitHub's “Five Books Making News This Week” From the legendary whistle-blower who revealed the Pentagon Papers, an eyewitness exposé of the dangers of America's Top Secret, seventy-year-long nuclear policy that continues to this day. Here, for the first time, former high-level defense analyst Daniel Ellsberg reveals his shocking firsthand account of America's nuclear program in the 1960s. From the remotest air bases in the Pacific Command, where he discovered that the authority to initiate use of nuclear weapons was widely delegated, to the secret plans for general nuclear war under Eisenhower, which, if executed, would cause the near-extinction of humanity, Ellsberg shows that the legacy of this most dangerous arms buildup in the history of civilization--and its proposed renewal under the Trump administration--threatens our very survival. No other insider with high-level access has written so candidly of the nuclear strategy of the late Eisenhower and early Kennedy years, and nothing has fundamentally changed since that era. Framed as a memoir--a chronicle of madness in which Ellsberg acknowledges participating--this gripping exposé reads like a thriller and offers feasible steps we can take to dismantle the existing doomsday machine and avoid nuclear catastrophe, returning Ellsberg to his role as whistle-blower. The Doomsday Machine is thus a real-life Dr. Strangelove story and an ultimately hopeful--and powerfully important--book about not just our country, but the future of the world. |
| dr strangelove book: A Brief History of Economic Genius Paul Strathern, 2004 Strathern brings the reader along in a lively, breezy and elegant manner, through Adam Smith and Hume; the French Optimists and British Pessimists: Saint-Simon and Owen; Marx and Hegel; Pareto; Veblen; Schumpeter, Keynes, John Nash and finally fullcircle back to von Neumann. Strathern uncovers the genuine progression of the development of mathematics and economic theory, from double-entry booking keeping to the discovery of standard deviation and the various applications of probability theory. These brilliant economists and mathematicians often were aware of each other, had met each other or read each other's work thereby influencing and building upon one another's conclusions. Strathern manages his broad swath of historical information and condenses it into a very usable, readable and informative format. |
| dr strangelove book: All the Rage A. L. Kennedy, 2014 A dozen sharp new stories by one of contemporary fiction's acknowledged masters |
| dr strangelove book: Dr. Strangelove, Or, How I Learned to Stop Worrying and Love the Bomb , 1986 |
| dr strangelove book: Blue Movie Terry Southern, 2011-05-03 DIVA darkly hilarious, wildly erotic satire of Hollywood/divDIV /divDIVKing B., the world’s most admired filmmaker—winner of a string of Oscars and awards from Cannes to Venice—takes on a new project: the most expensive, star-studded, high-quality, X-rated film ever made. He joins forces with producer Sid Krassman, who’s made a fortune with B movies, and Angela Sterling, a misunderstood sex symbol who longs to do “serious” work. After convincing the principality of Liechtenstein to host the production in exchange for a distribution exclusive to boost tourism, King B. and Krassman arrive with cast and crew to make The Faces of Love. While keeping the nature of the film secret from American bankers, King B. lines up a host of European and American big-name stars. But word leaks out to the local religious groups and possibly even the Vatican. Between the Cardinal’s attempts to sabotage production and the big egos and even bigger libidos behind the scenes, the enterprise plummets into hilarious anarchy./divDIV /divDIVBlue Movie is comic eroticism at its best—populated by over-the-top characters, memorable dialogue, and perverse vignettes, and colored by razor-sharp insights into the film industry./divDIV /divDIVThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate./div |
| dr strangelove book: Stanley Kubrick Vincent Lobrutto, 1999-05-07 Stanley Kubrick, director of the acclaimed filmsPath of Glory, Spartacus, Lolita, Dr. Strangelove, 2001: Space Odyssey. A Clockwork Orange, The Shining, and Full Metal Jacket, is arguably one of the greatest American filmmakers. Yet, despite being hailed as “a giant” by Orson Welles, little is known about the reclusive director. Stanley Kubrick—the first full-length study of his life—is based on assiduous archival research as well as new interviews with friends, family, and colleagues.Film scholar Vincent LoBRutto provides a comprehensive portrait of the director, from his high school days, in the Bronx and his stint as a photographer for Look magazine, through the creation of his wide-ranging movies, including the long-awaited Eyes Wide Shut. The author provides behind-the-scenes details about writing, filming, financing, and reception of the director's entire output, paying close attention to the technical innovations and to his often contentious relationships with actors. This fascinating biography exposes the enigma that is Stanley Kubrick while placing him in context of film history. |
| dr strangelove book: The Empire of Mind Michael Strangelove, 2005 Where many critics see the Internet as an instrument of corporate hegemony, Michael Strangelove sees something else: an alternative space inhabited by communities dedicated to anarchic freedom, culture jamming, alternative journalism, and resistance to authoritarian forms of consumer capitalism and globalization. In The Empire of Mind, Dr. Strangelove, the scholar Canadian Business referred to as the acknowledged dean of Internet entrepreneurs and Wired called the Canadian guru of Internet advertising, presents the compelling argument that the Internet and new digital communication technology actually undermine the power of capital, producing an alternative symbolic economy. Strangelove contends that the Internet breaks with the capitalist logic of commodification and that, while television produces a passive consumer audience, Internet audiences are more active, creative, and subversive. Writers, activists, and artists on the Internet undermine commercial media and its management of consumer behaviour, a behaviour that is challenged by the Web's tendency toward the disintegration of intellectual property rights. Case studies describe the invention of new meaning given to cultural and consumer icons like Barbie and McDonald's and explore how novel modes of online news production alter the representation of the world as it is produced by the mainstream, corporate press. In the course of exploring new media, The Empire of Mind also makes apparent that digital piracy will not be eliminated. The Internet community effectively converts private property into public, thereby presenting serious obstacles for the management of consumer behaviour and significantly eroding brand value. Much to the dismay of the corporate sector, online communities are disinterested in the ethics of private property. In fact, the entire philosophical framework on which capitalism is based is threatened by these alternative means of cultural production. |
| dr strangelove book: Doomsday Men P. D. Smith, 2007-12-10 The gripping, untold story of the doomsday bomb—the ultimate weapon of mass destruction. “Chillingly compelling.” —New Scientist In 1950, Hungarian-born scientist Leo Szilard made a dramatic announcement on American radio: science was on the verge of creating a doomsday bomb. For the first time in history, mankind realized that he had within his grasp a truly God-like power, the ability to destroy life itself. The shockwave from this statement reverberated across the following decade and beyond. If detonated, Szilard’s doomsday device—a huge cobalt-clad H-bomb—would pollute the atmosphere with radioactivity and end all life on earth. The scientific creators of such apocalyptic weapons had transformed the laws of nature into instruments of mass destruction and for many people in the Cold War there was little to distinguish real scientists from that fictional master of megadeath, Stanley Kubrick's Dr. Strangelove. Indeed, as P. D. Smith’s chilling account, Doomsday Men, shows, the dream of the superweapon begins in popular culture. This is a story that cannot be told without the iconic films and fictions that portray our deadly fascination with superweapons, from H.G. Wells’s The War of the Worlds to Nevil Shute’s On the Beach and Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Although scientists admitted it was possible to build the cobalt bomb, no superpower would admit to having created one. However, it remained a terrifying possibility, striking fear into the hearts of people around the world. The story of the cobalt bomb is an unwritten chapter of the Cold War, but now P. D. Smith reveals the personalities behind this feared technology and shows how the scientists responsible for the twentieth century's most terrible weapons grew up in a culture dreaming of superweapons and Wellsian utopias. He argues that, in the end, the doomsday machine became the ultimate symbol of humanity’s deepest fears about the science of destruction. “Weaving together biography, science and art, Smith has created a compelling history of physics in the twentieth century, focusing on the long-lasting search for ever more destructive weapons—from the development of chemical warfare in World War I Germany through the arms race of the Cold War. . . . Captivating and thoroughly referenced, this chronicle should interest a wide audience, from science and history buffs to armchair politicos.” —Publishers Weekly |
| dr strangelove book: Doctor Strangelove, Or, How I Learned to Stop Worrying and Love the Bomb Peter George, Stanley Kubrick, Terry Southern, 1999 Doctor Strangelove is a timeless masterpiece of satire, both frightening and funny, that describes how two insane US officers start a nuclear war whilst presidents and others stand around helpless, unable to prevent them doing so.' |
| dr strangelove book: Dr. Strangelove Dr. Strangelove Kristan Horton, 2015-03-19 Pending |
| dr strangelove book: Apocalypse Then Mike Bogue, 2017-09-14 The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)--to show the view from both sides of the Pacific. |
| dr strangelove book: Kubrick's Men Richard Rambuss, 2021-03-02 A provocative re-reading of Stanley Kubrick’s work and its focus on masculine desire The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone. The stories that Kubrick’s movies tell range from global nuclear politics to the unpredictable sexual dynamics of a marriage; from a day in the life of a New York City prizefighter preparing for a nighttime bout to the evolution of humankind. These male melodramas center on sociality and asociality. They feature male doubles, pairs, and rivals. They explore the romance of men and their machines, and men as machines. They figure intensely conflicted forms of male sexual desire. And they are also very much about male manners, style, taste, and art. Examining the formal, thematic, and theoretical affiliations between Kubrick’s three bodies of work—his photographs, his documentaries, and his feature films—Kubrick’s Men offers new vantages on to the question of gender and sexuality, including the first extended treatment of homosexuality in Kubrick’s male-oriented work. |
| dr strangelove book: Dr. Strangeglove Ruby Scribblez, Steve Cleverley, 2012 Dr. Strangeglove terrorises the Moshi Monsters and all of Monstro City! Find out all about his days at the Super Moshiversity, his hatred of all Moshlings (especially White Fang the Musky Husky) and how he builds his Glumping machines in this biography of the master of mayhem. Written by Monstro City's biographer to the stars, Ruby Scribblez. |
| dr strangelove book: Hitchcock Lost and Found Alain Kerzoncuf, Charles Barr, 2015-03-17 Known as the celebrated director of critical and commercial successes such as Psycho (1960) and The Birds (1963), Alfred Hitchcock is famous for his distinctive visual style and signature motifs. While recent books and articles discussing his life and work focus on the production and philosophy of his iconic Hollywood-era films like Notorious (1946) and Vertigo (1958), Hitchcock Lost and Found moves beyond these seminal works to explore forgotten, incomplete, lost, and recovered productions from all stages of his career, including his early years in Britain. Authors Alain Kerzoncuf and Charles Barr highlight Hitchcock's neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director's career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the filmmaker's career and achievements. |
| dr strangelove book: The Magic Christian Terry Southern, 2011-05-03 DIVDIVIn this uproarious and wicked cult-classic, Southern skewers American greed and pomposity /divDIVGuy Grand, an eccentric billionaire prankster, is rich enough to do whatever he likes. And what he likes is to carefully execute projects where he can cauterize by ridicule what the rest of the world ignores: complacency, greed, corruption, and idiocy. Determined to “make it hot for people,” Grand spends his billions staging a series of hilarious, sometimes bewildering stunts, lampooning along the way the American holy cows of money, status, power, beauty, media, and stardom. Concocting deliciously perverse mayhem, he throws a million one-hundred-dollar bills into an enormous vat of steaming offal, proving just what people will do for money, and he promotes a new silky shampoo that turns hair to wire and a deodorant that becomes a time-released stench-bomb. He inserts subliminally suggestive and perverse images into well-loved classic films, takes a howitzer on safari, and brings a panther to a kennel club dog show. His most elaborate adventure is an ultra-exclusive cruise aboard the S.S. Magic Christian, where elite passengers are treated to a series of madcap indignities./divDIV /divDIV The Magic Christian is a hilarious and savagely satiric view of American commercialism, rich in Southern’s deft handling of detail, dialogue, and delightful deviancy./divDIV /divDIVThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate./div/div |
| dr strangelove book: Dr. Strangelove, Or, How I Learned to Stop Worrying and Love the Bomb Stanley Kubrick, Peter George, Terry Southern, 1963 |
| dr strangelove book: Full Metal Jacket Stanley Kubrick, Gustav Hasford, Michael Herr, 1987 |
| dr strangelove book: A Pacifist's Guide to the War on Cancer Bryony Kimmings, Brian Lobel, Tom Parkinson, 2016-10-19 An all-singing, all-dancing celebration of ordinary life and death. Single mum Emma confronts the highs and lows of life with a cancer diagnosis; that of her son and of the real people she encounters in the daily hospital grind. Groundbreaking performance artist Bryony Kimmings creates fearless theatre to provoke social change, looking behind the poster campaigns and pink ribbons at the experience of serious illness. |
| dr strangelove book: Fail Safe Eugene Burdick, Harvey Wheeler, 1999-07-10 Something has gone wrong. A group of American bombers armed with nuclear weapons is streaking past the fail-safe point, beyond recall, and no one knows why. Their destination -- Moscow. In a bomb shelter beneath the White House, the calm young president turns to his Russian translator and says, I think we are ready to talk to Premier Kruschchev. Not far away, in the War Room at the Pentagon, the secretary of defense and his aides watch with growing anxiety as the luminous blips crawl across a huge screen map. High over the Bering Strait in a large Vindicator bomber, a colonel stares in disbelief at the attack code number on his fail-safe box and wonders if it could possibly be a mistake. First published in 1962, when America was still reeling from the Cuban missle crisis, Fail-Safe reflects the apocalyptic attitude that pervaded society during the height of the Cold War, when disaster could have struck at any moment. As more countries develop nuclear capabilities and the potential for new enemies lurks on the horizon, Fail-Safe and its powerful issues continue to respond. |
| dr strangelove book: Dr. Strangelove, Or, How I Learned to Stop Worrying and Love the Bomb Peter George, 1964 |
| dr strangelove book: Pattern of Death Peter George, 2016-10-27 |
| dr strangelove book: Stanley Kubrick Directs Alexander Walker, 1972 This book tells how Stanley Kubrick makes films--how he translates his won vision of a story into cinematic terms, finding original ways to use camera angles and camera movement, lighting, composition, depth, and other techniques; and how he edits to achieve jarring juxtapositions, suspense and surprise, a heightened sense of time, and a perfectly crystallized total concept. The book also shows how his films relate to one another. The more than 350 photographs illustrate the visual flow of Paths of Glory, Dr. Strange love, 2001: A Space Odyssey, and A Clockwork Orange, as well as the methods used in Killer's Kiss, The Killing, and Lolita.--back cover. |
| dr strangelove book: Red-Dirt Marijuana and Other Tastes Terry Southern, 2001-12-01 Before New Journalism, before the waggish cinema of Woody Allen, before the Gonzo World of Hunter S. Thompson, Saturday Night Live, and National Lampoon, there was the legendary Terry Southern—author of Candy and The Magic Christian and the screenwriter of Dr. Strangelove and Easy Rider. Red-Dirt Marijuana and Other Tastes, widely recognized as an underground classic, is a collection of Southern's short pieces, two dozen hilarious, well-observed, and devastating sketches that expose the hypocrisy of American social mores. This edition features an introduction by George Plimpton, one of Southern's longtime literary allies and former editor of The Paris Review. “Terry Southern is the illegitimate son of Mack Sennett and Edna St. Vincent Millay.” —Kurt Vonnegut “Terry Southern writes a clean, mean, coolly deliberate, and murderous prose.” —Norman Mailer “If there was a Mt. Rushmore of modern American humor, Terry Southern would be the mountain they carve it on.” —Michale O'Donoghue “Impressive . . . He is both acutely aware of, and the absolute master of the nuances, the ludicrous snobbishness, the deliberate exclusivity of clique vocabulary. . . . With demoniacal cunning he masquerades as the guardian of taste, of responsibility, and of common decency (Mr. Southern's italics, of course).” —New York Times |
| dr strangelove book: Kubrick Michel Ciment, 2003-09 An analysis of Stanley Kubrick's thirteen films is complemented by a photo essay, a brief biography, a detailed filmography and bibliography, and interviews with the director, his casts, and his crews. |
| dr strangelove book: Dr. Strangelove Peter George, 1963 |
| dr strangelove book: The Man from the Future Ananyo Bhattacharya, 2022-02-22 An electrifying biography of one of the most extraordinary scientists of the twentieth century and the world he made. The smartphones in our pockets and computers like brains. The vagaries of game theory and evolutionary biology. Nuclear weapons and self-replicating spacecrafts. All bear the fingerprints of one remarkable, yet largely overlooked, man: John von Neumann. Born in Budapest at the turn of the century, von Neumann is one of the most influential scientists to have ever lived. A child prodigy, he mastered calculus by the age of eight, and in high school made lasting contributions to mathematics. In Germany, where he helped lay the foundations of quantum mechanics, and later at Princeton, von Neumann’s colleagues believed he had the fastest brain on the planet—bar none. He was instrumental in the Manhattan Project and the design of the atom bomb; he helped formulate the bedrock of Cold War geopolitics and modern economic theory; he created the first ever programmable digital computer; he prophesized the potential of nanotechnology; and, from his deathbed, he expounded on the limits of brains and computers—and how they might be overcome. Taking us on an astonishing journey, Ananyo Bhattacharya explores how a combination of genius and unique historical circumstance allowed a single man to sweep through a stunningly diverse array of fields, sparking revolutions wherever he went. The Man from the Future is an insightful and thrilling intellectual biography of the visionary thinker who shaped our century. |
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We offer fast-track virtual or in-person visits for urgent, primary and specialty care. Connect virtually with an emergency room doctor for a fast diagnosis. Get the care you need at one of our …
