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| diana taylor model: Disappearing Acts Diana Taylor, 1997 Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal imaginings that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond. |
| diana taylor model: Model Minority Masochism Takeo Rivera, 2022 There are few grand narratives that loom over Asian Americans more than the model minority. While many Asian Americanist scholars and activists are quick to disprove the model minority as myth, author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to the model minority relation that Rivera terms model minority masochism. With specific attention to hegemonic masculine Asian American cultural production, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. |
| diana taylor model: The Archive and the Repertoire Diana Taylor, 2003-09-12 DIVAn interdisciplinary study about the centrality of performance in Latin American culture and politics./div |
| diana taylor model: Science of Caring , 1991 |
| diana taylor model: Mourning Diana Adrian Kear, Deborah Lynn Steinberg, 1999 Examining the events which followed the death of Princess Diana as a series of cultural-political phenomena, this text explores the performance of grief and the involvement of the global media. |
| diana taylor model: Absorption Narratives Stephanie M. Pridgeon, 2024-12-16 In Absorption Narratives, Stephanie M. Pridgeon explores cultural depictions of Jewishness, Blackness, and Indigeneity within a comparative, inter-American framework. The dynamics of Jewishness interacting with other racial categories differ significantly in Latin America and the Caribbean compared with those in the United States and Canada, largely due to long-standing and often disputed concepts of mestizaje, broadly defined as racial mixture. As a result, a comprehensive understanding of Jewishness and the construction of racial identities requires an exploration of how Jewishness intersects with both Blackness and Indigeneity in the Americas. Absorption Narratives charts the ways in which literary works capture differences and similarities among Black, Jewish, and Indigenous experiences. Through an extensive and diverse examination of fiction, Pridgeon navigates the complex connections of these identity categories, offering a comparative perspective on race and ethnicity across the Americas that destabilizes US-centric critical practices. Revealing the limitations of US-focused models in understanding racial alterity in relation to Jewishness, Absorption Narratives emphasizes the importance of viewing the narrative of race relations in the Americas from a hemispheric standpoint. |
| diana taylor model: Hybrid Nations Patricia Lapolla Swier, 2009 This book is an interdisciplinary study that addresses the critical role that gender plays in the formation of national identities in Latin America that are negotiated and challenged within extreme struggles for power. This study, which traverses the national landscapes of Argentina, Cuba, Venezuela, and Guatemala and covers the time span between 1837 and 1946, is linked by the author's common strategy of employing gender codes in order to challenge overtly masculinist hegemonic political orders. One of the goals of this investigation is to explore the fissures that surface as a result of the ongoing fluctuations of gender codes, due in part to the diverse shifting of institutions of power during the late nineteenth and early twentieth century. By disturbing deleterious conceptualizations associated with femininity and masculinity, one can embark upon new and open-ended readings of these historical national texts, and appreciate the groundbreaking strides of early revolutionary Latin American writers. -- Publisher description. |
| diana taylor model: Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante Leah Garland, 2009 The books in the Modern American Literature: New Approaches series deal with many of the major writers known as American realists, modernists, and post-modernists from 1880 to the present. This category of writers will also include less known ethnic and minority writers, a majority of whom are African American, some are Native American, Mexican American, Japanese American, Chinese American, and others. (James Dickey, Allen Ginsberg, Gary Snyder, John Barth, John Updike, and Joyce Carol Oates). |
| diana taylor model: Enter the Undead Author George Pate, 2019-03-13 Enter the Undead Author explores the points of tension between the idea of authorship and the realities of theatrical production and other performance practices from the 1960s to the present with special focus on those moments when authorship helps to reappropriate revolutionary practices into traditional modes of production. |
| diana taylor model: Unwritten Afro-Iberian Memories and Histories Yolanda Aixelà-Cabré, 2024-12-16 This book sketches out an innovative Afro-Iberian mosaic that puts forgotten memories and histories into circulation, constructing an Afro-Iberian past that is critical of the cultural racialization of Spaniards and Portuguese. It builds an early late modern and contemporary Afro-Iberian history and approaches African and Maghrebi experiences and memories in order to explain the close relation between race, class, ethnicity and gender in Portugal and Spain between 1850 and 2021. The book approaches the African presence in the Iberian Peninsula by identifying and documenting the traces of these population groups in Spain and Portugal. Cultural Studies, Anthropology and Sociology are some of the fields that weave together two stories in parallel that are little known: the similarities and differences in the social participation of Africans in Spain and Portugal; the degree of influence that the sociopolitical framework has had on Afro-Iberian coexistence and visibility; and the degree of historical depth that Iberian notions have about what is African. The volume promotes the study of unknown experiences of Africans in Europe that may allow future critical comparisons on the construction of what is Euro-African and Afro-European. As a result, the contributions offer an excellent analysis of the similarities and differences between the narratives and practices of African otherness of two Western European countries marked by twilight overseas empires, favouring re-readings of common Iberian-African and Afro-Iberian historical recognition. This book was originally published as a special issue of Ethnic and Racial Studies. |
| diana taylor model: Music and Memory in the Ancient Greek and Roman Worlds Lauren Curtis, Naomi Weiss, 2021-10-28 Combines multiple theoretical perspectives and diverse media to examine the relation between music and memory in ancient Greece and Rome. |
| diana taylor model: London's West End Actresses and the Origins of Celebrity Charity, 1880-1920 Catherine Hindson, 2016-06 Chapter 6. Killing Kruger with Your Mouth | The Actress, Charity Recitations, and the Second Anglo Boer War -- Chapter 7. The Comforteers | Actresses and Charity Activity during the First World War -- Conclusion | Get an Actress First. If You Can't Get an Actress Then Get a Duchess.--Notes -- Bibliography -- Index |
| diana taylor model: Modern Moves Danielle Robinson, 2015 Modern Moves examines the movement of social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It focuses on Manhattan, a Black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally. |
| diana taylor model: Finite Elements in Civil Engineering Applications Max.A.N. Hendriks, J.A. Rots, 2021-06-24 These proceedings present high-level research in structural engineering, concrete mechanics and quasi-brittle materials, including the prime concern of durability requirements and earthquake resistance of structures. |
| diana taylor model: Visions and Revisions Bryoni Trezise, Caroline Wake, 2014-02-28 In 1983 US president Ronald Reagan told the Israeli Prime Minister that he, as a photographer during World War II, had documented the atrocities of the concentration camps on film. The story was later exposed as a fraud as it was revealed that Reagan had resided in Hollywood during the entire war. Does this mean that Reagan was simply an amoral liar or that he established a connection to the Holocaust that can be said to have evolved from the intersection between “real” and “reel”?<br><br> <i>Visions and Revisions. Performance, Memory, Trauma</i> brings the fields of performance studies and trauma studies together in conversation in order to investigate how these two fields both “envision” and “revision” one another in relation to crucial themes such as trauma, testimony, witness, and spectatorship. According to Peggy Phelan, a leading performance studies scholar, performance provides a unique model for witnessing events that are both unbearably real and beyond reason’s ability to grasp – traumatic events like the Holocaust. While Reagan’s claim is obviously both paradoxical and problematic, it opens up a space in which the potential insights that performance studies and trauma studies might bring to one another become particularly visible.<br><br> The first half of the anthology focuses on issues of spectatorship, specifically its ethics and the possibility of witnessing. The second half widens the discussion to include memory more broadly, shifting the emphasis from sight to site, and particularly to site-specific works and the embodied encounters they model, enable and enact. The contributors here fill a critical gap, raising questions about how popular and mediatized performances that memoralize trauma might be viewed through performance theory. They also look at how performance studies might shift its focus from the visual to the sensorial and material and in doing so, they offer a fresh perspective on both performance and trauma studies.<br><br> Writing from different disciplinary vantages and drawing on multiple case studies from South Africa, the former Soviet Union, Lebanon and Thailand, among others, the contributors decolonize trauma studies and make us question, how and where our own eyes and bodies are positioned as we revision the scenes before us.<br><br> <b>Contributors:</b> Laurie Beth Clark/Helena Grehan/Geraldine Harris/ Chris Hudson/Petra Kuppers/Adrian Lahoud/Sam Spurr/Christine Stoddard/Bryoni Trezise/Maria Tumarkin/Caroline Wake.<br><br> <b>Editors:</b> Bryoni Trezise is a lecturer in theatre and performance studies at the University of New South Wales, where Caroline Wake is a Post-doctoral Fellow in the Centre for Modernism Studies in Australia. |
| diana taylor model: The Many Worlds of Anglophone Literature Silvia Anastasijevic, Magdalena Pfalzgraf, Hanna Teichler, 2024-01-11 On what terms and concepts can we ground the comparative study of Anglophone literatures and cultures around the world today? What, if anything, unites the novels of Witi Ihimaera, the speculative fiction of Nnedi Okorafor, the life-writings by Stuart Hall, and the emerging Anglophone Arab literature by writers like Omar Robert Hamilton? This volume explores the globality of Anglophone fiction both as a conceptual framing and as a literary imaginary. It highlights the diversity of lives and worlds represented in Anglophone writing, as well as the diverse imaginations of transnational connections articulated in it. Featuring a variety of internationally renowned scholars, this book thinks through Anglophone literature not as a problematic legacy of colonial rule or as exoticizing commodity in a global literary marketplace but examines it as an inherently transcultural literary medium. Contributors provide new insights into how it facilitates the articulation of divergent experiences of modernity and the critique of hierarchies and inequalities within, among, and beyond post-colonial societies. |
| diana taylor model: Mary Magdalene Diana Wallis Taylor, 2013 A beautiful girl blossoming into womanhood Mary has high hopes for a life filled with learning family and young love In one dreadful night all of that changes The nightmares come first then the waking visions of unspeakable terror until Mary hardly remembers her dreams for the future Can the Most High deliver her from this torment? How long must she wait for healing? This vivid portrait of the enigmatic Mary of Magdala comes to life in the hands of an imaginative master storyteller Diana Wallis Taylor introduces you to a Mary who is both utterly original and respectful of the biblical account opening your eyes to a redemption that knows no bounds |
| diana taylor model: Still Shakespeare and the Photography of Performance Sally Barnden, 2020 Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority. |
| diana taylor model: Live Arts at The Met Limor Tomer, Megan Metcalf, 2022-08-08 From the mid-twentieth century to the present day, The Met has been a popular venue for the performing arts and has hosted a wide range of world-renowned musicians, composers, and dancers, including Nina Simone, Merce Cunningham, Leonard Bernstein, and Twyla Tharp. Live Arts at The Met celebrates this rich history of performance at the Museum and features recollections by artists Lee Mingwei, Bijayini Satpathy, Andrea Miller, Silas Farley, Louisa Proske, and Vijay Iyer, who all share how their engagements with The Met influenced their music, dance, sound, or theater. An interview by Adam Gopnik with Limor Tomer, Lulu C. and Anthony W. Wang General Manager of Live Arts, provides additional context on the last decade of groundbreaking projects and suggests an exciting new future for performance at The Met. |
| diana taylor model: Sissi’s World Maura E. Hametz, Heidi Schlipphacke, 2018-07-12 Sissi's World offers a transdisciplinary approach to the study of the Habsburg Empress Elisabeth of Austria. It investigates the myths, legends, and representations across literature, art, film, and other media of one of the most popular, revered, and misunderstood female figures in European cultural history. Sissi's World explores the cultural foundations for the endurance of the Sissi legends and the continuing fascination with the beautiful empress: a Bavarian duchess born in 1837, the longest-serving Austrian empress, and the queen of Hungary who died in 1898 at the hands of a crazed anarchist. Despite the continuing fascination with “the beloved Sissi, the Habsburg empress, her impact, and legacy have received scant attention from scholars. This collection will go beyond the popular biographical accounts, recountings of her mythic beauty, and scattered studies of her well-known eccentricities to offer transdisciplinary cultural perspectives across art, film, fashion, history, literature, and media. |
| diana taylor model: Models and Mirrors Don Handelman, 1998 Ritual is one of the most discussed cultural practices, yet its treatment in anthropological terms has been seriously limited, characterized by a host of narrow conceptual distinctions. One major reason for this situation has been the prevalence of positivist anthropologies that have viewed and summarized ritual occasions first and foremost in terms of their declared and assumed functions. By contrast, this book, which has become a classic, investigates them as epistemological phenomena in their own right. Comparing public events - a domain which includes ritual and related occasions - the author argues that any public event must first be comprehended through the logic of its design. It is the logic of organization of an occasion which establishes in large measure what that occasion is able to do in relation to the world within which it is created and practiced. |
| diana taylor model: Mapping LGBTQ Spaces and Places Marianne Blidon, Stanley D. Brunn, 2022-07-11 This book addresses LGBTQ issues in relation to among others law and policy, mobility and migration, children and family, social well-being and identity, visible and invisible landscapes, teaching and instruction, parades, arts and cartography and mapping. A variety of research methods are used to explore identities, communities, networks and landscapes, all which can be used in subsequent research and classroom instruction and disciplinary and interdisciplinary levels. This extensive book stimulates future pioneering research ventures in rural and urban settings about existing and proposed LGBTQ policies, individual and group mapping, visible and invisible spaces, and the construction of public and private spaces. Through the methodologies and rich bibliographies, this book provides a rich source for future comparative research of scholars working in social work, NGOs and public policy, and community networking and development. |
| diana taylor model: Stages of Conflict Diana Taylor, Sarah J. Townsend, 2008 Stages of Conflict brings together an array of dramatic texts, tracing the intersection of theater and social and political life in the Americas over the past five centuries. Historical pieces from the sixteenth century to the present highlight the encounter between indigenous tradition and colonialism, while contributions from modern playwrights such as Virgilio Pinero, Jose Triana, and Denise Stolkos take on the tumultuous political and social upheavals of the past century. The editors have added critical commentary on the origins of each play, affording scholars and students of theater, performance studies, and Latin American studies the opportunity to view the history of a continent through its rich and diverse theatrical traditions.--from publisher's statement. |
| diana taylor model: Stages of Emergency Tracy C. Davis, 2007-06-27 In an era defined by the threat of nuclear annihilation, Western nations attempted to prepare civilian populations for atomic attack through staged drills, evacuations, and field exercises. In Stages of Emergency the distinguished performance historian Tracy C. Davis investigates the fundamentally theatrical nature of these Cold War civil defense exercises. Asking what it meant for civilians to be rehearsing nuclear war, she provides a comparative study of the civil defense maneuvers conducted by three NATO allies—the United States, Canada, and the United Kingdom—during the 1950s and 1960s. Delving deep into the three countries’ archives, she analyzes public exercises involving private citizens—Boy Scouts serving as mock casualties, housewives arranging home protection, clergy training to be shelter managers—as well as covert exercises undertaken by civil servants. Stages of Emergency covers public education campaigns and school programs—such as the ubiquitous “duck and cover” drills—meant to heighten awareness of the dangers of a possible attack, the occupancy tests in which people stayed sequestered for up to two weeks to simulate post-attack living conditions as well as the effects of confinement on interpersonal dynamics, and the British first-aid training in which participants acted out psychological and physical trauma requiring immediate treatment. Davis also brings to light unpublicized government exercises aimed at anticipating the global effects of nuclear war. Her comparative analysis shows how the differing priorities, contingencies, and social policies of the three countries influenced their rehearsals of nuclear catastrophe. When the Cold War ended, so did these exercises, but, as Davis points out in her perceptive afterword, they have been revived—with strikingly similar recommendations—in response to twenty-first-century fears of terrorists, dirty bombs, and rogue states. |
| diana taylor model: In Other Los Angeleses Meiling Cheng, 2002-03-20 Will be a 'must read' for anyone studying performance art or the art and culture of Southern California. Cheng is a brilliant and original thinker and writes with a lively, engaged and engaging poetic style through which she attempts to enact the very passion and performativity that she explores in her objects of study.—Amelia Jones, author of Body Art/Performing the Subject Dazzling on many levels, a major contribution not only to performance art scholarship but more generally to contemporary American art, feminist, and cultural studies. In Other Los Angeleses is going to transform performance studies because of the richness of Cheng's facts and scholarship and the equal richness of her theoretical frameworks and references.—Moira Roth, author of Difference Indifference |
| diana taylor model: Taking Risks Julie Shayne, 2014-01-01 Explores activist scholarship in relation to feminist and social movements in the Americas. Taking Risks offers a creative, interdisciplinary approach to narrating the stories of activist scholarship by women. The essays are based on the textual analysis of interviews, oral histories, ethnography, video storytelling, and theater. The contributors come from many disciplinary backgrounds, including theater, history, literature, sociology, feminist studies, and cultural studies. The topics range from the underground library movement in Cuba, femicide in Juárez, community radio in Venezuela, video archives in Colombia, exiled feminists in Canada, memory activism in Argentina, sex worker activists in Brazil, rural feminists in Nicaragua, to domestic violence organizations for Latina immigrants in Texas. Each essay addresses two themes: telling stories and taking risks. The authors understand women activists across the Americas as storytellers who, along with the authors themselves, work to fill the Latin American and Caribbean studies archives with histories of resistance. In addition to sharing the activists stories, the contributors weave in discussions of scholarly risk taking to speak to the challenges and importance of elevating the storytellers and their histories. Julie Shayne took a risk with this book, and the result is impressive: By challenging the activism-research divide that US academies so often sustain, the authors in this collection challenge epistemological as well as national, race, class, age, and gender boundaries. Taking Risks is a must read for researchers and students alike! Amy Lind, editor of Development, Sexual Rights, and Global Governance |
| diana taylor model: Racial Experiments in Cuban Literature and Ethnography Emily A. Maguire, 2018-07-02 “An important contribution to U.S.-Caribbean dialogues in the field of Afro-Diasporic literatures and cultures.”—Jossianna Arroyo, author of Travestismos culturales: literature y etnografía en Cuba y Brasil “Maguire’s close readings of women ethnographers like Lydia Cabrera and Zora Neale Hurston result in a very original approach to dealing with the topic of race and how it overlaps with the categories of gender. Outstanding work!”—James Pancrazio, author of The Logic of Fetishism: Alejo Carpentier and the Cuban Tradition Ingeniously tells the story of the tensions between artist and ethnographer that inform the Cuban national narrative of the twentieth century. Racial Experiments in Cuban Literature and Ethnography is essential reading for a large audience of students and scholars alike within Caribbean, American, and African Diaspora studies.--Jaqueline Loss, author of Cosmopolitanisms and Latin America In the wake of independence from Spain in 1898, Cuba’s intellectual avant-garde struggled to cast their country as a modern nation. They grappled with the challenges presented by the postcolonial situation in general and with the location of blackness within a narrative of Cuban-ness in particular. In this breakthrough study, Emily Maguire examines how a cadre of writers reimagined the nation and re-valorized Afro-Cuban culture through a textual production that incorporated elements of the ethnographic with the literary. Singling out the work of Lydia Cabrera as emblematic of the experimentation with genre that characterized the age, Maguire constructs a series of counterpoints that place Cabrera’s work in dialogue with that of her Cuban contemporaries—including Fernando Ortiz, Nicolás Guillén, and Alejo Carpentier. An illuminating final chapter on Cabrera and Zora Neale Hurston widens the scope to contextualize Cuban texts within a hemispheric movement to represent black culture. Emily A. Maguire is associate professor of Spanish at Northwestern University. |
| diana taylor model: Weathering Shakespeare Evelyn O'Malley, 2020-12-24 Winner of the ASLE-UKI 2022 Book Prize From The Pastoral Players' 1884 performance of As You Like It to contemporary site-specific productions activist interventions, there is a rich history of open air performances of Shakespeare's plays beyond their early modern origins. Weathering Shakespeare reveals how new insights from the environmental humanities can transform our understanding of this popular performance practice. Drawing on audience accounts of outdoor productions of those plays most commonly chosen for open air performance – including A Midsummer Night's Dream and The Tempest – the book examines how performers and audiences alike have reacted to unpredictable natural environments. |
| diana taylor model: Telling Ruins in Latin America M. Lazzara, V. Unruh, 2009-07-20 This book highlights the ruin's prolific resurgence in Latin American cultural life at the turn of the millennium and sharply reveals a stirring creative drive by artists and intellectuals toward ethical reflection and change in the midst of ruinous devastation. |
| diana taylor model: Fabulous madison moore, 2018-04-17 An exploration of what it means to be fabulous—and why eccentric style, fashion, and creativity are more political than ever Prince once told us not to hate him ’cause he’s fabulous. But what does it mean to be fabulous? Is fabulous style only about labels, narcissism, and selfies—looking good and feeling gorgeous? Or can acts of fabulousness be political gestures, too? What are the risks of fabulousness? And in what ways is fabulous style a defiant response to the struggles of living while marginalized? madison moore answers these questions in a timely and fascinating book that explores how queer, brown, and other marginalized outsiders use ideas, style, and creativity in everyday life. Moving from catwalks and nightclubs to the street, moore dialogues with a range of fabulous and creative powerhouses, including DJ Vjuan Allure, voguing superstar Lasseindra Ninja, fashion designer Patricia Field, performance artist Alok Vaid†‘Menon, and a wide range of other aesthetic rebels from the worlds of art, fashion, and nightlife. In a riveting synthesis of autobiography, cultural analysis, and ethnography, moore positions fabulousness as a form of cultural criticism that allows those who perform it to thrive in a world where they are not supposed to exist. |
| diana taylor model: Possessed Voices Ruthie Abeliovich, 2019-07-01 Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, a valuable tool for understanding historical theater, which preserve performances of modernist interwar Hebrew plays. Seldom used in scholarship, Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship. “The author’s focus on historicizing and analyzing sound recordings and radio plays as a means to tackle the pervasive ephemerality problem in theater studies is a novel and valuable approach that represents a significant intervention in the field. These types of sources have had scant attention in theater studies to date, but Abeliovich makes a compelling argument that they belong at the center.” — Debra Caplan, author of Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy |
| diana taylor model: A Companion to American Women's History Nancy A. Hewitt, 2008-04-15 This collection of twenty-four original essays by leading scholars in American women's history highlights the most recent important scholarship on the key debates and future directions of this popular and contemporary field. Covers the breadth of American Women's history, including the colonial family, marriage, health, sexuality, education, immigration, work, consumer culture, and feminism. Surveys and evaluates the best scholarship on every important era and topic. Includes expanded bibliography of titles to guide further research. |
| diana taylor model: Witnessing Torture Alexandra S. Moore, Elizabeth Swanson, 2018-06-11 This book demonstrates a new, interdisciplinary approach to life writing about torture that situates torture firmly within its socio-political context, as opposed to extending the long line of representations written in the idiom of the proverbial dark chamber. By dismantling the rhetorical divide that typically separates survivors’ suffering from human rights workers’ expertise, contributors engage with the personal, professional, and institutional dimensions of torture and redress. Essays in this volume consider torture from diverse locations – the Philippines, Argentina, Sudan, and Guantánamo, among others. From across the globe, contributors witness both individual pain and institutional complicity; the challenges of building communities of healing across linguistic and national divides; and the role of the law, art, writing, and teaching in representing and responding to torture. |
| diana taylor model: Nor-tec Rifa! Alejandro L. Madrid, 2008-03-21 At the dawn of the twenty-first century, the Nor-tec phenomenon emerged from the border city of Tijuana and through the Internet, quickly conquered a global audience. Marketed as a kind of ethnic electronic dance music, Nor-tec samples sounds of traditional music from the north of Mexico, and transforms them through computer technology used in European and American techno music and electronica. Tijuana has media links to both Mexico and the United States, with peoples, currencies, and cultural goods--perhaps especially music--from both sides circulating intensely within the city. Older residents and their more mobile, cosmopolitan-minded children thus engage in a constant struggle with identity and nationality, appropriation and authenticity. Nor-tec music in its very composition encapsulates this city's struggle, resonating with issues felt on the global level, while holding vastly different meanings to the variety of communities that embrace it. With an impressive hybrid of musicology, ethnomusicology, cultural and performance studies, urbanism, and border studies, Nor-tec Rifa! offers compelling insights into the cultural production of Nor-tec as it stems from norteña, banda, and grupera traditions. The book is also among the first to offer detailed accounts of Nor-tec music's composition process. |
| diana taylor model: Tactical Performance Larry Bogad, 2016-02-26 Tactical Performance tells fun, mischievous stories of underdogs speaking mirth to power - through creative, targeted activist performance in the streets of cities around the world. This compelling, inspiring book also provides the first ever full-length practical and theoretical guide to this work. L.M.Bogad, one of the most prolific practitioners and scholars of this genre, shares the most effective non-violent tactics and theatrics employed by groups which have captured the public imagination in recent years. Tactical Performance explores carnivalesque protest in unique depth, looking at the possibilities for direct action and sometimes shocking confrontation with some of the most powerful institutions in the world. It is essential reading for anyone interested in creative pranksterism and the global justice movement. |
| diana taylor model: Feeling Photography Elspeth H. Brown, Thy Phu, 2014-09-09 This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present. Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor |
| diana taylor model: Historic Cities Jeff Cody, Francesco Siravo, 2019-07-30 This new volume in the GCI's Readings in Conservation series brings together a selection of seminal writings on the conservation of historic cities. This book, the eighth in the Getty Conservation Institute’s Readings in Conservation series, fills a significant gap in the published literature on urban conservation. This topic is distinct from both heritage conservation and urban planning despite the recent growth of urbanism worldwide, no single volume has presented a comprehensive selection of these important writings until now. This anthology, profusely illustrated throughout, is organized into eight parts, covering such subjects as geographic diversity, reactions to the transformation of traditional cities, reading the historic city, the search for contextual continuities, the search for values, and the challenges of sustainability. With more than sixty-five texts, ranging from early polemics by Victor Hugo and John Ruskin to a generous selection of recent scholarship, this book thoroughly addresses regions around the globe. Each reading is introduced by short prefatory remarks explaining the rationale for its selection and the principal matters covered. The book will serve as an easy reference for administrators, professionals, teachers, and students faced with the day-to-day challenges confronting the historic city under siege by rampant development. |
| diana taylor model: The Art of Collectivity Jennifer Beth Spiegel, Benjamin Ortiz Choukroun, 2019-09-12 Amidst epidemics of youth alienation and cultural polarization, community-based artistic practices are sprouting up around the world as antidotes to policies of austerity and social exclusion. Rejecting the radical individualism of the neoliberal era, many artistic projects promote collectivity and togetherness in navigating challenges and constructing shared futures. The Art of Collectivity is about how one such creative social program deployed this approach in service of a post-neoliberal vision. Focusing on a national social circus initiative launched by a newly elected Ecuadorean government to help actualize its “citizens' revolution,” the book explores the intersection between global cultural politics, participatory arts, collective health, and social transformation. The authors include scholars and practitioners of community arts, humanities, social sciences, and health sciences from the Global North and Global South. Sensitive to hierarchical binaries such as research/practice, north/south, and art/science, they work together to provide a multifaceted analysis of the way cultural politics shape policy, pedagogy, and aesthetic sensibilities, as well as their socio-cultural and health-related effects. The largest study of social circus to date, combining detailed quantitative, qualitative, and arts-based research, The Art of Collectivity is a timely contribution to the study of cultural policies, critical pedagogies, collective art-making, and community development. |
| diana taylor model: Defending Their Own in the Cold Marc Zimmerman, 2011-09-15 Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans explores U.S. Puerto Rican culture in past and recent contexts. The book presents East Coast, Midwest, and Chicago cultural production while exploring Puerto Rican musical, film, artistic, and literary performance. Working within the theoretical frame of cultural, postcolonial, and diasporic studies, Marc Zimmerman relates the experience of Puerto Ricans to that of Chicanos and Cuban Americans, showing how even supposedly mainstream U.S. Puerto Ricans participate in a performative culture that embodies elements of possible cultural Ricanstruction. Defending Their Own in the Cold examines various dimensions of U.S. Puerto Rican artistic life, including relations with other ethnic groups and resistance to colonialism and cultural assimilation. To illustrate how Puerto Ricans have survived and created new identities and relations out of their colonized and diasporic circumstances, Zimmerman looks at the cultural examples of Latino entertainment stars such as Jennifer Lopez and Benicio del Toro, visual artists Juan Sánchez, Ramón Flores, and Elizam Escobar, as well as Nuyorican dancer turned Midwest poet Carmen Pursifull. The book includes a comprehensive chapter on the development of U.S. Puerto Rican literature and a pioneering essay on Chicago Puerto Rican writing. A final essay considers Cuban cultural attitudes towards Puerto Ricans in a testimonial narrative by Miguel Barnet and reaches conclusions about the past and future of U.S. Puerto Rican culture. Zimmerman offers his own semi-outsider point of reference as a Jewish American Latin Americanist who grew up near New York City, matured in California, went on to work with and teach Latinos in the Midwest, and eventually married a woman from a Puerto Rican family with island and U.S. roots. |
| diana taylor model: Studio-Based Approaches for Multimodal Projects Hannah Dean, 2019-05-10 This book examines a range of strategies for studio approaches and models from multiple educational contexts that enable process-oriented multimodal projects and promote student learning. This collection features chapters by leaders and innovators in studio-based approaches and offers vivid examples of ways in which they are realized. |
Kids Diana Show - YouTube
"Kids Diana Show" is the top rated kids' YouTube channel starring Diana and Roma as they constantly engage in fun and crazy adventures.
Diana, Princess of Wales - Wikipedia
Diana, Princess of Wales ... Diana, Princess of Wales (born Diana Frances Spencer; 1 July 1961 – 31 August 1997), was a member of the British royal family. She was the first wife of Charles …
Diana and Roma taste Chocolate Milk Shake - Videos For Kids
Diana eats a chocolate bar, and brother Roma has the same chocolate milkshake. Diana and Roma taste chocolate milkshakes.Subscribe to Kids Diana Show - http://bit.ly/2k7NrSxDiana's …
Diana, princess of Wales | Biography, Wedding, Children, Funeral ...
4 days ago · Diana, princess of Wales, captivated the world with her grace and compassion as she used her platform to advocate for charitable causes and redefine the role of a modern royal.
Princess Diana: Biography, British Princess, Humanitarian
May 9, 2023 · Princess Diana was Princess of Wales while married to Prince Charles. One of the most adored members of the British royal family, she died in a 1997 car crash.
The Surprising History Behind Princess Diana's Most Iconic Jewelry
8 hours ago · Princess Diana’s style is nothing short of legendary and so was her jewelry. Read ahead for the surprising history behind 10 of her most iconic pieces of bijoux.
'I've kept Princess Diana's secrets for decades - The Mirror
17 hours ago · News Royals Princess Diana 'I've kept Princess Diana's secrets for decades - here's what she told me after divorce' Princess Diana's former personal trainer, who worked …
Princess Diana's Death - Cause, Timeline & Age | HISTORY
Aug 3, 2017 · Princess Diana (1961-1997)—Britain’s beloved “People’s Princess”—devoted herself to charitable causes and became a global icon before dying in a car accident in Paris in …
Princess Diana gowns star in ‘largest’ auction of late royal ... - CNN
6 days ago · Dozens of items from the former Princess of Wales’ wardrobe — including dresses, hats, handbags and shoes — feature in the “largest collection” of the late royal’s fashion to go …
Diana, Princess of Wales - Simple English Wikipedia, the free …
Diana, Princess of Wales (born Diana Frances Spencer; 1 July 1961 – 31 August 1997), was a member of the British royal family. She was the first wife of King Charles III, then-Princes of …
Kids Diana Show - YouTube
"Kids Diana Show" is the top rated kids' YouTube channel starring Diana and Roma as they constantly engage in fun and crazy adventures.
Diana, Princess of Wales - Wikipedia
Diana, Princess of Wales ... Diana, Princess of Wales (born Diana Frances Spencer; 1 July 1961 – 31 August 1997), was a member of the British royal family. She was the first wife of Charles III …
Diana and Roma taste Chocolate Milk Shake - Videos For Kids
Diana eats a chocolate bar, and brother Roma has the same chocolate milkshake. Diana and Roma taste chocolate milkshakes.Subscribe to Kids Diana Show - http://bit.ly/2k7NrSxDiana's …
Diana, princess of Wales | Biography, Wedding, Children, Funeral ...
4 days ago · Diana, princess of Wales, captivated the world with her grace and compassion as she used her platform to advocate for charitable causes and redefine the role of a modern royal.
Princess Diana: Biography, British Princess, Humanitarian
May 9, 2023 · Princess Diana was Princess of Wales while married to Prince Charles. One of the most adored members of the British royal family, she died in a 1997 car crash.
The Surprising History Behind Princess Diana's Most Iconic Jewelry
8 hours ago · Princess Diana’s style is nothing short of legendary and so was her jewelry. Read ahead for the surprising history behind 10 of her most iconic pieces of bijoux.
'I've kept Princess Diana's secrets for decades - The Mirror
17 hours ago · News Royals Princess Diana 'I've kept Princess Diana's secrets for decades - here's what she told me after divorce' Princess Diana's former personal trainer, who worked …
Princess Diana's Death - Cause, Timeline & Age | HISTORY
Aug 3, 2017 · Princess Diana (1961-1997)—Britain’s beloved “People’s Princess”—devoted herself to charitable causes and became a global icon before dying in a car accident in Paris in …
Princess Diana gowns star in ‘largest’ auction of late royal ... - CNN
6 days ago · Dozens of items from the former Princess of Wales’ wardrobe — including dresses, hats, handbags and shoes — feature in the “largest collection” of the late royal’s fashion to go …
Diana, Princess of Wales - Simple English Wikipedia, the free …
Diana, Princess of Wales (born Diana Frances Spencer; 1 July 1961 – 31 August 1997), was a member of the British royal family. She was the first wife of King Charles III, then-Princes of …
