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| drue heinz christies: The Collection of Drue Heinz , 2019 |
| drue heinz christies: The Old Priest Anthony Wallace, 2013-09-09 The Old Priest is a book of transformations. From the cigar-smoke-and-mirrors world of casino life, to the collection’s title character morphing into a goat-man before the narrator’s eyes, to a family drama upended by a miniature dinosaur in the backyard, Anthony Wallace writes about life-changing events. The characters seek to escape their earthly boundaries through artifice and fantasy, and those boundaries can be as elegant and fragile as a martini glass or as hardscrabble as an Indian reservation. In these eight vividly detailed short stories we encounter cheating husbands, neurotic housewives, out-of-control teenagers, desperate gamblers, deluded alcoholics, and a host of others who would like a chance at something more. Some face the consequences of their actions, while others simply begin to see what they’ve been missing all along. Through wry, ironic prose—and what feels like firsthand experience—Wallace describes a comic and often misguided search for self-knowledge in the most unlikely locations—like the Emerald City, a low-rent gambling den where a cocktail waitress dressed as an X-rated Dorothy offers gamblers more than a Scotch on the rocks; or the Bastille Hotel-Casino, where a dealer dressed as an eighteenth century footman deals five-dollar blackjack to a reminiscing Holocaust survivor. Occasionally a real demon appears, but the collection is mostly about personal demons and the possibility of exorcising them. The stories in The Old Priest have to do with time and memory, and they convincingly open out beyond ordinary daily time to reveal something else—the present moment, perhaps, but a larger, more mysterious conception of it. |
| drue heinz christies: Rogues' Gallery Michael Gross, 2010-05-11 “Behind almost every painting is a fortune and behind that a sin or a crime.” With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized look at the saga of the nation’s greatest museum, the Metropolitan Museum of Art. In this endlessly entertaining follow-up to his bestselling social history 740 Park, Gross pulls back the shades of secrecy that have long shrouded the upper class’s cultural and philanthropic ambitions and maneuvers. And he paints a revealing portrait of a previously hidden face of American wealth and power. The Metropolitan, Gross writes, “is a huge alchemical experiment, turning the worst of man’s attributes—extravagance, lust, gluttony, acquisitiveness, envy, avarice, greed, egotism, and pride—into the very best, transmuting deadly sins into priceless treasure.” The book covers the entire 138-year history of the Met, focusing on the museum’s most colorful characters. Opening with the lame-duck director Philippe de Montebello, the museum’s longest-serving leader who finally stepped down in 2008, Rogues’ Gallery then goes back to the very beginning, highlighting, among many others: the first director, Luigi Palma di Cesnola, an Italian-born epic phony, whose legacy is a trove of plundered ancient relics, some of which remain on display today; John Pierpont Morgan, the greatest capitalist and art collector of his day, who turned the museum from the plaything of a handful of rich amateurs into a professional operation dedicated, sort of, to the public good; John D. Rockefeller Jr., who never served the Met in any official capacity but who, during the Great Depression, proved the only man willing and rich enough to be its benefactor, which made him its behind-the-scenes puppeteer; the controversial Thomas Hoving, whose tenure as director during the sixties and seventies revolutionized museums around the world but left the Met in chaos; and Jane Engelhard and Annette de la Renta, a mother-daughter trustee tag team whose stories will astonish you (think Casablanca rewritten by Edith Wharton). With a supporting cast that includes artists, forgers, and looters, financial geniuses and scoundrels, museum officers (like its chairman Arthur Amory Houghton, head of Corning Glass, who once ripped apart a priceless and ancient Islamic book in order to sell it off piecemeal), trustees (like Jayne Wrightsman, the Hollywood party girl turned society grand dame), curators (like the aging Dietrich von Bothmer, a refugee from Nazi Germany with a Bronze Star for heroism whose greatest acquisitions turned out to be looted), and donors (like Irwin Untermyer, whose collecting obsession drove his wife and children to suicide), and with cameo appearances by everyone from Vogue editors Anna Wintour and Diana Vreeland to Sex Pistols front man Johnny Rotten, Rogues’ Gallery is a rich, satisfying, alternately hilarious and horrifying look at America’s upper class, and what is perhaps its greatest creation. |
| drue heinz christies: Surreal Spaces Joanna Moorhead, 2023-06-01 An evocative visual chronicle on the life of Leonora Carrington as seen through interiors, international locations and vintage photographs, this book leads the reader on a personal journey through the many spaces she inhabited and which infused and haunted her art and the people she knew. Long underrated, Carrington is now considered as one of the vanguard, not only in histories of women artists but also Surrealism; her interests feminism, ecology and life-enhancing art are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society and England to embrace new experiences and mix with artists in Europe and America, and to forge her own unique artistic style. From Lancashire to London, Cornwall to France and Spain, then to Mexico, New York and finally back to Mexico, each place and interior became etched in her memory whether her grandmothers kitchen with its giant stove, Parisian cafés, a rural French hideaway, the sanatorium in Santander or her Mexican sanctuary only to be echoed, sometimes decades later, in her paintings and writings. Houses are really bodies, she wrote in her novella The Hearing Trumpet (1974), We connect ourselves with walls, roofs, and objects just as we hang on to our livers, skeletons, flesh and blood streams. |
| drue heinz christies: Ferguson Career Resource Guide to Internships and Summer Jobs, 2-Volume Set Carol Turkington, 2014-05-14 Provides details on over 550 internships and summer jobs. |
| drue heinz christies: English and Continental Furniture Kende Galleries at Gimbel Brothers, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| drue heinz christies: Beastly Keggie Carew, 2023-07-18 From an award-winning writer, a story-rich exploration of our shared planet, and the astonishing, moving, and troubled connections between humans and other animals Animals have shaped our minds, our lives, our land, and our civilization. Humanity would not have gotten very far without them, and yet, over the past two centuries, the relationship has grown further apart. In Beastly, author Keggie Carew seeks to re-enchant readers with the wild world, reframing our understanding of what it is like to be an animal and what our role is as humans. Beastly throws readers headlong into the mind-blowing, heart-thumping, glittering pageant of life, and goes in search of our most revealing encounters with the animal world throughout the centuries to show where we’ve come from and where we’re going. How did we domesticate animals and why did we choose sheep, goats, cows, pigs, horses, and chickens—but never zebras? How can whales help solve climate change? What does it mean when a young woman befriends a boar, a gorilla tells a joke, or a fish thinks? What does a wren sing? Beastly is a gorgeously written, deeply researched, and intensely felt journey into the splendor and genius of animals and the long, complicated story of our interactions with them as humans. Our relationship with animals has shaped our planet and, if reimagined, could save it. |
| drue heinz christies: Bonnard and the Nabis Albert Kostenevitch, 2012-05-08 Pierre Bonnard was the leader of a group of post-impressionist painters who called themselves the Nabis, from the Hebrew word meaning ‘prophet’. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionized the spirit of decorative techniques during one of the richest periods in the history of French painting. Influenced by Odilon Redon and Puvis de Chavanne, by popular imagery and Japanese etchings, this post-impressionist group was above all a close circle of friends who shared the same cultural background and interests. An increasing individualism in their art often threatened the group’s unity and although tied together by a common philosophy their work clearly diverged. This publication lets us compare and put into perspective the artists within this fascinating group. The works presented in this collection offer a palette of extraordinary poetic expressions: candid in Bonnard, ornamental and mysterious in Vuillard, gently dream-like in Denis, grim and almost bitter in Vallotton, the author shares with us the lives of these artists to the very source of their creative gifts. |
| drue heinz christies: The Last Knight Pierre Terjanian, Andrea Bayer, Adam B. Brandow, Lisa Demets, Chassica Kirchhoff, Stefan Krause, Guido Messling, Elizabeth Morrison, Alison Manges Nogueira, Matthias Pfaffenbichler, Veronika Sandbichler, Delia Scheffer, Peter Scholz, Roland Sila, Larry Silver, Freyda Spira, Robert Wlattnig, Barbara Wolf, Christina Zenz, 2019-10-02 Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} |
| drue heinz christies: Looking at Giacometti David Sylvester, 1997-04-15 Winner of a Venice Bienniale Golden Lion Award, Looking at Giacometti is a compelling mixture of biography and criticism, including an extraordinary interview with Giacometti. Written over a period of forty years, Looking at Giacometti is a profound response to the art of one of modernism’s greatest sculptors. It takes students from world-renowned art critic David Sylvester’s first visits to Giacometti’s studio in the late 1940s to the author’s prolonged sitting for the artist’s portrait of him in the 1960 and reflections on his complete oeuvre after Giacometti’s death. A compelling mixture of biography and criticism, and including a sixteen-page insert of black and white photographs by Patricia Matisse, this book sheds new light on twentieth-century art and thought. |
| drue heinz christies: The Berlin of George Grosz George Grosz, Frank Whitford, Royal Academy of Arts (Great Britain), 1997-01-01 Including 150 work on paper as well as several of the artist's key theoretical essays and letters, this text is the catalogue for a 1997 Royal Academy exhibition of the drawings, watercolours and prints of George Grosz. |
| drue heinz christies: The Letters of Thom Gunn Thom Gunn, 2022-05-24 The Letters of Thom Gunn presents the first complete portrait of the private life, reflections, and relationships of a maverick figure in the history of British and American poetry. “I write about love, I write about friendship,” remarked Thom Gunn. “I find that they are absolutely intertwined.” These core values permeate his correspondence with friends, family, lovers, and fellow poets, and they shed new light on “one of the most singular and compelling poets in English during the past half-century” (Hugh Haughton, The Times Literary Supplement). The Letters of Thom Gunn, edited by August Kleinzahler, Michael Nott, and Clive Wilmer, reveals the evolution of Gunn’s work and illuminates the fascinating life that informed his poems: his struggle to come to terms with his mother’s suicide; settling in San Francisco and his complex relationship with England; his changing relationship with his life partner, Mike Kitay; the LSD trips that led to his celebrated collection Moly (1971); and the deaths of friends from AIDS that inspired the powerful, unsparing elegies of The Man with Night Sweats (1992). |
| drue heinz christies: The Burlington Magazine , 2009 |
| drue heinz christies: Sixteenth-century Italian Drawings in New York Collections William Griswold, Linda Wolk-Simon, Metropolitan Museum of Art (New York, N.Y.), 1994 Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR |
| drue heinz christies: Watteau, Music, and Theater Antoine Watteau, Georgia Cowart, 2009 Focusing on both the visual and performing arts, Watteau, Music, and Theater explores the rich connections between painting and theater at a time when Louis XIV had reigned in France for some six decades. Jean-Antoine Watteau (French, 16841721) and other early eighteenth-century French artists are central to this time of lush artistry. This volume delves into the fascinating developments in music and theater that took place in Paris after the young Watteau arrived in the vibrant French capital. Framed by an introduction by Pierre Rosenberg de lAcadémie française, Honorary President-Director of the Musée du Louvre, Paris, and a companion essay by Georgia J. Cowart, Watteaus influence on culture and art during this time period is unquestionable. Fifteen major paintings by Watteau and a number of his drawings demonstrate the ways in which the painters vision reflects his involvement with actors, musicians, and the stage. The works discussed range from enchanting single figures to animated assemblages of players from the French and Italian theatrical tradition. |
| drue heinz christies: Henri Matisse 1869 - 1954 , 1967 |
| drue heinz christies: Lady Glenconner's Picnic Papers Anne Glenconner, 2024-11-07 From the peaks of the Himalayas to the historic grounds of Hampton Court, there's always a perfect spot for a picnic! Anne Glenconner invites both old friends and new acquaintances to join her in The Picnic Papers. Featuring contributions from Bryan Adams, Graham Norton, Lorraine, Rupert Everett, Tina Brown, Freya Stark and many more, they explore the curious British obsession with dining alfresco, despite our famously unpredictable weather. Picnics, it turns out, spark strong opinions. HRH Princess Margaret insisted on having hers at a proper table, while the indefatigable John Julius Norwich enjoyed 147 picnics over seven weeks in the Sahara. In stark contrast, writer James Lees-Milne simply loathed them. Brimming with extraordinary tales and a few nostalgic recipes (though this is not a recipe book!) Lady Glenconner's The Picnic Papers is an invitation to a delightful feast of memories and culinary delights. |
| drue heinz christies: Pieter Bruegel the Elder Pieter Bruegel, 2001 Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an |
| drue heinz christies: The Collection of Drue Heinz Christie, Manson & Woods, 2019 |
| drue heinz christies: Progressive Architecture , 1993 |
| drue heinz christies: European Drawings J. Paul Getty Museum, George R. Goldner, Lee Hendrix, Gloria Williams, 1988 |
| drue heinz christies: A House of Art Kristin Lohse Belkin, Rubenshuis (Antwerp, Belgium), 2004 |
| drue heinz christies: Dali Gilles Neret, 1997 |
| drue heinz christies: Extravagant Inventions Wolfram Koeppe, 2012-11-27 During the second half of the 18th century, the German workshop of Abraham and David Roentgen was among Europe's most successful cabinetmaking enterprises. In this book, detailed discussion of their pieces are complimented by illustrations showing them in their contemporary interiors. |
| drue heinz christies: Living Bridges David Cadman, 1996 In Europe these include Old London Bridge, the Ponte Vecchio in Florence, the Ponte di Rialto, Venice, and the Pont de Notre-Dame in Paris, as well as contemporary projects by Richard Rogers, Alsop and Stormer, SITE, Morphosis, Mario Bellini, Bernard Tschumi and other leading architects. |
| drue heinz christies: Dynasties Karen Hearn, 1996 More than 150 works of the Tudor and Stuart monarchs and their coutiers. |
| drue heinz christies: Contract City Mark Falkin, 2015 Sara Paige Christie, a high school student desperately hoping to go to UCLA as a film student, is working on a documentary about the mysterious graffiti that keeps popping up all over her hometown of Tulsa, Oklahoma. |
| drue heinz christies: Carnegie , 1999 |
| drue heinz christies: The Renaissance of Etching Catherine Jenkins, Nadine M. Orenstein, Freyda Spira, Peter Fuhring, Donald J. La Rocca, Anne Varick Lauder, Christof Metzger, Femke Speelberg, Ad Stijnman, Pierre Terjanian, Julia Zaunbauer, 2019-10-21 The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} |
| drue heinz christies: No Woods So Dark as These Randall Silvis, 2020-08-04 Next in the literary, emotionally propulsive Ryan DeMarco Mystery series from Randall Silvis, critically acclaimed master of crime fiction. There are good reasons to fear the dark... Former Sergeant Ryan DeMarco's life has been spent in defiance—he's defied death, loneliness, and betrayal all while fighting the worst parts of humanity. He's earned a break, and following the devastation of their last case, DeMarco and his girlfriend Jayme want nothing more than to live quietly in each other's company. To forget the horrors they've experienced and work on making each other whole again. But dreams of a peaceful life together are shattered when two bodies are discovered in a smoldering car in the woods, and another is found brutally mutilated nearby. Much as he'd like to leave the case to his former colleagues, dark forces are at play and DeMarco cannot escape the vortex of lies, betrayal, and desperation. He and Jayme are dragged back into the fray, where they must confront the shady dealings of a close-knit rural community. Perfect for fans of murder mystery books and suspenseful thrillers alike, No Woods So Dark as These explores the atrocities humans are capable of when pushed to their limits. In this highly-anticipated addition to Randall Silvis' books, Ryan DeMarco is forced into a case that might break him for good. Ryan DeMarco Mystery Series: Two Days Gone (Book 1) Walking the Bones (Book 2) A Long Way Down (Book 3) No Woods So Dark as These (Book 4) |
| drue heinz christies: Aztecs Eduardo Matos Moctezuma, Felipe R. Solís Olguín, 2002 Published to accompany the exhibition held at the Royal Academy of Arts, London, 16 November 2002 - 11 April 2003. |
| drue heinz christies: The Collection of Drue Heinz , 2019 |
| drue heinz christies: National Guide to Funding in Arts and Culture , 2002 |
| drue heinz christies: Annual Report of the Trustees Metropolitan Museum of Art (New York, N.Y.). Board of Trustees, 2001 |
| drue heinz christies: National Guide to Funding for Children, Youth and Families , 1997 |
| drue heinz christies: Smithsonian Year Smithsonian Institution, 1989 |
| drue heinz christies: New York Magazine , 1997-07-21 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| drue heinz christies: Tilson Joe Tilson, 2002 Originally associated with the British Pop Art movement in the early 1960s, Joe Tilson has achieved international acclaim over the last forty years for the individuality and originality of his paintings, constructions, painted reliefs, prints and multiples, whose sources are drawn from literature, philosophy, ethnography and alchemy.] [This handsome catalogue, illustrated in colour throughout and containing an incisive and thought-provoking essay by Mel Gooding, is published to accompany a major retrospective of Tilson's work at the Royal Academy of Arts.] - book jacket. |
| drue heinz christies: New York Magazine , 1997-07-21 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| drue heinz christies: John Hoyland Paul Moorhouse, 1999 John Hoyland is one of Britain's leading abstract painters. This work presents a selection of his important works and considers his position as a major, innovative force in post-war British painting. |
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