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| difference between the ring and the grudge: Viewed Sideways Donald Richie, 2011-08-19 Over 50 years of essays on Japan from premier film critic, essayist, and novelist, Donald Richie. |
| difference between the ring and the grudge: Something Wicked this Way Comes Colette Balmain, Lois Drawmer, 2009 This book represent the diversity and interdisciplinary nature of the conference itself covering topics such as historical and theological concepts of evil, media representations of evil, contemporary debates surrounding the Bosnia war and woman perpetrators in Birkenau, and the construction of the Other as evil in the face of the continuing hysteria over AIDS. |
| difference between the ring and the grudge: Understanding Audiences and the Film Industry Roy Stafford, 2019-07-25 Brings together an introduction to academic study of audiences as 'readers' of films and an investigation into how the film industry perceives audiences as part of its industrial practices. The appraoch draws on ideas from film, media and cultural studies to present an insight to what makes the biggest box office films attractive to audiences. |
| difference between the ring and the grudge: How to Hold a Grudge Sophie Hannah, 2020-01-07 NAMED ONE OF THE 100 MUST-READ BOOKS OF THE YEAR BY TIME MAGAZINE “A cheerful, mischievous rebuke to all that spiritual sincerity and floaty nonattachment and sugary loving kindness” (The Wall Street Journal), this first and only comprehensive examination of the universal, but widely misunderstood, practice of grudge-holding will show you how to use grudges to be your happiest, most optimistic, and most forgiving self. Secretly, we all hold grudges, but most of us probably think we shouldn’t, and many of us deny that we do. To bear a grudge is too negative, right? Shouldn’t we just forgive and move on? Wrong, says prolific crime novelist and self-appointed grudge guru Sophie Hannah, in her groundbreaking and irreverent self-help guide. Yes, it’s essential to think positively if we want to live happy lives, but even more crucial is how we get to the positive. Denying our negative emotions and experiences is likely to lead only to more pain, conflict, and stress. What if our grudges are good for us? What if we could embrace them, and use them to help ourselves and others, instead of feeling ashamed of our inability to banish negative emotions and memories from our lives? With contributions from expert psychotherapists as well as extracts from her own extensive catalog of grudges, Sophie Hannah investigates the psychological origins of grudges and also offers not-so-obvious insights into how we should acknowledge—and embrace—them in order to improve the quality of our interpersonal relationships and senses of self. Grudges do not have to fill us with hate or make us toxic, bitter, and miserable. If we approach the practice of grudge-holding in an enlightened way, it will do the opposite—we will become more forgiving. For fans of Sophie Hannah’s bestselling crime novels who have ever wondered what is going on in her unusual, brilliant mind, How to Hold a Grudge is “a perfect document” (The New York Times) that also reveals everything we need to know about the many different forms of grudge, the difference between a grudge and not-a-grudge (not as obvious as it seems), when we should let a grudge go, and how to honor a grudge and distill lessons from it. Hannah’s practical, compassionate, and downright funny guide can turn us into better, happier people. |
| difference between the ring and the grudge: Japanese Horror Cinema and Deleuze Rachel Elizabeth Barraclough, 2022-01-13 Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible. |
| difference between the ring and the grudge: Flowers from Hell Jim Harper, 2008 Over the past decade, Japan has become a key player on the contemporary horror scene, producing some of the most influential and critically respected genre movies of recent years. Whether it's the subtle chills of Ring, the graphic brutality of Audition or the zombie-fuelled mayhem of Versus, leading Japanese horror has had a major impact throughout the world. From its origins in the mid-80s to the multi-million dollar franchises of today, Flowers from Hell traces the evolution of this consistently inventive and influential horror phenomenon. |
| difference between the ring and the grudge: Ring Koji Suzuki, 2004-04-25 The Inspiration for the New Major Motion Picture RINGS A mysterious videotape warns that the viewer will die in one week unless a certain, unspecified act is performed. Exactly one week after watching the tape, four teenagers die one after another of heart failure. Asakawa, a hardworking journalist, is intrigued by his niece's inexplicable death. His investigation leads him from a metropolitan tokyo teeming with modern society's fears to a rural Japan—a mountain resort, a volcanic island, and a countryside clinic—haunted by the past. His attempt to solve the tape's mystery before it's too late—for everyone—assumes an increasingly deadly urgency. Ring is a chillingly told horror story, a masterfully suspenseful mystery, and post-modern trip. The success of Koji Suzuki's novel the Ring has lead to manga, television and film adaptations in Japan, Korea, and the U.S. |
| difference between the ring and the grudge: World Cinema through Global Genres William V. Costanzo, 2014-01-28 World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses |
| difference between the ring and the grudge: Monsters and the Monstrous , 2007-01-01 Emerging from depths comes a series of papers dealing with one of the most significant creations that reflects on and critiques human existence. Both a warning and a demonstration, the monster as myth and metaphor provides an articulation of human imagination that toys with the permissible and impermissible. Monsters from zombies to cuddly cartoon characters, emerging from sewers, from pages of literature, propaganda posters, movies and heavy metal, all are covered in this challenging, scholarly collection. This volume the third in the series presents a marvellous collection of studies on the metaphor of the monster in literature, cinema, music, culture, philosophy, history and politics. Both historical reflection and concerns of our time are addressed with clarity and written in an accessible manner providing appeal for the scholar and lay reader alike. This eclectic collection will be of interest to academics and students working in a range of disciplines, such as cultural studies, film studies, political theory, philosophy and literature studies. |
| difference between the ring and the grudge: The Girl from the Well Rin Chupeco, 2014-08-05 [A] Stephen Kinglike horror story...A chilling, bloody ghost story that resonates.— Kirkus From the highly acclaimed author of the Bone Witch trilogy comes a chilling story of a Japanese ghost looking for vengeance and the boy who has no choice but to trust her, lauded as a a fantastically creepy story sure to keep readers up at night (RT Book Reviews) I am where dead children go. Okiku is a lonely soul. She has wandered the world for centuries, freeing the spirits of the murdered-dead. Once a victim herself, she now takes the lives of killers with the vengeance they're due. But releasing innocent ghosts from their ethereal tethers does not bring Okiku peace. Still she drifts on. Such is her existence, until she meets Tark. Evil writhes beneath the moody teen's skin, trapped by a series of intricate tattoos. While his neighbors fear him, Okiku knows the boy is not a monster. Tark needs to be freed from the malevolence that clings to him. There's just one problem: if the demon dies, so does its host. Suspenseful and creepy, The Girl from the Well is perfect for readers looking for Spooky books for young adults Japanese horror novels Ghost stories for teens East Asian folklore Praise for The Girl from the Well There's a superior creep factor that is pervasive in every lyrical word of Chupeco's debut, and it's perfect for teens who enjoy traditional horror movies...the story is solidly scary and well worth the read. — Booklist Chupeco makes a powerful debut with this unsettling ghost story...told in a marvelously disjointed fashion from Okiku's numbers-obsessed point of view, this story unfolds with creepy imagery and an intimate appreciation for Japanese horror, myth, and legend. — Publishers Weekly STARRED review It hit all the right horror notes with me, and I absolutely recommend it to fans looking for a good scare. — The Book Smugglers |
| difference between the ring and the grudge: Kiss Me in the Coral Lounge Helen Ellis, 2023-06-27 New York Times bestselling author Helen Ellis paints a portrait of true romance for our times in these surprising, sexy, and hilariously frank essays about love, marriage, and her last first kiss. Ellis is one of our greatest living humorists, in the same league as Sedaris and Irby...A fascinating portrait of middle-aged love.” —Ann Napolitano, New York Times bestselling author of Dear Edward Welcome to the Coral Lounge, a room in Helen Ellis’s New York City apartment painted such an exuberant shade that a Peeping Tom left a sticky note asking for the color. It is in the Coral Lounge where all the parties happen: A game called “What’s in the box?” makes its uproarious debut, the Puzzle Posse pounces on a 500-piece jigsaw of a beheaded priest, and guests don blindfolds for a raucous bridal shower. When the pandemic shuts down the city, the Coral Lounge becomes a place of refuge, where Helen and her husband binge-watch Joan Collins’s Dynasty, dote on two spoiled cats, and where Helen discovers that even twenty years into marriage, her husband still makes her heart pitter patter. |
| difference between the ring and the grudge: Associate Professor Akira Takatsuki's Conjecture, Vol. 2 (light novel) Mikage Sawamura, 2023-09-19 It’s no secret that Associate Professor Akira Takatsuki is a die-hard mystery fanatic, and with the help of human lie detector Naoya Fukamachi, he’s determined to solve every case that hits his desk. First, a group of elementary schoolchildren claims to have contacted the spirit of their former classmate through the Kokkuri-san game, and it’s been causing quite a stir. Then Naoya falls ill right around the time of the school festival, and his ability to discern lies...vanishes! And as if the timing couldn’t be any worse, a well-known actress requests that they investigate ghost sightings on the set of an upcoming horror film. Lastly, stories of a young girl being worshipped as a living deity have been making the rounds, and it falls to the professor and Naoya to uncover the truth! |
| difference between the ring and the grudge: American Film History Cynthia Lucia, Roy Grundmann, Art Simon, 2015-09-08 From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium |
| difference between the ring and the grudge: Adventure , 1923 |
| difference between the ring and the grudge: Dark Places Barry Curtis, 2009-02-15 Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage. |
| difference between the ring and the grudge: Transnational Film Remakes Iain Robert Smith, 2017-03-08 What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bete Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings. |
| difference between the ring and the grudge: The Spectator , 1893 |
| difference between the ring and the grudge: Algebra and Trigonometry Mr. Rohit Manglik, 2024-01-22 EduGorilla Publication is a trusted name in the education sector, committed to empowering learners with high-quality study materials and resources. Specializing in competitive exams and academic support, EduGorilla provides comprehensive and well-structured content tailored to meet the needs of students across various streams and levels. |
| difference between the ring and the grudge: The Rough Guide to Japan (Travel Guide eBook) Rough Guides, 2017-09-07 Explore Japan with the smartest and shrewdest guidebook on the market. Fully updated and expanded, this stunningly illustrated travel guide brings you superb coverage of all the country's unmissable experiences, from staying in a cosy ryokan and soaking in an onsen bath to climbing snow-capped Mount Fuji and watching a titanic bout of sumo. Get up-to-the minute tips on contemporary Japan, from Kyoto's burgeoning street-food scene to Tokyo's up-and-coming hipster hubs, and read expert background on everything from anime to Zen. Packed with advice on all the best places to eat, sleep, drink and party - on every budget - this new edition of The Rough Guide to Japan covers Japan with our trademark mix of candour, insight and practical advice. Full colour maps and Japanese characters are given throughout to help navigate this bewildering and bewitching country. Make the most of your trip with The Rough Guide to Japan. Winner of the Top Guidebook Series in the Wanderlust Reader Travel Awards 2017. |
| difference between the ring and the grudge: It Lives Again Axelle Carolyn, 2019 A comprehensive analysis and overview of the state of horror cinema at the start of the 21st Century. Axelle Carolyn discusses and dissects films from the Asian remake trend of The Ring and The Grudge to the so-called torture porn of the Saw and Hostel series, taking in independents and foreign productions as well as the blockbusters. Illustrated in full colour, with numerous photos from the films discussed, It Lives Again! is your definitive guide to modern cinematic horror. Foreword by Neil Marshall and Introduction by Mick Garris. Winner of the Silver Award for Best Performing Arts book in ForeWord Magazine's Book Of The Year Awards 2009. |
| difference between the ring and the grudge: Merchants of Menace Richard Nowell, 2014-04-10 Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, torture-porn Auteurs, and twenty-first-century remakes. |
| difference between the ring and the grudge: New Meanings for Marketing in a New Millennium Melissa Moore, Robert S. Moore, 2014-11-10 Founded in 1971, the Academy of Marketing Science is an international organization dedicated to promoting timely explorations of phenomena related to the science of marketing in theory, research, and practice. Among its services to members and the community at large, the Academy offers conferences, congresses and symposia that attract delegates from around the world. Presentations from these events are published in this Proceedings series, which offers a comprehensive archive of volumes reflecting the evolution of the field. Volumes deliver cutting-edge research and insights, complimenting the Academy’s flagship journals, the Journal of the Academy of Marketing Science (JAMS) and AMS Review. Volumes are edited by leading scholars and practitioners across a wide range of subject areas in marketing science. This volume includes the full proceedings from the 2001 Academy of Marketing Science (AMS) Annual Conference held in San Diego, California, entitled New Meaning for Marketing in a New Millennium. |
| difference between the ring and the grudge: The Rough Guide to Japan Jan Dodd, Simon Richmond, 2011-02-01 The award-winning Rough Guide to Japan is the definitive guide to this fascinating country with its stunning landscapes, dynamic pop culture, world-class dining and rich history. It will guide you with reliable information and a clearly explained background on everything from Japan's history, religions, arts, movies and music to the country's pressing environmental issues. Whether you're looking for great places to eat and drink or the most exciting places to party and the newest accommodation, you'll find the solution. Plus, all the major and many off-the-beaten-track sights are covered, including tropical dives in Okinawa, mountain traverses across the Japanese Alps and contemporary art exhibits on islands in the Inland Sea. Accurate maps and comprehensive practical information help you get under the skin of this dynamic country, whilst stunning photography makes The Rough Guide to Japan your ultimate travelling companion. Now available in epub format. Make the most of your trip with The Rough Guide to Japan. |
| difference between the ring and the grudge: Japanese Horror and the Transnational Cinema of Sensations Steven T. Brown, 2018-02-05 Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations. |
| difference between the ring and the grudge: Horror Films of 2000-2009 John Kenneth Muir, 2023-03-22 Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines. |
| difference between the ring and the grudge: Jo & Laurie Margaret Stohl, Melissa de la Cruz, 2020-06-02 Bestselling authors Margaret Stohl and Melissa de la Cruz bring us a romantic retelling of Little Women starring Jo March and her best friend, the boy next door, Theodore Laurie Laurence. 1869, Concord, Massachusetts: After the publication of her first novel, Jo March is shocked to discover her book of scribbles has become a bestseller, and her publisher and fans demand a sequel. While pressured into coming up with a story, she goes to New York with her dear friend Laurie for a week of inspiration--museums, operas, and even a once-in-a-lifetime reading by Charles Dickens himself! But Laurie has romance on his mind, and despite her growing feelings, Jo's desire to remain independent leads her to turn down his heartfelt marriage proposal and sends the poor boy off to college heartbroken. When Laurie returns to Concord with a sophisticated new girlfriend, will Jo finally communicate her true heart's desire or lose the love of her life forever? |
| difference between the ring and the grudge: Transnational Asian Identities in Pan-Pacific Cinemas Philippa Gates, Lisa Funnell, 2012-03-12 This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, marked transnationality, and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. . |
| difference between the ring and the grudge: The Architecture of Control Grant Vetter, 2012 Grant Vetter develops an entirely new lexicon for analyzing architectural power in the twenty first century. |
| difference between the ring and the grudge: Maternal Horror Film S. Arnold, 2016-04-30 Maternal Horror Film: Melodrama and Motherhood examines the function of the mother figure in horror film. Using psychoanalytic film theory as well as comparisons with the melodrama film, Arnold investigates the polarized images of monstrous and sacrificing mother. |
| difference between the ring and the grudge: The Book of Horror Matt Glasby, 2020-09-22 “Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019) |
| difference between the ring and the grudge: The Graveyard Apartment Mariko Koike, 2016-10-11 One of the most popular writers working in Japan today, Mariko Koike is a recognized master of detective fiction and horror writing. Known in particular for her hybrid works that blend these styles with elements of romance, The Graveyard Apartment is arguably Koike's masterpiece. Originally published in Japan in 1986, Koike's novel is the suspenseful tale of a young family that believes it has found the perfect home to grow into, only to realize that the apartment's idyllic setting harbors the specter of evil and that longer they stay, the more trapped they become. This tale of a young married couple who harbor a dark secret is packed with dread and terror, as they and their daughter move into a brand new apartment building built next to a graveyard. As strange and terrifying occurrences begin to pile up, people in the building start to move out one by one, until the young family is left alone with someone... or something... lurking in the basement. The psychological horror builds moment after moment, scene after scene, culminating with a conclusion that will make you think twice before ever going into a basement again. |
| difference between the ring and the grudge: Historical Dictionary of Horror Cinema Peter Hutchings, 2017-11-22 The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. |
| difference between the ring and the grudge: The Bee-keepers' Review , 1896 |
| difference between the ring and the grudge: East Asian Cinemas V. Lee, 2011-04-12 This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea. A timely and important contribution to existing scholarship in the field. |
| difference between the ring and the grudge: GameAxis Unwired , 2006-10 GameAxis Unwired is a magazine dedicated to bring you the latest news, previews, reviews and events around the world and close to you. Every month rain or shine, our team of dedicated editors (and hardcore gamers!) put themselves in the line of fire to bring you news, previews and other things you will want to know. |
| difference between the ring and the grudge: American Horror Film Steffen Hantke, 2010-09-30 Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self—or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone’s much-maligned Feardotcom in the light of the torture debate at the end of President George W. Bush’s administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the US film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres—from the teenage horror flick to the serial killer film and the spiritual horror film—as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic and on the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was. |
| difference between the ring and the grudge: Cultural Experiences of Fear, Horror and Terror Mark Callaghan, Kacey Davis, 2019-01-04 This volume was first published by Inter-Disciplinary Press in 2016. This volume comprises numerous academic papers concerning essential subjects in relation to fear, horror and terror, from cinematic representations and their subsequent responses, to first person accounts of terror by way of literature and journalism. Key scholars are employed to develop these important research areas as they provide new insights into cultural experiences and evaluations of fear, horror and terror, and their consequent analysis. Contributors also explore cross-cultural fear, the memorialisation of violence, and female experiences of fear represented through literature, theatre, and cinema. Valuable research is also demonstrated by way of the conceptualisation and management of fear, including the control of public fear in relation to mental illness, along with significant insights concerning depictions of sexual violence, the concept of the sublime in relation to the visualisation of the universe, and the relationship between scales of fright and the bulk of the on-screen monster. |
| difference between the ring and the grudge: Ghost in the Well Michael Crandol, 2021-05-20 Ghost in the Well is the first study to provide a full history of the horror genre in Japanese cinema, from the silent era to Classical period movies such as Nakagawa Nobuo's Tokaido Yotsuya kaidan (1959) to the contemporary global popularity of J-horror pictures like the Ring and Ju-on franchises. Michael Crandol draws on a wide range of Japanese language sources, including magazines, posters and interviews with directors such as Kurosawa Kiyoshi, to consider the development of kaiki eiga, the Japanese phrase meaning weird or bizarre films that most closely corresponds to Western understandings of horror. He traces the origins of kaika eiga in Japanese kabuki theatre and traditions of the monstrous feminine, showing how these traditional forms were combined with the style and conventions of Hollywood horror to produce an aesthetic that was both transnational and peculiarly Japanese. Ghost in the Well sheds new light on one of Japanese cinema's best-known genres, while also serving as a fascinating case study of how popular film genres are re-imagined across cultural divides. |
| difference between the ring and the grudge: Public Privates Marcia R. England, 2018-01-01 Public Privates focuses on public and private acts and spaces in media to explore the formation of geographies. Situated at the intersections of cultural geography, feminist geography, and media studies, Marcia R. England's study argues that media both reinforce and subvert traditional notions of public and private spaces through depiction of behaviors and actions within those spheres. Though popular media contribute to the erosion of indistinct edges between spaces, they also frequently reinforce the traditional dualism through particular codings that designate the normed and gendered socio-spatial actions appropriate in each sphere--producing geographical imaginations and behaviors. England applies her immensely readable construction to a diverse and wide-ranging array of media including Buffy the Vampire Slayer, The Fast and the Furious, J-Horror, sitcoms, Degrassi, and reality TV. By examining the gendered representations of public and private spaces in media and how images influence imagined and lived geographies, England shows how popular culture, specifically visual media, transmits ideologies that disintegrate the already blurred boundaries between public and private spaces.-- |
| difference between the ring and the grudge: Japanese and American Horror Katarzyna Marak, 2014-11-14 Horror fiction is an important part of the popular culture in many modern societies. This book compares and contrasts horror narratives from two distinct cultures--American and Japanese--with a focus on the characteristic mechanisms that make them successful, and on their culturally-specific aspects. Including a number of narratives belonging to film, literature, comics and video games, this book provides a comprehensive perspective of the genre. It sheds light on the differences and similarities in the depiction of fear and horror in America and Japan, while emphasizing narrative patterns in the context of their respective cultures. |
DIFFERENCE Definition & Meaning - Merriam-Webster
The meaning of DIFFERENCE is the quality or state of being dissimilar or different. How to use difference in a sentence.
DIFFERENCE Definition & Meaning - Dictionary.com
Difference, discrepancy, disparity, dissimilarity imply perceivable unlikeness, variation, or diversity. Difference refers to a lack of identity or a degree of unlikeness: a difference of …
Difference Definition & Meaning | Britannica Dictionary
DIFFERENCE meaning: 1 : the quality that makes one person or thing unlike another; 2 : something that people do not agree about a disagreement in opinion
DIFFERENCE | definition in the Cambridge English Dictionary
DIFFERENCE meaning: 1. the way in which two or more things which you are comparing are not the same: 2. a…. Learn more.
Difference - definition of difference by The Free Dictionary
Difference is the most general: differences in color and size; a difference of degree but not of kind. Dissimilarity and unlikeness often suggest a wide or fundamental difference: the dissimilarity …
DIFFERENCE | English meaning - Cambridge Dictionary
DIFFERENCE definition: 1. the way in which two or more things which you are comparing are not the same: 2. a…. Learn more.
difference noun - Definition, pictures, pronunciation and usage …
Definition of difference noun in Oxford Advanced American Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
difference noun - Definition, pictures, pronunciation and usage …
Definition of difference noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more. Toggle navigation
Percentage Difference Calculator
Aug 17, 2023 · Percentage Difference Formula: Percentage difference equals the absolute value of the change in value, divided by the average of the 2 numbers, all multiplied by 100. We then …
Difference - Definition, Meaning & Synonyms - Vocabulary.com
In math, a difference is the remainder left after subtracting one number from another. Chimps and gorillas are both apes, but there are a lot of differences between them. If something doesn't …
DIFFERENCE Definition & Meaning - Merriam-Webster
The meaning of DIFFERENCE is the quality or state of being dissimilar or different. How to use difference in a sentence.
DIFFERENCE Definition & Meaning - Dictionary.com
Difference, discrepancy, disparity, dissimilarity imply perceivable unlikeness, variation, or diversity. Difference refers to …
Difference Definition & Meaning | Britannica Dictionary
DIFFERENCE meaning: 1 : the quality that makes one person or thing unlike another; 2 : something that people do not agree about a disagreement in opinion
DIFFERENCE | definition in the Cambridge English Dictionary
DIFFERENCE meaning: 1. the way in which two or more things which you are comparing are not the same: 2. a…. Learn more.
Difference - definition of difference by The Free Dictionary
Difference is the most general: differences in color and size; a difference of degree but not of kind. Dissimilarity and unlikeness often suggest a wide or fundamental difference: …
