Advertisement
drown by junot diaz: Drown Junot Diaz, 2009-01-08 Originally published in 1997, Drown instantly garnered terrific acclaim. Moving from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, these heartbreaking, completely original stories established Díaz as one of contemporary fiction's most exhilarating new voices. 'There's a new excitement in Drown, the fierce, sharp-edged, painful stories of a young Dominican-American writer, Junot Díaz: a dazzling talented first book'. Hermione Lee, Independent on Sunday, Books of the Year 'A voice so original and compelling as to reach far beyond his immediate environment. It has put Díaz at the forefront of American writing'. GQ 'He has that rare gift of delineating a recognizable trademark world of his own with just a few deft strokes'. Guardian 'Wrings the heart with finely calibrated restraint'. New York Times |
drown by junot diaz: The Brief Wondrous Life of Oscar Wao (Pulitzer Prize Winner) Junot Díaz, 2008-09-02 Winner of: The Pulitzer Prize The National Book Critics Circle Award The Anisfield-Wolf Book Award The Jon Sargent, Sr. First Novel Prize A Time Magazine #1 Fiction Book of the Year One of The New York Times’s 100 Best Books of the 21st Century One of the best books of 2007 according to: The New York Times, San Francisco Chronicle, New York Magazine, Entertainment Weekly, The Boston Globe, Los Angeles Times, The Washington Post, People, The Village Voice, Time Out New York, Salon, Baltimore City Paper, The Christian Science Monitor, Booklist, Library Journal, Publishers Weekly, New York Public Library, and many more... Nominated as one of America’s best-loved novels by PBS’s The Great American Read and named one of The Atlantic’s Great American Novels of the Past 100 Years Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere—and risk it all—in the name of love. |
drown by junot diaz: This Is How You Lose Her Junot Diaz, 2012-08-28 Junot Diaz's new collection, This Is How You Lose Her, is a collection of linked narratives about love - passionate love, illicit love, dying love, maternal love - told through the lives of New Jersey Dominicans, as they struggle to find a point where their two worlds meet. In prose that is endlessly energetic and inventive, tender and funny, it lays bare the infinite longing and inevitable weaknesses of the human heart. Most of all, these stories remind us that the habit of passion always triumphs over experience and that 'love, when it hits us for real, has a half-life of forever.' |
drown by junot diaz: Best African American Fiction Walter Dean Myers, Mat Johnson, Junot Díaz, 2009-01-13 Introducing the first volume in an exciting new annual anthology featuring the year’s most outstanding fiction by some of today’s finest African American writers. From stories that depict black life in times gone by to those that address contemporary issues, this inaugural volume gathers the very best recent African American fiction. Created during a period of electrifying political dialogue and cultural, social, and economic change that is sure to captivate the imaginations of writers and readers for years to come, these short stories and novel excerpts explore a rich variety of subjects. But most of all, they represent exceptional artistry. Here you’ll find work by both established names and up-and-comers, ranging from Walter Dean Myers to Chimamanda Ngozi Adichie, Mat Johnson, and Junot Díaz. They write about subjects as diverse as the complexities of black middle-class life and the challenges of interracial relationships, a modern-day lynching in the South and a young musician’s coming-of-age during the Harlem Renaissance. What unites these stories, whether set in suburbia, in eighteenth-century New York City, or on a Caribbean island that is supposed to be “brown skin paradise,” is their creators’ passionate engagement with matters of the human heart. Masterful and engaging, this first volume of Best African American Fiction features stories you’ll want to savor, share, and return to again and again. Please click the Behind the Book link for contributor’s bios. |
drown by junot diaz: The Cheater's Guide to Love Junot Diaz, 2019-10-15 Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. You try every trick in the book to keep her. You write her letters. You drive her to work. You quote Neruda ... You try it all, but one day she will simply sit up in bed and say, No more . In Yunior, a Dominican-American writer and Harvard professor, Junot Díaz has created an irresistibly erratic protagonist, who sweeps you up in the poetic energy of his speech as he rehearses a broad repertoire of bad behaviour. Originally the climactic tale in the chain-linked This is How You Lose Her, 'The Cheater's Guide to Love' is a superb standalone song of decadence and experience. |
drown by junot diaz: Multitudes Lucy Caldwell, 2016-05-03 'Beautifully crafted, and so finely balanced that she holds the reader right up against the tender humanity of her characters.' Eimear McBride 'A writer of rare elegance and beauty, Caldwell doesn't just get inside her characters' minds. She perches in the precarious chambers of their hearts, telling their stories truthfully and tenderly.' Independent Multitudes is the beautiful debut story collection from the acclaimed, prize-winning novelist and playwright Lucy Caldwell From Belfast to London and back again the ten stories that comprise Caldwell's first collection explore the many facets of growing up - the pain and the heartache, the tenderness and the joy, the fleeting and the formative - or 'the drunkenness of things being various'. Stories of longing and belonging, they culminate with the heart-wrenching and unforgettable title story. |
drown by junot diaz: Islandborn Junot Díaz, 2024-10-29 From New York Times bestseller and Pulitzer Prize winner Junot Díaz comes a debut picture book about the magic of memory and the infinite power of the imagination. A 2019 Pura Belpré Honor Book for Illustration Every kid in Lola's school was from somewhere else. Hers was a school of faraway places. So when Lola's teacher asks the students to draw a picture of where their families immigrated from, all the kids are excited. Except Lola. She can't remember The Island—she left when she was just a baby. But with the help of her family and friends, and their memories—joyous, fantastical, heartbreaking, and frightening—Lola's imagination takes her on an extraordinary journey back to The Island. As she draws closer to the heart of her family's story, Lola comes to understand the truth of her abuela's words: “Just because you don't remember a place doesn't mean it's not in you.” Gloriously illustrated and lyrically written, Islandborn is a celebration of creativity, diversity, and our imagination's boundless ability to connect us—to our families, to our past and to ourselves. |
drown by junot diaz: Rediscovering Frank Yerby Matthew Teutsch, 2020-04-20 Contributions by Catherine L. Adams, Stephanie Brown, Gene Andrew Jarrett, John Wharton Lowe, Guirdex Massé, Anderson Rouse, Matthew Teutsch, Donna-lyn Washington, and Veronica T. Watson Rediscovering Frank Yerby: Critical Essays is the first book-length study of Yerby’s life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion. The contributors to this collection work to rectify the misunderstandings of Yerby’s work that have relegated him to the sidelines and, ultimately, begin a reexamination of the importance of “the prince of pulpsters” in American literature. It was Robert Bone, in The Negro Novel in America, who infamously dismissed Frank Yerby (1916–1991) as “the prince of pulpsters.” Like Bone, many literary critics at the time criticized Yerby’s lack of focus on race and the stereotypical treatment of African American characters in his books. This negative labeling continued to stick to Yerby even as he gained critical success, first with The Foxes of Harrow, the first novel by an African American to sell more than a million copies, and later as he began to publish more political works like Speak Now and The Dahomean. However, the literary community cannot continue to ignore Frank Yerby and his impact on American literature. More than a fiction writer, Yerby should be put in conversation with such contemporaneous writers as Richard Wright, Dorothy West, James Baldwin, William Faulkner, Margaret Mitchell, and more. |
drown by junot diaz: Junot Díaz and the Decolonial Imagination Monica Hanna, Jennifer Harford Vargas, José David Saldívar, 2015-12-17 The first sustained critical examination of the work of Dominican-American writer Junot Díaz, this interdisciplinary collection considers how Díaz's writing illuminates the world of Latino cultural expression and trans-American and diasporic literary history. Interested in conceptualizing Díaz's decolonial imagination and his radically re-envisioned world, the contributors show how his aesthetic and activist practice reflect a significant shift in American letters toward a hemispheric and planetary culture. They examine the intersections of race, Afro-Latinidad, gender, sexuality, disability, poverty, and power in Díaz's work. Essays in the volume explore issues of narration, language, and humor in The Brief Wondrous Life of Oscar Wao, the racialized constructions of gender and sexuality in Drown and This Is How You Lose Her, and the role of the zombie in the short story Monstro. Collectively, they situate Díaz’s writing in relation to American and Latin American literary practices and reveal the author’s activist investments. The volume concludes with Paula Moya's interview with Díaz. Contributors: Glenda R. Carpio, Arlene Dávila, Lyn Di Iorio, Junot Díaz, Monica Hanna, Jennifer Harford Vargas, Ylce Irizarry, Claudia Milian, Julie Avril Minich, Paula M. L. Moya, Sarah Quesada, José David Saldívar, Ramón Saldívar, Silvio Torres-Saillant, Deborah R. Vargas |
drown by junot diaz: Self Yann Martel, 2012-10-23 A modern-day Orlando—edgy, funny and startlingly honest—Self is the fictional autobiography of a young writer and traveller who finds his gender changed overnight. |
drown by junot diaz: History and Hope in American Literature Ben Railton, 2016-11-10 Through the examination of literary works by twentieth and twenty-first century American authors, this book shows how literature can allow us to cope with difficult periods of history (slavery, the Great Depression, the AIDS crisis, etc.) and give hope for a brighter future when those realities are confronted head-on. |
drown by junot diaz: The Art of Drowning Billy Collins, 1995 This collection of poems has a subject matter ranging from the gustatory pleasures of osso buco to an analysis of the handwriting of Keats; from the art form of the calendar pinup to blues music. |
drown by junot diaz: Soledad Angie Cruz, 2020-11-12 At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tía Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street. As she tries to tame her cousin Flaca's raucous behaviour and to resist falling for Richie - a soulful, intense man from the neighbourhood - she also faces the greatest challenge of her life: confronting the ghosts from her mother's past and salvaging their damaged relationship. Evocative and wise, Soledad is a wondrous story of culture and chaos, family and integrity, myth and mysticism, from a Latina literary light. |
drown by junot diaz: Global Dystopias Junot Diaz, 2017-10-27 Stories, essays, and interviews explore dystopias that may offer lessons for the present. As the recent success of Margaret Atwood's novel-turned-television hit Handmaid's Tale shows us, dystopia is more than minatory fantasy; it offers a critical lens upon the present. “It is not only a kind of vocabulary and idiom,” says bestselling author and volume editor Junot Diaz. “It is a useful arena in which to begin to think about who we are becoming.” Bringing together some of the most prominent writers of science fiction and introducing fresh talent, this collection of stories, essays, and interviews explores global dystopias in apocalyptic landscapes and tech futures, in robot sentience and forever war. Global Dystopias engages the familiar horrors of George Orwell's 1984 alongside new work by China Miéville, Tananarive Due, and Maria Dahvana Headley. In “Don't Press Charges, and I Won't Sue,” award-winning writer Charlie Jane Anders uses popularized stigmas toward transgender people to create a not-so-distant future in which conversion therapy is not only normalized, but funded by the government. Henry Farrell surveys the work of dystopian forebear Philip K. Dick and argues that distinctions between the present and the possible future aren't always that clear. Contributors also include Margaret Atwood and award-winning speculative writer, Nalo Hopkinson. In the era of Trump, resurgent populism, and climate denial, this collection poses vital questions about politics and civic responsibility and subjectivity itself. If we have, as Díaz says, reached peak dystopia, then Global Dystopias might just be the handbook we need to survive it. Contributors Charlie Jane Anders, Margaret Atwood, Adrienne Bernhard, Mark Bould, Thea Costantino, Tananarive Due, Henry Farrell, JR Fenn, Maria Dahvana Headley, Nalo Hopkinson, Mike McClelland, Maureen McHugh, China Miéville, Jordy Rosenberg, Peter Ross, Sumudu Samarwickrama |
drown by junot diaz: What Work Is Philip Levine, 2011-08-31 Winner of the National Book Award in 1991 “This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.” —Daniel L. Guillory, Library Journal |
drown by junot diaz: The Dirty Girls Social Club Alisa Valdes-Rodriguez, 2007-04-01 Alisa Valdés-Rodríguez's vibrant, can't-put-it-down novel of six friends--each one an unforgettable Latina woman in her late '20s--and the complications and triumphs in their lives Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love. Las sucias are: --Lauren, the resident caliente columnist for the local paper, which advertises her work with the line her casa is su casa, Boston, but whose own home life has recently involved hiding in her boyfriend's closet to catch him in the act --Sara, the perfect wife and mother who always knew exactly the life she wanted and got it, right down to the McMansion in the suburbs and two boisterious boys, but who is paying a hefty price --Amber, the most idealistic and artistic member of the club, who was raised a valley girl without a word of Spanish and whose increasing attachment to her Mexica roots coincides with a major record label's interest in her rock 'n' roll --Elizabeth, the stunning black Latina whose high profile job as a morning television anchor conflicts with her intensely private personal life, which would explain why the dates the other dirty girls set her up on never work out --Rebecca, intense and highly controlled, who flawlessly runs Ella, the magazine she created for Latinas, but who can't explain why she didn't understand the man she married and now doesn't even share a room with; and --Usnavys, irrepressible and larger than life, whose agenda to land the kind of man who can keep her in Manolo Blahniks and platanos almost prevents her seeing true love when it lands in her lap. There's a lot of catching up to do. |
drown by junot diaz: Petit Mal DBC Pierre, 2013-11-05 If rape or arson, poison or the knife Has wove no pleasing patterns in the stuff Of this drab canvas we accept as life - It is because we are not bold enough! Charles Baudelaire If you are familiar with the explosive End Times Trilogy (Vernon God Little, Ludmila's Broken English, Lights Out in Wonderland) by DBC Pierre, you will be well-acclimatised to the heady heights traversed in this collection. Drawing on memoir and a life lived in pursuit of sensation, but always ignited by the flame of fiction, Petit Mallegories take us further into the imagination of one of the most radically original prose stylists of the past decade. Accompanied by dozens of illustrations and photographic 'evidence', the stories here inhabit worlds defined by appetite, excess and transcendence. Whether through food, drink, sex, drugs, or a fantastic cocktail of all four, the impulse in this book is towards epiphany. And the inevitable hangover that follows. But even that (or those) in the world of DBC Pierre can be nourishing. |
drown by junot diaz: The Facts Behind the Helsinki Roccamatios Yann Martel, 2013-11-19 The appearance of a young storyteller with a unique fictional voice is cause for celebration. Yann Martel's title story (described as unforgettable...a truly stunning piece of fiction), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended -- and is matched through all the stories by an immediacy an dazzling freshness. |
drown by junot diaz: Drown Junot Díaz, 1997-07-01 From the beloved and award-winning author Junot Díaz, a spellbinding saga of a family’s journey through the New World. A coming-of-age story of unparalleled power, Drown introduced the world to Junot Díaz's exhilarating talents. It also introduced an unforgettable narrator— Yunior, the haunted, brilliant young man who tracks his family’s precarious journey from the barrios of Santo Domingo to the tenements of industrial New Jersey, and their epic passage from hope to loss to something like love. Here is the soulful, unsparing book that made Díaz a literary sensation. |
drown by junot diaz: Intoxicated by My Illness Anatole Broyard, 1993-06-01 Anatole Broyard, long-time book critic, book review editor, and essayist for the New York Times, wants to be remembered. He will be, with this collection of irreverent, humorous essays he wrote concerning the ordeals of life and death—many of which were written during the battle with cancer that led to his death in 1990. A New York Times Notable Book of the Year “A heartbreakingly eloquent and unsentimental meditation on mortality . . . Some writing is so rich and well-spoken that commentary is superfluous, even presumptuous. . . . Read this book, and celebrate a cultured spirit made fine, it seems, by the coldest of touches.”—Los Angeles Times “Succeeds brilliantly . . . Anatole Broyard has joined his father but not before leaving behind a legacy rich in wisdom about the written word and the human condition. He has died. But he lives as a writer and we are the wealthier for it.”—The Washington Post Book World “A virtuoso performance . . . The central essays of Intoxicated By My Illness were written during the last fourteen months of Broyard’s life. They are held in a gracious setting of his previous writings on death in life and literature, including a fictionalized account of his own father’s dying of cancer. The title refers to his reaction to the knowledge that he had a life-threatening illness. His literary sensibility was ignited, his mind flooded with image and metaphor, and he decided to employ these intuitive gifts to light his way into the darkness of his disease and its treatment. . . . Many other people have chronicled their last months . . . Few are as vivid as Broyard, who brilliantly surveys a variety of books on illness and death along the way as he draws us into his writer’s imagination, set free now by what he describes as the deadline of life. . . . [A] remarkable book, a lively man of dense intelligence and flashing wit who lets go and yet at the same time comtains himself in the style through which he remains alive.”—The New York Times Book Review “Despite much pain, Anatole Broyard continued to write until the final days of his life. He used his writing to rage, in the words of Dylan Thomas, against the dying of the light. . . . Shocking, no-holds-barred and utterly exquisite.”—The Baltimore Sun |
drown by junot diaz: Forever Beach Shelley Noble, 2016-06-07 From the New York Times bestselling author of Beach Colors and Breakwater Bay comes this heartwarming story of love, family, and redemption. Two young girls pledged to be best friends forever. Separated by circumstance and hurt, they are reunited years later as they struggle to put their differences aside for the sake of a special little girl—perfect for fans of Kristin Hannah, Elin Hilderbrand, and Karen White. One woman struggling to hold on to what she has, One woman learning to forgive Their lives entwined by one little girl. Sarah Hargreave is anxious to finalize the adoption of her foster daughter Leila. Once a foster child herself, Sarah longs to become Leila’s “forever” family and give her all the love and stability she was denied in her own childhood. When Leila’s biological mother suddenly reappears and petitions the court for the return of her daughter, Sarah is terrified she’ll lose the little girl she loves to the drug addicted mother who abandoned her. Having grown up in foster care, Ilona Cartwright fights for the rights of children who have no one to fight for them. But to Sarah she is Nonie Blanchard, who grew up in the same group foster home as Sarah. They’d promised to be best friends forever, then Nonie was adopted by a wealthy family, and Sarah never heard from her again. Sarah still hurts from the betrayal. But Nonie harbors her own resentment toward the past. Mistrustful of each other, the two women form a tenuous alliance to ensure Leila’s future, but when Leila’s very survival is on the line, they’ll have to come to terms with their own feelings of hurt and rejection to save the child they both have come to love. |
drown by junot diaz: Shakespeare's Kitchen Lore Segal, 2008-04-29 The thirteen interrelated stories of Shakespeare's Kitchen concern the universal longing for friendship, how we achieve new intimacies for ourselves, and how slowly, inexplicably, we lose them. Featuring six never-before-published pieces, Lore Segal's stunning new book evolved from seven short stories that originally appeared in the New Yorker (including the O. Henry Prize–;winning “The Reverse Bug”). Ilka Weisz has accepted a teaching position at the Concordance Institute, a think tank in Connecticut, reluctantly leaving her New York circle of friends. After the comedy of her struggle to meet new people, Ilka comes to embrace, and be embraced by, a new set of acquaintances, including the institute's director, Leslie Shakespeare, and his wife, Eliza. Through a series of memorable dinner parties, picnics, and Sunday brunches, Segal evokes the subtle drama and humor of the outsider's loneliness, the comfort and charm of familiar companionship, the bliss of being in love, and the strangeness of our behavior in the face of other people's deaths. A magnificent and deeply moving work, Shakespeare's Kitchen marks the long-awaited return of a writer at the height of her powers. |
drown by junot diaz: Junot Díaz José David Saldívar, 2022-08-29 In Junot Díaz: On the Half-Life of Love, José David Saldívar offers a critical examination of one of the leading American writers of his generation. He explores Díaz’s imaginative work and the diasporic and immigrant world he inhabits, showing how his influences converged in his fiction and how his writing—especially his Pulitzer Prize--winning novel The Brief Wondrous Life of Oscar Wao—radically changed the course of US Latinx literature and created a new way of viewing the decolonial world. Saldívar examines several aspects of Díaz’s career, from his vexed relationship to the literary aesthetics of Whiteness that dominated his MFA experience and his critiques of the colonialities of power, race, and gender in culture and societies of the Dominican Republic, United States, and the Américas to his use of the science-fiction imaginary to explore the capitalist zombification of our planet. Throughout, Saldívar shows how Díaz’s works exemplify the literary currents of the early twenty-first century. |
drown by junot diaz: Thirteen Ways Of Looking Colum McCann, 2015-10-13 From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other. Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place. Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers. |
drown by junot diaz: A SECRET SORROW Karen Van Der Zee, Masako Ogimaru, 2015-04-13 After her nightmarish recovery from a serious car accident, Faye gets horrible news from her doctor, and it hits her hard like a rock: she can’t bear children. In extreme shock, she breaks off her engagement, leaves her job and confines herself in her family home. One day, she meets her brother’s best friend , and her soul makes a first step to healing. |
drown by junot diaz: Drown Junot Díaz, 2011-04-01 |
drown by junot diaz: Krik? Krak! Edwidge Danticat, 2004-01-01 Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer. Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, Children of the Sea, as those in this world whose names don't matter to anyone but themselves. The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in A Wall of Fire Rising, who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, Epilogue: Women Like Us, she writes: Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more. The stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense (we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast). Spare, elegant and moving, these stories cohere into a superb collection. |
drown by junot diaz: We Came All the Way from Cuba So You Could Dress Like This? Achy Obejas, 1994-08-16 A collection of short stories that deals with how gay and lesbian relationships ought to work, exploring the themes of broken relationships, safe sex, drug addiction, and AIDS |
drown by junot diaz: Lunch with Lenin and Other Stories Deborah Ellis, 2020 A collection of short stories that explore the lives of teenagers affected directly or indirectly by drugs. |
drown by junot diaz: What's Wrong with Homosexuality? John Corvino, 2013-02-01 For the last twenty years, John Corvino--widely known as the author of the weekly column The Gay Moralist--has traversed the country responding to moral and religious arguments against same-sex relationships. In this timely book, he shares that experience--addressing the standard objections to homosexuality and offering insight into the culture wars more generally. Is homosexuality unnatural? Does the Bible condemn it? Are people born gay (and should it matter either way)? Corvino approaches such questions with precision, sensitivity, and good humor. In the process, he makes a fresh case for moral engagement, forcefully rejecting the idea that morality is a private matter. This book appears at a time when same-sex marriage is being hotly debated across the U.S. Many people object to such marriage on the grounds that same-sex relationships are immoral, or at least, that they do not deserve the same social recognition as heterosexual relationships. Unfortunately, the traditional rhetoric of gay-rights advocates--which emphasizes privacy and tolerance--fails to meet this objection. Legally speaking, when it comes to marriage, tolerance might be enough, Corvino concedes, but socially speaking, marriage requires more. Marriage is more than just a relationship between two individuals, recognized by the state. It is also a relationship between those individuals and a larger community. The fight for same-sex marriage, ultimately, is a fight for full inclusion in the moral fabric. What is needed is a positive case for moral approval--which is what Corvino unabashedly offers here. Corvino blends a philosopher's precision with a light touch that is full of humanity and wit. This volume captures the voice of one of the most rational participants in a national debate noted for generating more heat than light. |
drown by junot diaz: I Ask the Impossible Ana Castillo, 2011-08-10 An Anchor Books Original Cherished for her passionate fiction and exuberant essays, the author hailed by Julia Alvarez as una storyteller de primera, and by Barbara Kingsolver in The Los Angeles Times as impossible to resist, returns to her first love—poetry—to reveal an unwavering commitment to social justice, and a fervent embrace of the sensual world. With the poems in I Ask the Impossible, Castillo celebrates the strength that is a woman buried deep in [her] heart. Whether memorializing real-life heroines who have risked their lives for humanity, spinning a lighthearted tale for her young son, or penning odes to mortals, gods, goddesses, Castillo's poems are eloquent and rich with insight. She shares over twelve years of poetic inspiration, from her days as a writer who once wrote poems in a basement with no heat, through the tenderness of motherhood and bitterness of loss, to the strength of love itself, which can make the impossible a simple act. Radiant with keen perception, wit, and urgency, sometimes erotic, often funny, this inspiring collection sounds the unmistakable voice of a woman on fire and more worthy than stone. |
drown by junot diaz: Birds of America Lorrie Moore, 2012-03-07 NATIONAL BESTSELLER • A NEW YORK TIMES BOOK OF THE YEAR • From the bestselling author of A Gate at the Stairs: A collection of twelve stories that’s “one of our funniest, most telling anatomies of human love and vulnerability (The New York Times Book Review). A volume by one of the most exciting writers at work today, the acclaimed author of Who Will Run the Frog Hospital? and Self-Help. Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language. From the opening story, Willing—about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being—Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story Which Is More Than I Can Say About Some People (There is nothing as complex in the world—no flower or stone—as a single hello from a human being), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In Charades, a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In Community Life,a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in Four Calling Birds, Three French Hens, a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Häagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia. |
drown by junot diaz: Once and Forever Kenji Miyazawa, 2018-10-02 Kenji Miyazawa is one of modern Japan’s most beloved writers, a great poet and a strange and marvelous spinner of tales, whose sly, humorous, enchanting, and enigmatic stories bear a certain resemblance to those of his contemporary Robert Walser. John Bester’s selection and expert translation of Miyazawa’s short fiction reflects its full range from the joyful, innocent “Wildcat and the Acorns,” to the cautionary tale “The Restaurant of Many Orders,” to “The Earthgod and the Fox,” which starts out whimsically before taking a tragic turn. Miyazawa also had a deep connection to Japanese folklore and an intense love of the natural world. In “The Wild Pear,” what seem to be two slight nature sketches succeed in encapsulating some of the cruelty and compensations of life itself. |
drown by junot diaz: Hispanic-American Writers, New Edition Harold Bloom, 2009 Presents a collection of critical essays analyzing modern Hispanic American writers including Junot Diaz, Pat Mora, and Rudolfo Anaya. |
drown by junot diaz: Approaches to Teaching the Novels of Toni Morrison Nellie Y. McKay, Kathryn Earle, 1997 Teachers started assigning the novels of Toni Morrison long before she won the 1993 Nobel Prize in literature and before there was a significant body of secondary literature on the author. Now her works are the subject of countless studies and listed in the syllabi of an ever-increasing number of courses in schools and universities. The editors of this volume help the teacher to sort out the best materials and to meet the many challenges that Morrison's writings pose. |
drown by junot diaz: Soulja Girl Alisha Yvonne, 2011-10 Jada Matthews, a senior and a track star at Hopeland High School isn't just swift on the track field, but she also races the field of life in the fast lane. She's a teenaged mother and in love with Rocky Holmes, her son's father. Rocky is a true hustler in every sense, but he's not one to be tied down and living in the family way. Jada dreams of earning an athletic scholarship to continue her education, but Rocky believes he knows what's best for his Soulja-making money the quick and easy way. When his lifestyle begins to take Jada on a speedy downward spiral, the penalty is too great for her to bear. Jada is forced to make a life-changing decision-one no high school girl should ever face. Read her story as National Bestselling Author, Alisha Yvonne explores the challenges of when good girls go bad for the sake of love in Soulja Girl. |
drown by junot diaz: My Wicked Wicked Ways Sandra Cisneros, 2015-04-28 In this beautiful collection of poems, remarkable for their plainspoken radiance, the bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature embraces her first passion-verse. With lines both comic and sad, Sandra Cisneros deftly-and dazzlingly-explores the human experience. For those familiar with Cisneros only from her acclaimed fiction, My Wicked Wicked Ways presents her in an entirely new light. And for readers everywhere, here is a showcase of one of our most powerful writers at her lyrical best. “Here the young voice of Esperanza of The House on Mango Street merges with that of the grown woman/poet. My Wicked Wicked Ways is a kind of international graffiti, where the poet—bold and insistent—puts her mark on those traveled places on the map and in the heart.” —Cherríe Moraga |
drown by junot diaz: Midair Frank Conroy, 1985 |
drown by junot diaz: Reading Junot Diaz Christopher González, 2015-12-19 Dominican American author and Pulitzer Prize-winner Junot Diaz has gained international fame for his blended, cross-cultural fiction. Reading Junot Diaz is the first study to focus on his complete body of published works. It explores the totality of his work and provides a concise view of the interconnected and multilayered narrative that weaves throughout Diaz's writings. Christopher Gonzalez analyzes both the formal and thematic features and discusses the work in the context of speculative and global fiction as well as Caribbean and Latino/a culture and language. Topics such as race, masculinity, migration, and Afro-Latinidad are examined in depth. Gonzalez provides a synthesis of the prevailing critical studies of Diaz and offers many new insights into his work. |
DROWN Definition & Meaning - Merriam-Webster
The meaning of DROWN is to become drowned. How to use drown in a sentence.
DROWN | English meaning - Cambridge Dictionary
DROWN definition: 1. to die by being unable to breathe underwater, or to cause a person or animal to die like this…. Learn more.
DROWN Definition & Meaning - Dictionary.com
to die under water or other liquid of suffocation. to kill by submerging under water or other liquid. to destroy or get rid of by, or as if by, immersion. He drowned his sorrows in drink. to flood or …
Drowning - Wikipedia
Drowning is a type of suffocation induced by the submersion of the mouth and nose in a liquid. Submersion injury refers to both drowning and near-miss incidents. Most instances of fatal …
DROWN definition and meaning | Collins English Dictionary
When someone drowns or is drowned, they die because they have gone or been pushed under water and cannot breathe. Forty-eight people have drowned after their boat capsized during a …
What does drown mean? - Definitions.net
To deprive of life by immersion in water or other liquid. To overwhelm in water; to submerge; to inundate. Etymology: Origin uncertain. 1. To suffocate in water. They would soon drown those …
drown verb - Definition, pictures, pronunciation and usage notes ...
Definition of drown verb from the Oxford Advanced American Dictionary. [intransitive, transitive] to die because you have been underwater too long and you cannot breathe; to kill someone in this …
Drown - definition of drown by The Free Dictionary
1. to die of suffocation under water or other liquid. 2. to kill by submerging under water or other liquid. 3. to destroy or get rid of by immersion: to drown one's troubles in drink. 4. to flood or …
Drown Definition & Meaning - YourDictionary
Drown definition: To drench thoroughly or cover with or as if with a liquid.
Drown - Definition, Meaning & Synonyms | Vocabulary.com
The verb drown means to die from inhaling water into the lungs and being unable to breathe. It is possible to drown in even a small amount of water, so it's important to learn proper water safety.
DROWN Definition & Meaning - Merriam-Webster
The meaning of DROWN is to become drowned. How to use drown in a sentence.
DROWN | English meaning - Cambridge Dictionary
DROWN definition: 1. to die by being unable to breathe underwater, or to cause a person or animal to die like this…. Learn more.
DROWN Definition & Meaning - Dictionary.com
to die under water or other liquid of suffocation. to kill by submerging under water or other liquid. to destroy or get rid of by, or as if by, immersion. He drowned his sorrows in drink. to flood or …
Drowning - Wikipedia
Drowning is a type of suffocation induced by the submersion of the mouth and nose in a liquid. Submersion injury refers to both drowning and near-miss incidents. Most instances of fatal …
DROWN definition and meaning | Collins English Dictionary
When someone drowns or is drowned, they die because they have gone or been pushed under water and cannot breathe. Forty-eight people have drowned after their boat capsized during a …
What does drown mean? - Definitions.net
To deprive of life by immersion in water or other liquid. To overwhelm in water; to submerge; to inundate. Etymology: Origin uncertain. 1. To suffocate in water. They would soon drown those …
drown verb - Definition, pictures, pronunciation and usage notes ...
Definition of drown verb from the Oxford Advanced American Dictionary. [intransitive, transitive] to die because you have been underwater too long and you cannot breathe; to kill someone in …
Drown - definition of drown by The Free Dictionary
1. to die of suffocation under water or other liquid. 2. to kill by submerging under water or other liquid. 3. to destroy or get rid of by immersion: to drown one's troubles in drink. 4. to flood or …
Drown Definition & Meaning - YourDictionary
Drown definition: To drench thoroughly or cover with or as if with a liquid.
Drown - Definition, Meaning & Synonyms | Vocabulary.com
The verb drown means to die from inhaling water into the lungs and being unable to breathe. It is possible to drown in even a small amount of water, so it's important to learn proper water safety.