Disrupted Realism

  disrupted realism: The Realist Case for Global Reform William E. Scheuerman, 2011-04-11 Far from seeing international reform as well-meaning but potentially irresponsible, Progressive Realists like E.H. Carr, John Herz, Hans J. Morgenthau, and Reinhold Niebuhr developed forward-looking ideas which offer an indispensable corrective to many presently influential views about global politics. Progressive Realism, Scheuerman argues, offers a compelling and provocative vision of radical global change which, when properly interpreted, can help buttress current efforts to address the most pressing international issues. --
  disrupted realism: Jenny Saville Richard Calvocoressi, Mark Stevens, 2018-09-25 The most comprehensive monograph on figurative painter Jenny Saville, whose large-scale nudes continue to challenge accepted ideals of beauty. Thirteen years after her first Rizzoli monograph, British artist Jenny Saville, an original member of the Young British Artists, releases her most definitive book, including never-before-published paintings from her most recent exhibition at Gagosian in New York. This much-anticipated volume unites new work with many of Saville's paintings and drawings to date, accompanied by essays that explore Saville's continuing fascination with the human body within a broad art-historical context. The book also features Saville in an extensive conversation with acclaimed American photographer Sally Mann. An illustrated chronology of Saville's career completes this elegant volume. This beautifully produced monograph is an important addition to the library on one of the world's most influential and enduring living painters.
  disrupted realism: Speculative Realism Graham Harman, 2018-09-19 On April 27, 2007, the first Speculative Realism (SR) workshop was held at Goldsmiths, University of London, featuring four young philosophers whose ideas were loosely allied. Over the ensuing decade, the ideas of SR spread from philosophy to the arts, architecture, and numerous disciplines in the humanities and social sciences. SR has been arguably the most influential new current in continental philosophy since the works of Gilles Deleuze and Félix Guattari found their second wind in the 1990s. But what is SR? This book is the first general overview by one of its original members, focusing on the aesthetic, ethical, ontological, and political themes of greatest importance to the movement. Graham Harman provides a balanced but critical assessment of his original SR colleagues – Ray Brassier, Iain Hamilton Grant, and Quentin Meillassoux – along with a clear summary of his own Object-Oriented Ontology (OOO). A number of central philosophical questions tie the four chapters together: What exactly is correlationism, the chief enemy of SR? What are the stakes of philosophical realism, and is such realism better served by mathematics and the natural sciences, or by a broader model of cognitive activity that includes aesthetics? This book covers both the historical and conceptual development of the movement, providing a first-rate introduction for students, aided by helpful end-of-chapter study questions chosen by Harman himself. SR, Harman shows, is a vital and fast-developing field in contemporary philosophy.
  disrupted realism: The Great Disruption Paul Gilding, 2012-02-02 It's time to stop just worrying about climate change, says Paul Gilding. Instead we need to brace for impact, because global crisis is no longer avoidable. The 'Great Disruption' started in 2008, with spiking food and oil prices and dramatic ecological change like the melting polar icecap. It is not simply about fossil fuels and carbon footprints. We have come to the end of Economic Growth, Version 1.0, a world economy based on consumption and waste, where we lived beyond the means of our planet's ecosystems and resources. The Great Disruption offers a stark and unflinching look at the challenge humanity faces - yet also a deeply optimistic message. The coming decades will see loss, suffering and conflict as our planetary overdraft is paid. However, they will also bring out the best humanity can offer: compassion, innovation, resilience and adaptability. Gilding tells us how to fight, and win, what he calls 'the One Degree War' to prevent catastrophic warming of the earth, and how to start today. The crisis we are in represents a rare chance to replace our addiction to growth with an ethic of sustainability, and it's already happening. It's also an unmatched business opportunity: old industries will collapse while new companies literally reshape our economy. In the aftermath of the Great Disruption, we will measure 'growth' in a new way. It will mean not quantity of stuff, but quality, and happiness, of life. And, yes, there is life after shopping. The Great Disruption is an invigorating and well-informed polemic by an advocate for sustainability and climate change who has dedicated his life to campaigning for a balanced use of Earth's limited resources. It is essential reading.
  disrupted realism: Realism After Modernism Devin Fore, 2012 The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these rehumanized works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.
  disrupted realism: The Total Art of Stalinism Boris Groys, 2011-08-08 From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
  disrupted realism: Subjective Realist Cinema Matthew Campora, 2014-03-01 Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.
  disrupted realism: German Europe Ulrich Beck, 2013-04-24 The euro crisis is tearing Europe apart. But the heart of the matter is that, as the crisis unfolds, the basic rules of European democracy are being subverted or turned into their opposite, bypassing parliaments, governments and EU institutions. Multilateralism is turning into unilateralism, equality into hegemony, sovereignty into the dependency and recognition into disrespect for the dignity of other nations. Even France, which long dominated European integration, must submit to Berlin’s strictures now that it must fear for its international credit rating. How did this happen? The anticipation of the European catastrophe has already fundamentally changed the European landscape of power. It is giving birth to a political monster: a German Europe. Germany did not seek this leadership position - rather, it is a perfect illustration of the law of unintended consequences. The invention and implementation of the euro was the price demanded by France in order to pin Germany down to a European Monetary Union in the context of German unification. It was a quid pro quo for binding a united Germany into a more integrated Europe in which France would continue to play the leading role. But the precise opposite has happened. Economically the euro turned out to be very good for Germany, and with the euro crisis Chancellor Angela Merkel became the informal Queen of Europe. The new grammar of power reflects the difference between creditor and debtor countries; it is not a military but an economic logic. Its ideological foundation is ‘German euro nationalism’ - that is, an extended European version of the Deutschmark nationalism that underpinned German identity after the Second World War. In this way the German model of stability is being surreptitiously elevated into the guiding idea for Europe. The Europe we have now will not be able to survive in the risk-laden storms of the globalized world. The EU has to be more than a grim marriage sustained by the fear of the chaos that would be caused by its breakdown. It has to be built on something more positive: a vision of rebuilding Europe bottom-up, creating a Europe of the citizen. There is no better way to reinvigorate Europe than through the coming together of ordinary Europeans acting on their own behalf.
  disrupted realism: Disrupted Realism John Seed, 2019-09-28 Disrupted Realism is the first book to survey the works of contemporary painters who are challenging and reshaping the tradition of Realism. Helping art lovers, collectors, and artists approach and understand this compelling new phenomenon, it includes the works of 38 artists whose paintings respond to the subjectivity and disruptions of modern experience. Widely published author and blogger John Seed, who believes that we are the most distracted society in the history of the world, has selected artists he sees as visionaries in this developing movement. The artists' impulses toward disruption are as individual as the artists themselves, but all share the need to include perception and emotion in their artistic process. Six sections lay out and analyze common themes: Toward Abstraction, Disrupted Bodies, Emotions and Identities, Myths and Visions, Patterns, Planes, and Formations, and Between Painting and Photography. Interviews with each artist offer additional insight into some of the most incisive and relevant painting being created today.
  disrupted realism: How Social Movements (Sometimes) Matter David S. Meyer, 2021-05-28 People protest to try to change the world, because they think they can help change the world, and sometimes they do. But not by themselves, and generally not just how and when they want. This incisive book explains how groups of ordinary individuals can affect the world, what makes it possible when it works, and why it sometimes doesn't go to plan. Digging into previous scholarship on social movements, David S. Meyer looks at the origins of social movements, how they contrast with revolutionary campaigns, and assesses the periodic influence of activists on politics, policy, culture, and the way people live their lives. He concludes by stressing the narratives about political change that activists construct and the power that lies in these stories. With sharp insight and a wealth of intriguing cases, this book offers a fuller understanding of the politics and potential payoffs of protest politics.​
  disrupted realism: No Place in Time Sharon B. Oster, 2018-11-12 An exploration of the temporal function that the Jew plays in literature. No Place in Time: The Hebraic Myth in Late-Nineteenth-Century American Literature examines how the Hebraic myth, in which Jewishness became a metaphor for an ancient, pre-Christian past, was reimagined in nineteenth-century American realism. The Hebraic myth, while integral to a Protestant understanding of time, was incapable of addressing modern Jewishness, especially in the context of the growing social and national concern around the Jewish problem. Sharon B. Oster shows how realist authors consequently cast Jews as caught between a distant past and a promising American future. In either case, whether creating or disrupting temporal continuity, Jewishness existed outside of time. No Place in Time complicates the debates over Eastern European immigration in the 1880s and questions of assimilation to a Protestant American culture. The first chapter begins in the world of periodicals, an interconnected literary culture, out of which Abraham Cahan emerged as a literary voice of Jewish immigrants caught between nostalgia and a messianic future outside of linear progression. Moving from the margins to the center of literary realism, the second chapter revolves around Henry James's modernization of the noble Hebrew as a figure of mediation and reconciliation. The third chapter extends this analysis into the naturalism of Edith Wharton, who takes up questions of intimacy and intermarriage, and places the Jew at the nexus of competing futures shaped by uncertainty and risk. A number of Jewish female perspectives are included in the fourth chapter that recasts plots of cultural assimilation through intermarriage in terms of time: if a Jewish past exists in tension with an American future, these writers recuperate the Hebraic myth for themselves to imagine a viable Jewish future. No Place in Time ends with a brief look at poet Emma Lazarus, whose understanding of Jewishness was distinctly modern, not nostalgic, mythical, or dead. No Place in Time highlights a significant shift in how Jewishness was represented in American literature, and, as such, raises questions of identity, immigration, and religion. This volume will be of interest to scholars of nineteenth- and turn-of-the-century American literature, American Jewish literature, and literature as it intersects with immigration, religion, or temporality, as well as anyone interested in Jewish studies.
  disrupted realism: New Acrylics Essential Sourcebook Rheni Tauchid, 2009 The author of the bestselling The New Acrylics provides an in-depth resource for acrylic artists with an emphasis on a variety of different paint formulas, providing side-by-side comparisons of different combinations of paint consistencies and the range of effects created. Original.
  disrupted realism: The Science of Evaluation Ray Pawson, 2013-02-01 Evaluation researchers are tasked with providing the evidence to guide programme building and to assess its outcomes. As such, they labour under the highest expectations - bringing independence and objectivity to policy making. They face huge challenges, given the complexity of modern interventions and the politicised backdrop to all of their investigations. They have responded with a huge portfolio of research techniques and, through their professional associations, have set up schemes to establish standards for evaluative inquiry and to accredit evaluation practitioners. A big question remains. Has this monumental effort produced a progressive, cumulative and authoritative body of knowledge that we might think of as evaluation science? This is the question addressed by Ray Pawson in this sequel to Realistic Evaluation and Evidence-based Policy. In answer, he provides a detailed blueprint for an evaluation science based on realist principles.
  disrupted realism: E. Vuillard Guy Cogeval, Édouard Vuillard, Kimberly Jones, Laurence Des Cars, National Gallery of Art, Washington D.C., Dario Gamboni, Mary Anne Stevens, Royal Academy of Arts (Great Britain), 2003-01-01 The long and illustrious career of Edouard Vuillard spans the fin-de-siecle and the first four decades of the twentieth century, during which time the French painter, printmaker, and photographer created an extraordinary body of work. This is the first volume to explore Vuillard's rich and varied career in its totality, presenting nearly 350 works that demonstrate the full range of his subject matter and reveal both the public and private sides of this quintessentially Parisian artist. In a series of illustrated essays and catalogue entries, the authors explore Vuillard's complex and diverse artistic development, beginning with his academic training in Paris in the late 1880s and the innovative Nabi paintings of the 1890s for which he is best known, including his provocative, disquieting middle-class interiors and his work associated with the avant-garde theatre. The authors also examine Vuillard's splendid but lesser known large-scale decorations, his luminous landscapes, and the elegant portraits from the last decades of his career. In addition to paintings, the volume includes a substantial selection of drawings and graphics, together with a large group of striking photographs by the artist, many of which are published here for the first time. This illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the work of Edouard Vuillard (1868-1940). The exhibition opens at the National Gallery of Art in Washington and travels to the Montreal Museum of Fine Arts, the Galeries nationales du Grand Palais in Paris, and the Royal Academy of Arts, London.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
  disrupted realism: Cloud Atlas (20th Anniversary Edition) David Mitchell, 2010-07-16 #1 INTERNATIONAL BESTSELLER • A timeless, structure-bending classic that explores how actions of individual lives impact the past, present and future—from a postmodern visionary and one of the leading voices in fiction Featuring a new afterword by David Mitchell and a new introduction by Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow One of the New York Times’s 100 Best Books of the 21st Century • Shortlisted for the International Booker Prize Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. The novel careens, with dazzling virtuosity, to Belgium in 1931, to the West Coast in the 1970s, to an inglorious present-day England, to a Korean superstate of the near future where neocapitalism has run amok, and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The novel boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, David Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a video game, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
  disrupted realism: Post-Realism Robert Hariman, 1996-08-31 Beer and Hariman provide a coherent set of essays that trace and challenge the tradition of realism which has dominated the thinking of academics and practitioners alike. These timely essays set out a systematic investigation of the major realist writers of the Post- War era, the foundational concepts of international politics, and representative case studies of political discourse.
  disrupted realism: People in Trouble Sarah Schulman, 2019-09-19 'A book of resistance and love, as urgently necessary now as it was thirty years ago' Olivia Laing First published in 1990, discover this blistering novel about a love triangle in New York during the AIDS crisis. The perfect novel to read after bingeing It's A Sin. It was the beginning of the end of the world but not everyone noticed right away. It is the late 1980s. Kate, an ambitious artist, lives in Manhattan with her husband Peter. She's having an affair with Molly, a younger lesbian who works part-time in a movie theater. At one of many funerals during an unbearably hot summer, Molly becomes involved with a guerrilla activist group fighting for people with AIDS. But Kate is more cautious, and Peter is bewildered by the changes he's seeing in his city and, most crucially, in his wife. Soon the trio learn how tragedy warps even the closest relationships, and that anger - and its absence - can make the difference between life and death. 'Strong, nervy and challenging' New York Times
  disrupted realism: Jenny Saville Jenny Saville, 1999 Published to accompany the exhibition held at the Gagosian Gallery, New York, 2 October - 18 December 1999.
  disrupted realism: Thinking Through Painting Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch, Städelschule Frankfurt am Main. Institut für Kunstkritik, 2012-09-07 Introduction : remarks on contemporary painting's perseverance André Rottmann -- Painting and atrocity : the Tuymans strategy Peter Geimer -- Questions for Peter Geimer Isabelle Graw -- Response to Isabelle Graw Peter Geimer -- The value of painting : notes on unspecificity, indexicality, and highly valuable quasi-persons Isabelle Graw -- Questions for Isabelle Graw Peter Gaimer -- Response to Peter Gaimer Isabelle Graw.
  disrupted realism: Disrupting Destiny Jan Foster, 2021-04-30 1536 - Hunted, hiding for a century, two outcast Fae soulmates have their dreams of freedom and eternal life ripped apart after a violent confrontation with a ruthless figure from the past. Racing against time itself forces Annabella to choose - confront or flee from her destiny. The shadowy realm she knew before haunts her and rebellion looms. To avert catastrophe, she must challenge history, as well as accept a solitary future. Once a mortal, homebody Joshua must desperately navigate the turbulence of Reformation England in a quest to recover his love, whilst finally reconciling his faith with his unnatural state. Traversing North East England and Scotland trying to find her mystical kingdom, he just has to survive long enough to save her... The fate of an entire race rests on their shoulders, but can destiny be changed? Rebellion, danger and intrigue threaten the future in a thrilling journey, weaving Tudor times with magical fantasy and faeth. Disrupting Destiny - forever isn't certain, trust no-one... Book 1 of the Naturae Series www.escapeintoatale.com
  disrupted realism: Experiments in Knowing Ann Oakley, 2000-04-14 Experiments in Knowing explores the history, ideology and implications of different 'ways of knowing'.
  disrupted realism: Beyond Capitalist Realism Samuel Alexander, 2021-01-10 'Capitalist realism' implies that, ever since the fall of Soviet communism in 1989, capitalism has been the only realistic system of production and distribution. Everything else is generally dismissed as 'utopianism' or just naïve dreaming. This perspective points to a worrying failure of imagination, suggesting that it is now easier to imagine the end of the world than the end of capitalism. But here is the paradox of capitalist realism: just as the dominant cultural imagination has contracted into a single vision of what is possible, the existing system shows itself to be in the process of self-destructing, serving neither people nor planet. Whether by design or disaster, the future will be post-capitalist. In his fourth book of collected essays, degrowth scholar and activist Samuel Alexander seeks to transcend capitalist realism. He shows that viable and desirable alternatives are being lived into existence today by diverse but connected social movements. Calling for a 'degrowth' transition of planned economic contraction, Alexander examines and develops this emerging paradigm from various political, energetic, and aesthetic perspectives. Readers will come away seeing plausible pathways to prosperity, sustainability, and resilience that do not rely on the capitalist growth model of progress.
  disrupted realism: Peter Doig Peter Doig, 2017-03-07 The most comprehensive monograph on Turner Prize-nominated artist Peter Doig. In every generation of artists, there are a few-or perhaps just one-who propose a new set of questions and alter the way we understand art. Peter Doig is such an artist. While stories of painting’s demise in the early 1990s deemed painters and their work quaintly anachronistic, Doig-looking ahead as much as back for inspiration-forged a new painterly language: an ironic mix of Romanticism and post-impressionism to create haunting and sometimes dreamlike landscape vistas. In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such as found photographs-art historians Richard Shiff and Catherine Lampert mine the artist’s rich and varied work. Doig’s landscapes have been inspired by the many places the artist has lived-England, Canada, Trinidad. So, too, does memory, or the idea of memory, inform much of his production. This volume is designed in close collaboration with the artist, with Doig specially creating the cover and various elements of the interior. Every facet of the painter’s singular vision is explored, from his earliest paintings of the early 1990s to the most recent series of works. Published in association with Michael Werner Gallery
  disrupted realism: Painting Now Suzanne Hudson, 2015-03-10 An international survey exploring the many ways in which painting has been re-approached, re-imagined, and challenged by today’s artists Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s—the period that saw the shift from a modernist to a postmodernist visual language—have led to its reinvigoration as a practice, lending it an energy and diversity that persists today. In Painting Now, renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of contemporary painting—a critical snapshot that brings together more than 200 artists from around the world whose work is defining the ideas and aesthetics that characterize the painting of our time. Hudson’s rigorous inquiry takes shape through the analysis of a range of internationally renowned painters, alongside reproductions of their key works to illustrate the concepts being discussed. These luminaries include Franz Ackermann, Michaël Borremans, Chuck Close, Angela de la Cruz, Subodh Gupta, Julie Mehretu, Vik Muniz, Takashi Murakami, Elizabeth Peyton, Wilhelm Sasnal, Luc Tuymans, Zhang Xiaogang, and many others. Organized into six thematic chapters exploring aspects of contemporary painting such as appropriation, attitude, production and distribution, the body, painting about painting, and introducing additional media into painting, this is an essential volume for art history enthusiasts, critics, and practitioners.
  disrupted realism: Moonglow Michael Chabon, 2016-11-22 Following on the heels of his New York Times–bestselling novel Telegraph Avenue, Pulitzer Prize–winning author Michael Chabon delivers another literary masterpiece: a novel of truth and lies, family legends, and existential adventure—and the forces that work to destroy us. In 1989, fresh from the publication of his first novel, The Mysteries of Pittsburgh, Michael Chabon traveled to his mother’s home in Oakland, California, to visit his terminally ill grandfather. Tongue loosened by powerful painkillers, memory stirred by the imminence of death, Chabon’s grandfather shared recollections and told stories the younger man had never heard before, uncovering bits and pieces of a history long buried and forgotten. That dreamlike week of revelations forms the basis of the novel Moonglow, the latest feat of legerdemain in the ongoing magic act that is the art of Michael Chabon. Moonglow unfolds as the deathbed confession, made to his grandson, of a man the narrator refers to only as “my grandfather.” It is a tale of madness, of war and adventure, of sex and desire and ordinary love, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at mid-century and, above all, of the destructive impact—and the creative power—of the keeping of secrets and the telling of lies. A gripping, poignant, tragicomic, scrupulously researched and wholly imaginary transcript of a life that spanned the dark heart of the twentieth century, Moonglow is also a tour de force of speculative history in which Chabon attempts to reconstruct the mysterious origins and fate of Chabon Scientific, Co., an authentic mail-order novelty company whose ads for scale models of human skeletons, combustion engines and space rockets were once a fixture in the back pages of Esquire, Popular Mechanics and Boy’s Life. Along the way Chabon devises and reveals, in bits and pieces whose hallucinatory intensity is matched only by their comic vigor and the radiant moonglow of his prose, a secret history of his own imagination. From the Jewish slums of prewar South Philadelphia to the invasion of Germany, from a Florida retirement village to the penal utopia of New York’s Wallkill Prison, from the heyday of the space program to the twilight of “the American Century,” Moonglow collapses an era into a single life and a lifetime into a single week. A lie that tells the truth, a work of fictional non-fiction, an autobiography wrapped in a novel disguised as a memoir, Moonglow is Chabon at his most daring, his most moving, his most Chabonesque.
  disrupted realism: Charles White Sarah Kelly Oehler, Esther Adler (Curator), 2018 This is a revelatory reassessment of one of the most influential American artists of the 20th century: Charles White (1918-1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist's career and legacy. With handsome reproductions of White's finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White's career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White's creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White's significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist--
  disrupted realism: Leave the World Behind Rumaan Alam, 2020-10-06 SOON TO BE A MAJOR GLOBAL NETFLIX ADAPTATION STARRING JULIA ROBERTS, KEVIN BACON, ETHAN HAWKE AND MAHERSHALA ALI *A THE TIMES #1 BESTSELLER* *THE NEW YORK TIMES BESTSELLER* *A BARACK OBAMA SUMMER READING PICK 2021* 'Easily the best thing I have read all year' KILEY REID, AUTHOR OF SUCH A FUN AGE 'Intense, incisive, I loved this and have still not quite shaken off the unease' DAVID NICHOLLS 'I was hooked from the opening pages' CLARE MACKINTOSH 'Simply breathtaking . . . An extraordinary book, at once smart, gripping and hallucinatory' OBSERVER _______ A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong Amanda and Clay head to a remote corner of Long Island expecting a holiday: a quiet reprieve from life in New York City, quality time with their teenage son and daughter and a taste of the good life in the luxurious home they've rented for the week. But with a late-night knock on the door, the spell is broken. Ruth and G. H., an older couple who claim to own the home, have arrived there in a panic. These strangers say that a sudden power outage has swept the city, and - with nowhere else to turn - they have come to the country in search of shelter. But with the TV and internet down, and no phone service, the facts are unknowable. Should Amanda and Clay trust this couple - and vice versa? What has happened back in New York? Is the holiday home, isolated from civilisation, a truly safe place for their families? And are they safe from one another? _______ FINALIST FOR THE NATIONAL BOOK AWARD 2020 FINALIST FOR THE ORWELL PRIZE 2021 A DAILY TELEGRAPH, GUARDIAN, OBSERVER, IRISH TIMES AND TIME BOOK OF THE YEAR Everyone is talking about LEAVE THE WORLD BEHIND 'You will probably need to read it in as close to one sitting as possible' Sunday Times 'A page-turner taking in themes of isolation, race and class' Guardian 'A book that could have been tailor-made for our times' The Times 'A literary page-turner that will keep you awake even after it ends' Mail on Sunday 'An exceptional examination of race and class and what the world looks like when it's ending' Roxane Gay 'A thrilling book - one that will speak to readers who have felt the terror of isolation in these recent months and one that will simultaneously, as great books do, lift them out of it' Vogue 'Explores complex ideas about privilege and fate with miraculous wit and grace' Jenny Offill 'For the reader, the invisible terror outside in Leave the World Behind echoes the sense of disquiet today in a world convulsed by the pandemic' Financial Times 'Alam's achievement is to see that his genre's traditional arc, which relies on the idea of aftermath, no longer makes sense. Today, disaster novels call for something different' New Yorker 'Read it with the lights on' Jenna Bush Hager, October Book Club pick
  disrupted realism: Jenny Saville: Oxyrhynchus John Elderfield, 2015-05-19 Oxyrhynchus is a city in upper Egypt that was established in 332 BC and is considered one of the most important archaeological sites ever discovered. Saville references the layer upon layer of discoveries at Oxyrhynchus in her new body of work, the final effect being a mysterious narrative of layered bodies and images. The dozen new works presented are a combination of oil, charcoal, and pastel on canvas and a combination of landscape and figures weaving throughout each other.
  disrupted realism: Where the Forest Meets the Stars Glendy Vanderah, 2019 After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. When a mysterious child shows up at her cabin, barefoot and covered in bruises, Joanna enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have.
  disrupted realism: Before Photography Peter Galassi (Museumskurator.), 1981
  disrupted realism: Heightened Perceptions John Seed, 2015-05-27 The paintings in Heightened Perceptions, chosen by juror John Seed, dance across many familiar “isms,” from Photorealism on down the line towards abstraction, defying stylistic categorization. This curated issue of Poets and Artists contains works by fifty painters, all of whom take their subject matter into the realms of imaginative perception. The images are arranged thematically, starting with a section titled The City in honor of Jim Doolin. Four other themed sections—Human Presence, Interiors and Objects, Towards Abstraction and Into the Landscape—follow. The artists are: 1. Amnon David Ar 2. Benjamin Björklund 3. Rebecca Campbell 4. Bruce Cohen 5. David Cunningham 6. Lolita Develay 7. James Doolin (1932-2002) 8. Betsy Eby 9. James Freeman 10. Joe Forkan 11. Edwige Fouvry 12. Kim Frohsin 13. Santiago Galeas 14. Cynthia Grilli 15. Mark Innerst 16. Philip Jackson 17. Timothy Jahn 18. Karen Kaapcke 19. Wolf Kahn 20. Alex Kanevsky 21. Darcia Labrosse 22. Fei Li 23. Chris Liberti 24. Bruce Lieberman 25. Susannah Martin 26. Richard Mayhew 27. Jason McPhillips 28. Catherine Mulligan 29. Ursula O’Farrell 30. Kip Omolade 31. Siddharth Parasnis 32. Jennifer Pochinski 33. Astrid Preston 34. Carolyn Pyfrom 35. John Sanchez 36. Peri Schwartz 37. Rodger Schultz 38. Richard T. Scott 39. Pamela Sienna 40. Christopher Slaymaker 41. Timothy Smith 42. Kurt Solmssen 43. Daniel Sprick 44. Adrienne Stein 45. Glennray Tutor 46. Cynda Valle 47. Michael Van Zeyl 48. Christina Renfer Vogel 49. Evan Woodruffe 50. Jason Bard Yarmosky
  disrupted realism: Hustle Harder, Hustle Smarter Curtis "50 Cent" Jackson, 2020-04-20 For the first time, Curtis 50 Cent Jackson opens up about his amazing comeback--from tragic personal loss to thriving businessman and cable's highest-paid executive--in this unique self-help guide, his first since his blockbuster New York Times bestseller The 50th Law. In his early twenties Curtis Jackson, known as 50 Cent rose to the heights of fame and power in the cutthroat music business. A decade ago the multi-platinum selling rap artist decided to pivot. His ability to adapt to change was demonstrated when he became the executive producer and star of Power, a high-octane, gripping crime drama centered around a drug kingpin's family. The series quickly became appointment television, leading to Jackson inking a four-year, $150 million contract with the Starz network--the most lucrative deal in premium cable history. Now, in his most personal book, Jackson shakes up the self-help category with his unique, cutting-edge lessons and hard-earned advice on embracing change. Where The 50th Law tells readers fear nothing and you shall succeed, Hustle Harder, Hustle Smarter builds on this message, combining it with Jackson's street smarts and hard-learned corporate savvy to help readers successfully achieve their own comeback--and to learn to flow with the changes that disrupt their own lives.
  disrupted realism: Contemporary Patination 2nd Edition Ronald Young, 2015-03-13 Contemporary Patination, 2nd Edition, is a recipe book for many hot and cold patinas for bronze brass and copper. Instruction and supply lists are provided for buried, fumed, paste, wrapped, multi-layered patinas, hot patinas and cold patinas. Nearly every patina discussed will have an accompanying photograph for visual comparison.There is also instruction to preserve, protect and maintain your artwork and trouble-shooting charts for applying patinas and clear top coats.This is a valuable book for sculptors, architects, metal artists, jewelers, conservators, hobbyists and more.
  disrupted realism: The Woman and the Hour Caroline Roberts, 2002-01-01 Roberts situates Martineau's controversial writing in its historical context and presents a sophisticated scholarly analysis of their predominantly hostile reception.
  disrupted realism: The World-Literary System and the Atlantic Sorcha Gunne, Neil Lazarus, 2020-12-18 The World-Literary System and the Atlantic grapples with key questions about how American studies, and the Atlantic region in general, engages with new considerations of literary comparativism, international literary space and the world-literary system. The edited collection furthers these discussions by placing them into a relationship with the theory of combined and uneven development – a theory that has a long pedigree in Marxist sociology and political economy and that continues to stimulate debate across the social sciences, but whose implications for culture have received less attention. Drawing on the comparative modes, concepts, and methods being developed in the new world-literary studies, the essays cover a diverse range of topics such as, the periodization of world literature, racism and the world-system, singular modernity, critical irrealism, commodity frontiers, semi-peripherality, and world-ecology. The chapters in this book were originally published in the journal, Atlantic Studies.
  disrupted realism: The Realistic Imagination George Levine, 1981 In The Realistic Imagination, George Levine argues that the Victorian realists and the later modernists were in fact doing similar things in their fiction: they were trying to use language to get beyond language. Levine sees the history of the nineteenth- and early twentieth-century novel as a continuing process in which each generation of writers struggled to escape the grip of convention and attempted to create new language to express their particular sense of reality. As these attempts hardened into new conventions, they generated new attempts to break free.
  disrupted realism: The Persistence of Realism in Modernist Fiction Paul Stasi, 2022-10-06 Demonstrates the persistence of realism's characteristic concerns - sympathy, melodrama, gender and class - in the most aesthetically innovative works of modernist fiction.
  disrupted realism: Post-Millennial Indian Speculative Fiction in English E. Dawson Varughese, 2025-03-20 Exploring expressions of 'Indianness' buried within and scattered across post-millennial Indian speculative fiction in English, this book asks questions around what it means to 'belong' to an India of 'now' and what it might mean to belong to multiple Indias of the (near) future. With dystopia, near-future, apocalyptic Indias and fantastical metropolises all imagined across this body of writing, Post-Millennial Indian Speculative Fiction in English traces economic, social and political transformations in post-2000 'New India' across these various narratives. Drawing on established notions of the speculative, Dawson Varughese argues for a recognized, post-millennial canon of Indian speculative writing in English which moves beyond Western-centric frames of reference, centring instead on Indian sensibilities, expressions of belonging to India and speculative 'Indian' futures. Organized around key tropes and characteristics of post-millennial Indian speculative fiction in English to date - urban infrastructures, citizenship, bodies and biotech, future (Indian) histories and climate catastrophes – it takes stock of a range of science fiction, fantasy, near-future and dystopian novels and short stories and offers critical insights into the writings of Samit Basu, Varun Thomas Mathew, Gautam Bhatia, Rimi B. Chatterjee, Prayaag Akbar and Anil Menon, alongside many others. Post-millennial Indian Speculative Fiction in English examines shifting ideas of what it means to belong to India and conceptions of India as a nation and pulls these ideas together, creating a workable framework of understanding for this nascent field as we move into the third decade of the millennium.
  disrupted realism: Postmodern Utopias and Feminist Fictions Jennifer A. Wagner-Lawlor, 2013-07-31 This study examines feminist speculative fiction from the late twentieth and early twenty-first century, and finds within it a new vision for the future. Rejecting notions of postmodern utopia as exclusionary, Jennifer A. Wagner-Lawlor advances one defined in terms of hospitality, casting what she calls 'imaginative sympathy' as the foundation of utopian desire. Tracing these themes through the works of Atwood, Butler, Lessing and Winterson, as well as those of well-known Muslim feminists such as El Saadawi, Parsipur and Mernissi, Wagner-Lawlor balances literary analysis with innovative extensions of feminist philosophy to show how inclusionary utopian thinking can inform and promote political agency. Examining these contemporary fictions reveals the rewards of attending to a community that acknowledges difference, diversity and the imaginative potential of every human being.
  disrupted realism: Thomas Hardy Peter Widdowson, 1996-11-04 Peter Widdowson's major new selection of Hardy's poetry offers the student a challenging assessment of his poetic achievement by juxtaposing Hardy's best known poems with some of his least known. In addition to the 184 poems and the selection of Hardy's prose writings (never before so fully annotated), Widdowson includes a lively introduction on Hardy's life and work, a critical essay re-assessing his place in literary history, and extensive explanatory notes on each poem and essay. The volume revitalises our understanding and enjoyment of a most enduringly popular poet and is set to prove a definitive student edition.
DISRUPTED | English meaning - Cambridge Dictionary
DISRUPTED definition: 1. past simple and past participle of disrupt 2. to prevent something, especially a …

DISRUPT Definition & Meaning - Merriam-Webster
The meaning of DISRUPT is to break apart : rupture. How to use disrupt in a sentence.

Disrupted - definition of disrupted by The Free Diction…
To throw into confusion or disorder: Protesters disrupted the candidate's speech. 2. To interrupt or impede the progress of: Our efforts in the garden were disrupted by an early frost. The …

DISRUPT Definition & Meaning | Dictionary.com
to destroy, usually temporarily, the normal continuance or unity of; interrupt. Telephone service was …

Disrupted - Definition, Meaning & Synonyms | Vocabulary.com
Jun 7, 2025 · DISCLAIMER: These example sentences appear in various news sources and books to reflect …

DISRUPTED | English meaning - Cambridge Dictionary
DISRUPTED definition: 1. past simple and past participle of disrupt 2. to prevent something, especially a system…. Learn more.

DISRUPT Definition & Meaning - Merriam-Webster
The meaning of DISRUPT is to break apart : rupture. How to use disrupt in a sentence.

Disrupted - definition of disrupted by The Free Dictionary
To throw into confusion or disorder: Protesters disrupted the candidate's speech. 2. To interrupt or impede the progress of: Our efforts in the garden were disrupted by an early frost. The noise …

DISRUPT Definition & Meaning | Dictionary.com
to destroy, usually temporarily, the normal continuance or unity of; interrupt. Telephone service was disrupted for hours. to break apart. to disrupt a connection. Business. to radically change …

Disrupted - Definition, Meaning & Synonyms | Vocabulary.com
Jun 7, 2025 · DISCLAIMER: These example sentences appear in various news sources and books to reflect the usage of the word ‘disrupted'. Views expressed in the examples do not …

disrupted - WordReference.com Dictionary of English
to cause disorder or turmoil in: The news disrupted their conference. to destroy, usually temporarily, the normal continuance or unity of; interrupt: Telephone service was disrupted for …

28 Synonyms & Antonyms for DISRUPTED - Thesaurus.com
Find 28 different ways to say DISRUPTED, along with antonyms, related words, and example sentences at Thesaurus.com.

What is another word for disrupted - WordHippo
Find 952 synonyms for disrupted and other similar words that you can use instead based on 7 separate contexts from our thesaurus.

What does disrupted mean? - Definitions.net
Disrupted generally refers to something that has been interrupted or disturbed, causing a break in continuity or regularity. This term can be used in various contexts such as business, …

DISRUPTED Synonyms: 104 Similar and Opposite Words
Synonyms for DISRUPTED: fractured, broke, destroyed, reduced, disintegrated, ruined, fragmented, shattered; Antonyms of DISRUPTED: repaired, rebuilt, fixed, reconstructed, …