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| david diop background: At Night All Blood Is Black David Diop, 2020-11-10 *WINNER OF THE 2021 INTERNATIONAL BOOKER PRIZE* *ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF 2021* Winner of the Los Angeles Times Book Prize for fiction Shortlisted for the 2022 DUBLIN Literary Award Astonishingly good. —Lily Meyer, NPR So incantatory and visceral I don’t think I’ll ever forget it. —Ali Smith, The Guardian | Best Books of 2020 One of The Wall Street Journal's 11 best books of the fall | One of The A.V. Club's fifteen best books of 2020 |A Sunday Times best book of the year Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War. Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness. |
| david diop background: Hammer Blows and Other Writings David Diop, 1973 |
| david diop background: Imagine Africa Mia Couto, Scholastique Mukasonga, Paulina Chiziane, Cedric Nunn, David Brookshaw, 2015-03-03 Imagine Africa and its theme of Revolution is introduced by Georges Lory who opens the collection with his essay, Poets to your quills, Africa is taking off. Through a collage of poems, essays, fiction, and visual art, Imagine Africa gives us a glimpse of a kaleidoscopic contemporary Africa. |
| david diop background: Servants Of The Devil: The Facilitators Of The Criminal And Terrorist Networks Bernard Touboul, 2021-01-14 Since the end of the Cold War, liberal capitalism has spread worldwide without any significant ideological rivalry, characterized by the frenetic search for an ever-increasing return on capital and constantly-increasing profits, a generalized un-concern for the moral values of liberalism, and for social inequalities and human misery.The book, Servants of the Devil: The Facilitators of the Criminal and Terrorist Networks, shows that this evolution has been possible, thanks to legitimate actors equipped with the legal, financial, technical, and influential means to facilitate the legitimization of criminals and the justification of such a criminal economy — the 'Servants of the Devil' acting as the 'legitimate' facilitators of the criminal and terrorist economies.The book aims to alert security authorities, government officials, business, professional and financial leaders, and the media that criminal and terrorist networks have thoroughly penetrated the political, economic, and social structures of the contemporary world, and they could not operate without the extensive and willing cooperation of these facilitators.Recommendations are made in this book to alter the targets of law-enforcement forces and the justice system, by putting more emphasis on the facilitators by naming, shaming, and prosecuting them to seriously disable the criminals and terrorists. The legal structure needs to be altered, detailing procedures to be used by critical institutions, as well as the intelligence and analytic techniques to be developed to stay ahead of the criminals' own constantly altered techniques.The book provides a detailed account of the problem and how it is corrupting the Western society, enhancing the need for a new economic paradigm that displays a real and actual economic understanding of the world and of any individual country's economic activity, and shifting the ways of economic analysis to bring out the actual strength and role of criminal and terrorist activities in local, regional, and international governance from the shadows. |
| david diop background: Hammer Blows David Mandessi Diop, 2024-03 |
| david diop background: Tales of Amadou Koumba Birago Diop, 1966 |
| david diop background: African Literature in French Dorothy S. Blair, 1976-11-18 This 1976 book provides both a historical survey and a critical analysis of the literature in French from West and Equatorial Africa. Professor Blair begins by discussing the social, educational and political influences which led to the formation of the Negritude movement and to a flowering of French-African creative writing. This historical approach is then complemented by a study of the different literary genres. She traces the evolution of the first manifestations of literary activity in French by African writers, the written folk-tale, fable and short story, from the oral tradition of the indigenous culture, and the eventual appearance of the novel with a legendary or historical theme. The origins of French-African drama are considered for the first time, and the work of the minor poets analysed. Finally, Professor Blair attempts a definition of the French-African novel, and studies examples from three major periods from the 1930s onwards. |
| david diop background: Our Lady of Alice Bhatti Mohammed Hanif, 2012-05-29 From the author of the acclaimed A Case of Exploding Mangoes (“An insanely brilliant, satirical first novel . . . Belongs in a tradition that includes Catch-22”—The Washington Post), a subversively, often shockingly funny new novel set in steaming Karachi, about second chances, thwarted ambitions and love in the most unlikely places. The patients of the Sacred Heart Hospital for All Ailments need a miracle. Alice Bhatti may be just what they’re looking for. She’s the new junior nurse, but that’s the only ordinary thing about her. She’s just been released from the Borstal Jail for Women and Children. But more to the point, she’s the daughter of a part-time healer in the French Colony, Karachi’s infamous Christian slum, and it seems she has, unhappily, inherited his part-time gift. With a bit of begrudging but inspired improvisation, Alice begins to bring succor to the patients lining the hospital’s corridors and camped outside its gates. But all is not miraculous. Alice is a Christian in an Islamic world, ensnared in the red tape of hospital bureaucracy, trapped by the caste system, torn between her duty to her patients, her father and her husband—who is a former bodybuilding champion, now an apprentice to the nefarious “Gentleman’s Squad” of the Karachi police, and about to drag Alice into a situation so dangerous that perhaps not even a miracle will be able to save them. But, of course, Alice Bhatti is no ordinary young woman . . . At once a high comedy of errors and a searing illumination of the seemingly unchangeable role of women in Pakistan’s lower-caste society, Our Lady of Alice Bhatti is a resounding confirmation of Mohammed Hanif’s gifts of storytelling and of razor-sharp social satire. |
| david diop background: Growing Up with Poetry David Rubadiri, 1989 This challenging anthology is designed for the enjoyment and instruction of students from junior secondary level onwards. The poems focus on aspects central to African life and culture: love; identity; death; village life; separation; power and freedom.* The introduction gives valuable guidance to teachers on how to use the anthology and question material.* A glossary of technical terms at the end of the book ensures a complete understanding of all poems featured. |
| david diop background: Modern Poetry from Africa; Gerald Moore, Ulli Beier, 1970 |
| david diop background: Africans John Iliffe, 2007-08-13 In a vast and all-embracing study of Africa, from the origins of mankind to the AIDS epidemic, John Iliffe refocuses its history on the peopling of an environmentally hostile continent. Africans have been pioneers struggling against disease and nature, and their social, economic and political institutions have been designed to ensure their survival. In the context of medical progress and other twentieth-century innovations, however, the same institutions have bred the most rapid population growth the world has ever seen. Africans: The History of a Continent is thus a single story binding living Africans to their earliest human ancestors. |
| david diop background: Poetic Imagination in Black Africa Tanure Ojaide, 1996 In this book, Tanure Ojaide explains the uniqueness of modern African poetry, which he sees as a product of African orature and the Western literary tradition. The volume fittingly begins with African Literature and Cultural Identity, which establishes areas of cultural identity of modern African literature in general. The next chapter strives to define modern African poetic aesthetics. The book then examines both the oral and the rhythmic aspects of modern African poetry. Having established the defining characteristics of modern African poetry, Ojaide takes on the history of the art form. The Changing Voice of History: Contemporary African Poetry and New Trends in Modern African Poetry contrast the newer poetry to that of the older generation while acknowledging the influence of the old on the new. The book then goes on to highlight African women's poetry and compare African-American poetry with modern African poetry. After the author -- himself a poet -- talks about his background and generation, the collection concludes with Poetic Imagination in Black Africa. Ojaide brings the intuitive knowledge of a practitioner and scholar to his literary criticism of poetry, examining and interpreting modern African poems with lucidity, passion, and freshness. His knowledge of American and English literatures allows him to make apt comparisons and bring out the uniqueness of modern African poetry. Touching on the themes, techniques, and other areas, Poetic Imagination in Black Africa will help readers achieve a deeper understanding of the complex and diverse world of modern African poetry. |
| david diop background: The Art of Losing Alice Zeniter, 2021-02-04 Winner of the International Dublin Literary Award 'Remarkable . . . a novel about people that never loses its sense of humanity' – The Sunday Times 'Zeniter’s extraordinary achievement is to transform a complicated conflict into a compelling family chronicle.' – The Wall Street Journal Naïma has always known that her father's family were from Algeria – but up until now, that has meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she has learned from her grand parents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled. On the past, her family is silent. Why was her grandfather Ali forced to leave? Naïma’s father, Hamid, claims to remember nothing. Now, Naïma will see Algeria for herself, will ask the questions about her family’s history that, until now, have had no answers. Spanning three generations across seventy years, The Art of Losing tells the story of how people carry on in the face of loss – the loss of a country, an identity, a way to speak to your children – a story of colonization and immigration, and how we are a product of the things we have left behind. Translated from the French by Frank Wynne This book is supported by the Institut français (Royaume-Uni) as part of the Burgess programme. |
| david diop background: Uttar Pradesh Assistant Professor English Krishna Sharma, This book has been designed as per the latest syllabus of the higher board that conducts Assistant Professor Exams in the state of Uttar Pradesh. All topics of ten units have been included in the book. Summaries of plays, novels, and poetries of different writers included in the syllabus are part of this descriptive book. It covers all units in detail. Important lines and quotes of writers who are expected to be asked in the exam have been included. It is a descriptive book as per the latest syllabus of the Uttar Pradesh Higher Education Selection Commission. |
| david diop background: Oral Literature in Africa Ruth Finnegan, 2012-09 Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, drum language and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website. |
| david diop background: The Reindeer Hunters Lars Mytting, 2022-11-22 Set in fictional Butangen, Norway, where the story of the conjoined twin sisters Halfrid and Gunhild Hekne provides the mythical and mystical undergirding, The Reindeer Hunters unfolds around the extraordinary tapestry that portrays the sisters' vision of Doomsday. After their death in 1613, the tapestry was given to the village church and lost at some point over the centuries. The year is 1903. Twenty-two years after the events of The Bell in The Lake, Astrid Hekne's son, Jehans, is now a young man. Driven out by his family, he lives on a homestead in the mountains near the village of Butangen, where he relishes the freedom of his life apart, fishing and hunting for his livelihood. One August morning, Jehans kills a massive reindeer and at the same moment encounters an enigmatic hunter. At the new church in Butangen, Pastor Kai Schweigaard is living with the consequences of his past betrayal--arranging the dismantling and sale of the stave church--including deaths and the loss of the church's mystical sister bells. Kai becomes obsessed with finding the ancient tapestry woven by the conjoined sisters in whose memory the bells were cast, with the hope that the tapestry will bring him redemption. Despite the unraveling legends from the past that continue to haunt these people, they must figure out how to look to the future. |
| david diop background: Reversing Sail Michael A. Gomez, 2005 This book examines the global unfolding of the African Diaspora, the migrations and dispersals of people of African, from antiquity to the modern period. Their exploits, challenges, and struggles are discussed over a wide expanse of time in ways that link as well as differentiate past and present circumstances. The experiences of Africans in the Old World, in the Mediterranean and Islamic worlds, is followed by their movement into the New, where their plight in lands claimed by Portuguese, Spanish, Dutch, French and English colonial powers is analyzed from enslavement through the Cold War. While appropriate mention is made of persons of renown, particular attention is paid to the everyday lives of working class people and their cultural efflorescence. The book also attempts to explain contemporary plights and struggles through the lens of history. |
| david diop background: Black Germany Robbie Aitken, Eve Rosenhaft, 2013-09-26 A groundbreaking account of the development of Germany's first African community, which offers fascinating perspectives on transnational German history. |
| david diop background: Klara and the Sun Kazuo Ishiguro, 2021-03-02 NEW YORK TIMES BESTSELLER LONGLISTED FOR THE 2021 BOOKER PRIZE NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE GLOBE AND MAIL, THE GUARDIAN, ESQUIRE, VOGUE, TIME, THE WASHINGTON POST, THE TIMES (UK), VULTURE, THE ECONOMIST, NPR, AND BOOKRIOT ON PRESIDENT OBAMA’S SUMMER 2021 READING LIST The magnificent new novel from Nobel laureate Kazuo Ishiguro--author of Never Let Me Go and the Booker Prize-winning The Remains of the Day. “The Sun always has ways to reach us.” From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love? |
| david diop background: Kimbanguism Aurélien Mokoko Gampiot, 2017-04-07 In this volume, Aurélien Mokoko Gampiot, a sociologist and son of a Kimbanguist pastor, provides a fresh and insightful perspective on African Kimbanguism and its traditions. The largest of the African-initiated churches, Kimbanguism claims seventeen million followers worldwide. Like other such churches, it originated out of black African resistance to colonization in the early twentieth century and advocates reconstructing blackness by appropriating the parameters of Christian identity. Mokoko Gampiot provides a contextual history of the religion’s origins and development, compares Kimbanguism with other African-initiated churches and with earlier movements of political and spiritual liberation, and explores the implicit and explicit racial dynamics of Christian identity that inform church leaders and lay practitioners. He explains how Kimbanguists understand their own blackness as both a curse and a mission and how that underlying belief continuously spurs them to reinterpret the Bible through their own prisms. Drawing from an unprecedented investigation into Kimbanguism’s massive body of oral traditions—recorded sermons, participant observations of church services and healing sessions, and translations of hymns—and informed throughout by Mokoko Gampiot’s intimate knowledge of the customs and language of Kimbanguism, this is an unparalleled theological and sociological analysis of a unique African Christian movement. |
| david diop background: August 1914 Bruno Cabanes, 2016-08-23 A renowned military historian closely examines the first month of World War I in France. On August 1, 1914, war erupted into the lives of millions of families across France. Most people thought the conflict would last just a few weeks . . . Yet before the month was out, twenty-seven thousand French soldiers died on the single day of August 22 alone—the worst catastrophe in French military history. Refugees streamed into France as the German army advanced, spreading rumors that amplified still more the ordeal of war. Citizens of enemy countries who were living in France were viciously scapegoated. Drawing from diaries, personal correspondence, police reports, and government archives, Bruno Cabanes renders an intimate, narrative-driven study of the first weeks of World War I in France. Told from the perspective of ordinary women and men caught in the flood of mobilization, this revealing book deepens our understanding of the traumatic impact of war on soldiers and civilians alike. “An exceptional book, a brilliant, moving, and insightful analysis of national mobilization.” —Martha Hanna, author of Your Death Would Be Mine: Paul and Marie Pireaud in the Great War “This book deserves a wide readership from historians, critics and anyone interested in the catastrophe of war.” —Mary Louise Roberts, Distinguished Lucie Aubrac and Plaenert-Bascom Professor of History, University of Wisconsin, Madison “The sounds, sights and emotions of August, 1914 are all evoked with exceptional skill.” —David A. Bell, author of The First Total War: Napoleon’s Europe and the Birth of Warfare as We Know It |
| david diop background: Mother is Gold Adrian Roscoe, 1971-07-02 How did West African literature in English begin? What influences affected its birth and development? How much does it imitate European models? How is traditional African culture influencing modern writing? What kind of experiments are being tried? These are some of the questions, relevant to African writing throughout the continent, which this critical study discusses by examining the most significant work in verse, prose, drama, children's literature, journalism and political writing in West Africa. The author examines the writing of major figures such as Soyinka, Achebe, Okara, Clark, Tutuola and Ekwensi as well as that of authors whose work is not as widely known. |
| david diop background: Story of the Eye Georges Bataille, 2013-09-26 Bataille’s first novel, published under the pseudonym ‘Lord Auch’, is still his most notorious work. In this explicit pornographic fantasy, the young male narrator and his lovers Simone and Marcelle embark on a sexual quest involving sadism, torture, orgies, madness and defilement, culminating in a final act of transgression. Shocking and sacreligious, Story of the Eye is the fullest expression of Bataille’s obsession with the closeness of sex, violence and death. Yet it is also hallucinogenic in its power, and is one of the erotic classics of the twentieth century. |
| david diop background: Dictionary of African Biography Emmanuel Kwaku Akyeampong, Professor Henry Louis Gates, Jr., 2012-02-02 From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -). |
| david diop background: The Surreptitious Speech V. Y. Mudimbe, 1992-09 Distinguished scholar V. Y. Mudimbe assembles a lively tribute to Presence Africaine, the landmark African studies journal begun in 1947 Paris. While it celebrates the project's forty-year history, The Surreptitious Speech does not naively canonize the journal but rather offers a vibrant discussion and critical reading of its context, characteristics, and significance. |
| david diop background: Africa State of Mind Ekow Eshun, 2020-04-07 A vibrant photographic anthology that presents the work of a generation of image makers who are forging new visions of Africa. Africa State of Mind gathers together the work of an emergent generation of photographers from across the continent, exploring Africa as a psychological space as much as a geographical one. Both a summation of new photographic practice from the last decade and a compelling survey of the ways in which contemporary African photographers are engaging with ideas of “Africanness,” Africa State of Mind is a timely collection of those photographers seeking to capture the experience of what it means to “be African.” Presented in four thematic sections—“Hybrid Cities,” “Inner Landscapes,” “Zones of Freedom,” and “Myth and Memory”—each part presents selections of work by a new wave of African photographers who are looking both outward and inward: capturing life among the sprawling cities of the continent, turning the continent’s history into the source of resonant new myths, and exploring questions of gender, sexuality, and identity. With over 300 photographs by more than fifty photographers, Africa State of Mind is a mesmerizing survey of the most dynamic scenes in contemporary photography and an introduction to the creative figures making them. |
| david diop background: Textures , 2006 |
| david diop background: Love, Theodosia Lori Anne Goldstein, 2021-11-02 A Romeo & Juliet tale for Hamilton! fans. In post-American Revolution New York City, Theodosia Burr, a scholar with the skills of a socialite, is all about charming the right people on behalf of her father—Senator Aaron Burr, who is determined to win the office of president in the pivotal election of 1800. Meanwhile, Philip Hamilton, the rakish son of Alexander Hamilton, is all about being charming on behalf of his libido. When the two first meet, it seems the ongoing feud between their politically opposed fathers may be hereditary. But soon, Theodosia and Philip must choose between love and family, desire and loyalty, and preserving the legacy their flawed fathers fought for or creating their own. Love, Theodosia is a smart, funny, swoony take on a fiercely intelligent woman with feminist ideas ahead of her time who has long-deserved center stage. A refreshing spin on the Hamiltonian era and the characters we have grown to know and love. It’s also a heartbreaking romance of two star-crossed lovers, an achingly bittersweet “what if.” Despite their fathers’ bitter rivalry, Theodosia and Philip are drawn to each other and, in what unrolls like a Jane Austen novel of manners, we find ourselves entangled in the world of Hamilton and Burr once again as these heirs of famous enemies are driven together despite every reason not to be. |
| david diop background: The Negritude Poets Ellen Conroy Kennedy, 1989 |
| david diop background: Methodology and African Prehistory Jacqueline Ki-Zerbo, Unesco. International Scientific Committee for the Drafting of a General History of Africa, 1981 The result of years of work by scholars from all over the world, The UNESCO General History of Africa reflects how the different peoples of Africa view their civilizations and shows the historical relationships between the various parts of the continent. Historical connections with other continents demonstrate Africa's contribution to the development of human civilization. Each volume is lavishly illustrated and contains a comprehensive bibliography. |
| david diop background: Philida Andre Brink, 2013-02-05 This is what it is to be a slave: that everything is decided for you from out there. You just got to listen and do as they tell you. You don’t say no. You don’t ask questions. You just do what they tell you. But far at the back of your head you think: Soon there must come a day when I can say for myself: This and that I shall do, this and that I shall not. In Philida, longlisted for the Man Booker Prize, André Brink—“one of South Africa's greatest novelists” (The Telegraph)—gives us his most powerful novel yet; the truly unforgettable story of a female slave, and her fierce determination to survive and to be free. It is 1832 in South Africa, the year before slavery is abolished and the slaves are emancipated. Philida is the mother of four children by Francois Brink, the son of her master. When Francois’s father orders him to marry a woman from a prominent Cape Town family, Francois reneges on his promise to give Philida her freedom, threatening instead to sell her to new owners in the harsh country up north. Here is the remarkable story—based on individuals connected to the author’s family—of a fiercely independent woman who will settle for nothing and for no one. Unwilling to accept the future that lies ahead of her, Philida continues to test the limits and lodges a complaint against the Brink family. Then she sets off on a journey—from the southernmost reaches of the Cape, across a great wilderness, to the far north of the country—in order to reclaim her soul. |
| david diop background: The Strange Case of the Dutch Painter Timothy Miller, 2022-02-01 Paris, 1890. When Sherlock Holmes finds himself chasing an art dealer through the streets of Paris, he’s certain he’s smoked out one of the principals of a cunning forgery ring responsible for the theft of some of the Louvre’s greatest masterpieces. But for once, Holmes is dead wrong. He doesn’t know that the dealer, Theo Van Gogh, is rushing to the side of his brother, who lies dying of a gunshot wound in Auvers. He doesn’t know that the dealer’s brother is a penniless misfit artist named Vincent, known to few and mourned by even fewer. Officialdom pronounces the death a suicide, but a few minutes at the scene convinces Holmes it was murder. And he’s bulldog-determined to discover why a penniless painter who harmed no one had to be killed–and who killed him. Who could profit from Vincent’s death? How is the murder entwined with his own forgery investigation? Holmes must retrace the last months of Vincent’s life, testing his mettle against men like the brutal Paul Gauguin and the secretive Toulouse-Lautrec, all the while searching for the girl Olympia, whom Vincent named with his dying breath. She can provide the truth, but can anyone provide the proof? From the madhouse of St. Remy to the rooftops of Paris, Holmes hunts a killer—while the killer hunts him. |
| david diop background: Eleanor Or the Rejection of the Progress of Love Anna Moschovakis, 2018 Close friends / distant lovers / lost paragraphs / a theft, a trip, a commune, a question: how to live in this world? |
| david diop background: Poetics of Relation Edouard Glissant, 1997-09-29 DIVA major work by this prominent Caribbean author and philosopher, available for the first time in English /div |
| david diop background: Postcolonial African cinema David Murphy, Patrick Williams, 2019-01-04 This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines – film studies, African cultural studies, and, in particular, postcolonial studies – in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director’s output to date, and the necessary background – personal or national, cultural or political – to enable readers to achieve a better understanding of the director’s choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader. |
| david diop background: Nights When Nothing Happened Simon Han, 2020-11-17 Named a Best Book of the Year by Time, The Washington Post, and Harper's Bazaar “A tender, spiky family saga about love in all its mysterious incarnations.” —Lorrie Moore, author of A Gate at the Stairs and Birds of America “Absolutely luminous . . . Weaves the transience of suburbia between the highs and lows of a family saga . . . Shocks, awes, and delights.” —Bryan Washington, author of Memorial From the outside, the Chengs seem like so-called model immigrants. Once Patty landed a tech job near Dallas, she and Liang grew secure enough to have a second child, and to send for their first from his grandparents back in China. Isn’t this what they sacrificed so much for? But then little Annabel begins to sleepwalk at night, putting into motion a string of misunderstandings that not only threaten to set their community against them but force to the surface the secrets that have made them fear one another. How can a man make peace with the terrors of his past? How can a child regain trust in unconditional love? How can a family stop burying its history and forge a way through it, to a more honest intimacy? Nights When Nothing Happened is gripping storytelling immersed in the crosscurrents that have reshaped the American landscape, from a prodigious new literary talent. |
| david diop background: Oak Flat Lauren Redniss, 2020-11-17 NATIONAL BESTSELLER • A powerful work of visual nonfiction about three generations of an Apache family struggling to protect sacred land from a multinational mining corporation, by MacArthur “Genius” and National Book Award finalist Lauren Redniss, the acclaimed author of Thunder & Lightning “Brilliant . . . virtuosic . . . a master storyteller of a new order.”—Eliza Griswold, The New York Times Book Review (Editors’ Choice) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS Oak Flat is a serene high-elevation mesa that sits above the southeastern Arizona desert, fifteen miles to the west of the San Carlos Apache Indian Reservation. For the San Carlos tribe, Oak Flat is a holy place, an ancient burial ground and religious site where Apache girls celebrate the coming-of-age ritual known as the Sunrise Ceremony. In 1995, a massive untapped copper reserve was discovered nearby. A decade later, a law was passed transferring the area to a private company, whose planned copper mine will wipe Oak Flat off the map—sending its natural springs, petroglyph-covered rocks, and old-growth trees tumbling into a void. Redniss’s deep reporting and haunting artwork anchor this mesmerizing human narrative. Oak Flat tells the story of a race-against-time struggle for a swath of American land, which pits one of the poorest communities in the United States against the federal government and two of the world’s largest mining conglomerates. The book follows the fortunes of two families with profound connections to the contested site: the Nosies, an Apache family whose teenage daughter is an activist and leader in the Oak Flat fight, and the Gorhams, a mining family whose patriarch was a sheriff in the lawless early days of Arizona statehood. The still-unresolved Oak Flat conflict is ripped from today’s headlines, but its story resonates with foundational American themes: the saga of westward expansion, the resistance and resilience of Native peoples, and the efforts of profiteers to control the land and unearth treasure beneath it while the lives of individuals hang in the balance. |
| david diop background: Encyclopedia of World Writers, 1800 to the Present Marie Diamond, 2020-07-01 In recent years, schools have started introducing more inclusive syllabi emphasizing the works and ideas of previously overlooked or underrepresented writers. Readers of all ages can now explore the rich contributions of writers from around the world. These writers have various backgrounds, and unlike most writers from the U.S. or the United Kingdom, information on them in English can be difficult to find. Encyclopedia of World Writers: 1800 to the Present covers the most important writers outside of the U.S., Britain, and Ireland since 1800. More than 330 insightful, A-to-Z entries profile novelists, poets, dramatists, and short-story writers whose works are anthologized in textbooks or assigned in high school English classes. Entries range in length from 200 to 1,000 words each and include a biographical sketch, synopses of major works, and a brief bibliography. Dozens of entries are new to this edition and many existing entries have been updated and significantly expanded with new Critical Analysis sections. Coverage includes: Chinua Achebe Margaret Atwood Roberto Bolaño Albert Camus Khalid Hosseini Victor Hugo Mohammad Iqbal Franz Kafka Stieg Larsson Mario Vargas Llosa Naghib Mahfouz Gabriel García Márquez Kenzaburo Oe Marcel Proust Leo Tolstoy Emile Zola and more. |
| david diop background: Afrocentricity Molefi Kete Asante, 2003 The author has written this book entitled 'Afrocentricity' especially for those Africans still in a confused state in order to show them the way to peace. Further he indicates that the book has created its own supporters and detractors and has also been at the core of intense debates about the de-colonizing of the African mind, the dismantling of America, and the destabilizing of the Eurocentric hegemony. This book is not meant to be unread, un-remarked upon, or unheard. Afrocentrists have multiplied in the theaters, universities, unions, political organizations, schools, and corporations. The challenge to the white racial hierarchy has been intense and severe; there can be no hiding from the agency of awakened Africans. In the next few decades it is anticipated that a mighty revolution of values, symbols, and actions might bring about a more equitable society. This revolution for justice and liberty shall be led by the aroused black nation committed to a world of peace. |
| david diop background: West African Poetry Robert Fraser, 1986-09-04 Previous studies of African poetry have tended to concentrate either on its political content or on its relationship to various European schools. This book examines West African poetry in English and French against the background of oral poetry in the vernacular. Do the roots of such poetry lie in Africa or in Europe? In committing their work to writing, do poets lose more than they gain? Can the immediacy of oral performance ever be recovered? Robert Fraser's account of two centuries of West African verse examines its subjugation to a succession of international styles: from the heroic couplet to the austerity of experimental Modernism. Successive chapters take us through the Négritude movement and the emergence of anglophone free verse in the 1950s to the rediscovery in recent years of the neglected springs of orality, which is the subject of the concluding chapter. |
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Apr 26, 2025 · Two heavy-hitting strikers square off for featherweight supremacy when Giga Chikadze faces off against …
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May 26, 2023 · "David E. Martin and other anti-vax, Covid conspiracy theorists of various types" This says …
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This one is co-taught by David Malan and Doug Lloyd (who provides the legal perspective). Difficulty: Medium …
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