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| dark knight rises review ebert: Roger Ebert's Movie Yearbook 2013 Roger Ebert, 2012-12-04 Roger Ebert’s “criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .” —New York Times Pulitzer Prize–winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert’s Movie Yearbook 2013. It includes every movie review Ebert has written from January 2010 to July 2012. Also included in the Yearbook: In-depth interviews with newsmakers and celebrities Tributes to those in the film industry who have passed away recently Essays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary |
| dark knight rises review ebert: Saving the World and Healing the Soul David M. McCarthy, Kurt E. Blaugher, 2017-05-01 Saving the World and Healing the Soul treats the heroic and redemptive trials of Jason Bourne, Bruce Wayne, Bella Swan, and Katniss Everdeen. The Bourne films, Christopher Nolan's Batman trilogy, the Twilight saga, and the Hunger Games series offer us stories to live into, to make connection between our personal loves and trials and a good order of the world. |
| dark knight rises review ebert: Memento Christopher Nolan, 2004 |
| dark knight rises review ebert: Hans Zimmer and James Newton Howard's The Dark Knight Vasco Hexel, 2016-05-02 One of the most successful films inspired by comic books, The Dark Knight was the second feature of a trilogy directed by Christopher Nolan. One of the film’s highlights was its rich score, created by two of Hollywood’s leading composers, Academy award winner Hans Zimmer and multiple Oscar nominee James Newton Howard. This volume offers a unique insight into the film and its music, detailing how the two composers created the memorable score. |
| dark knight rises review ebert: Christopher Nolan Darren Mooney, 2018-10-10 Christopher Nolan is one of the defining directors of the 21st century. Few of his contemporaries can compete in terms of critical and commercial success, let alone cultural impact. His films have a rare ability to transcend audience expectations, appealing to both casual moviegoers and dyed-in-the-wool cineastes. Nolan's work ranges from gritty crime thrillers (Memento, Insomnia) to spectacular blockbusters (the Dark Knight trilogy, Inception). They have taken audiences from the depths of space (Interstellar) to the harsh realities of war (Dunkirk). And they have pushed the boundaries of the possible in modern movie making. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur. |
| dark knight rises review ebert: Batman Frank Miller, Lynn Varley, Todd Klein, 2008-09-18 Batman reemerges from his underworld civilization to battle the evils of Gotham, including power-hungry Lex Luther and Brainiac, and turns against other superheroes as he drifts closer and closer towards insanity. |
| dark knight rises review ebert: American Popular Culture in the Era of Terror Jesse Kavadlo, 2015-09-15 Bringing together the most popular genres of the 21st century, this book argues that Americans have entered a new era of narrative dominated by the fear—and wish fulfillment—of the breakdown of authority and terror itself. Bringing together disparate and popular genres of the 21st century, American Popular Culture in the Era of Terror: Falling Skies, Dark Knights Rising, and Collapsing Cultures argues that popular culture has been preoccupied by fantasies and narratives dominated by the anxiety —and, strangely, the wish fulfillment—that comes from the breakdowns of morality, family, law and order, and storytelling itself. From aging superheroes to young adult dystopias, heroic killers to lustrous vampires, the figures of our fiction, film, and television again and again reveal and revel in the imagery of terror. Kavadlo's single-author, thesis-driven book makes the case that many of the novels and films about September 11, 2001, have been about much more than terrorism alone, while popular stories that may not seem related to September 11 are deeply connected to it. The book examines New York novels written in response to September 11 along with the anti-heroes of television and the resurgence of zombies and vampires in film and fiction to draw a correlation between Kavadlo's Era of Terror and the events of September 11, 2001. Geared toward college students, graduate students, and academics interested in popular culture, the book connects multiple topics to appeal to a wide audience. |
| dark knight rises review ebert: The Many Lives of Catwoman Tim Hanley, 2017-07-01 For more than 75 years, Catwoman has forged her own path in a clear-cut world of stalwart heroes, diabolical villains and damsels in distress. Sometimes a thief, sometimes a vigilante, sometimes neither and sometimes both, the mercurial Catwoman gleefully defies classification. Her relentless independence across comic books, television and film appearances set her apart from the rest of the superhero world. When female characters were limited to little more than romantic roles, Catwoman used her feminine wiles to manipulate Batman and escape justice at every turn. When male villains dominated Gotham on the small screen, Catwoman entered the mix and outshone them all. When female-led comics were few and far between, Catwoman headlined her own series for over 20 years. True to her nature, Catwoman stole the show everywhere she appeared, regardless of the medium. But her unique path had its downsides as well. Her existence on the periphery of the superhero world made her expendable, and she was prone to lengthy absences. Her villainous origins also made her susceptible to sexualized and degrading depictions from her primarily male creators in ways that most conventional heroines didn't face. Exploring the many incarnations of this cultural icon offers a new perspective on the superhero genre and showcases the fierce resiliency that has made Catwoman a fan favorite for decades. |
| dark knight rises review ebert: The Pot and How to Use It Roger Ebert, 2010-09-21 A guide to the handy kitchen appliance, plus a range of recipes, from the Pulitzer Prize–winning movie critic. In The Pot and How to Use It, Roger Ebert—Pulitzer Prize–winning film critic, admitted “competent cook,” and long-time electric rice cooker enthusiast—gives readers a charming, practical guide to this handy and often-overlooked kitchen appliance. While The Pot and How to Use It contains numerous and surprisingly varied recipes for electric rice cookers, it is much more than a cookbook. Originating from a blog entry on Roger’s popular Web site, the book also includes readers’ comments and recipes alongside Roger’s own discerning insights and observations on why and how we cook. With an introduction by vegetarian cookbook author Anna Thomas and expert assistance from recipe consultant and nutritionist Yvonne Nienstadt, The Pot and How to Use It is perfect for fans of Roger’s superb writing, as well as anyone looking to incorporate the convenience and versatility of electric rice cookers into his or her kitchen repertoire. |
| dark knight rises review ebert: Batman Begins Christopher Nolan, David S. Goyer, Bob Kane, 2005 Extensive reading improves fluency and there is a real need in the ELT classroom for motivating, contemporary graded material that will instantly appeal to students. Batman Begins is based on the 2005 blockbuster movie and will be immediately recognisable to teens of all nationalities. |
| dark knight rises review ebert: Expanding the Black Film Canon Lisa Doris Alexander, 2019-08-30 If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as black film per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement—such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones—they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles—costarring and co-written by Richard Pryor—is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment—and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades. |
| dark knight rises review ebert: Batman '89 (2021-) #1 Sam Hamm, 2021-08-10 Step back into the Gotham of Tim Burton’s seminal classic Batman movies! Batman ’89 brings in screenwriter Sam Hamm (Batman, Batman Returns) and artist Joe Quinones (Dial H for Hero) to pull on a number of threads left dangling by the prolific director. Gotham becomes torn in two as citizens dressed as Batman and The Joker duke it out in the streets. As D.A. Harvey Dent tries to keep the city together, he targets the one problem tearing it apart: BATMAN! And he’ll get Bruce Wayne’s help in taking down the Dark Knight! |
| dark knight rises review ebert: Roger Ebert's Video Companion, 1994 Roger Ebert, 1993 The only video guide with full-length movie reviews from a Pulitzer Prize-winning film critic. This reference features reviews of over 1,200 films (150 of which are new to this edition); interviews with stars and directors of movies new to video; a comprehensive index by title, stars, and director; and more. |
| dark knight rises review ebert: Stuart: A Life Backwards Alexander Masters, 2006-05-30 In this extraordinary book, Alexander Masters has created a moving portrait of a troubled man, an unlikely friendship, and a desperate world few ever see. A gripping who-done-it journey back in time, it begins with Masters meeting a drunken Stuart lying on a sidewalk in Cambridge, England, and leads through layers of hell…back through crimes and misdemeanors, prison and homelessness, suicide attempts, violence, drugs, juvenile halls and special schools–to expose the smiling, gregarious thirteen-year-old boy who was Stuart before his long, sprawling, dangerous fall. Shocking, inspiring, and hilarious by turns, Stuart: A Life Backwards is a writer’s quest to give voice to a man who, beneath his forbidding exterior, has a message for us all: that every life–even the most chaotic and disreputable–is a story worthy of being told. |
| dark knight rises review ebert: Complex TV Jason Mittell, 2015-04-10 A comprehensive and sustained analysis of the development of storytelling for television Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time. |
| dark knight rises review ebert: The Search for Meaning in Film and Television M. Maloney, 2015-06-16 This book is concerned with the difficulties faced by modern Westerners in their search for a meaningful life. It sheds light on this enduring cultural dilemma through a close reading of four popular film and television narratives. |
| dark knight rises review ebert: Anatomy of the Superhero Film Larrie Dudenhoeffer, 2017-08-16 This book addresses what a superhero body can do by developing several “x-rays” of the superbody’s sensoria, anatomic structures, internal systems, cellular organizations, and orthotic, chemical, or technological enhancements. In short, these x-rays offer what we might describe as a metamorpho-physiological approach to the superheroes in feature films, theatrical cartoon shorts, and Netflix television series. This approach examines the ways in which the “substance” of superheroes, which includes their masks, costumes, chevrons, weapons, and auras, extends into the diegetic environment of the film, transgressing it, transforming it, and corporealizing it, making it emblematic of the shape, dimensions, contours, and organismic workings of one or more of our major organs, members, orifices, fluids, or cell clusters. Thus the superhero film, as this study claims, works to make us more aware of the mutability, adaptability, modifiability, and virtual capabilities of our own flesh. |
| dark knight rises review ebert: Roger Ebert's Video Companion Roger Ebert, 1996 Roger Ebert has been called the most influential film critic in America. His Chicago Sun-Times reviews are syndicated to some 200 other newspapers and appear on CompuServe. This new edition of his popular guide includes 160 new reviews, interviews with actors and directors, and the popular Questions for the Movie Answer Man. |
| dark knight rises review ebert: Batman Andrew Farago, Gina McIntyre, 2019-10-29 2020 IBPA Awards Winner! The Caped Crusader. The Dark Knight. The World’s Greatest Detective. Bats. This lavish 400-page book tells the complete history of Batman from his 1939 debut in Detective Comics to the current day. Learn secrets and see exclusive new content taken from some of Batman’s most iconic stories and moments, from the beloved Adam West TV incarnation, legendary comics such as The Killing Joke, Christian Bale’s iconic interpretation within Christopher Nolan’s trilogy and Kevin Conroy’s signature performance within the animated series and Arkham Asylum videogame. —The most comprehensive history of Batman ever written. Over 400 pages detailing every incarnation of The Caped Crusader across comics, TV, animation, movies, videogames and beyond. —Superstar Contributors. Read interviews and insights from those who have shaped The Dark Knight’s legend, including Christopher Nolan, Mark Hamill, Tim Burton, Grant Morrison, Julie Newmar, Joel Schumacher, Scott Snyder, Frank Miller and more. —Exclusive Introductions and Foreword. Read an exclusive introduction and foreword from two of Batman’s most beloved actors, Kevin Conroy and Michael Keaton. —Never Before Seen Content. Taken directly from the archives of DC and Warner Bros., enjoy exclusive, unseen treasures from the 80-year history of Batman. —Critically Acclaimed. Comics? Check. Television? Check. Films and videogames? Double-check, chums. Over more than 400 pages, the book will have interviews, never-before-seen photographs from feature films, animation cels, and sketches, along with a 40-page film treatment from Batman co-creator Bob Kane. - Batman-News.com |
| dark knight rises review ebert: Focus On: 100 Most Popular 1990s Action Films Wikipedia contributors, |
| dark knight rises review ebert: Batman & Me Bob Kane, Tom Andrae, 1989 |
| dark knight rises review ebert: Are You Watching Closely? Seth Friedman, 2017-08-16 Identifies a new genremisdirection filmsand explains its appeal to contemporary producers and audiences. Are You Watching Closely? is the first book to explore the recent spate of misdirection films, a previously unidentified Hollywood genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences. The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what actually occurred and who was really responsible for events at a time when it is also becoming increasingly recognized that truth is relative. Are You Watching Closely? shows how Hollywoods effective strategies for these changing circumstances put it at the forefront of a storytelling trend that has increasingly become important across media. Through close analyses of how misdirection films have been designed, marketed, and received in relation to their contexts, Friedman demonstrates the ways in which they epitomize a kind of narrative experimentation that has become a crucial facet of twenty-first-century audiovisual storytelling. |
| dark knight rises review ebert: The Science of Interstellar Kip Thorne, 2014-11-07 A journey through the otherworldly science behind Christopher Nolan’s award-winning film, Interstellar, from executive producer and Nobel Prize-winning physicist Kip Thorne. Interstellar, from acclaimed filmmaker Christopher Nolan, takes us on a fantastic voyage far beyond our solar system. Yet in The Science of Interstellar, Kip Thorne, the Nobel prize-winning physicist who assisted Nolan on the scientific aspects of Interstellar, shows us that the movie’s jaw-dropping events and stunning, never-before-attempted visuals are grounded in real science. Thorne shares his experiences working as the science adviser on the film and then moves on to the science itself. In chapters on wormholes, black holes, interstellar travel, and much more, Thorne’s scientific insights—many of them triggered during the actual scripting and shooting of Interstellar—describe the physical laws that govern our universe and the truly astounding phenomena that those laws make possible. Interstellar and all related characters and elements are trademarks of and © Warner Bros. Entertainment Inc. (s14). |
| dark knight rises review ebert: Soul of the Dark Knight Alex M. Wainer, 2014-06-19 This is a book about the comics genre and language, how these were used to create Batman, and how that character's longevity is largely due to the medium's unique formal qualities. It argues that Batman's core appeal is his mythic nature which allows him to transcend changes in reader tastes, the vicissitudes of the comics industry, and the changing media landscape. While including some historical elements, it is mostly a study of how the formal aspects of comics are able to evoke uniquely mythic qualities that have made Batman such a long-lived cultural phenomenon and how efforts to adapt these qualities into other media, particularly live-action feature films, have succeeded or failed based on the strategies employed. The book sheds light both on comics as a medium and art form with its own language, syntax and codes and on the process of adaptation--a growing area of study, given Hollywood's continuing interest in working with comic book superheroes. |
| dark knight rises review ebert: 'War on Terror' and American Film Terence McSweeney, 2014-11-11 This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - this book explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond. |
| dark knight rises review ebert: Capitalist Superheroes Dan Hassler-Forest, 2012 The blockbuster superhero movie: popular entertainment or capitalist propaganda? This book investigates the 21st-century superhero's underlying political agenda. |
| dark knight rises review ebert: Films of Endearment Michael Koresky, 2021-05-04 An Esquire Best Book About Hollywood A USA TODAY Best Book of 2021 “A lovely and loving book.”—Will Schwalbe, New York Times bestselling author of The End of Your Life Book Club I'm not sure I have ever read a book about movies that is as tender and open-hearted as Films of Endearment.—Mark Harris, New York Times bestselling author of Mike Nichols: A Life A poignant memoir of family, grief and resilience about a young man, his dynamic mother and the '80s movies they shared together Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads. Together, films as divergent as 9 to 5, Terms of Endearment, The Color Purple and Aliens form the story of an era that Koresky argues should rightly be called The Decade of the Actress. Films of Endearment is a reappraisal of the most important and popular female-driven films of that time, a profound meditation on loss and resilience, and a celebration of the special bond between mothers and their sons. |
| dark knight rises review ebert: Let S Go to the Movies Iris Barry, 2018-11-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| dark knight rises review ebert: Panel to the Screen Drew Morton, 2016-11-28 Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a low art form suited for children translating into “high” art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception. |
| dark knight rises review ebert: Roger Ebert's Book of Film Roger Ebert, 1997 The Pulitzer Prize-winning film critic assembles and introduces more than one hundred essays and articles about film, with entries by and about movie stars, famous directors, industry executives, and critics. Tour. |
| dark knight rises review ebert: Batman Frank Miller, Klaus Janson, Bob Kane, 2002 For use in schools and libraries only. After ten years away from the public eye, a wave of violence in Gotham City brings Batman back as a vigilante. |
| dark knight rises review ebert: Batman John Shirley, 2006 The Dark Knight takes on his ultimate enemy, a psychotic mastermind called White Eyes, who plans to use a host of deadly new weapons, along with his allies, Gotham's racist Bavarian Brotherhood, to pursue his goal of the white supremacist takeover of America. |
| dark knight rises review ebert: Gothic Science Fiction S. MacArthur, 2015-05-25 Gothic Science Fiction explores the fascinating world of gothic influenced science fiction. From Frankenstein to Doctor Who and from H. G Wells to Stephen King, the book charts the rise of a genre and follows the descent into darkness that consumes it. |
| dark knight rises review ebert: Wilbur Schramm and Noam Chomsky Meet Harold Innis Robert E. Babe, 2015-04-21 Wilbur Schramm and Noam Chomsky Meet Harold Innis is an original, critical, in-depth analysis of the media and communication thought of Canada’s most highly acclaimed scholar, Harold Adams Innis. Even in Canada, however, Innis’s writings until now have been only partially cited and interpreted: Innis is usually stereotyped as being merely an economic historian fixated on previous civilizations, whereas in fact he was an astute analyst whose main concerns were with present problems and future trajectories. In the United States, meanwhile, Innis’s media and communication writings have been quite neglected and even denigrated. Drawing on Innis’s less frequently cited work, including his long neglected Political Economy in the Modern State, Robert Babe opens up Innis’s media scholarship as a whole, unfolding it in startling critical, yet ultimately appreciative ways. By comparing Innis’s media scholarship with Wilbur Schramm's and Noam Chomsky's, moreover, Babe tests the claims, positions, and modes of analysis not only of Innis, but also of the other two celebrated scholars as well, casting new light on their works and allowing the reader to imagine what sort of discourses might have been possible had the three been in conversation together. Wilbur Schramm and Noam Chomsky Meet Harold Innis provides comparative insight into foundational media scholarship in the United States and Canada, and explores in some detail the relevance of Innis for twenty-first century digitized society. |
| dark knight rises review ebert: Your Movie Sucks Roger Ebert, 2007-03-01 A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel. |
| dark knight rises review ebert: Underexposed! Josh Hull, PosterSpy, 2021-05-25 The untold stories behind the 50 greatest movies never made, illustrated by 50 new and original posters Foreword by Fred Dekker For most films, it’s a long, strange road from concept to screen, and sometimes those roads lead to dead ends. In Underexposed! The 50 Greatest Movies Never Made, screenwriter and filmmaker Joshua Hull guides readers through development hell. With humor and reverence, Hull details the speed bumps and roadblocks that kept these films from ever reaching the silver screen. From the misguided and rejected, like Stanley Kubrick’s Lord of the Rings starring the Beatles; to films that changed hands and pulled a U-turn in development, like Steven Spielberg’s planned Oldboy adaptation starring Will Smith; to would-be masterpieces that might still see the light of day, like Guillermo del Toro’s In the Mountains of Madness, Hull discusses plotlines, rumored casting, and more. To help bring these lost projects to life, 50 artists from around the world, in association with the online art collective PosterSpy, have contributed original posters that accompany each essay and give a glimpse of what might have been. |
| dark knight rises review ebert: The Dark Knight Craig Byrne, Bob Kane, 2008 The Art of the Dark Knight is the ultimate chronicle of, and tribute to, the production of the action movie The Dark Knight, set to release in July 2008. |
| dark knight rises review ebert: The Wobbit The Harvard Lampoon, 2013-11-26 From the authors of the New York Times bestselling parody The Hunger Pains, this fresh take on J.R.R. Tolkien’s The Hobbit is a hilarious send-up of Middle-earth, publishing just in time for the major motion picture release of The Hobbit: The Desolation of Smaug. The sequel to the parody of the sequel to the prequel to The Lord of the Rings When Aaron Sorkinshield and his band of Little People embark on a totally feasible quest to reclaim the hoard of Academy Awards stolen from them by the lonely Puff the Magic Dragon, senile wizard Dumbledalf suggests an unlikely and completely unqualified accomplice: Billy Bagboy, an unassuming wobbit dwelling in terrorist-riddled Wobbottabad. Along the way, the company faces Internet trolls, moblins, one really big spider that must be at least an inch and a half wide, and worse. But as they journey from the wonders of Livinwell to the terrors of Jerkwood and beyond, Billy will find that there is more to him than anyone—Tolkien included—ever dreamed. Propelled to his destiny by a series of courageous adventures and indented paragraphs, Billy will set out on the greatest YOLO of all time . . . one that leads deep into the dark caverns hiding a mysterious man named Goldstein, who’s just trying to have a nice seder. |
| dark knight rises review ebert: I Hated, Hated, Hated This Movie Roger Ebert, 2013-07-30 The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss. |
| dark knight rises review ebert: The Art and Making of the Dark Knight Trilogy Jody Duncan Jesser, Janine Pourroy, 2012-11-01 Behind the scenes—and the mask—of the great Batman film trilogy, including stunning illustrations. In 2005, director Christopher Nolan reimagined and forever redefined the Batman legend when he began his epic trilogy of films—Batman Begins, The Dark Knight, and The Dark Knight Rises—starring Christian Bale as the Caped Crusader in a fresh, dynamic reboot of the franchise. All three films would go on to blockbuster success and critical acclaim—including an Academy Award for Best Supporting Actor for Heath Ledger’s unforgettable performance as Batman’s eternal nemesis, the Joker. The Art and Making of the Dark Knight Trilogy tells the complete story of these three monumental films. Based on in-depth interviews with Nolan and all of the films’ key cast and crew—including cowriters David S. Goyer and Jonathan Nolan, cinematographer Wally Pfister, and more—the book reveals the creative process behind the epic Dark Knight Trilogy, supported by lavish art and on and off-set photos. This is a fascinating glimpse into the minds that gave new life to one of the most beloved and renowned superheroes in history. |
Dark (TV series) - Wikipedia
Dark is a German science fiction thriller television series created by Baran bo Odar and Jantje Friese. [5] [6] [7] It ran for three seasons from 2017 to 2020. The story follows dysfunctional …
Dark (TV Series 2017–2020) - IMDb
Dark: Created by Baran bo Odar, Jantje Friese. With Louis Hofmann, Karoline Eichhorn, Lisa Vicari, Maja Schöne. A family saga with a supernatural twist, set in a German town where the …
Dark timeline explained - Chronological order of the entire series
2 days ago · The Dark timeline begins in the Origin World, which is a universe separate from the two that the show spends most of its time exploring.In this world, H.G. Tannhaus, a …
Watch Dark | Netflix Official Site
Starring: Louis Hofmann, Oliver Masucci, Jördis Triebel. Creators: Baran bo Odar, Jantje Friese. 1. Secrets. In 2019, a local boy's disappearance stokes fear in the residents of Winden, a …
Dark | Dark Wiki | Fandom
Dark is a German science fiction thriller family drama series created by Baran bo Odar and Jantje Friese. Set in the fictional small town of Winden, it revolves around four interconnected …
Dark | Rotten Tomatoes
When two children go missing in a small German town, its sinful past is exposed along with the double lives and fractured relationships that exist among...
Series "Dark" Explained: Characters, Timelines, Ending, Meaning
Jan 5, 2023 · “Dark” is a German science fiction series that premiered on Netflix in 2017. The show quickly gained a following for its complex and intricate plot, which involves time travel, …
Dark - watch tv show streaming online - JustWatch
2 days ago · Find out how and where to watch "Dark" online on Netflix, Prime Video, and Disney+ today – including 4K and free options.
DARK | The Official Guide | NETFLIX
Discover how everything is the same, but different.
Dark (2017 - 2020) - TV Show | Moviefone
Visit the TV show page for 'Dark' on Moviefone. Discover the show's synopsis, cast details, and season information. Watch trailers, exclusive interviews, and episode reviews.
Dark (TV series) - Wikipedia
Dark is a German science fiction thriller television series created by Baran bo Odar and Jantje Friese. [5] [6] [7] It ran for three seasons from 2017 to 2020. The story follows dysfunctional …
Dark (TV Series 2017–2020) - IMDb
Dark: Created by Baran bo Odar, Jantje Friese. With Louis Hofmann, Karoline Eichhorn, Lisa Vicari, Maja Schöne. A family saga with a supernatural twist, set in a German town where the …
Dark timeline explained - Chronological order of the entire series
2 days ago · The Dark timeline begins in the Origin World, which is a universe separate from the two that the show spends most of its time exploring.In this world, H.G. Tannhaus, a clockmaker, loses …
Watch Dark | Netflix Official Site
Starring: Louis Hofmann, Oliver Masucci, Jördis Triebel. Creators: Baran bo Odar, Jantje Friese. 1. Secrets. In 2019, a local boy's disappearance stokes fear in the residents of Winden, a small …
Dark | Dark Wiki | Fandom
Dark is a German science fiction thriller family drama series created by Baran bo Odar and Jantje Friese. Set in the fictional small town of Winden, it revolves around four interconnected families …
Dark | Rotten Tomatoes
When two children go missing in a small German town, its sinful past is exposed along with the double lives and fractured relationships that exist among...
Series "Dark" Explained: Characters, Timelines, Ending, Meaning
Jan 5, 2023 · “Dark” is a German science fiction series that premiered on Netflix in 2017. The show quickly gained a following for its complex and intricate plot, which involves time travel, multiple …
Dark - watch tv show streaming online - JustWatch
2 days ago · Find out how and where to watch "Dark" online on Netflix, Prime Video, and Disney+ today – including 4K and free options.
DARK | The Official Guide | NETFLIX
Discover how everything is the same, but different.
Dark (2017 - 2020) - TV Show | Moviefone
Visit the TV show page for 'Dark' on Moviefone. Discover the show's synopsis, cast details, and season information. Watch trailers, exclusive interviews, and episode reviews.
