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| dr osofisan: The Oxford Companion to Theatre and Performance Dennis Kennedy, 2010-08-26 An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations. |
| dr osofisan: The Question of Language in African Literature Today Eldred D. Jones, 1991 |
| dr osofisan: Who's Afraid of Solarin? Femi Osofisan, 1978 |
| dr osofisan: Onomastics in Interaction With Other Branches of Science. Volume 3. General and Applied Onomastics. Literary Onomastics. Chrematonomastics. Reports Urszula Bijak, Paweł Swoboda, Justyna B. Walkowiak, 2023-12-08 Onomastics is an area of scholarly interest that has grown considerably in importance in recent years. Consequently, the 27th International Congress of Onomastic Sciences, held in 2021 in Kraków, Poland, gathered scholars from all over the world, active in all subfields of onomastic enquiry, as well as those exploring the areas bordering on other disciplines of the humanities. It thus became a venue for presenting state-of-the-art research in the study of proper names, proposing novel approaches and opening new vistas for future research. The present work is the third of the three volumes of conference proceedings that are the fruit of the congress. Being the most diverse thematically, it contains contributions on the general and applied aspects of onomastics, onymy in literature and other cultural texts, and chrematonyms. It ends with two reports. The volume comprises 30 individual articles, contributed by 35 scholars. The first section, devoted to general and applied onomastics, features texts concerned with ever-interesting questions relevant to all practitioners of the discipline: the essence of properhood, the meaning of proper names, and onomastic terminology. Scholars whose papers focused on applied onomastics were interested in problems occasioned by the translation of onyms, by their pronunciation in cross-cultural contact, and by the use of exonyms, drawing for exemplification on the Hungarian, German and Czech language material respectively. Literary onomastics in its broad definition constitutes by far the largest part of the volume. Contributors to this section represent diverse literatures, including Scottish, Russian, Polish, Czech and Nigerian. The scope and internal subdivisions of literary onomastics are discussed and the activities of the Italian Society for Literary Onomastics are presented. The name Dracula is analysed in depth, and so is the Old Prussian onym Patollo. Some researchers take a step into the wider realm of culture. Their attention is attracted by the names of spirits in the beliefs adhered to in Southwest China, by the proper names in a medieval Scottish document, by the onyms that personify hunger in Italian wartime epistolography, and by toponyms in video games. The third section deals with chrematonyms as diverse as names of railway locomotives in Britain, logonyms in Slovakia and perfume names in a Slovak online shop. The naming patterns of Chinese restaurants in Czechia are studied too, as well as the names of travel agencies in Germany, Ukraine and Poland. Finally, the reader is presented with two reports. One outlines new tendencies in Nordic socio-onomastics, while the other presents the new paradigm in the publication of “Onoma”, the journal of the ICOS. The book is a must not only for onomasticians, but also for researchers in related disciplines, ranging from history, via human geography or philosophy of language, to social studies. However, professionals active in naming will find it useful as well, since it provides a much-needed supranational perspective and enables cross-cultural comparisons. |
| dr osofisan: Black African Literature in English, 1987-1991 Bernth Lindfors, 1995 Black African Literature in English, 1987-1991 is the continuation of the 1982-1986 and earlier volumes compiled by Bernth Lindfors, and lists all the important works produced on Anglophone black African literature published between 1987 and 1991. Containing almost 9,000 entries - some of which are annotated to identify the authors discussed - it covers books and periodical articles, as well as providing selective coverage of other relevant sources of informed commentary. Also included are a very substantial number of articles which have appeared in African newspapers and magazines. |
| dr osofisan: African Theatre in Performance Dele Layiwola, 2013-11-05 In this lively and varied tribute to Martin Banham, Layiwola has assembled critical commentaries and two plays which focus primarily on Nigerian theatre - both traditional and contemporary. Dele Layiwola, Dapo Adelugba and Sonny Oti trace the beginnings of the School of Drama in 1960, at the University of Ibadan, Nigeria, where Martin Banham played a key and influential role in the growth of thriving Nigerian theatre repetoire and simulaneously encouraging the creation of a new theatre based on traditional Nigerian theatre forms. This comparative approach is taken up in Dele Layiwola's study of ritual and drama in the context of various traditions worldwide, while Oyin Ogunba presents a lucid picture of the complex use of theatre space in Yoruba ritual dramadar drama. Harsh everyday realitites, both physical and political, are graphically demonstrated by Robert McClaren (Zimbabwe) and Oga Steve Abah (Nigeria) who both show surprising and alarming links between extreme actual experiences and theatre creation and performance. The texts of the two plays - When Criminals Turn Judges by Ola Rotimi, The Hand that Feeds the King by Wale Ogunyemi, are followed by Austin O. Asagba's study of oral tradition and text in plays by Osofisan and Agbeyegbe, and Frances Harding's study on power, language, and imagery in Wole Soyinka's plays. |
| dr osofisan: The African Guardian , 1992 |
| dr osofisan: Kolera Kolej Femi Osofisan, 1975 |
| dr osofisan: European-language Writing in Sub-Saharan Africa Albert S. Gérard, 1986 The first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments Under Western Eyes; chapters on Black Consciousness manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in Black Power texts at the time of independence struggles; and finally Comparative Vistas, sketching directions that future comparative study might explore. An introductory e. |
| dr osofisan: The Question of Language in African Literature Today Eldred D. Jones, 1991 |
| dr osofisan: Performative Inter-Actions in African Theatre 2 Kene Igweonu, Osita Okagbue, 2014-04-11 This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change contains essays that address performativity as a process, particularly in the context of theatre’s engagement with contemporary realities with the hope of instigating social change. The innovativeness of the examples explored within the book points to the ingenuity and adaptive capacity of African theatre in ways that engage indigenous forms in the service of contemporary realities. Contributions in Innovation, Creativity and Social Change explore forms such as Theatre for Development, community and applied theatre, and indigenous juridical performances, as well as the work of contemporary dramatists and performers who set out to instigate change in society. |
| dr osofisan: The News , 2009-09 |
| dr osofisan: Encyclopedia of African Literature Simon Gikandi, 2003-09-02 The most comprehensive reference work on African literature to date, this book contains over 600 entries that cover criticism and theory, its development as a field of scholarship, and studies of established and lesser-known writers. |
| dr osofisan: Proceedings of the National Conference on Nigeria Since Independence Held the 28th-31st March 1983 at the Kongo Conference Centre, Ahmadu Bello University, Zaria , 1983 |
| dr osofisan: The Whole Truth Reuben Abati, 2004 |
| dr osofisan: Major Plays Femi Osofisan, 2003 For the first time widely available outside Africa, Major Plays 1 is the first title in a series aiming to assemble the most important of Osofisan's works. The volume comprises three plays: Many Colours Make the Thunder-King (1997), Farewell to a Cannibal Rage and The Oriki of a Grasshopper (1986). |
| dr osofisan: The Revolutionary Drama and Theatre of Femi Osofisan Chima Osakwe, 2018-11-07 This book is an extensive and captivating study of the work of Femi Osofisan, one of Nigeria’s most important dramatists and postcolonial playwrights. It explores a variety of his plays to gather together insights on the role of art in social change, and discusses the relationship between literature and politics. |
| dr osofisan: Nigeria Under the Generals Jide Oluwajuyitan, 2003 |
| dr osofisan: Proceedings of the National Conference on Nigeria Since Independence, Zaria, March 1983: The economic and social development of Nigeria , 1984 |
| dr osofisan: Nigerian Stage Directors’ Philosophies, Aesthetics and Ideologies Bisi Adigun, Duro Oni, 2025-02-15 In several Nigerian universities, theories of Western stage directors who are long dead are still relied upon to teach Nigerian students the art of stage directing. This is akin to eating Nigerian delicacies, such as isi ewu (a goat’s head delicacy), which are traditionally eaten with fingers, with cutlery. How can the brain of an aspiring Nigerian theatre director be full of the principles of Russian, German, English, French, and Polish stage directors who are all dead, while he or she does not know much about contemporary Nigerian stage directors, many of whom are still alive and practising? This is the major lacuna that this book fills. Containing essays and interview contributions from 30 directors of different ages, generations, genders, and social classes, and from different parts of Nigeria and beyond, this book will afford the future generation of stage directors, not only in Nigeria but also in the world at large, the opportunity to learn from an epistemic community and stand on the shoulders of indigenous Nigerian theatre giants to touch the sky. |
| dr osofisan: Management in Nigeria , 1991 |
| dr osofisan: Ngũgĩ Wa Thiongʼo & Wole Soyinka Martin Banham, James Gibbs, Femi Osofisan, Kimani Njogu, 2014 Directors and collaborators assess and comment on the production of plays by West Africa's Nobel Laureate Wole Soyinka and East Africa's most influential author Ngugi wa Thiong'o. Wole Soyinka and Ngugi wa Thiong'o are the pre-eminent playwrights of West and East Africa respectively and their work has been hugely influential across the continent. This volume features directors' experiences of recent productions of their plays, the voices of actors and collaborators who have worked with the playwrights, and also provides a digest of their theatrical output. Contributors provide new readings of Ngugi and Soyinka's classic texts, and astimulating new approach for students of English, Theatre and African studies. The playscript for this volume is a previously unpublished radio play by Wole Soyinka entitled A Rain of Stones, first broadcast onBBC Radio 4 in 2002. Volume Editors: MARTIN BANHAM & FEMI OSOFISAN Guest Editor: KIMANI NJOGU Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick |
| dr osofisan: African Literatures in English Gareth Griffiths, 2014-09-19 Here is an introduction to the history of English writing from East and West Africa drawing on a range of texts from the slave diaspora to the post-war upsurge in African English language and literature from these regions. |
| dr osofisan: Concord Weekly , 1985 |
| dr osofisan: Disability in Africa Toyin Falola, Nic Hamel, 2021 Exploring issues of disability culture, activism, and policy across the African continent, this volume argues for the recognition of African disability studies as an important and emerging interdisciplinary field.While the disability rights movement of recent decades has a rich and well-documented history, it is a history mostly focused on the Global North. Disability in Africa presents an interdisciplinary approach to cultural, health, and policy challenges that disability issues have raised throughout the African continent. The volume draws on the achievements of disability studies while acknowledging the demands and challenges of particular African contexts. The authors bring diverse methodological approaches and expertise to bear on these issues, ranging from anthropology and bioethics to special education and community rehabilitation. Essays consider indigenously African definitions of disability as well as exploring disability at the intersection of poverty, geography, and globalized biopolitics. Contributors analyze the difficulties of implementing disability policy across the continent while also being mindful of successful approaches taken at local, national, and international levels. Disability in Africa thus charts new avenues for disability studies research in and about Africa.butors analyze the difficulties of implementing disability policy across the continent while also being mindful of successful approaches taken at local, national, and international levels. Disability in Africa thus charts new avenues for disability studies research in and about Africa.butors analyze the difficulties of implementing disability policy across the continent while also being mindful of successful approaches taken at local, national, and international levels. Disability in Africa thus charts new avenues for disability studies research in and about Africa.butors analyze the difficulties of implementing disability policy across the continent while also being mindful of successful approaches taken at local, national, and international levels. Disability in Africa thus charts new avenues for disability studies research in and about Africa. |
| dr osofisan: Alternatives within the Mainstream II Dimple Godiwala, 2008-12-18 Alternatives Within the Mainstream II follows from the first volume’s dedication to a critical appreciation of and a tracing of trajectories of the theatres of our Others on the British stage. The first volume Alternatives Within the Mainstream: British Black and Asian Theatres traced a history of Black and Asian British plays, playwrights, theatre companies and theatre voices. The two volumes celebrate the plurality on the post-war British stage in terms of class, gender, race and sexualities. Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain is an introduction to queer sexualities and their presence on the post-war British stage. From an introduction which addresses the possibilities of an undoing of repressiveness in desiring another, this volume charts a history of queer on the British stage, from a climate of sexual repressiveness and criminalisation, to a period of legal acceptance of homosexual desire. It covers gay, les, trans and queer British theatres, the influence of American queer theatre, AIDS consciousness, black queer theatre and television drama. Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain is aimed as an introductory text which introduces the several plays, playwrights, theatre companies and queer theorists to students and scholars of contemporary queer British theatres. This book is dedicated to Anthony Blair and the Labour government for bringing in the Civil Partnerships Act. |
| dr osofisan: African Theatre Martin Banham, James Morel Gibbs, James Gibbs, Femi Osofisan, 2002 The contributions to this volume in the African Theatre series make clear that the role of women in the theatre across the continent has changed as control is mainly held by literate elites and women's traditional standing has been lost to men. |
| dr osofisan: Pre-colonial and Post-colonial Drama and Theatre in Africa Lokangaka Losambe, Devi Sarinjeive, 2001 In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies. |
| dr osofisan: African Concord , 1990 |
| dr osofisan: Third World First , 1978 |
| dr osofisan: Annual Report & Account Nigeria Computer Society, 2002 |
| dr osofisan: Postcolonial African Writers Siga Fatima Jagne, Pushpa Parekh, 1998-07-17 Postcolonial African writers have made an enormous contribution to world literature. These writers frequently examine such issues as emerging identities in the postcolonial climate, neo-colonialism and new forms of oppression, cultural and political hegemonies, neo-elitism, language appropriation, and economic instability. During the last decade, their works have elicited increasing critical attention. This reference book overviews the richness of postcolonial African literature. The volume focuses on how postcoloniality is reflected in the novels, poetry, prose, and drama of major, minor, and emerging writers from diverse countries in Africa, including representative North and South African writers as well as writers of the Indian diaspora born in Africa. While authors in indigenous African languages continue to produce valuable works, the volume principally considers Anglophone and Francophone authors, along with two Lusophone writers. The reference book begins with an introductory essay on postcolonial criticism and African writing. The volume then presents alphabetically arranged profiles of approximately 60 writers, such as Chinua Achebe, Ama Ata Aidoo, Tsitsi Dangarembga, Buchi Emecheta, Nadine Gordimer, Bessie Head, Tabar Ben Jelloun, Doris Lessing, Peter Nazareth, Gabriel Okara, Femi Osofisan, and Efua Theodora Sutherland. Each entry includes a brief biography, a discussion of major works and themes that appear in the author's writings, an overview of the critical response to the author's works, and a bibliography of primary and secondary sources. These profiles are written by expert contributors and reflect many valuable perspectives. The volume concludes with a selected general bibliography of the most important critical works on postcolonial African literature. |
| dr osofisan: Collected Plays Wole Soyinka, 1973 `The Lion and the Jewel alone is enough to establish Nigeria as the most fertile new source of English-speaking drama since Synge's discovery of the Western Isles.' The Times The ironic development and consequences of `progress' may be traced through both the themes and the tone of the works included in this second volume of Wole Soyinka's plays. The Lion and the Jewel shows an ineffectual assault on past tradition soundly defeated. In Kongi's Harvest, however, the pretensions of Kongi's regime are also fatal. The denouement points the way forward. The two Brother Jero plays pursue that way, the comic `propheteering' of the earlier play giving way to the sardonic reality of Jero's Metamorphosis. Madmen and Specialists, Soyinka's most pessimistic play, concerns the physical, mental, and moral destruction of modern civil war. |
| dr osofisan: The African Book Publishing Record , 1975 |
| dr osofisan: The Journal of Commonwealth Literature , 1978 Issues for 1965- include section: Annual bibliography of Commonwealth literature, 1964- |
| dr osofisan: West Africa , 1997 |
| dr osofisan: Midnight Hotel Femi Osofisan, 1986 |
| dr osofisan: The MUSON Festival MUSON (Organization : Nigeria). Festival, 1998 |
| dr osofisan: Community Theatre Practice in Nigeria Remi Ademola Adedokun, 2007 |
| dr osofisan: West African Journal of Modern Languages , 1976 |
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