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| domestic violence in hollywood film gaslighting: Domestic Violence in Hollywood Film Diane L. Shoos, 2017-12-19 This is the first book to critically examine Hollywood films that focus on male partner violence against women. These films include Gaslight, Sleeping with the Enemy, What’s Love Got to Do with It, Dolores Claiborne, Enough, and Safe Haven. Shaped by the contexts of postfeminism, domestic abuse post-awareness, and familiar genre conventions, these films engage in ideological “gaslighting” that reaffirms our preconceived ideas about men as abusers, women as victims, and the racial and class politics of domestic violence. While the films purport to condemn abuse and empower abused women, this study proposes that they tacitly reinforce the very attitudes that we believe we no longer tolerate. Shoos argues that films like these limit not only popular understanding but also social and institutional interventions. |
| domestic violence in hollywood film gaslighting: Post-Horror David Church, 2021-02-01 Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema. |
| domestic violence in hollywood film gaslighting: Gendered Domestic Violence and Abuse in Popular Culture Shulamit Ramon, Michele Lloyd, Bridget Penhale, 2020-11-30 As binge-watching and streaming lead to increasing amounts of content and screen time, understanding how domestic violence and abuse is portrayed in popular culture and its impact on DVA in our society is more important than ever. This collection demonstrates how networked communication is influencing activism, both online and in the real-world. |
| domestic violence in hollywood film gaslighting: Women in Popular Culture Laura L. Finley, 2023-03-24 Including more than 300 alphabetically listed entries, this 2-volume set presents a timely and detailed overview of some of the most significant contributions women have made to American popular culture from the silent film era to the present day. The lives and accomplishments of women from various aspects of popular culture are examined, including women from film, television, music, fashion, and literature. In addition to profiles, the encyclopedia also includes chapters that provide a historical review of gender, domesticity, marriage, work, and inclusivity in popular culture as well as a chronology of key achievements. This reference work is an ideal introduction to the roles women have played, both in the spotlight and behind it, throughout the history of popular culture in America. From the stars of Hollywood's Golden Age to the chart toppers of the 2020s, author Laura L. Finley documents how attitudes towards these icons have evolved and how their influence has shifted throughout time. The entries and essays also address such timely topics as feminism, the #MeToo movement, and the gender pay gap. |
| domestic violence in hollywood film gaslighting: Feminist Vigilance Patty Sotirin, Victoria L. Bergvall, Diane L. Shoos, 2021-01-04 This collection advances vigilance as a critical feminist concept and strategy for addressing contemporary challenges. The assembled chapters develop feminist vigilance by elaborating concrete examples that emphasize action, ethics, and hope. Chapter authors expand on current feminist discussions about such issues as Black women’s self-care and anticipatory vigilance; media portrayals of race, gender, and violence; religion and social justice; technofeminist activism; postcolonial feminist critique; research ethics; and collective civic action. The contributions engage with larger discussions of social precarity, public anxiety, post-feminist appeals, and future feminist trajectories. Particular benefits of the collection include relatable content based in contemporary experiences, insightful and pragmatic conceptions of vigilance from feminist perspectives, and critical engagement with issues of intersectionality, agency, embodiment, and care ethics. The collection aims to address the need for productive academic responses to contemporary challenges to gendered identities, feminism, and intersectional relations that avoid abstractions or overwhelmingly negative analyses. Instead, this collection invites readers to engage in feminist vigilance as a fresh perspective, commitment, and strategy. |
| domestic violence in hollywood film gaslighting: Violence in American Society Chris Richardson, 2020-08-11 While many books explore such specific issues as gun violence, arson, murder, and crime prevention, this encyclopedia serves as a one-stop resource for exploring the history, societal factors, and current dimensions of violence in America in all its forms. This encyclopedia explores violence in the United States, from the nation's founding to modern-day trends, laws, viewpoints, and media depictions. Providing a nuanced lens through which to think about violence in America, including its underlying causes, its iterations, and possible solutions, this work offers broad and authoritative coverage that will be immensely helpful to users ranging from high school and undergraduate students to professionals in law enforcement and school administration. In addition to detailed and evenhanded summaries of the key events and issues relating to violence in America, contributors highlight important events, political debates, legal perspectives, modern dimensions, and critical approaches. This encyclopedia also features excerpts from such important primary source documents as legal rulings, presidential speeches, and congressional testimony from scholars and activists on aspects of violence in America. Together, these documents provide important insights into past and present patterns of violent crime in the United States, as well as proposed solutions to those problems. |
| domestic violence in hollywood film gaslighting: Male and Female Violence in Popular Media Elisa Giomi, Sveva Magaraggia, 2022-10-06 Male and Female Violence in Popular Media brings into focus the apparently symmetrical phenomena of men's violence against women and women's violence against men, explaining the profound differences in their actual features as well as in their representations, which over the last few years have been proliferating in a vast array of global media contents. Elisa Giomi and Sveva Magaraggia consider popular media including crime TV series such as The Killing (Denmark, 2007- 2012), The Fall (UK, 2013-2016) and True Detective (USA, 2015), factual entertainment such as Who the (bleep) Did I Marry? (Investigation Discovery, 2010-2015), and Italian pop music in order to examine popular culture's depictions of men and women in their opposite, yet complementary, roles of perpetrators and victims. They reveal how TV shows, pop-songs, news and commercials that populate global audiences' daily life fuel false beliefs about love and sexuality that either legitimate or stigmatise violence depending on the perpetrators and victims' gender. |
| domestic violence in hollywood film gaslighting: Teaching Peace Through Popular Culture Laura L. Finley, 2023-11-01 Drawing from many disciplinary areas, this edited volume illustrates the many ways that popular culture can be used to teach peace and justice. Chapters address such topics as teaching about racism, domestic violence, structural violence, conflict analysis, decolonization, critiques of capitalism, and peacebuilding, showing how different forms of popular culture can be utilized to enhance student learning. Contributors provide both theoretical backgrounds and concrete lessons using TV, film, music, graphic novels, and more. |
| domestic violence in hollywood film gaslighting: Families in Motion Clara Gerhardt, 2019-11-13 Dynamics of the family can be seen as a complex set of interrelated cogs, like the dials and wheels within a sophisticated timepiece. Families in Motion: Dynamics in Diverse Contexts is a clear, comprehensive, and contextual view of how the dials and wheels of that complex set work together. With a focus on multicultural competence through diverse contexts and examples, this new text explores the complexities of the family regarding roles, functions, and development in a way that is approachable for students. Grounded in theory and using 40 years of academic experience, author Clara Gerhardt guides readers through concepts of family theories and examines the ever-changing movement, communication, and conditions of both the family as a system and each member within the system. Covering approaches from the theoretical to the therapeutic, Families in Motion will support students in extending their cultural competence while understanding families and their members with greater confidence. |
| domestic violence in hollywood film gaslighting: Family in Crisis? Eva-Sabine Zehelein, Andrea Carosso, Aida Rosende-Pérez, 2020-07-30 Is the family in crisis? Or do crises crystallize in families' lived realities? Families as constitutive units of all social architectures are central to our democracies. In this book, scholars from cultural, gender, and media studies, lawyers, sociologists, and historians discuss how today's rainbow variety of families crosses borders and how cultural texts – films, TV-series, novels, short stories and magazines, from Europe (Germany, Italy, Spain) and the US – (de-)construct, take part in, and mirror family discourses around topics such as father(hood)s, mother(hood)s and parentage, reproductive decisions and adoption, marriage and divorce, poverty and welfare, and the rhetoric of the nuclear family. |
| domestic violence in hollywood film gaslighting: Understanding Victimology Shelly Clevenger, Jordana N. Navarro, Catherine D. Marcum, George E. Higgins, 2024-03-29 Understanding Victimology: An Active Learning Approach is the only textbook with extensive discussion of both online and offline victimization reinforced by group and individual learning activities. Our textbook offers instructors a variety of active learning exercises – in the book itself and in the authors’ ancillaries – that engage students in the material and shed light on the experiences of marginalized social groups. Through these activities, students become engaged with the material at a higher level of learning. They learn how victimization happens and the challenges people who experience crime face in acquiring assistance from the criminal-legal system at a more intimate level instead of simply reading about it. Students also build their abilities to work with others in a collaborative learning environment, encouraging professional socialization for the future. The chapters in this second edition address gaps in information typically presented in victimology that ignore prevention or intervention, even though these topics are currently at the forefront of the national conversation going on about sexual violence in higher education. New to this edition are added coverage of immigrants and minorities and new chapters on the media and victimization and on victimization across the gender spectrum, as well as an online instructor resource covering UK case studies, legal framework, and social context that broadens the book’s global appeal. Suitable for undergraduate courses in victimology, this book also serves the needs of sociology and women’s studies courses and can be taught university-wide as part of diversity and inclusion initiatives. |
| domestic violence in hollywood film gaslighting: Horror Comes Home Cynthia J. Miller, A. Bowdoin Van Riper, 2019-07-04 Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger. |
| domestic violence in hollywood film gaslighting: Gender, Crime and Justice Lizzie Seal, 2021-11-15 This textbook takes a gender inclusive and intersectional feminist approach to examining key topics related to gender, crime and justice. It provides an overview and critical discussion of contemporary issues and research in this area suitable for use in undergraduate and postgraduate degree modules. A key feature of the book is its use of films, television series and documentaries to illustrate the concepts and findings from criminological research on gender, crime and justice. After outlining the meaning of gender and the perspective of intersectional feminism, it has chapters focused on interpersonal and sexual violence, sex work and the night-time economy, street crime, crimes of the powerful, policing and the courts, prison and community penalties and a final chapter on extreme punishment and abolitionist futures. It speaks to students and academics in criminology, sociology and gender studies. |
| domestic violence in hollywood film gaslighting: Culture Wars and Horror Movies Noelia Gregorio-Fernández, Carmen M. Méndez-García, 2024-04-01 Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues. Culture Wars and Horror Movies: Gender Debates in post-2010 US Horror Cinema analyses the ways in which these “culture wars” make their way into gender, focusing on the post-2010 US context and its fundamental political divisions. Approaching these topics from feminist and postfeminist theories to ecocritical views, this volume explores how contemporary horror movies engage with the current context of “culture wars.” |
| domestic violence in hollywood film gaslighting: Gendered Domestic Violence and Abuse in Popular Culture Shulamit Ramon, Michele Lloyd, Bridget Penhale, 2020-11-30 As binge-watching and streaming lead to increasing amounts of content and screen time, understanding how domestic violence and abuse is portrayed in popular culture and its impact on DVA in our society is more important than ever. This collection demonstrates how networked communication is influencing activism, both online and in the real-world. |
| domestic violence in hollywood film gaslighting: The Politics of Surviving Paige Sweet, 2021-11-09 For women who have experienced domestic violence, proving that you are a “good victim” is no longer enough. Victims must also show that they are recovering, as if domestic violence were a disease: they must transform from “victims” into “survivors.” Women’s access to life-saving resources may even hinge on “good” performances of survivorhood. Through archival and ethnographic research, Paige L. Sweet reveals how trauma discourses and coerced therapy play central roles in women’s lives as they navigate state programs for assistance. Sweet uses an intersectional lens to uncover how “resilience” and “survivorhood” can become coercive and exclusionary forces in women’s lives. With nuance and compassion, The Politics of Surviving wrestles with questions about the gendered nature of the welfare state, the unintended consequences of feminist mobilizations for anti-violence programs, and the women who are left behind by the limited forms of citizenship we offer them. |
| domestic violence in hollywood film gaslighting: The Gaslight Effect Dr. Robin Stern, 2018-01-09 In this groundbreaking guide, the prominent therapist Dr. Robin Stern shows how the Gaslight Effect works, how you can decide which relationships can be saved and which you have to walk away from—and how to gasproof your life so you'll avoid gaslighting relationship. Your husband crosses the line in his flirtations with another woman at a dinner party. When you confront him, he asks you to stop being insecure and controlling. After a long argument, you apologize for giving him a hard time. Your mother belittles your clothes, your job, and your boyfriend. But instead of fighting back, you wonder if your mother is right and figure that a mature person should be able to take a little criticism. If you think things like this can’t happen to you, think again. Gaslighting is an insidious form of emotional abuse and manipulation that is difficult to recognize and even harder to break free from. Are you being gaslighted? Check for these telltale signs: 1) Does your opinion of yourself change according to approval or disapproval from your spouse? 2) When your boss praises you, do you feel as if you could conquer the world? 3) Do you dread having small things go wrong at home—buying the wrong brand of toothpaste, not having dinner ready on time, a mistaken appointment written on the calendar? 4) Do you have trouble making simple decisions and constantly second guess yourself? 5) Do you frequently make excuses for your partner's behavior to your family and friends? 6) Do you feel hopeless and joyless? |
| domestic violence in hollywood film gaslighting: The Invisible Man H. G. Wells, 2024-05-30 A stranger with a striking appearance arrives in the small village of Bramblehurst on a cold, snowy day. His face is completely covered in bandages, with only a fake nose protruding. The villagers wonder why he is disguised, and when mysterious burglaries begin to occur, they decide to unmask the stranger. What they discover is not just a man trapped by his own creation, but a chilling reflection of the unsolvable secrets deep within human nature. The Invisible Man is a timeless classic that not only entertains and thrills, but also sheds light on questions of human nature and the dangers that arise when the boundaries of science are crossed. It is a captivating and thought-provoking reading experience that has challenged readers for generations to contemplate their own life choices. H. G. WELLS [1866-1946] was a British author and pioneer in the science fiction genre. His works, including The Time Machine and The War of the Worlds, delved into futuristic and societal critique themes. Wells’s visionary portrayals of technology, social structures, and extraterrestrial life made him one of the most influential writers in his field and a precursor to modern science fiction. |
| domestic violence in hollywood film gaslighting: Mommie Dearest , 1991-01-01 The story of the tormented and glamorous star, Joan Crawford, struggling to survive in a cutthroat world, succumbing to a rage leading to alcoholism and child abuse. |
| domestic violence in hollywood film gaslighting: Black and Blue Anna Quindlen, 2010-08-25 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • “Intimate and illuminating and, as is true of most anything Quindlen writes, well worth the read.”—People “A compelling and suspenseful [novel] that goes straight to the gut.”—St. Louis Post-Dispatch For eighteen years Fran Benedetto kept her secret, hid her bruises. She stayed with Bobby because she wanted her son to have a father, and because, in spite of everything, she loved him. Then one night, when she saw the look on her ten-year-old son’s face, Fran finally made a choice—and ran for both their lives. Now she is starting over in a city far from home, far from Bobby. In this place she uses a name that isn’t hers, watches over her son, and tries to forget. For the woman who now calls herself Beth, every day is a chance to heal, to put together the pieces of her shattered self. And every day she waits for Bobby to catch up to her. Bobby always said he would never let her go, and despite the ingenuity of her escape, Fran Benedetto is certain of one thing: It is only a matter of time. |
| domestic violence in hollywood film gaslighting: The Wife of Martin Guerre Janet Lewis, 2013-07-15 In this new edition of Janet Lewis’s classic short novel, The Wife of Martin Guerre, Swallow Press executive editor Kevin Haworth writes that Lewis’s story is “a short novel of astonishing depth and resonance, a sharply drawn historical tale that asks contemporary questions about identity and belonging, about men and women, and about an individual’s capacity to act within an inflexible system.” Originally published in 1941, The Wife of Martin Guerre has earned the respect and admiration of critics and readers for over sixty years. Based on a notorious trial in sixteenth-century France, this story of Bertrande de Rols is the first of three novels making up Lewis’s Cases of Circumstantial Evidence suite (the other two are The Trial of Sören Qvist and The Ghost of Monsieur Scarron). Swallow Press is delighted and honored to offer readers beautiful new editions of all three Cases of Circumstantial Evidence novels, each featuring a new introduction by Kevin Haworth. |
| domestic violence in hollywood film gaslighting: Cultural Representations of the Second Wife Jo Parnell, 2023-12-11 The chapters in this collection reveal the depths and nuances in the cultural attitudes toward and popular views of the second wife, from ancient times to the present day. The essays convey perspectives of second wifehood in a way that offers insights into the second wife experience-- |
| domestic violence in hollywood film gaslighting: Coercive Control Evan Stark, 2009 Drawing on cases, Stark identifies the problems with our current approach to domestic violence, outlines the components of coercive control, and then uses this alternate framework to analyse the cases of battered women charged with criminal offenses directed at their abusers. |
| domestic violence in hollywood film gaslighting: My Heart Is a Chainsaw Stephen Graham Jones, 2021-08-31 Winner of the Bram Stoker Award for Best Novel In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones. “Some girls just don’t know how to die…” Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange. Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life. Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph. |
| domestic violence in hollywood film gaslighting: America on Film Harry M. Benshoff, Sean Griffin, 2003-10-20 America on Film: Representing Race, Class, Gender, and Sexuality in the Movies is a lively introduction to issues of diversity as represented within the American cinema. Introduces issues of diversity as represented within the American cinema in a lively and accessible manner. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality. Is designed specifically for students and includes 101 illustrations, a glossary of key terms, questions for discussion, and lists for futher reading and further viewing. Includes case studies of a number of films, including The Lion King, The Jazz Singer, Smoke Signals, The Grapes of Wrath, and The Celluloid Closet. Each chapter features a concise overview of the topic at hand, a discussion of representative films, figures, and movements, and an in-depth analysis of a single film. |
| domestic violence in hollywood film gaslighting: Brave Rose McGowan, 2019-03-05 'My life, as you will read, has taken me from one cult to another.BRAVEis the story of how I fought my way out of these cults and reclaimed my life. I want to help you do the same.'-Rose McGowan A revealing memoir and empowering manifesto - a voice for generations Rose McGowan was born in one cult and came of age in another, more visible cult: Hollywood. In a strange world where she was continually on display, stardom soon became a personal nightmare of constant exposure and sexualization. Rose escaped into the world of her mind, something she had done as a child, and into high-profile relationships. Every detail of her personal life became public, and the realities of an inherently sexist industry emerged with every script, role, public appearance, and magazine cover. The Hollywood machine packaged her as a sexualized bombshell, hijacking her image and identity and marketing them for profit. Hollywood expected Rose to be silent and cooperative and to stay the path. Instead, she rebelled and asserted her true identity and voice. She reemerged unscripted, courageous, victorious, angry, smart, fierce, unapologetic, controversial, and real as f*ck.BRAVEis her raw, honest, and poignant memoir/manifesto--a no-holds-barred, pull-no-punches account of the rise of a millennial icon, fearless activist, and unstoppable force for change who is determined to expose the truth about the entertainment industry, dismantle the concept of fame, shine a light on a multibillion-dollar business built on systemic misogyny, and empower people everywhere to wake up and beBRAVE. |
| domestic violence in hollywood film gaslighting: The Keeper Jessica Moor, 2020-03-10 'Gripping, devastating...Breathtaking' Clare Mackintosh 'Powerful and chilling, with a shocking twist' Guardian ________________ He's been looking in the windows again. Messing with cameras. Leaving notes. Supposed to be a refuge. But death got inside. When Katie Straw's body is pulled from the waters of the local suicide spot, the police decide it's an open-and-shut case. A standard-issue female suicide. But the residents of Widringham domestic violence shelter where Katie worked don't agree. They say it's murder. Will you listen to them? An addictive literary page-turner about a crime as shocking as it is commonplace, KEEPER will leave you reeling long after the final page is turned. |
| domestic violence in hollywood film gaslighting: The Purple Palace & Other Poems Shayna Klee, 2021-04-02 The Purple Palace & other Poems is the debut Poetry collection by Artist Shayna Klee. The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, is a cloud a living thing?, takes place during the Author's tumultueuse teen years with tropical Florida as a backdrop. Part II, Inside my Shell, explores themes of transformation as the Author creates a new life for herself in Paris, France. The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author. |
| domestic violence in hollywood film gaslighting: Gaslighting Stephanie Sarkis, 2018-08-28 How to recognize—and resist—the manipulative technique used by sociopaths, narcissists, and others: “A fascinating and necessary study.” —Library Journal (starred review) He’s the charmer—the witty, confident, but overly controlling date. She’s the woman on your team who always manages to take credit for your good work. He’s the neighbor who swears you’ve been putting your garbage into his trash cans, the politician who can never admit to a mistake. Gaslighters are master controllers and manipulators, often challenging your very sense of reality. Whether it's a spouse, parent, coworker, or friend, gaslighters distort the truth—by lying, withholding, triangulation, and more—making their victims question their own sanity. Dr. Stephanie Sarkis delves into this hidden manipulation technique, covering gaslighting in every life scenario and revealing: Why gaslighters seem so normal at first Warning signs and examples Gaslighter red flags on a first date Practical strategies for coping How to coparent with a gaslighter How to protect yourself from a gaslighter at work How to walk away and rebuild your life With clear-eyed wisdom and empathy, Dr. Sarkis not only helps you determine if you are being victimized by a gaslighter—she gives you the tools to break free and heal. “A succinct, useful self-help guide to responding to an all-too-common but under-discussed personality type.” ―Publishers Weekly |
| domestic violence in hollywood film gaslighting: Maid Stephanie Land, 2019-01-24 NOW A NETFLIX SERIES STARRING MARGARET QUALLEY & ANDY MACDOWELL. BARACK OBAMA'S SUMMER READING PICK, 2019. BBC RADIO 4 BOOK OF THE WEEK. Educated meets Nickel and Dimed in Stephanie Land's memoir about working as a maid. A beautiful and gritty exploration of poverty in the western world. Includes a foreword by international bestelling author Barbara Ehrenreich. 'My daughter learned to walk in a homeless shelter.' As a struggling single mum, determined to keep a roof over her daughter's head, Stephanie Land worked for years as a maid, working long hours in order to provide for her small family. In Maid, she reveals the dark truth of what it takes to survive and thrive in today's inequitable society. As she worked hard to climb her way out of poverty as a single parent, scrubbing the toilets of the wealthy, navigating domestic labour jobs as a cleaner whilst also juggling higher education, assisted housing, and a tangled web of government assistance, Stephanie wrote. She wrote the true stories that weren't being told. The stories of the overworked and underpaid. Written in honest, heart-rending prose and with great insight, Maid explores the underbelly of the upper-middle classes and the reality of what it's like to be in service to them. 'I'd become a nameless ghost,' Stephanie writes. With this book, she gives voice to the 'servant' worker, those who fight daily to scramble and scrape by for their own lives and the lives of their children. |
| domestic violence in hollywood film gaslighting: Rope Patrick Hamilton, 2019-02-07 The brilliantly tense play that became Hitchcock's masterpiece, starring James Stewart. Believing themselves to be intellectually superior to their contemporaries, flatmates Brandon and Philip murder their friend David Kentley purely to see if they can get away with it. They then throw a cocktail party, serving food from the top of the trunk where they have hidden David's body. Their guests include both David's father and fiancée, as well as college lecturer Rupert Cadell, who becomes increasingly suspicious as the evening wears on. |
| domestic violence in hollywood film gaslighting: Superman's Not Coming Erin Brockovich, 2021-04-20 From the environmental activist, consumer advocate, and renowned crusader comes a riveting book that is part memoir, part non-fiction report, and part call-to-action—a plea to readers to engage with the water crisis in America because no one else is going to do the work for you (InStyle Magazine). Clean water is as basic to life on planet Earth as hydrogen or oxygen. In her long-awaited book—her first to reckon with the condition of water on our planet—Erin Brockovich shows us what’s at stake. She writes powerfully of the fraudulent science disguising our national water crisis: Cancer clusters are not being reported. People in Detroit and the state of New Jersey don’t have clean water. The drinking water for more than six million Americans contains unsafe levels of industrial chemicals linked to cancer and other health issues. The saga of PG&E continues to this day. Yet communities and people around the country are fighting to make an impact, and Brockovich tells us their stories. In Poughkeepsie, New York, a water operator responded to his customers’ concerns and changed his system to create some of the safest water in the country. Local moms in Hannibal, Missouri, became the first citizens in the nation to file an ordinance prohibiting the use of ammonia in their public drinking water. Like them, we can each protect our right to clean water by fighting for better enforcement of laws, new legislation, and stronger regulations. |
| domestic violence in hollywood film gaslighting: Western Sadness Ashley Dymond, 2021-07-22 Western Sadness: The Psychopathology of Modernity is an informative book on both sociology and psychology, whereby the author, Ashley Dymond, provides readers with informed opinions on psychopathology in modern Western society to help them understand the deep-rooted origins of the evergrowing levels of sadness that plague the First-World. All in all, the text analyses the collective implications that Western societal cultures have on the psychological well-being of their citizenry by delving into the details of everyday systems such as social media, healthcare, criminal justice, education, occupations, personal relationships, and religion, amongst others. Readers can expect to explore the genuine stigma surrounding mental health today, to realise the exasperating enigmas of psychopathology, and to unravel the mysticism of the Western mind. |
| domestic violence in hollywood film gaslighting: Paper Doll Lina Robyn . Lucas, 2021-09 One rip is all it takes to expose the devastating truth behind a seemingly perfect life. Lina Henry is a wife and mother who likens herself to a pretty paper doll. She lives in a beautiful home in the Atlanta suburbs. Her husband, David, is a well-to-do investment banker. She's raised two wonderful teenagers. To the outside world, the Henry family is perfect. What no one knows is that Lina's paper doll life is being torn apart in a controlling and abusive marriage. When Lina develops an unexpected friendship with another man, and reconnects with her former best friend, she begins navigating a way out of the emotional minefield that is her home. But as David senses his loss of control, he becomes more dangerous, and Lina must do everything in her power to protect herself and her children. In order to take back the happiness she deserves, Lina must first rediscover the strength and the fearlessness of her three-dimensional self. |
| domestic violence in hollywood film gaslighting: Smart Women Judy Blume, 2011-12-01 Two thirtysomethings try to find their way through the complications of post-marriage love in this beloved novel from #1 New York Times bestselling author Judy Blume. Margo and B.B. are each divorced, and each is trying to reinvent her life in Colorado—while their respective teenage daughters look on with a mixture of humor and horror. But even smart women sometimes have a lot to learn—and they will, when B.B.’s ex-husband moves in next door to Margo... Includes a New Introduction by the Author |
| domestic violence in hollywood film gaslighting: Brutally Honest Melanie Brown, Louise Gannon, 2018-11-27 'Utterly absorbing and deeply affecting' – The Guardian As a Spice Girl, TV talent show judge and Broadway star, Mel B a.k.a Scary Spice, has been a global icon since her twenties. But behind the glittering façade of fame, the struggles and pain of this working-class, mixed-race girl from Leeds are laid bare in her critically acclaimed best-selling memoir, Brutally Honest. With deep personal insight, remarkable frankness and trademark Yorkshire humour, the book tells how she went from Girl Power to girl powerless during her ten-year emotionally abusive marriage. Tracing a path through the key moments in her life, she reflects on her childhood, rise to fame and her chilling downward spiral before she finally broke free. In this expanded edition, written with Louise Gannon, Mel brings her story up to date. With her trademark honesty, she tells the unfiltered story of piecing herself back together, dealing with trauma and new heartbreak whilst becoming a champion for survivors of abuse, performing once more with the Spice Girls and receiving her MBE from Prince William. |
| domestic violence in hollywood film gaslighting: The Girl on the Train Paula Hawkins, 2016 THE RUNAWAY SUNDAY TIMES NO.1 BESTSELLER AND THRILLER OF THE YEAR, NOW A MAJOR FILM STARRING EMILY BLUNT 'Really great suspense novel. Kept me up most of the night. The alcoholic narrator is dead perfect' STEPHEN KING Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar. Now they'll see; she's much more than just the girl on the train... |
| domestic violence in hollywood film gaslighting: Rent Jonathan Larson, 2008 (Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is no day but today. Includes 16 color photographs of productions of Rent from around the world, plus an introduction (Rent Is Real) by Victoria Leacock Hoffman. |
| domestic violence in hollywood film gaslighting: #MeToo and the Politics of Social Change Bianca Fileborn, Rachel Loney-Howes, 2019-09-16 #MeToo has sparked a global re-emergence of sexual violence activism and politics. This edited collection uses the #MeToo movement as a starting point for interrogating contemporary debates in anti-sexual violence activism and justice-seeking. It draws together 19 accessible chapters from academics, practitioners, and sexual violence activists across the globe to provide diverse, critical, and nuanced perspectives on the broader implications of the movement. It taps into wider conversations about the nature, history, and complexities of anti-rape and anti-sexual harassment politics, including the limitations of the movement including in the global South. It features both internationally recognised and emerging academics from across the fields of criminology, media and communications, film studies, gender and queer studies, and law and will appeal broadly to the academic community, activists, and beyond. |
| domestic violence in hollywood film gaslighting: Ocean at the End of the Lane , 2017 |
DOMESTIC Definition & Meaning - Merriam-Webster
The meaning of DOMESTIC is living near or about human habitations. How to use domestic in a sentence.
Harbor House of Central Florida | Domestic Violence Shelters
Find out how you can get involved with the Harbor House of Central Florida, and join us to end domestic abuse.
Help Now of Osceola
Help Now of Osceola provides safety, empowerment and healing for survivors of domestic violence and influence social change in the community.
Domestic Definition & Meaning | Britannica Dictionary
His domestic [= home] life was not very happy. I'm not a domestic person. She is not very domestic. The wolf is related to the domestic dog. It is a domestically produced wine. …
DOMESTIC | definition in the Cambridge English Dictionary
DOMESTIC meaning: 1. relating to a person's own country: 2. belonging or relating to the home, house, or family: 3…. Learn more.
Domestic - definition of domestic by The Free Dictionary
Of or relating to the family or household: domestic chores. 2. Fond of home life and household affairs. 3. Tame or domesticated. Used of animals. 4. Of or relating to a country's internal …
Domestic Violence - Florida DCF
In collaboration with Florida's network of certified domestic violence service providers and partners, the Florida has established a coordinated, multidisciplinary approach to enhancing …
DOMESTIC - Meaning & Translations | Collins English Dictionary
Master the word "DOMESTIC" in English: definitions, translations, synonyms, pronunciations, examples, and grammar insights - all in one complete resource.
Kissimmee, FL Domestic Violence Programs - DomesticShelters.org
Find domestic violence and abuse help in Kissimmee, FL, and lists of nearby services, hotlines and support groups.
Help Now Domestic Violence Shelter Kissimmee - Homeless …
Call Help Now Domestic Violence Shelter Kissimmee at (407) 847-3260 for current volunteer work opportunities. ShelterListings.org does our best to provide listings that are free of cost. Many of …
DOMESTIC Definition & Meaning - Merriam-Webster
The meaning of DOMESTIC is living near or about human habitations. How to use domestic in a sentence.
Harbor House of Central Florida | Domestic Violence Shelters
Find out how you can get involved with the Harbor House of Central Florida, and join us to end domestic abuse.
Help Now of Osceola
Help Now of Osceola provides safety, empowerment and healing for survivors of domestic violence and influence social change in the community.
Domestic Definition & Meaning | Britannica Dictionary
His domestic [= home] life was not very happy. I'm not a domestic person. She is not very domestic. The wolf is related to the domestic dog. It is a domestically produced wine. …
DOMESTIC | definition in the Cambridge English Dictionary
DOMESTIC meaning: 1. relating to a person's own country: 2. belonging or relating to the home, house, or family: 3…. Learn more.
Domestic - definition of domestic by The Free Dictionary
Of or relating to the family or household: domestic chores. 2. Fond of home life and household affairs. 3. Tame or domesticated. Used of animals. 4. Of or relating to a country's internal …
Domestic Violence - Florida DCF
In collaboration with Florida's network of certified domestic violence service providers and partners, the Florida has established a coordinated, multidisciplinary approach to enhancing …
DOMESTIC - Meaning & Translations | Collins English Dictionary
Master the word "DOMESTIC" in English: definitions, translations, synonyms, pronunciations, examples, and grammar insights - all in one complete resource.
Kissimmee, FL Domestic Violence Programs - DomesticShelters.org
Find domestic violence and abuse help in Kissimmee, FL, and lists of nearby services, hotlines and support groups.
Help Now Domestic Violence Shelter Kissimmee - Homeless …
Call Help Now Domestic Violence Shelter Kissimmee at (407) 847-3260 for current volunteer work opportunities. ShelterListings.org does our best to provide listings that are free of cost. Many of …
