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| dances of ecstasy: Dances of Ecstasy , 2015 Dances of Ecstacy is a sensory journey into the mesmerizing world of trance and ecstasy that binds dancers from Manhattan to Morocco. Filmmakers Michelle Mahrer and Nicole Ma travelled to traditional and modern day rituals to discover what is the altered state experience which people seek through dance. Dances of Ecstacy is a visual and aural feast for the senses, an innovative documentary blending exciting dance rituals, evocative imagery, interviews and a spellbinding global music soundtrack. The film is an inspiration to dance, and to reconnect with a sense of the sacred that many have lost touch with in modern life. Accolades Dances of Ecstasy is enthralling in its evocation of a mental and physical release that most of us long for - The Age, Australia A mesmerizing and uplifting experience - Carol Middleton, State of the Arts The calming and visually beautiful Dances of Ecstasy offers a mesmerizing journey - Film Forward USA Rich imagery, gorgeous music ... make for an unparalleled sensory experience. - Citybeat Los Angeles The film provides a rare insider look into seldom seen rituals. It makes for a compelling ride that replicates the flow and force of the experiences it documents. - LA Weekly. |
| dances of ecstasy: Ecstasy and the Demon Susan Manning, 2006 Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an innovator of dance modernism, she never acknowledged her complex relationship with National Socialism. In Ecstasy and the Demon, Susan Manning advances a sociological explanation for the collaboration between German modern dancers and National Socialism. She models methods for dance studies that contextualize choreography in relation to changing sociopolitical conditions, bringing dance scholarship into conversation with intellectual trends across the humanities. The introduction to this second edition brings Manning’s groundbreaking work to bear on dance studies today and reconsiders Wigman’s career from the perspective of queer theory and globalization, further illuminating the interplay of dance and politics in the twentieth century. Susan Manning is professor of English, theater, and performance studies at Northwestern University. |
| dances of ecstasy: The Dead Camel and Others Stories of Love Parvati Sharma, 2012-06-25 In which an uncast ballot precipitates social embarrassment and recalls a past love, a young housewife finds her kitchen plagued by unabashed canoodling in the flat next door, an aspiring novelist tries to forget near-manslaughter, a schoolgirl discovers the travails of depilation, and, in a locked room, two medieval noblewomen recount the amorous avowals of a young soldier. There’s also the small matter of a dead camel lying unattended on the streets of Delhi. These twelve stories explore the unsaid, the unfinished and the misunderstood, the shocks and nuances of love and sexuality, responsibility and ambition, and our tentative attempts to peel away the layers of stories that make up our lives. “Beautifully precise writing. These stories capture people with such exactitude that you know they must come from a serious student of life. But this is one of those serious books at which you never stop laughing, for Parvati Sharma’s sense of the world is lively, generous and wickedly original.” — Rana Dasgupta, author of Solo Published by Zubaan. |
| dances of ecstasy: Clubbing Ben Malbon, 2002-03-11 Clubbing explores the cultures and spaces of clubbing. Divided into three sections: Beginnings, The Night Out and Reflections, Clubbing includes first-hand accounts of clubbing experiences, framing these accounts within the relevant research and a review of clubbing in late-1990s Britain. Malbon particularly focuses on: the codes of social interaction among clubbers issues of gender and sexuality the effects of music the role of ecstasy clubbing as a playful act and personal interpretations of clubbing experiences. |
| dances of ecstasy: The Ecstasy of Being Joseph Campbell, 2017 A wide-ranging exploration of art, dance, and myth that honors the work of Campbell's wife, Jean Erdman |
| dances of ecstasy: Victor Turner and Contemporary Cultural Performance Graham St. John, 2008 In the twenty years following Victor Turner's death, interventions on the interconnected performance modes of play, drama, and community (dimensions of which Turner deemed the limen), and experimental and analytical forays into the anthropologies of experience and consciousness, have complemented and extended Turnerian readings on the moments and sites of culture's becoming. Examining Turner's continued relevance in performance and popular culture, pilgrimage and communitas, as well as Edith Turner's role, the contributors reflect on the wide application of Victor Turner's thought to cultural performance in the early twenty-first century and explore how Turner's ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance. |
| dances of ecstasy: Anthropological Abstracts Ulrich Oberdiek, 2004 |
| dances of ecstasy: Modern Dance, Negro Dance Susan Manning, 2004 Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance. |
| dances of ecstasy: Human Sexuality Vern L. Bullough, Bonnie Bullough, 2014-01-14 First Published in 1994. The purpose of an encyclopedia is to gather in one place information that otherwise would be difficult to find. Bring together a collection of articles that are authoritative and reflect a variety of viewpoints. The contributors come from a wide range of disciplines— from nursing to medicine, from biology to history— and include sociologists, psychologists, anthropologists, political scientists, literary specialists, academics and non-academics, clinicians and teachers, researchers and generalists. |
| dances of ecstasy: Empire of Ecstasy Karl Eric Toepfer, 1997 A massive achievement. . . . Toepfer respects the body, wants to understand movement as the primary medium of ideas, and gives women the central role they actually played in this aesthetic and intellectual discourse.Marcia B. Siegel, author of The Shapes of Change |
| dances of ecstasy: Kaiso! Katherine Dunham, 2005 This volume is a collection of writings by and about Katherine Dunham, the African American dancer, anthropologist and social activist. It includes articles, her essays on dance and anthropology and chapters from her volume of memoirs, 'Minefields'. |
| dances of ecstasy: Naked Lives Mindy S. Bradley-Engen, 2012-07-26 Is stripping good or bad for the women who do it? According to sociologist Mindy S. Bradley-Engen, there's no simple answer. An exotic dancer's experiences can be both empowering and degrading: at times a dancer can feel like a goddess, at times ashamed and dirty. Drawing on extensive interviews as well as her own experiences as an exotic dancer, Bradley-Engen shows that strippers' work experiences are shaped by the types of establishments—the different worlds—in which they work. A typology of strip clubs emerges: the hustle club, the show club, and the social club, each with its own distinct culture, expectations, and challenges, each creating circumstances in which stripping can be good, bad, or indifferent. Going beyond the warring rhetorics of exploitation and empowerment, this book provides a rich and complex account of the realities of exotic dance and offers a fascinating, thought-provoking consideration for both academics and general readers. |
| dances of ecstasy: Modern dancing and dancers J. E. Crawford Flitch, 2024-10-10 The author examines the stylistic and technical innovations that distinguish modern dance from traditional dance forms. He describes how contemporary dancers seek to express emotions and ideas through movements that are freer and less codified than those of classical ballet. Flitch also discusses the impact of modern dance on popular culture, and its role in reflecting the social and artistic changes of the time. In addition to his writings on dance, Flitch has taken an interest in a variety of other artistic fields, always with an analytical eye and an elegant pen. His contributions continue to be recognized and respected, and his writings remain a valuable resource for those seeking to understand the evolution of dance and the arts in the early twentieth century. In sum, J. E. Crawford Flitch has left a lasting legacy of insightful analysis and inspiring writing, which continues to enlighten readers and scholars alike about the evolution and nuances of modern dance. |
| dances of ecstasy: Realist Ecstasy Lindsay V. Reckson, 2020-01-28 Honorable Mention, Barnard Hewitt Award from the American Society for Theater Research Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America. |
| dances of ecstasy: "Attached Files" Imre Lázár, 2015-06-18 Attached Files is a selection of lectures and papers written by Imre Lázár, a medical anthropologist with twenty-five years of experience, situated at the crossroads and frontiers of several disciplines, including anthropology, health sciences, religious studies, human ecology, and environmental ethics. The shared focus, connecting these borderlands into a common semantic network, is the problem of the synergic logic of human bonds and attachment embodied by somatic, social, institutional a... |
| dances of ecstasy: Social Dance Arthur Franks, 2021-12-20 Originally published in 1963 and authored by the then Editor of the Dancing Times, this was a pioneer work discussing not only the origins and development of many social dance forms from early times, but also relating these forms to their environment. As well as its role in social history, the book analyses the role of dance as a prime creative power in Renaissance spectacles which depicted and celebrated diplomatic, military and regal occasions. After a wide-ranging introductory chapter on the origins of dancing, the book takes the reader through the centuries, discussing in turn the Basse Danse and the Moresco of the Middle Ages, the Pavane, Galliard and Courante of the 16th Century, the Minuet of the 17th & 18th, the Allemande, the Waltz and the Polka as well as Jazz, the Cha Cha Cha, the Jive and Twist. |
| dances of ecstasy: Dancing Women Sally Banes, 2013-11-05 Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities. |
| dances of ecstasy: Primitive Expression and Dance Therapy France Schott-Billmann, 2014-12-05 This book provides a rigorous and comprehensive account of primitive expression in dance therapy, focusing on the use of rhythm and exploring the therapeutic potential inherent in the diverse traditions of popular dance, from tribal shamanic dance to styles such as rock, rap and hip-hop strongly present in our contemporary society. Drawing on the author’s vast experience in the field of dance therapy, the book examines biological, psychological and anthropological foundations of rhythm based therapies, considering their roots in biological rhythms such as the heartbeat and using such rhythms in therapy. Chapters include: • The link between animal and man: ethology • Shamanism • Gestural symmetry coupling with the other • Bilateralism as structuring dialogue • Rhythm dance therapy • New fields in the application of dance therapy. Clinical examples are provided throughout the book to comprehensively demonstrate how dance rhythm therapy can contribute to the use of the arts therapies. It offers a fresh perspective for researchers, psychotherapists and clinicians who want to use dance therapy techniques, as well as arts therapists and those who want to learn more about artistic and cultural dance. |
| dances of ecstasy: Kundalini for Beginners Harry Eilenstein, 2021-06-29 The Kundalini is a part of the life force circuit in the life force body of the human being. The chakras are the organs of this life force body. The life force itself is a concept or image that describes the transition between consciousness and the body. The unimpeded flow of the life force is therefore essential to both physical health and the happy state of the psyche. There are many different approaches to allow the Kundalini to flow freely again: meditations, rituals, therapies, etc. These different approaches have different effects and can support each other. In this book the main features of these methods are described, so that a rough orientation is possible and you can start to awaken your Kundalini yourself. Apart from self-healing, which enables the awakening of the Kundalini, there are also many other effects of the awakened Kundalini in the field of magic. The path does not end when self-healing has been achieved - life really begins when you have achieved this healing! |
| dances of ecstasy: Magic for Beginners I Harry Eilenstein, 2021-07-26 This Volume contains the books: - Telepathy for Beginners - Telepathy for Advanced Learners - Telekinesis for Beginners - Auto-Movement for Beginners - Astrology for Beginners - The Language of the Moon - for Beginners - Feng Shui for Beginners - Kundalini for Beginners |
| dances of ecstasy: Drug Abuse and Addiction in Medical Illness Joris C. Verster, Kathleen Brady, Marc Galanter, Patricia Conrod, 2012-07-06 Drug abuse and addiction are common in clinical practice. Often they interfere with patient treatment or require an alternative approach. Drug Abuse and Addiction in Medical Illness: Causes, Consequences, and Treatment is a major contribution to the literature, a gold standard title offering a comprehensive range of topics for those who care for patients with addiction, conduct research in this area, or simply have an interest in the field. Offering state-of-the-art information for all those working with drug abusing or addicted patients, or for those interested in this topic from other research perspectives, the volume is a first of its kind book -- rich, comprehensive, yet focused, addressing the needs of the very active theoretical, basic, and clinical research in the field. Comprised of 46 chapters organized in four sections and developed by the leading international experts, Drug Abuse and Addiction in Medical Illness: Causes, Consequences, and Treatment covers virtually every core, as well as contemporary, topic on addiction, from the established theories to the most modern research and development in the field. Enhancing the educational value of the volume, every chapter includes an abstract and two boxes summarizing learning objectives and directions for future research. Drug Abuse and Addiction in Medical Illness: Causes, Consequences, and Treatment discusses the topic in a authoritative, systematic manner and is an indispensable reference for all clinicians and researchers interested in this rapidly changing field. |
| dances of ecstasy: Top 15 Bizarre Rituals and Traditions Jade Summers, 2024-07-05 🌍 Discover the Unseen: Top 15 Bizarre Rituals and Traditions 🌍 Dive deep into the mesmerizing world of unique cultural practices with Top 15 Bizarre Rituals and Traditions: A Deep Dive into Unique Cultural Practices. From the mystical mountains of Tibet to the vibrant streets of Spain, this book unveils the most intriguing and astonishing rituals that shape societies and define identities. 🔎 Highlights: 📜 Historical Context: Understand the origins and evolution of each tradition. 🌐 Global Insights: Explore rituals from remote villages to bustling urban centers. 🎭 Cultural Significance: Learn how these practices influence modern life and communal bonds. 😲 Shocking Details: Discover the unexpected and often startling aspects of these traditions. ✈️ Travel Guide: Get tips on how to witness these rituals firsthand. Embark on this captivating journey and gain a newfound appreciation for the rich tapestry of human traditions that knit our global community together. 🌟 |
| dances of ecstasy: Decentring Dancing Texts J. Lansdale, 2008-07-24 Eleven authors analyse recent dance practices in the theatre, in club culture and on film, addressing dance in interdisciplinary relationship with music, painting and play texts. This text attempts to fill a gap with an up-to-date account of exciting and challenging new work, illuminated by fascinating new theoretical frameworks. |
| dances of ecstasy: Europe Dancing Andrée Grau, Stephanie Jordan, 2000 Europe Dancing examines the theatre dance cultures that have developed in Europe since the Second World War. Nine countries are represented in this unique collaboration between European dance scholars. The contributors chart the post-war development of the art form and discuss the outside influences that have shaped it. The book explores: questions of identity within individual European countries, and in relation to the USA, the East/West cultural division, the development of state subsidy for dance, the rise of contemporary dance as an 'alternative' genre, the implications for dance of political, economic and social change. At-a-glance historical charts trace significant dance, arts and political events in each country. Never before has this information been gathered together in one place. Europe Dancing is essential reading for everyone interested in dance and in its growth and development in recent years. |
| dances of ecstasy: Unworking Choreography Frédéric Pouillaude, 2017-03-14 There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form. The central consequence of this is the incapacity of philosophy and aesthetics to think of dance as a positive and empirical art. In the eyes of philosophers, dance refers to a space other than art, considered both more frivolous and more fundamental than the artwork without ever quite attaining the status of a work. Unworking Choreography develops this idea and postulates an unworking as evidenced by a conspicuous absence of references to actual choreographic works within philosophical accounts of dance; the late development and partial dominance of the notion of the work in dance in contrast to other art forms such as painting, music, and theatre; the difficulties in identifying dance works given a lack of scores and an apparent resistance within the art form to the possibility of notation; and the questioning of ends of dance in contemporary practice and the relativisation of the very idea that dance artistic or choreographic processes aim at work production. |
| dances of ecstasy: Dance Discourses Susanne Franco, Marina Nordera, 2016-04-29 Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts: politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes identity is concerned with modern dance. Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities. |
| dances of ecstasy: The Bloomsbury Companion to Dance Studies Sherril Dodds, 2019-03-21 The Bloomsbury Companion to Dance Studies brings together leading international dance scholars in this single collection to provide a vivid picture of the state of contemporary dance research. The book commences with an introduction that privileges dancing as both a site of knowledge formation and a methodological approach, followed by a provocative overview of the methods and problems that dance studies currently faces as an established disciplinary field. The volume contains eleven core chapters that each map out a specific area of inquiry: Dance Pedagogy, Practice-As-Research, Dance and Politics, Dance and Identity, Dance Science, Screendance, Dance Ethnography, Popular Dance, Dance History, Dance and Philosophy, and Digital Dance. Although these sub-disciplinary domains do not fully capture the dynamic ways in which dance scholars work across multiple positions and perspectives, they reflect the major interests and innovations around which dance studies has organized its teaching and research. Therefore each author speaks to the labels, methods, issues and histories of each given category, while also exemplifying this scholarship in action. The dances under investigation range from experimental conceptual concert dance through to underground street dance practices, and the geographic reach encompasses dance-making from Europe, North and South America, the Caribbean and Asia. The book ends with a chapter that looks ahead to new directions in dance scholarship, in addition to an annotated bibliography and list of key concepts. The volume is an essential guide for students and scholars interested in the creative and critical approaches that dance studies can offer. |
| dances of ecstasy: History of Dance Gayle Kassing, 2007 History of Dance: An Interactive Arts Approachprovides an in-depth look at dance from the dawn of time through the 20th century. Using an investigative approach, this book presents the who, what, when, where, why, and how of dance history in relation to other arts and to historical, political, and social events. In so doing, this text provides a number of ways to create, perceive, and respond to the history of dance through integrated arts and technology. This study of dancers, dances, and dance works within an interactive arts, culture, and technology environment is supported by the National Standards in dance, arts education, social studies, and technology education. History of Dance: An Interactive Arts Approachhas four parts. Part Iexplains the tools used to capture dance from the past. Part IIbegins a chronological study of dance, beginning with its origins and moving through ancient civilizations and the Middle Ages through the Renaissance. Part IIIcovers dance from the 17th to the 20th century, including dance at court, dance from court to theater, romantic to classical ballet, and dance in the United States. Part IVfocuses on 20th-century American dance, highlighting influences on American ballet and modern dance as it emerged, matured, and evolved during that century. History of Dance: An Interactive Arts Approachincludes the following features: -Chapter outlines that present topics covered in each chapter -Opening scenarios to set the scene and introduce each time period -Explorations of dancers, choreographers, and other personalities -Explorations of the dances and significant choreography and dance literature of each time period -History Highlight boxes containing unusual facts, events, and details to bring history to life -History Trivia, providing insights into how dance relates to the history, art, and society of the time period -Web sites to encourage further exploration -Developing a Deeper Perspective sections that encourage students to use visual or aesthetic scanning, learn and perform period dances, observe and write performance reports, develop research projects and WebQuests (Internet-based research projects), and participate in other learning activities -Vocabulary terms at the end of each chapter Each chapter in parts II through IV provides an overview of the time period, including a time capsule and a historical and societal overview. Each chapter focuses on major dancers, choreographers, and personalities; dances of the period, including dance forms, dance designs, accompaniment, costuming, and performing spaces; and significant dance works and dance literature. The chapters also feature a series of eight experiential learning activities that help students dig deeper into the history of dance, dancers, and significant dance works and literature. These activities are presented as reproducible templates that include perceiving, creating, performing, writing, and presenting oral activities infused with technology. Teachers can use these activities as optional chapter assignments or as extended projects to help apply the information and to use technology and other integrated arts sources to make the history of dance more meaningful. History of Danceis an indispensable text for dance students who want to learn the history of dance and its relationship to other arts of the times using today's interactive technology. |
| dances of ecstasy: Personal Transformation and a New Creation Delio, Ilia , 2016-08-18 Top scholars examine the theories of Pierre Teilhard de Chardin through the lens of Beatrice Bruteau's pioneering work on evolution and consciousness. Contributors include Cynthia Bourgeault, Ursula King, Barbara Fiand, Kerrie Hide, Gabrielle Stoner, Kathleen Duffy, John Shea, Carla De Sola, and Joshua Tysinger. |
| dances of ecstasy: The Dancer's World, 1920 - 1945 M. Huxley, 2015-05-12 The Dancer's World 1920-1945 focuses on modern dancers as they saw themselves. Five chapters describe a narrative arc that encompasses Europe and the USA with a focus between 1920 and 1945. A final chapter considers contemporary relevance for dancers, dance artists, choreographers, dance students and scholars alike. |
| dances of ecstasy: Ontohackers: Radical Movement Philosophy in the Age of Extinctions and Algorithms, Part II Jaym*/Jaime del Val, 2025-05-27 Ontohackers redefines what movement, worlds, and bodies are through the sense of proprioception reconceptualized as formless fluctuation field, a movement matrix that is itself also thought, and which underlies all life forms and fields, including the inorganic. Our worlds are made of endless such entangled fields n-folding in neverending variation or enferance. The current planetary crisis has emerged due to an accidental evolutionary alignment, narrowing, and impoverishment of that matrix’s indeterminacy, that appeared gradually and eventually with bipedalism, and which created an imbalance between the larger proprioceptive field and its brain, and made the atrophied body extend itself technically in geometric fields gradually covering the planet, along with its fears, with disastrous consequences that are unleashing an unprecedented type of mass extinction and species suicide. The reply to this crisis – which is urgently due if we are to reduce even slightly the collapse coming up over the next decades – is in recovering a lost sensorimotor plasticity which is also cognitive, affective, and relational plasticity, through developing movement technes for cultivating Body Intelligence (BI), reversing and taking elsewhere the failed evolution culminating in AI, stepping down from humanist supremacist pedestals, undoing our dependency upon unsustainable killing machines of sedentary consumerism that impoverish experience, stopping the reproduction of a species that has become plague (by reversing heteronormative reproductive dogmas till we reach preagricultural population levels), and recovering the joys of moving with the world, in symbiotic mutation, towards unprecedented evolutionary variations: this is our cosmic responsibility for all life on Earth. The book’s structure expresses Enferance Theory with regard to how processes of becoming have a triple movement: an incipiency unfolding the field (Part I), a condensation-expansion where the field acquires full consistency (Part II), and a resonance or memory of the field relating to other fields (Part III). Part II, subtitled R/evolution Technologies, includes Books 4, 5, and 6 and is by far the longest volume, elaborating in depth the book’s proposals in a triple movement. It first exposes the technologies of variation in nature (Book 4), followed by the technologies of reduction in the Algoricene (Book 5), and finally the possibilities for overcoming the reductive fold (Book 6). Book 4 proposes a swarming chaosmology as theory of orgiastic evolution, culminating in the concept of metabiosis: life as indeterminate, symbiotic mutation. Book 5 diagnoses the regimes that have formatted movement and presents the theory of the Algoricene, or Age of Extinctions and Algorithms. It exposes a kinetic ontology, genealogy, and dynamics of power. An interlude discusses post-, trans-, and metahumanism, and a second part of the book unfolds a radical critique of the Planetary Holocaust. Book 6 unfolds metaformance aesthetics and metahuman politics, including the theory of metaformativity, the ontohacking pragmatics, and a choral Dionysian ontology, where the author also discusses at length hir own techniques and art projects, involving a radical challenge to human supremacism to face the extinction challenge now threatening all life on Earth, toward an Earth liberation and regeneration. |
| dances of ecstasy: A History of Dancing from the Earliest Ages to Our Own Times Gaston Vuillier, Joseph Grego, 1898 |
| dances of ecstasy: The Future of (High) Culture in America Daniel Asia, 2015-09-04 This book brings together the proceedings of the inaugural conference of the University of Arizona Center for American Culture and Ideas (CACI), an institution dedicated to studying and promoting the arts, particularly investigating the relationship between the high arts and culture in America. The conference was titled “The Future of (High) Culture in America,” and was held in March 2014. Presenters and respondents included practicing artists, critics, educators and academics, curators, and art purveyors, all at the top of their game. Papers were presented, followed by comments from a panel of respondents and an audience question and answer period. The conference title can be read as both a statement and a question: Is there high culture in America, and if so, is it in jeopardy? This suggests an opportunity to consider what “culture” or “high culture” means. This book explores a range of subjects, including music, dance, the visual arts (particularly photography), and more general philosophical and psychological matters. As such, it offers a fascinating and provocative kaleidoscope of the position of arts and culture in America. |
| dances of ecstasy: The Pianist's Dictionary Maurice Hinson, Wesley Roberts, 2020-03-03 From A to Z to middle C: An “essential reference” for piano students, teachers, players, and music lovers, with hundreds of definitions (E.L. Lancaster, Alfred Music). The Pianist’s Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors’ succinct entries make The Pianist’s Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument. “This new edition is a go-to source for piano scholars and students for quick information on musical terms, pianists, major works in the piano repertoire, piano manufacturers, and more . . . comprehensive, easy to use.” —Jane Magrath, University of Oklahoma |
| dances of ecstasy: Dancing in the Streets Barbara Ehrenreich, 2007-12-26 From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and savage, Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a danced religion. Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent carnivalization of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead.—Terry Eagleton, The Nation |
| dances of ecstasy: The Naked Neuron Rhawn Joseph, 2013-12-01 In the beginning there was not only life but the ability to communicate and eventually to cooperate among the most basic, primeval creatures. In The Naked Neuron Dr. Joseph - an internationally respected neuroscientist and author of the highly praised The Right Brain and the Unconscious: Discovering the Stranger Within - takes us on an intriguing journey through time as he traces the evolution of communication and language from the most primitive single-celled animals to our earliest ancestors to humans today. As he so clearly demonstrates, we are linked to all levels of animals in a common bond of sensing, feeling, and communication. Be it singing wolves, dancing bees, or writhing rock and roll dancers, all communicate a treasure chest of meaning in the absence of the spoken word. Approximately 700 million years ago, a unique type of cell came into being - the neuron. This naked neuron, or nerve cell, lacked a protective fatty sheath. Still, it marked a monumental and world altering development, since it would become the building block of the brain. The naked neuron generated a revolutionary change resulting in a greater complexity and subtlety of thought. Dr. Joseph vividly depicts how neurons conferred on early humans advanced powers of mental and sensory acuity, including the gift of remembering one's past and contemplating the future. Although humans possess much of the same ancient brain tissue as our fellow primates, Dr. Joseph reveals to us the singular features of the human brain that have enabled humans uniquely to develop complex, spoken language. He holds us spellbound, revealing that although the new and old brain tissue are couched within the same brain, each often has difficulty understanding the impulses and language of the other. This ground-breaking book draws on Dr. Joseph's brilliant and original research and theories, fusing the latest discoveries made in neuroscience, sociobiology, and anthropology. He illuminates how the languages of the body and brain enhance intuitive understanding and spur a thirst for knowledge for its own sake. The human body and brain together are a veritable living museum which contains billions of cells with a long evolutionary history. As this unforgettable book shows, it is the communication of this panoply of cells - the residues of the past merged with the musings of the present - that gives rise to life, love, art, science, literature, and the ceaseless desire to search for and acquire knowledge |
| dances of ecstasy: The Theosophist , 1918 |
| dances of ecstasy: The Mythology of Dance Harry Eiss, 2013-09-18 The lights dim and soon the theatre becomes dark. The audience conversations end with a few softly dissipating whispers, and the movie begins. Nina Sayers, a young ballerina, dances the prologue to Tchaikovsky’s Swan Lake, a ballet expressing a story drawn from Russian folk tales about a princess who has been turned into a White Swan and can only be turned back if a man swears eternal fidelity to her. However, this is not that ballet. This is the beginning of Black Swan, a controversial movie employing symbolism in a complex interweaving of dance and film to reveal the struggles and paradoxes of everything from a female rite-of-passage to questions about where artistic expression should demand self-sacrifice and whether such sacrifice is worth the price. The dance floor is the stage of life, the place where physical actions take on the symbolic meanings of mythology and express the deepest archetypes of the human mind. This book explores how dance gives shape to those human needs and how it reflects, and even creates, the maps of meaning and value that structure our lives. Though the volume looks at all the forms of dance, it focuses on three main categories in particular: religious, social, and artistic. Since the American Musical and subsequent Musical Videos have both reflected and influenced our current world, they receive the most space—such acclaimed performers as Fred Astaire, Gene Kelly, Judy Garland, Ricky Nelson, Elvis Presley and Michael Jackson, such important composers and lyrists as Gershwin, Rodgers-and-Hammerstein, Porter, Berlin, Webber, Bernstein, the Beatles, and the Who, and such choreographers as Graham, Balanchine, Robbins and Fosse are examined in particular detail. |
| dances of ecstasy: Poetics of Dance Gabriele Brandstetter, 2015 The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Author Gabriele Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. |
List of dances - Wikipedia
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. …
Dance Styles - All Dances A through Z - Dancetime.com
Here we feature all different types of dance styles including partner social dancing, dancesport, competition dancing, solo or group dance: jazz, ballet, belly dance, classic dances, modern, …
50 Famous Dances Worldwide: A Celebration of Culture and …
Jan 26, 2024 · These 50 famous dances represent the diversity, athleticism, artistry, and cultural heritage that are ingrained in dance traditions around the world. From the intricate hand …
Fresh Entertainment, Hobbies, Sports and Humor
Fresh Entertainment, Hobbies, Sports and Humor
66 Different Dance Styles from A to Z - AlittleDelightful
From the vibrant footwork of Irish step dancing to the graceful hand gestures of Indonesian court dances, ethnic dances offer a window into the rich tapestry of human culture and experience.
20+ Types of Dance: Every Style, Easily Explained & Demoed
There are three dances that define the Argentine Tango, and those include “Tango de Salon” which is the primary style, “Milonga” which is danced to a more brisk and jovial rhythm, and …
Types of Dance – Dance Types, Categories and Styles
Popular worldwide in hundreds of unique variations and styles, folk dances (also known as traditional or ethnic dances) are usually performed at dance gatherings with the …
19 Traditional Dances from Around the World - Rarest.org
Jun 4, 2024 · From the energetic rhythms of Brazil’s Samba to the graceful movements of Hawaii’s Hula, these dances showcase the diversity and creativity of human culture.
Dance Styles & Trends, Events, Videos, Schools, Classes
Discover local latin dances and social events in your city at our most popular Salsa dancing calendars in USA: NYC Salsa, Los Angeles Salsa, Chicago Salsa, San Diego Salsa, Houston …
Dancing Your Way Through the Ages: A Guide to the Different Types of Dances
We've got the definitive guide to the most popular types of dances, including their origins, step-by-step instructions, and even music recommendations. Let's get your feet moving and explore all …
List of dances - Wikipedia
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances …
Dance Styles - All Dances A through Z - Dancetime.com
Here we feature all different types of dance styles including partner social dancing, dancesport, competition …
50 Famous Dances Worldwide: A Celebration of Culture and …
Jan 26, 2024 · These 50 famous dances represent the diversity, athleticism, artistry, and cultural heritage that …
Fresh Entertainment, Hobbies, Sports and Humor
Fresh Entertainment, Hobbies, Sports and Humor
66 Different Dance Styles from A to Z - AlittleDelightful
From the vibrant footwork of Irish step dancing to the graceful hand gestures of Indonesian court dances, ethnic …
