Dvorchak Composer

  dvorchak composer: Dvorak and His World Michael Beckerman, 1993-09-12 Comprising both interpretive essays and a selection of documents that bear testimony to Dvořák's career and musical works, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal of his work.
  dvorchak composer: Spiritual Lives of the Great Composers Patrick Kavanaugh, 1996 This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
  dvorchak composer: Dvořák Neil Wenborn, 2008 Catapulted to international fame by the runaway success of his Slavonic Dances, Dvorak was, by the end of his life, one of the world's most celebrated composers. This book traces the course of an extraordinary creative career that embraced the peasant music-making of rural Bohemia, the grand receptions of Victorian England and the dynamism of fin-de-siecle New York to shape the most versatile genius in the annals of late Romanticism.
  dvorchak composer: Dvorak's Prophecy: And the Vexed Fate of Black Classical Music Joseph Horowitz, 2021-11-23 A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America stayed white—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
  dvorchak composer: New Worlds Of Dvorak With Cd Unabridged Compact Disc Michael B Beckerman, 2003-01-28 In this reinterpretation of Dvořák's personality and work, Beckerman explores the composer's life and music, focusing on the composer's three-year stay in the United States.
  dvorchak composer: Dvorak David Hurwitz, 2005-11-01 The music of Antonin Dvorák defies fashion. He is one of the very few composers whose works entered the international mainstream during his own lifetime, and some of them have remained there ever since. The pieces that historically define his international reputation, however, represent only a small fraction of what he actually composed. They comprise just one facet of his complex and remarkably rich artistic personality. This book/2-CD pack invites readers to celebrate his extraordinary achievement and experience the pleasure of getting to know more than 90 of his most important works.
  dvorchak composer: New York Magazine , 1994-02-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
  dvorchak composer: Dvorak to Duke Ellington Maurice Peress, 2004-03-25 Prominent symphony conductor Maurice Peress describes his career conducting the premiers of such works as Leonard Bernstein's 'Mass' and Duke Ellington's 'Queenie Pie'. He traces the great impact of African American music on American music, beginning with the work of Antonin Dvořák.
  dvorchak composer: Antonín Dvořák, My Father Otakar Dvořák, 1993 This book is a personal biography by Antonin Dvořák's son who at the age of seventy-five years old decided to write about the events missing from the other books about my father. For musicologists, Otakar's biography of his father contains many new items, but basically the book portrays Dvořák as a father.
  dvorchak composer: Student's Guide to the Great Composers L. Dean Bye, 2017-05-26 The third book in the Student's Series is unique because it provides concise, easily understood information normally found only in large, expensive volumes. This handy-sized text includes background material on the major periods of music history, as well as interesting facts on well-known composers from each period. Excellent drawings of most composers are also included. Works well for both individual and classroom use.
  dvorchak composer: Reader's Guide to Music Murray Steib, 2013-12-02 The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
  dvorchak composer: New York Magazine , 1994-02-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
  dvorchak composer: Music , 1893
  dvorchak composer: A Life in Ragtime Reid Badger, 1995-01-12 In 1919, the world stood at the threshold of the Jazz Age. The man who had ushered it there, however, lay murdered--and would soon plunge from international fame to historical obscurity. It was a fate few would have predicted for James Reese Europe; he was then at the pinnacle of his career as a composer, conductor, and organizer in the black community, with the promise of even greater heights to come. People don't realize yet today what we lost when we lost Jim Europe, said pianist Eubie Blake. He was the savior of Negro musiciansin a class with Booker T. Washington and Martin Luther King. In A Life in Ragtime , Reid Badger brilliantly captures this fascinating life, tracing a critical chapter in the emergence of jazz through one man's remarkable odyssey. After an early start in Washington, Europe found his fame in New York, the entertainment capital of turn-of-the-century America. In the decade before the First World War, he emerged as an acknowledged leader in African-American musical theater, both as a conductor and an astonishingly prolific composer. Badger reveals a man of tremendous depths and ambitions, constantly aspiring to win recognition for black musicians and wider acceptance for their music. He toiled constantly, working on benefit concerts, joining hands with W.E.B. Du Bois, and helping to found a black music school--all the while winning commercial and critical success with his chosen art. In 1910, he helped create the Clef Club, making it the premiere African-American musical organization in the country during his presidency. Every year from 1912 to 1914, Europe led the Clef Club orchestra in triumphant concerts at Carnegie Hall, winning new respectability and popularity for ragtime. He went on to a tremendously successful collaboration with Vernon and Irene Castle, the international stars who made social dancing a world-wide rage. Along the way, Europe helped to revolutionize American music--and Badger provides fascinating details of his innovations and wide influence. In World War I, the musical pioneer won new fame as the first African-American officer to lead men into combat in that conflict--but he was best known as band leader for the all-black 15th Infantry Regiment. As the Hellfighters of the 15th racked up successes on the battlefield, Europe's band took France by storm with the new sounds of jazz. In 1919, the soldiers returned to New York in triumph, and Europe was the toast of the city. Then, just a few months later, he was dead--stabbed to death by a drummer in his own orchestra. From humble beginnings to tragic end, the story of Jim Europe comes alive in Reid Badger's account. Weaving in the wider story of our changing culture, music, and racial conflict, Badger deftly captures the turbulent, promising age of ragtime, and the drama of a triumphant life cut short.
  dvorchak composer: The Gift of Music Jane Stuart Smith, Betty Carlson, 1995 Fascinating descriptions of forty leading composers whose faith, or lack of it, had an influence on Western civilization. Indexed. Great for all students of music.
  dvorchak composer: Sound Diplomacy Jessica C. E. Gienow-Hecht, 2009-06-05 The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.
  dvorchak composer: Choral-Orchestral Repertoire Jonathan D. Green, David W. Oertel, 2019-12-05 Choral-Orchestral Repertoire offers a fully comprehensive list of choral orchestral works. It not only compiles Jonathan Green’s earlier six volumes on this topic published over the past two decades, but it updates and adds to the list of entries. It appears in a large format, following the precedent established by Daniels’ Orchestral Music.
  dvorchak composer: A History of the Concerto Michael Thomas Roeder, 1994 A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
  dvorchak composer: Freunds Musical Weekly , 1895
  dvorchak composer: Cultivating Music in America Ralph P. Locke, Cyrilla Barr, 1997-01-01 The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture.--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art.--Richard Crawford, author of The American Musical Landscape We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music.--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
  dvorchak composer: Dwight's Journal of Music , 1880
  dvorchak composer: Dvorak Hans-Hubert Schönzeler, 1984 Traces the life and career of the great Czech composer, examines the influence of Bohemian music on Dvorak's works, and assesses his contributions to modern music.
  dvorchak composer: The Musical Standard , 1880
  dvorchak composer: The Crisis , 1993-02 The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
  dvorchak composer: Composer , 1973
  dvorchak composer: New York Magazine , 1977-07-18 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
  dvorchak composer: Watson's Weekly Art Journal , 1899
  dvorchak composer: Composer and Nation Sidney Finkelstein, 1989 Sidney Finkelstein's contribution to the understanding of music with Composer and Nation is unusual in some respects, and well worth presenting again to a new audience. Only rarely have recent music writers looked at long spans of history. With the proliferation of scholars and the ever-increasing historical detail available from their work, the task of compiling a one-volume history of music is formidable. Well written, and intended for both the amateur as well as the musician, this volume approaches a time span of 300 years, from 1700 to the present. The presentation avoids detailed analysis of works and does not aim at complete coverage of historical detail. Instead, Finkelstein surveys major details of what is usually called the modern era from an unpretentious sociological premise, namely that musical values and the relationship of the composer to society are reflected in the musical works. It follows then that the structure and texture of the work would reflect the composer's view of society and that important musical events offer insight into contemporary social and historical currents. Finkelstein presents an outline of the era from the viewpoint of the musical sociologist. His lively writing style, in the best tradition of the amateur, and his observation post-removed from the usual musicological context make this new edition a welcome addition to musical and sociological literature.
  dvorchak composer: New York Magazine , 1993-11-22 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
  dvorchak composer: New York Magazine , 1993-11-22 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
  dvorchak composer: MTR; Music Trades Review , 1894
  dvorchak composer: New York Magazine , 1974-03-18 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
  dvorchak composer: Our corner, ed. by A. Besant Annie Besant, 1885
  dvorchak composer: An Everlasting Name Maoz Azaryahu, 2021-03-08 The ever-growing interest in cultural memory has generated an impressive body of academic literature on public commemoration, but not enough attention has been paid until now to the power and appeal of names to transcend death. This book is the first to investigates onymic commemoration as a technology of immortality. Bringing together issues as diverse as casualty lists on public display and honorific street-names, the inquiry expands on the commemorative capacity of an “everlasting name” as a site of remembrance. It explores how notions about names, being, fame and an afterlife have coalesced into prestigious and time-honored commemorative practices and traditions that demonstrate the cultural power of an “everlasting name” to confer immortality through remembrance. By linking ancient traditions and modern practices, this book offers a cross-cultural analysis of onymic commemoration that is broad in scope and covers a wide time frame, encompassing diverse historical periods, cultural contexts and geopolitical settings.
  dvorchak composer: Antonín Dvořák: the Composer's Life and Work in Pictures Antonín Hořejš, 1955
  dvorchak composer: Mrs. Cook and the Klan Tom Chorneau, 2025-03 On the day she was murdered, Myrtle Underwood Cook boasted to local authorities about new evidence of a major bootlegging ring operating out of the Rock Island train depot behind her house in a small farming town in eastern Iowa. Then, as she sat at her parlor window sewing, she took a single slug through the heart. She was president of the local temperance union; her killing made the front page of the New York Times. The next day her funeral made national news due to the eerie presence of a small army from the Ku Klux Klan, its members donned in full regalia, drawn from three surrounding states. It was September 1925, and Al Capone had just taken over the Chicago Outfit, evangelist Billy Sunday was converting thousands to temperance, and the KKK had just marched on Washington, DC. During its first half century of statehood, Iowa lurched from wet to dry and back eight times before Prohibition was ratified in 1919. And back when Iowa was still a territory, its Black Codes imprinted generations with a legacy of intolerance and racism. Mrs. Cook and the Klan is a true crime investigation that not only sheds new light on Myrtle Underwood Cook's unsolved killing but also explores the confluence of the social, political, and economic forces that brought the Klan, lawless street gangs, a local mob boss, and the temperance movement together in a small American town.
  dvorchak composer: Railroad History of Winneshiek County Ian Schacht, 2010-06-29 The history of the settlement of the west can in many aspects be attributed to the coming of a railroad. To the first settlers the railroads provided the opportunities to link up with markets across the nation without having to travel far from their farms. The lines brought hope and change, but also brought crime and corruption. The story of almost every town west of the Mississippi can in some way be linked to the story of the railroad that serviced the area. These towns grew over the years in size and economic wealth as the amounts of trade and transport transformed the line into a funnel for economic progress. Though the railroads would eventually be challenged by trucking companies and personal automobiles, the business the railroads had help establish lead the community into the wealth they have today. In the northern Iowa county of Winneshiek, each town holds the perfect example of railroad successes and failures. Each town holds their own heritage, which can uniquely be associated with many other towns across the west. The heritage left by the railroads can be directly linked to the heritage of the western United States. To look at the history of us, we need to look into the founding of the railroads.
  dvorchak composer: Outlook Alfred Emanuel Smith, Francis Walton, 1884
  dvorchak composer: Brainard's Musical World , 1885
  dvorchak composer: Antonín Dvo%rák's New World Symphony Douglas W. Shadle, 2021-03-12 Before Antonín Dvorák's New World Symphony became one of the most universally beloved pieces of classical music, it exposed the deep wounds of racism at the dawn of the Jim Crow era while serving as a flashpoint in broader debates about the American ideals of freedom and equality. Drawing from a diverse array of historical voices, author Douglas W. Shadle's richly textured account of the symphony's 1893 premiere shows that even the classical concert hall could not remain insulated from the country's racial politics.
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