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| dominick lacapra trauma theory: Writing History, Writing Trauma Dominick LaCapra, 2014-09-03 This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book. |
| dominick lacapra trauma theory: Writing History, Writing Trauma Dominick LaCapra, 2014-09-03 An updated edition of a major work in trauma studies. Trauma and its aftermath pose acute problems for historical representation and understanding. In Writing History, Writing Trauma, Dominick LaCapra critically analyzes attempts by theorists and literary critics to come to terms with trauma and with the crucial role post-traumatic testimonies—notably Holocaust testimonies—assume in thought and in writing. These attempts are addressed in a series of six interlocking essays that adapt psychoanalytic concepts to historical analysis, while employing sociocultural and political critique to elucidate trauma and its aftereffects in culture and in people. This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book. |
| dominick lacapra trauma theory: History and Its Limits Dominick LaCapra, 2011-02-23 Dominick LaCapra's History and Its Limits articulates the relations among intellectual history, cultural history, and critical theory, examining the recent rise of Practice Theory and probing the limitations of prevalent forms of humanism. LaCapra focuses on the problem of understanding extreme cases, specifically events and experiences involving violence and victimization. He asks how historians treat and are simultaneously implicated in the traumatic processes they attempt to represent. In addressing these questions, he also investigates violence's impact on various types of writing and establishes a distinctive role for critical theory in the face of an insufficiently discriminating aesthetic of the sublime (often unreflectively amalgamated with the uncanny). In History and Its Limits, LaCapra inquires into the related phenomenon of a turn to the postsecular, even the messianic or the miraculous, in recent theoretical discussions of extreme events by such prominent figures as Giorgio Agamben, Eric L. Santner, and Slavoj Zizek. In a related vein, he discusses Martin Heidegger's evocative, if not enchanting, understanding of The Origin of the Work of Art. LaCapra subjects to critical scrutiny the sometimes internally divided way in which violence has been valorized in sacrificial, regenerative, or redemptive terms by a series of important modern intellectuals on both the far right and the far left, including Georges Sorel, the early Walter Benjamin, Georges Bataille, Frantz Fanon, and Ernst Jünger. Violence and victimization are prominent in the relation between the human and the animal. LaCapra questions prevalent anthropocentrism (evident even in theorists of the posthuman) and the long-standing quest for a decisive criterion separating or dividing the human from the animal. LaCapra regards this attempt to fix the difference as misguided and potentially dangerous because it renders insufficiently problematic the manner in which humans treat other animals and interact with the environment. In raising the issue of desirable transformations in modernity, History and Its Limits examines the legitimacy of normative limits necessary for life in common and explores the disconcerting role of transgressive initiatives beyond limits (including limits blocking the recognition that humans are themselves animals). |
| dominick lacapra trauma theory: History, Literature, Critical Theory Dominick LaCapra, 2013-04-12 In History, Literature, Critical Theory, Dominick LaCapra continues his exploration of the complex relations between history and literature, here considering history as both process and representation. A trio of chapters at the center of the volume concern the ways in which history and literature (particularly the novel) impact and question each other. In one of the chapters LaCapra revisits Gustave Flaubert, pairing him with Joseph Conrad. Other chapters pair J. M. Coetzee and W. G. Sebald, Jonathan Littell's novel, The Kindly Ones, and Saul Friedlander's two-volume, prizewinning history Nazi Germany and the Jews. A recurrent motif of the book is the role of the sacred, its problematic status in sacrifice, its virulent manifestation in social and political violence (notably the Nazi genocide), its role or transformations in literature and art, and its multivalent expressions in postsecular hopes, anxieties, and quests. LaCapra concludes the volume with an essay on the place of violence in the thought of Slavoj Zizek. In LaCapra's view Zizek's provocative thought at times has uncanny echoes of earlier reflections on, or apologies for, political and seemingly regenerative, even sacralized violence. |
| dominick lacapra trauma theory: Understanding Others Dominick LaCapra, 2018-09-15 No detailed description available for Understanding Others. |
| dominick lacapra trauma theory: History in Transit Dominick LaCapra, 2018-08-06 History in Transit comprises Dominick LaCapra's explorations of relationships he believes have been insufficiently theorized: between experience and identity, between history and various theories of subjectivity, between extreme events and their representation, between institutional structures and the kinds of knowledge produced within them. Taken together, these discussions form a dialogical encounter, positing the links among epistemological questions, historicist ones, and issues pertaining to disciplinary and institutional politics. Reacting against the antitheoretical bias of some prominent historians, LaCapra presents an alternative model of historiographical practice—one in which emphases on plurality and hybridity are combined with the concept of historical experience. For LaCapra experience emerges as a category both theoretically determined and anchored in the facticity of the everyday. LaCapra tests the assumptions and implications of the way one approaches the past by looking to psychoanalysis to render more self-aware the relationship between the historian and his or her material. He offers criticisms of assumptions held by practicing historians and theorists, placing the study of history at the center of a larger argument about the role of the contemporary university. Contesting both corporatization and claims that the university is in ruins, LaCapra writes, It is paradoxical that the demand to make the university conform to an ever-increasing extent to a market or business model seems oblivious to the fact that the American university has probably been the most successful of its type in the world, that students from other countries disproportionately desire to study in it. |
| dominick lacapra trauma theory: The Future of Trauma Theory Gert Buelens, Samuel Durrant, Robert Eaglestone, 2013-10-30 This collection analyses the future of ‘trauma theory’, a major theoretical discourse in contemporary criticism and theory. The chapters advance the current state of the field by exploring new areas, asking new questions and making new connections. Part one, History and Culture, begins by developing trauma theory in its more familiar post-deconstructive mode and explores how these insights might still be productive. It goes on, via a critique of existing positions, to relocate trauma theory in a postcolonial and globalized world, theoretically, aesthetically and materially, and focuses on non-Western accounts and understandings of trauma, memory and suffering. Part two, Politics and Subjectivity, turns explicitly to politics and subjectivity, focussing on the state and the various forms of subjection to which it gives rise, and on human rights, biopolitics and community. Each chapter, in different ways, advocates a movement beyond the sort of texts and concepts that are the usual focus for trauma criticism and moves this dynamic network of ideas forward. With contributions from an international selection of leading critics and thinkers from the US and Europe, this volume will be a key critical intervention in one of the most important areas in contemporary literary criticism and theory. |
| dominick lacapra trauma theory: Why Did the Heavens Not Darken? Arno J. Mayer, 2012-08-21 Was the extermination of the Jews part of the Nazi plan from the very start? Arno Mayer offers astartling and compelling answer to this question, which is much debated among historians today.In doing so, he provides one of the most thorough and convincing explanations of how the genocidecame about in Why Did the Heavens Not Darken?, which provoked widespread interest and controversywhen first published. Mayer demonstrates that, while the Nazis’ anti-Semitism was always virulent, it did not become genocidal until well into the Second World War, when the failure of their massive, all-or-nothingcampaign against Russia triggered the Final Solution. He details the steps leading up to thisenormity, showing how the institutional and ideological frameworks that made it possible evolved,and how both related to the debacle in the Eastern theater. In this way, the Judeocide is placedwithin the larger context of European history, showing how similar ‘holy causes’ in the past havetriggered analogous – if far less cataclysmic – infamies. |
| dominick lacapra trauma theory: History and Memory after Auschwitz Dominick LaCapra, 2018-09-05 The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's comic book Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory. In six essays, LaCapra addresses a series of related questions. Are there experiences whose traumatic nature blocks understanding and disrupts memory while producing belated effects that have an impact on attempts to address the past? Do some events present moral and representational issues even for groups or individuals not directly involved in them? Do those more directly involved have special responsibilities to the past and the way it is remembered in the present? Can or should historiography define itself in a purely scholarly and professional way that distances it from public memory and its ethical implications? Does art itself have a special responsibility with respect to traumatic events that remain invested with value and emotion? |
| dominick lacapra trauma theory: Trauma and Literature J. Roger Kurtz, 2018-03-15 As a concept, 'trauma' has attracted a great deal of interest in literary studies. A key term in psychoanalytic approaches to literary study, trauma theory represents a critical approach that enables new modes of reading and of listening. It is a leading concept of our time, applicable to individuals, cultures, and nations. This book traces how trauma theory has come to constitute a discrete but influential approach within literary criticism in recent decades. It offers an overview of the genesis and growth of literary trauma theory, recording the evolution of the concept of trauma in relation to literary studies. In twenty-one essays, covering the origins, development, and applications of trauma in literary studies, Trauma and Literature addresses the relevance and impact this concept has in the field. |
| dominick lacapra trauma theory: Transmitted Wounds Amit Pinchevski, 2019 Transmitted Wounds explores the ways media shape the social life of trauma both clinically and culturally. Through a series of case studies--from the radiocasts of the Eichmann trial to virtual reality therapy for PTSD--Pinchevski offers a bold thesis about the deep association of media and trauma: media bear witness to the human failure to bear witness, making the traumatic technologically transmissible and reproducible. |
| dominick lacapra trauma theory: On Creaturely Life Eric L. Santer, 2009-06-24 In his Duino Elegies, Rainer Maria Rilke suggests that animals enjoy direct access to a realm of being—the open—concealed from humans by the workings of consciousness and self-consciousness. In his own reading of Rilke, Martin Heidegger reclaims the open as the proper domain of human existence but suggests that human life remains haunted by vestiges of an animal-like relation to its surroundings. Walter Benjamin, in turn, was to show that such vestiges—what Eric Santner calls the creaturely—have a biopolitical aspect: they are linked to the processes that inscribe life in the realm of power and authority. Santner traces this theme of creaturely life from its poetic and philosophical beginnings in the first half of the twentieth century to the writings of the enigmatic German novelist W. G. Sebald. Sebald’s entire oeuvre, Santner argues, can be seen as an archive of creaturely life. For Sebald, the work on such an archive was inseparable from his understanding of what it means to engage ethically with another person’s history and pain, an engagement that transforms us from indifferent individuals into neighbors. An indispensable book for students of Sebald, On Creaturely Life is also a significant contribution to critical theory. |
| dominick lacapra trauma theory: Memory, Trauma, and History Michael S. Roth, 2011-11-01 In these essays, Michael S. Roth uses psychoanalysis to build a richer understanding of history, and then takes a more expansive conception of history to decode the cultural construction of memory. He first examines the development in nineteenth-century France of medical criteria for diagnosing memory disorders, which signal fundamental changes in the understanding of present and past. He next explores links between historical consciousness and issues relating to the psyche, including trauma and repression and hypnosis and therapy. Roth turns to the work of postmodern theorists in connection with the philosophy of history and then examines photography's capacity to capture traces of the past. He considers how we strive to be faithful to the past even when we don't care about getting it right or using it productively. Roth concludes with essays defending pragmatic and reflexive liberal education. Drawing on his experiences as a teacher and academic leader, he speaks of living with the past without being dominated by it. |
| dominick lacapra trauma theory: Unclaimed Experience Cathy Caruth, 2010-03-24 If Freud turns to literature to describe traumatic experience, it is because literature, like psychoanalysis, is interested in the complex relation between knowing and not knowing, and it is at this specific point at which knowing and not knowing intersect that the psychoanalytic theory of traumatic experience and the language of literature meet.—from the Introduction In Unclaimed Experience, Cathy Caruth proposes that in the widespread and bewildering experience of trauma in our century—both in its occurrence and in our attempt to understand it—we can recognize the possibility of a history no longer based on simple models of straightforward experience and reference. Through the notion of trauma, she contends, we come to a new understanding that permits history to arise where immediate understanding is impossible. In her wide-ranging discussion, Caruth engages Freud's theory of trauma as outlined in Moses and Monotheism and Beyond the Pleasure Principle; the notion of reference and the figure of the falling body in de Man, Kleist, and Kant; the narratives of personal catastrophe in Hiroshima mon amour; and the traumatic address in Lecompte's reinterpretation of Freud's narrative of the dream of the burning child. -- Robert Jay Lifton, M.D., author of Hiroshima in America and The Protean Self |
| dominick lacapra trauma theory: Decolonizing Trauma Studies: Trauma and Postcolonialism Sonya Andermahr, 2018-10-01 This book is a printed edition of the Special Issue Decolonizing Trauma Studies: Trauma and Postcolonialism that was published in Humanities |
| dominick lacapra trauma theory: Contemporary Approaches in Literary Trauma Theory M. Balaev, 2014-12-02 This edited collection argues that trauma in literature must be read through a theoretical pluralism that allows for an understanding of trauma's variable representations that include yet move beyond the concept of trauma as pathological and unspeakable. |
| dominick lacapra trauma theory: Testimony Shoshana Felman, Dori Laub, 2013-10-18 In this unique collection, Yale literary critic Shoshana Felman and psychoanalyst Dori Laub examine the nature and function of memory and the act of witnessing, both in their general relation to the acts of writing and reading, and in their particular relation to the Holocaust. Moving from the literary to the visual, from the artistic to the autobiographical, and from the psychoanalytic to the historical, the book defines for the first time the trauma of the Holocaust as a radical crisis of witnessing the unprecedented historical occurrence of...an event eliminating its own witness. Through the alternation of a literary and clinical perspective, the authors focus on the henceforth modified relation between knowledge and event, literature and evidence, speech and survival, witnessing and ethics. |
| dominick lacapra trauma theory: A Companion to Literary Theory David H. Richter, 2018-03-19 Introduces readers to the modes of literary and cultural study of the previous half century A Companion to Literary Theory is a collection of 36 original essays, all by noted scholars in their field, designed to introduce the modes and ideas of contemporary literary and cultural theory. Arranged by topic rather than chronology, in order to highlight the relationships between earlier and most recent theoretical developments, the book groups its chapters into seven convenient sections: I. Literary Form: Narrative and Poetry; II. The Task of Reading; III. Literary Locations and Cultural Studies; IV. The Politics of Literature; V. Identities; VI. Bodies and Their Minds; and VII. Scientific Inflections. Allotting proper space to all areas of theory most relevant today, this comprehensive volume features three dozen masterfully written chapters covering such subjects as: Anglo-American New Criticism; Chicago Formalism; Russian Formalism; Derrida and Deconstruction; Empathy/Affect Studies; Foucault and Poststructuralism; Marx and Marxist Literary Theory; Postcolonial Studies; Ethnic Studies; Gender Theory; Freudian Psychoanalytic Criticism; Cognitive Literary Theory; Evolutionary Literary Theory; Cybernetics and Posthumanism; and much more. Features 36 essays by noted scholars in the field Fills a growing need for companion books that can guide readers through the thicket of ideas, systems, and terminologies Presents important contemporary literary theory while examining those of the past The Wiley-Blackwell Companion to Literary Theory will be welcomed by college and university students seeking an accessible and authoritative guide to the complex and often intimidating modes of literary and cultural study of the previous half century. |
| dominick lacapra trauma theory: The Routledge Companion to Literature and Trauma Colin Davis, Hanna Meretoja, 2020-05-11 Literary trauma studies is a rapidly developing field which examines how literature deals with the personal and cultural aspects of trauma and engages with such historical and current phenomena as the Holocaust and other genocides, 9/11, climate catastrophe or the still unsettled legacy of colonialism. The Routledge Companion to Literature and Trauma is a comprehensive guide to the history and theory of trauma studies, including key concepts, consideration of critical perspectives and discussion of future developments. It also explores different genres and media, such as poetry, life-writing, graphic narratives, photography and post-apocalyptic fiction, and analyses how literature engages with particular traumatic situations and events, such as the Holocaust, the Occupation of France, the Rwandan genocide, Hurricane Katrina and transgenerational nuclear trauma. Forty essays from top thinkers in the field demonstrate the range and vitality of trauma studies as it has been used to further the understanding of literature and other cultural forms across the world. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. |
| dominick lacapra trauma theory: Trauma in First Person Amos Goldberg, 2017 What are the effects of radical oppression on the human psyche? What happens to the inner self of the powerless and traumatized victim, especially during times of widespread horror? In this bold and deeply penetrating book, Amos Goldberg addresses diary writing by Jews under Nazi persecution. Throughout Europe, in towns, villages, ghettos, forests, hideouts, concentration and labor camps, and even in extermination camps, Jews of all ages and of all cultural backgrounds described in writing what befell them. Goldberg claims that diary and memoir writing was perhaps the most important literary genre for Jews during World War II. Goldberg considers the act of writing in radical situations as he looks at diaries from little-known victims as well as from brilliant diarists such as Chaim Kaplan and Victor Kemperer. Goldberg contends that only against the background of powerlessness and inner destruction can Jewish responses and resistance during the Holocaust gain their proper meaning. |
| dominick lacapra trauma theory: Mother to Mother Sindiwe Magona, 2022-08-23 A searing novel, told in letter form, that explores the South African legacy of apartheid through the lens of a woman whose Black son has just murdered a white woman Mother to Mother is a novel with depth, at once an emotional plea for compassion and understanding, and a sharp look at the impacts of colonialism and apartheid on South African families. Inspired by the true story of Fulbright scholar Amy Biehl's murder, the book takes the form of a letter to the victim’s mother. The murderer’s mother, Mandisa, speaks of a life marked by oppression and injustice. Through her writing, Mandisa reveals a colonized society that not only allowed but perpetuated violence against women and impoverished Black South Africans under the reign of apartheid. This book is not an apology for the murder but rather something more. It seeks to connect, through empathy and storytelling, one pained mother with another who is grief-stricken and in mourning. A beautifully written exploration of the society that bred such violence, Mother to Mother will resonate with readers interested in understanding and ending racial injustice, as well as the lasting colonial foundations of oppression. |
| dominick lacapra trauma theory: The Limits of Transition: The South African Truth and Reconciliation Commission 20 Years on Mia Swart, Karin van Marle, 2017-08-28 The South African Truth and Reconciliation Commission was a noble attempt to begin to address the continuing traumatic legacy of Apartheid. This interdisciplinary collection critiques the work of the TRC 20 years since its establishment. Taking the paralysing political and social crises of the mid-1990s in South Africa as starting point, the book contains a collection of responses to the TRC that considers the notions of crisis, judgment and social justice. It asks whether the current political and social crises in South Africa are linked to the country’s post-apartheid transitional mechanisms, specifically, the TRC. The fact that the material conditions of the lives of many Apartheid victims have not improved, forms a major theme of the book. Collectively, the book considers the ‘unfinished business’ of the TRC. |
| dominick lacapra trauma theory: Traumatic Realism Michael Rothberg, 2000 Analyzes the impact of historical trauma on contemporary culture. How to approach the Holocaust and its relationship to late twentieth-century society? While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler's List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg's book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust. Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history. |
| dominick lacapra trauma theory: The Mystery to a Solution John T. Irwin, 1994 Irwin mirrors the aesthetic impact of the genre by creating in his study the dynamics of a detective story--the uncovering of mysteries, the accumulation of evidence, the tracing of clues, and the final solution that ties it all together. |
| dominick lacapra trauma theory: Haunting Legacies Gabriele Schwab, 2010 From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. They engender trauma that echoes for generations, in the experiences of those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South African Apartheid, the practice of torture after 9/11, and the disappearances that occurred during South American dictatorships. Schwab's texts include memoirs, such as Ruth Kluger's Still Alive and Marguerite Duras's La Douleur; second-generation accounts by the children of Holocaust survivors, such as Georges Perec's W, Art Spiegelman's Maus, and Philippe Grimbert's Secret; and second-generation recollections by Germans, such as W. G. Sebald's Austerlitz, Sabine Reichel's What Did You Do in the War, Daddy?, and Ursula Duba's Tales from a Child of the Enemy. She also incorporates her own reminiscences of growing up in postwar Germany, mapping interlaced memories and histories as they interact in psychic life and cultural memory. Schwab concludes with a bracing look at issues of responsibility, reparation, and forgiveness across the victim/perpetrator divide. |
| dominick lacapra trauma theory: The Trauma Question Roger Luckhurst, 2013 In this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self. The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of 'trauma culture' from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan. The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research. |
| dominick lacapra trauma theory: Traces of War Colin Davis, 2017-11-28 Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it. |
| dominick lacapra trauma theory: Post-traumatic Culture Kirby Farrell, 1998-09-29 According to author Kirby Farrell, the concept of trauma has shaped some of the central narratives of the 1990s--from Vietnam war stories to the video farewells of Heaven's Gate cult members. In this unique study, Farrell explores the surprising uses of trauma as both an enabling fiction and an explanatory tool during periods of overwhelming cultural change. |
| dominick lacapra trauma theory: Traumatic Affect Meera Atkinson, Michael Richardson, 2013-08-19 Traumatic Affect examines the intersection of trauma theory and affect theory, two areas of crucial relevance to contemporary thought. While both fields continue to offer insights into individual and collective experience, exploring their nexus offers timely and necessary critiques of film, literature, art, culture and politics. This collection of essays by established and emerging thinkers considers the dynamic relations within and between affect and trauma. Varied in style and approach, this volume asks how the relational subject conceived by affect theory might bring into question certain presuppositions common to trauma theory and how the ethical imperatives of trauma might require a rethinking of aspects of affect theory. Thus the contributors reimagine the unrepresentability of trauma, reveal its affective economies, and chart innovative understandings of experiences, embodiments, and events. From the silence into which Walter Benjamin fell after the suicide of his closest friend to the trauma of becoming the emblematic media figure of the London bombings, Traumatic Affect traverses diverse terrain: gesture and the everyday, cinema and torture, art and writing, civility and specters, media representation and Indigenous Australian film. Featuring essays by Shoshana Felman, Karyn Ball, Jennifer L. Biddle, Anna Gibbs, Ben O’Loughlin, Anne Rutherford, Magdalena Zolkos, Aaron Kerner, Ricardo Mbarkho, Jonathan L. Knapp, Michael Richardson and Meera Atkinson, Traumatic Affect ventures into bold new territories at the juncture between trauma and affect, illuminating pressing realities that demand engagement. |
| dominick lacapra trauma theory: Trauma in Medieval Society , 2018-06-12 Trauma in Medieval Society is an edited collection of articles from a variety of scholars on the history of trauma and the traumatised in medieval Europe. Looking at trauma as a theoretical concept, as part of the literary and historical lives of medieval individuals and communities, this volume brings together scholars from the fields of archaeology, anthropology, history, literature, religion, and languages. The collection offers insights into the physical impairments from and psychological responses to injury, shock, war, or other violence—either corporeal or mental. From biographical to socio-cultural analyses, these articles examine skeletal and archival evidence as well as literary substantiation of trauma as lived experience in the Middle Ages. Contributors are Carla L. Burrell, Sara M. Canavan, Susan L. Einbinder, Michael M. Emery, Bianca Frohne, Ronald J. Ganze, Helen Hickey, Sonja Kerth, Jenni Kuuliala, Christina Lee, Kate McGrath, Charles-Louis Morand Métivier, James C. Ohman, Walton O. Schalick, III, Sally Shockro, Patricia Skinner, Donna Trembinski, Wendy J. Turner, Belle S. Tuten, Anne Van Arsdall, and Marit van Cant. |
| dominick lacapra trauma theory: Days and Memory Charlotte Delbo, 2001 Charlotte Delbo, a non-Jew sent to Auschwitz for being a member of the French resistance movement, recalls the poems, vignettes, and meditations that fed her companions' spirits, interweaving her experiences with the sufferings of others and depicting dignity and decency in the face of inhumanity. |
| dominick lacapra trauma theory: Other People's Pain Martin Modlinger, 2011 This series promotes inquiry into the relationship between literary texts and their cultural and intellectual contexts, in theoretical, interpretative and historical perspectives. It has developed out of a research initiative of the German Department at Cambridge University, but its focus of interest is on the European tradition broadly perceived. Its purpose is to encourage comparative and interdisciplinary research into the connections between cultural history and the literary imagination generally. |
| dominick lacapra trauma theory: Unsettled Heritage Yechiel Weizman, 2022-02-15 In Unsettled Heritage, Yechiel Weizman explores what happened to the thousands of abandoned Jewish cemeteries and places of worship that remained in Poland after the Holocaust, asking how postwar society in small, provincial towns perceived, experienced, and interacted with the physical traces of former Jewish neighbors. After the war, with few if any Jews remaining, numerous deserted graveyards and dilapidated synagogues became mute witnesses to the Jewish tragedy, leaving Poles with the complicated task of contending with these ruins and deciding on their future upkeep. Combining archival research into hitherto unexamined sources, anthropological field work, and cultural and linguistic analysis, Weizman uncovers the concrete and symbolic fate of sacral Jewish sites in Poland's provincial towns, from the end of the Second World War until the fall of the communist regime. His book weaves a complex tale whose main protagonists are the municipal officials, local activists, and ordinary Polish citizens who lived alongside the material reminders of their murdered fellow nationals. Unsettled Heritage shows the extent to which debating the status and future of the material Jewish remains was never a neutral undertaking for Poles—nor was interacting with their disturbing and haunting presence. Indeed, it became one of the most urgent municipal concerns of the communist era, and the main vehicle through which Polish society was confronted with the memory of the Jews and their annihilation. |
| dominick lacapra trauma theory: Lyotard, Literature and the Trauma of the differend D. Sawyer, 2014-05-23 This original study examines Jean-François Lyotard's philosophical concept of the differend and details its unexplored implications for literature. it provides a new framework with which to understand the discourse itself, from its Homeric beginnings to postmodern works by authors such as Michael Ondaatje and Jonathan Safran Foer. |
| dominick lacapra trauma theory: Trauma Fiction Anne Whitehead, 2004-05-27 No detailed description available for Trauma Fiction. |
| dominick lacapra trauma theory: The Theology of Dorothee Soelle Dorothee Sölle, Sarah K. Pinnock, 2003-09-10 Leading experts analyze the innovative work of theologian Dorothee Soelle. |
| dominick lacapra trauma theory: A Place in the Country W.G. Sebald, 2015-06-09 A Place in the Country is W. G. Sebald’s meditation on the six artists and writers who shaped his creative mind—and the last of this great writer’s major works to be translated into English. This edition includes more than 40 pieces of art, all originally selected by W. G. Sebald. This extraordinary collection of interlinked essays about place, memory, and creativity captures the inner worlds of five authors and one painter. In his masterly and mysterious style—part critical essay, part memoir—Sebald weaves their lives and art with his own migrations and rise in the literary world. Here are people gifted with talent and courage yet in some cases cursed by fragile and unstable natures, working in countries inhospitable or even hostile to them. Jean-Jacques Rousseau is conjured on the verge of physical and mental exhaustion, hiding from his detractors on the island of St. Pierre, where two centuries later Sebald took rooms adjacent to his. Eighteenth-century author Johann Peter Hebel is remembered for his exquisite and delicate nature writing, expressing the eternal balance of both the outside world and human emotions. Writer Gottfried Keller, best known for his 1850 novel Green Henry, is praised for his prescient insights into a Germany where “the gap between self-interest and the common good was growing ever wider.” Sebald compassionately re-creates the ordeals of Eduard Mörike, the nineteenth-century German poet beset by mood swings, depression, and fainting spells in an increasingly shallow society, and Robert Walser, the institutionalized author whose nearly indecipherable scrawls seemed an attempt to “duck down below the level of language and obliterate himself” (and whose physical appearance and year of death mirrored those of Sebald’s grandfather). Finally, Sebald spies a cognizance of death’s inevitability in painter Jan Peter Tripp’s lovingly exact reproductions of life. Featuring the same kinds of suggestive and unexplained illustrations that appear in his masterworks Austerlitz and The Rings of Saturn, and translated by Sebald’s colleague Jo Catling, A Place in the Country is Sebald’s unforgettable self-portrait as seen through the experiences of others, a glimpse of his own ghosts alongside those of the men who influenced him. It is an essential addition to his stunning body of work. Praise for A Place in the Country “Measured, solemn, sardonic . . . hypnotic . . . [W. G. Sebald’s] books, which he made out of classics, remain classics for now.”—Joshua Cohen, The New York Times Book Review “In Sebald’s writing, everything is connected, everything webbed together by the unseen threads of history, or chance, or fate, or death. The scholarly craft of gathering scattered sources and weaving them into a coherent whole is transformed here into something beautiful and unsettling, elevated into an art of the uncanny—an art that was, in the end, Sebald’s strange and inscrutable gift.”—Slate “Magnificent . . . The multiple layers surrounding each essay are seamless to the point of imperceptibility.”—New York Daily News “Sebald’s most tender and jovial book.”—The Nation “Reading [A Place in the Country is] like going for a walk with a beautifully talented, deeply passionate novelist from Mars.”—New York |
| dominick lacapra trauma theory: Literature in the Ashes of History Cathy Caruth, 2013-12-23 These stories of trauma cannot be limited to the catastrophes they name, and the theory of catastrophic history may ultimately be written in a language that already lingers in a time that comes to us from the other side of the disaster. |
| dominick lacapra trauma theory: Unspeakable Secrets and the Psychoanalysis of Culture Esther Rashkin, 2008-08-07 Explores the radical political potential of close reading to make the case for a new and invigorated psychoanalytic cultural studies. |
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The Dominick is the only independent hotel in New York with the exclusive Five Diamond accolade from AAA, and one of three premier hotels in New York City prestigious enough to …
Dominic - Wikipedia
Dominic, Dominik or Dominick is a male given name common among Roman Catholics and other Latin-Romans. Originally from the late Roman-Italic name "Dominicus", its translation means …
Dominick - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Dominick is a boy's name of Latin origin meaning "belonging to the Lord". This is the second-to-the-original spelling of a name that's part Jersey Shore, part upper-crust …
Meaning, origin and history of the name Dominick
Dec 1, 2024 · Dominick. Name Popularity Related Names Related Ratings Comments Namesakes. 72% Rating. Save. Gender Masculine. Usage English. Pronounced Pron. …
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Feb 26, 2025 · Dominick Name Meaning. The meaning of the name Dominick is “of the Lord” or “belonging to the Lord.” This is a strong and powerful name that reflects the strong spiritual …
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Jun 8, 2025 · The name Dominick is primarily a male name of Latin origin that means Of The Lord, Belonging To God. Click through to find out more information about the name Dominick …
Dominick - Name Meaning and Origin
The name Dominick is of Latin origin and is derived from the name Dominicus, meaning "belonging to the Lord" or "of the Lord." It is a masculine name that carries connotations of …
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Thinking of names? Complete 2021 information on the meaning of Dominick, its origin, history, pronunciation, popularity, variants and more as a baby boy name.
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The Dominick Hotel | Hotels in SoHo New York | Official Site
The Dominick is the only independent hotel in New York with the exclusive Five Diamond accolade from AAA, and one of three premier hotels in New York City prestigious enough to …
Dominic - Wikipedia
Dominic, Dominik or Dominick is a male given name common among Roman Catholics and other Latin-Romans. Originally from the late Roman-Italic name "Dominicus", its translation means …
Dominick - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Dominick is a boy's name of Latin origin meaning "belonging to the Lord". This is the second-to-the-original spelling of a name that's part Jersey Shore, part upper-crust …
Meaning, origin and history of the name Dominick
Dec 1, 2024 · Dominick. Name Popularity Related Names Related Ratings Comments Namesakes. 72% Rating. Save. Gender Masculine. Usage English. Pronounced Pron. …
Dominick Name Meaning, Origin, Popularity, Boy Names Like Dominick …
Feb 26, 2025 · Dominick Name Meaning. The meaning of the name Dominick is “of the Lord” or “belonging to the Lord.” This is a strong and powerful name that reflects the strong spiritual …
Dominick: Name Meaning, Popularity and Info on BabyNames.com
Jun 8, 2025 · The name Dominick is primarily a male name of Latin origin that means Of The Lord, Belonging To God. Click through to find out more information about the name Dominick …
Dominick - Name Meaning and Origin
The name Dominick is of Latin origin and is derived from the name Dominicus, meaning "belonging to the Lord" or "of the Lord." It is a masculine name that carries connotations of …
The Dominick, in New York, United States - I Prefer
The Dominick brings the best of New York City to your doorstep at its prime SoHo locale. Taste locally foraged Michelin star cuisine at the restaurant. Schedule a plumping hydrofacial at the …
Dominick - Name Meaning, What does Dominick mean? - Think Baby Names
Thinking of names? Complete 2021 information on the meaning of Dominick, its origin, history, pronunciation, popularity, variants and more as a baby boy name.
Dominicks Restaurant and Deli
At Dominick’s Italian Restaurant & Deli everything is made fresh and cooked to order, including our pizza dough & pasta. In our Trattoria & Bar, you’ll enjoy an authentic Italian experience …
