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| denon 1940ci: The Phonoscope , 1896 |
| denon 1940ci: Emile Berliner, Maker of the Microphone Frederic William Wile, 1926 |
| denon 1940ci: Magnetic Recording Eric D. Daniel, C. Denis Mee, Mark H. Clark, 1998-08-31 The first magnetic recording device was demonstrated and patentedby the Danish inventor Valdemar Poulsen in 1898. Poulsen made amagnetic recording of his voice on a length of piano wire. MAGNETICRECORDING traces the development of the watershed products and thetechnical breakthroughs in magnetic recording that took placeduring the century from Paulsen's experiment to today's ubiquitousaudio, video, and data recording technologies including taperecorders, video cassette recorders, and computer harddrives. An international author team brings a unique perspective, drawnfrom professional experience, to the history of magnetic recordingapplications. Their key insights shed light on how magneticrecording triumphed over all competing technologies andrevolutionized the music, radio, television and computerindustries. They also show how these developments offeropportunities for applications in the future. MAGNETIC RECORDING features 116 illustrations, including 92photographs of historic magnetic recording machines and theirinventors. Sponsored by: IEEE Magnetics Society |
| denon 1940ci: Altered Sensations David Pantalony, 2009-09-18 Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz's Sensations of Tone. A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice. |
| denon 1940ci: A Text-book of Physics, Largely Experimental Edwin Herbert Hall, Joseph Young Bergen, 1897 |
| denon 1940ci: Denon Denon, 1985 |
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