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| criticism of beloved: The Selfless Act of Breathing JJ Bola, 2023-02-21 Michael Kabongo is a British-Congolese teacher living in London on the cusp of two identities. On paper, he seems to have it all: He's beloved by his students, popular with his coworkers, and the pride and joy of a mother who emigrated from the Congo to the UK in search of a better life. But behind closed doors, he's been struggling with the overwhelming sense that he can't address the injustices he sees raging before him--from his relentless efforts to change the lives of his students for the better to his attempts to transcend the violence and brutality that marginalizes young Black men around the world. Then one day he suffers a devastating loss, and his life is thrown into a tailspin. As he struggles to find a way forward, memories of his fathers' violent death, the weight of refugeehood, and an increasing sense of dread threaten everything he's worked so hard to achieve. Longing to escape the shadows in his mind and start anew, Michael decides to spontaneously pack up and go to America, the mythical land of the free, where he imagines everything will be better, easier--a place where he can become someone new, someone without a past filled with pain. On this transformative journey, Michael travels everywhere from New York City to San Francisco, partying with new friends, sparking fleeting romances, and splurging on big adventures, with the intention of living the life of his dreams until the money in his bank account runs out. Written in spellbinding prose, with Bola's trademark magnetic storytelling, The Selfless Act of Breathing takes us on a wild ride to odd but exciting places as Michael makes surprising new connections and faces old prejudices in new settings-- |
| criticism of beloved: Why I Hate Toni Morrison's Beloved Scott Bradfield, 2016-05-13 Essays about the pleasures and perils of loving (and hating) books, places, and other people. |
| criticism of beloved: The Dearly Beloved Cara Wall, 2020-07-07 “This gentle, gorgeously written book may be one of my favorites ever.” —Jenna Bush Hager (A Today show “Read with Jenna” Book Club Selection!) This “moving portrait of love and friendship set against a backdrop of social change” (The New York Times Book Review, Editor’s Choice) traces two married couples whose lives become entangled when the husbands become copastors at a famed New York city congregation in the 1960s. Charles and Lily, James and Nan. They meet in Greenwich Village in 1963 when Charles and James are jointly hired to steward the historic Third Presbyterian Church through turbulent times. Their personal differences however, threaten to tear them apart. Charles is destined to succeed his father as an esteemed professor of history at Harvard, until an unorthodox lecture about faith leads him to ministry. How then, can he fall in love with Lily—fiercely intellectual, elegantly stern—after she tells him with certainty that she will never believe in God? And yet, how can he not? James, the youngest son in a hardscrabble Chicago family, spent much of his youth angry at his alcoholic father and avoiding his anxious mother. Nan grew up in Mississippi, the devout and beloved daughter of a minister and a debutante. James’s escape from his desperate circumstances leads him to Nan and, despite his skepticism of hope in all its forms, her gentle, constant faith changes the course of his life. In The Dearly Beloved, Cara wall reminds us of “the power of the novel in its simplest, richest form: bearing intimate witness to human beings grappling with their faith and falling in love,” (Entertainment Weekly, A-) as we follow these two couples through decades of love and friendship, jealousy and understanding, forgiveness and commitment. Against the backdrop of turbulent changes facing the city and the church’s congregation, Wall offers a poignant meditation on faith and reason, marriage and children, and the ways we find meaning in our lives. The Dearly Beloved is a gorgeous, wise, and provocative novel that is destined to become a classic. |
| criticism of beloved: Slavery in Toni Morrison's Beloved Dedria Bryfonski, 2012-07-10 This compelling volume explores Toni Morrison's classic novel through the lens of slavery. The book examines Morrison's life and influences and takes a critical look at key ideas related to slavery in Beloved, such as the role of slavery in both the forging and destruction of an African-American identity, the impact of slavery on family relationships, and the psychological trauma caused by slavery. Contemporary perspectives on the subject of slavery are presented as well, touching upon topics such as the global problem of human trafficking and the role of multinational corporations in modern day slavery. |
| criticism of beloved: Beloved Community Casey Nelson Blake, 1990 The Young American critics_Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Lewis Mumford_are well known as central figures in the Greenwich Village Little Renaissance of the 1910s and in the postwar debates about American culture and politics. In < |
| criticism of beloved: Home Toni Morrison, 2012-05-08 The latest novel from Nobel Prize winner Toni Morrison. An angry and self-loathing veteran of the Korean War, Frank Money finds himself back in racist America after enduring trauma on the front lines that left him with more than just physical scars. His home--and himself in it--may no longer be as he remembers it, but Frank is shocked out of his crippling apathy by the need to rescue his medically abused younger sister and take her back to the small Georgia town they come from, which he's hated all his life. As Frank revisits the memories from childhood and the war that leave him questioning his sense of self, he discovers a profound courage he thought he could never possess again. A deeply moving novel about an apparently defeated man finding himself--and his home. |
| criticism of beloved: Beloved Amy Sickels, 2009 Arguably Toni Morrison's best novel, Beloved addresses the powerful legacy of slavery and those whose voices have been historically silenced by it. Awarded the Pulitzer Prize in 1988, Morrison's novel confronts the past in order to heal the present |
| criticism of beloved: Life of the Beloved Henri J. M. Nouwen, 2002 When Nouwen was asked by a secular Jewish friend to explain his faith in simple language, he responded with Life of the Beloved, which shows that all people, believers and nonbelievers, are beloved by God unconditionally. |
| criticism of beloved: Understanding Toni Morrison's Beloved and Sula Solomon Ogbede Iyasẹre, Marla W. Iyasere, 2000 Toni Morrison's Beloved is probably the most widely studied work of contemporary fiction, both in the United States and abroad. The novel appeals to readers across various disciplines; as such, it is now required reading in courses in English and American literature, feminist and multicultural critiscism, and American history in universities and colleges around the world. The novel's universal appeal, with its unique structure and compelling story, has made it the subject of numerous scholarly essays published in reference journals. To make the best of these essays more accessible to university students, this book offers a volume of selected essays with a criticial introduction and annotated bibliography. |
| criticism of beloved: The Honeybee Emeralds Amy Tector, 2022-03-29 A 2023 Next Generation Indie Book Award Finalist for Best First Novel “Debut novelist Tector captures European life and her characters beautifully as she interweaves the perspectives of four women seeking fulfillment and success in this satisfying adventure. Keep an eye on this author.” —Booklist Alice Ahmadi has never been certain of where she belongs. When she discovers a famed emerald necklace while interning at a struggling Parisian magazine, she is plunged into a glittering world of diamonds and emeralds, courtesans and spies, and the long-buried secrets surrounding the necklace and its glamorous former owners. When Alice realizes the mysterious Honeybee Emeralds could be her chance to save the magazine, she recruits her friends Lily and Daphne to form the “Fellowship of the Necklace.” Together, they set out to uncover the romantic history of the gems. Through diaries, letters, and investigations through the winding streets and iconic historic landmarks of Paris, the trio begins to unravel more than just the secrets of the necklace’s obsolete past. Along the way, Lily and Daphne’s relationships are challenged, tempered, and changed. Lily faces her long-standing attraction to a friend, who has achieved the writing success that eluded her. Daphne confronts her failing relationship with her husband, while also facing simmering problems in her friendship with Lily. And, at last, Alice finds her place in the world―although one mystery still remains: how did the Honeybee Emeralds go from the neck of American singer Josephine Baker during the Roaring Twenties to the basement of a Parisian magazine? |
| criticism of beloved: Concerning the Book that is the Body of the Beloved Gregory Orr, 2012-12-18 “The heart of Orr’s poetry, now as ever, is the enigmatic image . . . mystical, carnal, reflective, wry.”—San Francisco Review This book-length sequence of ecstatic, visionary lyrics recalls Rumi in its search for the beloved and its passionate belief in the healing qualities of art and beauty. Concerning the Book that is the Body of the Beloved is an incantatory celebration of the “Book,” an imaginary and self-gathering anthology of all the lyrics—both poems and songs—ever written. Each poem highlights a distinct aspect of the human condition, and together the poems explore love, loss, restoration, the beauty of the world, the beauty of the beloved, and the mystery of poetry. The purpose and power of the Book is to help us live by reconnecting us to the world and to our emotional lives. I put the beloved In a wooden coffin. The fire ate his body; The flames devoured her. I put the beloved In a poem or song. Tucked it between Two pages of the Book. How bright the flames. All of me burning, All of me on fire And still whole. There is nothing quite like this book—an “active anthology” in the best sense—where individuals find the poems and songs that will sustain them. Or the poems find them. Gregory Orr is the author of eight books of poetry, four volumes of criticism, and a memoir. He has received numerous awards for his work, most recently the Academy Award in Literature from the American Academy of Arts and Letters. Orr has taught at the University of Virginia since 1975 and was, for many years, the poetry editor of The Virginia Quarterly Review. He lives with his family in Charlottesville, Virginia. |
| criticism of beloved: Home or Away Kathleen West, 2022-03-29 A gloriously entertaining plunge into the ultra-competitive world of youth sports and the lengths we go to for the kids and game we love.--New York Times bestselling author KJ Dell'Antonia Two friends, one Olympic dream, and the choice that stood in the way. Once Leigh and Susy were close friends and teammates bound for Olympic hockey gold, but when Leigh’s sure-fire plan to make the final roster backfired, she left everything behind to start over, including the one person who knew her secret. Two decades later, Leigh’s a successful investment banker, happily married, and the mom of a hockey prodigy, so when a career opportunity lands the family back in Minnesota, Leigh takes the shot for her kid. Back in the ultra-competitive world she left behind, the move puts her in Susy’s orbit, a daily reminder of how Leigh watched from the sidelines as her former teammate went on to Olympic glory. Despite the coldness between them, Susy can’t help but hope that Leigh might lace up her skates and join her in the coaches’ box—after all Leigh knows better than anyone how hard it is to be a woman in this world. Susy knows soon her daughter, Georgie, will be seen as a “girl athlete,” relegated to the B team, with less support and opportunity to advance. But Leigh believes keeping Susy at arms’ length is the only way to hide her history with her former coach Jeff Carlson. When he hints of new favors in exchange for her son’s ice time, Leigh is caught in the ultimate bind: come clean about what happened when she was an Olympic hopeful and risk her marriage or play Jeff’s game. In a moment of desperation, Leigh realizes the one person she thought was her biggest competitor—her former teammate—might turn out to be her biggest ally. Told with Kathleen West’s trademark wit and compassion, Home or Away is a story about overcoming our pasts, confronting our futures, and the sustaining bonds of female friendship. |
| criticism of beloved: Toni Morrison's Beloved and the Apotropaic Imagination Kathleen Marks, 2002 Toni Morrison's Beloved and the Apotropaic Imagination investigates Toni Morrison's Beloved in light of ancient Greek influences, arguing that the African American experience depicted in the novel can be set in a broader context than is usually allowed. Kathleen Marks gives a history of the apotropaic from ancient to modern times, and shows the ways that Beloved'sprotagonist, Sethe, and her community engage the apotropaic as a mode of dealing with their communal suffering. Apotropaic, from the Greek, meaning to turn away from, refers to rituals that were performed in ancient times to ward off evil deities. Modern scholars use the term to denote an action that, in attempting to prevent an evil, causes that very evil. Freud employed the apotropaic to explain his thought concerning Medusa and the castration complex, and Derrida found the apotropaic's logic of self-sabotage consonant with his own thought. Marks draws on this critical history and argues that Morrison's heroine's effort to keep the past at bay is apotropaic: a series of gestures aimed at resisting a danger, a threat, an imperative. These gestures anticipate, mirror, and put into effect that which they seek to avoid--one does what one finds horrible so as to mitigate its horror. In Beloved, Sethe's killing of her baby reveals this dynamic: she kills the baby in order to save it. As do all great heroes, Sethe transgresses boundaries, and such transgressions bring with them terrific dangers: for example, the figure Beloved. Yet Sethe's action has ritualistic undertones that link it to the type of primal crimes that can bring relief to a petrified community. It is through these apotropaic gestures that the heroine and the community resist what Morrison calls cultural amnesia and engage in a shared past, finally inaugurating a new order of love. Toni Morrison's Beloved and the Apotropaic Imagination is eclectic in its approach--calling upon Greek religion, Greek mythology and underworld images, and psychology. Marks looks at the losses and benefits of the kind of self-damage/self-agency the apotropaic affords. Such an approach helps to frame the questions of the role of suffering in human life, the relation between humans and the underworld, and the uses of memory and history.--Publishers website |
| criticism of beloved: Toni Morrison Box Set Toni Morrison, 2019-10-29 A box set of Toni Morrison's principal works, featuring The Bluest Eye (her first novel), Beloved (Pulitzer Prize winner), and Song of Solomon (National Book Critics Award winner). Staring unflinchingly into the abyss of slavery, Beloved transforms history into a story as powerful as Exodus and as intimate as a lullaby. This spellbinding novel tells the story of Sethe, a former slave who escapes to Ohio, but eighteen years later is still not free. In The New York Times bestselling novel, The Bluest Eye, Pecola Breedlove, a young black girl, prays every day for beauty and yearns for normalcy, for the blond hair and blue eyes, that she believes will allow her to finally fit in. Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. With Song of Solomon, Morrison transfigures the coming-of-age story as she follows Milkman Dead from his rustbelt city to the place of his family's origins, introducing an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world. This beautifully designed slipcase will make the perfect holiday and perennial gift. |
| criticism of beloved: Toni Morrison, Beloved Carl Plasa, 1998 With excerpts from interviews and reviews, an exploration of the historical documents and slave narrative traditions on which Morrison drew, and an insightful juxtaposition of psychoanalytic and postcolonial approaches to the novel, this guide places Beloved in the contexts of Morrison's oeuvre and other works of African American literature. Chapters focus on the supernatural elements of the work, as well as the author's treatment of the physical self. |
| criticism of beloved: Toni Morrison's Beloved William L. Andrews, Nellie Y. McKay, 1999-01-21 With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray. This casebook to Morrison's classic novel presents seven essays that represent the best in contemporary criticism of the book. In addition, the book includes a poem and an abolitionist's tra published after a slave named Margaret Garner killed her child to save her from slavery—the very incident Morrison fictionalizes in Beloved. |
| criticism of beloved: Misfits Michaela Coel, 2022-10-11 From the brilliant mind of Michaela Coel, creator and star of I May Destroy You and Chewing Gum, comes a passionate and inspired declaration against fitting in. When invited to deliver the MacTaggart Lecture at the Edinburgh International Television Festival, Michaela Coel touched a lot of people with her striking revelations about race, class and gender, but the person most significantly impacted was Coel herself. Building on her celebrated speech, Misfits immerses readers in her vision through powerful allegory and deeply personal anecdotes—from her coming of age in London public housing to her discovery of theater and her love for storytelling. And she tells of her reckoning with trauma and metamorphosis into a champion for herself, inclusivity, and radical honesty. With inspiring insight and wit, Coel lays bare her journey so far and invites us to reflect on our own. By embracing our differences, she says, we can transform our lives. An artist to her core, Coel holds up the path of the creative as an emblem of our need to regard one another with care and respect—and transparency. Misfits is a triumphant call for honesty, empathy and inclusion. Championing “misfits” everywhere, this timely, necessary book is a rousing coming-to-power manifesto dedicated to anyone who has ever worried about fitting in. |
| criticism of beloved: Beloved Beasts: Fighting for Life in an Age of Extinction Michelle Nijhuis, 2021-03-09 Winner of the Sierra Club's 2021 Rachel Carson Award One of Chicago Tribune's Ten Best Books of 2021 Named a Top Ten Best Science Book of 2021 by Booklist and Smithsonian Magazine At once thoughtful and thought-provoking,” Beloved Beasts tells the story of the modern conservation movement through the lives and ideas of the people who built it, making “a crucial addition to the literature of our troubled time (Elizabeth Kolbert, author of The Sixth Extinction). In the late nineteenth century, humans came at long last to a devastating realization: their rapidly industrializing and globalizing societies were driving scores of animal species to extinction. In Beloved Beasts, acclaimed science journalist Michelle Nijhuis traces the history of the movement to protect and conserve other forms of life. From early battles to save charismatic species such as the American bison and bald eagle to today’s global effort to defend life on a larger scale, Nijhuis’s “spirited and engaging” account documents “the changes of heart that changed history” (Dan Cryer, Boston Globe). With “urgency, passion, and wit” (Michael Berry, Christian Science Monitor), she describes the vital role of scientists and activists such as Aldo Leopold and Rachel Carson, reveals the origins of vital organizations like the Audubon Society and the World Wildlife Fund, explores current efforts to protect species such as the whooping crane and the black rhinoceros, and confronts the darker side of modern conservation, long shadowed by racism and colonialism. As the destruction of other species continues and the effects of climate change wreak havoc on our world, Beloved Beasts charts the ways conservation is becoming a movement for the protection of all species including our own. |
| criticism of beloved: The Poetics of Imperialism Eric Cheyfitz, 1997-06-29 From Columbus onward, the discourse of European-American expansion has been characterized by a poetics of imperialism, Eric Cheyfitz contends, a poetics that has set the conventions for translating the languages of the inhabitants of the New World into the language of empire, a discourse that has conquered by translating the inhabitants themselves into natives, savages, cannibals, or Indians. Cheyfitz charts the course of American imperialism from the arrival of Renaissance Europeans in a New World open for material and rhetorical cultivation to the violent foreign ventures of twentieth-century America in a Third World judged equally in need of cultural translation. Passionately and provocatively, he reads James Fenimore Cooper and Leslie Marmon Silko, Frederick Douglass and Edgar Rice Burroughs within and against the imperial framework. At the center of the book is Shakespeare's Tempest, at once transfiguring the first permanent English settlement at Jamestown and figuring much of American literature. In a final chapter completely new to this edition, Cheyfitz extends the argument of The Poetics of Imperialism by reaching back to the visual and verbal representations of Native Americans produced by the English of the Roanoke Voyages, two decades before the establishment of the Jamestown colony. |
| criticism of beloved: Toni Morrison's 'Beloved' Justine Tally, 2008-11-18 This work expands the scope of Morrison’s project to examine the ways and means of memory in the preservation of belief systems passed down from the earliest civilizations (both the Classical Greek and the Ancient Egyptian) as a challenge to the sterility of modernity. Moreover, this research explores the author’s specific use of Foucauldian theory as a vehicle for her narrative, which reclaims the very origins of civilization’s primal concerns with life, procreation and regeneration, springing from the very Heart of Africa. Despite the weight of white authority and the disparaging of blackness, Beloved’s multiple ghosts conjure up a legacy so potent that no authoritarian discourse has been able to entirely erase it, a legacy that still speaks to us from a heritage we no longer acknowledge yet that nevertheless remains, and sustains us. |
| criticism of beloved: An Oath of Dogs Wendy N. Wagner, 2018-01-19 Kate Standish has been on the forest-world of Huginn less than a week and she's already pretty sure her new company murdered her boss. But the little town of mill workers and farmers is more worried about eco-terrorism and a series of attacks by the bizarre, sentient dogs of this planet, than a death most people would like to believe is an accident. That is, until Kate's investigation uncovers a conspiracy which threatens them all. |
| criticism of beloved: Beloved Poison E. S. Thomson, 2016-03-03 'Vivid, pungent and perilous' CHRIS BROOKMYRE 'Evocative...brilliant plotting' REBECCA GRIFFITHS A dark and richly atmospheric thriller, perfect for fans of Laura Purcell's The Silent Companions, Sarah Perry's Melmoth and Elly Griffiths' The Stranger Diaries. London, 1846. Ramshackle and crumbling, St Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors the doctors bicker and fight. Ambition, jealousy and hatred seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything, but says nothing. And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open a long-forgotten past - with fatal consequences . . . Praise for E.S. Thomson: 'It's rare that a book is Gothic enough for me, but Beloved Poison is killing it. The blood, the bones...' LAURA PURCELL 'Complex, harrowing and highly enjoyable' DAILY EXPRESS 'Marvellous, vivid . . . breathtakingly dark' JANET ELLIS 'Jem Flockhart books are the best I've read in years' KIRSTY LOGAN 'A marvel . . . thoroughly engrossing' MARY PAULSON ELLIS |
| criticism of beloved: The Ruin Dervla McTiernan, 2018-07-03 FROM INTERNATIONAL #1 BEST SELLING AUTHOR OF UPCOMING NOVEL, THE MURDER RULE “Compelling, unexpected twists and a hold-your breath standoff . . . Hand this one to readers of Tana French and to police-procedural fans.” —Booklist It's been twenty years since Detective Cormac Reilly discovered the body of Hilaria Blake in her crumbling home. But he's never forgotten the two children she left behind... When Aisling Conroy's boyfriend Jack is found in the freezing black waters of the river Corrib in Ireland, the police tell her it was suicide. She throws herself into work, trying to forget—but Jack's sister Maude reappears in Ireland after years abroad, determined to prove Jack was murdered. Meanwhile, Detective Cormac Reilly, who was recently transferred to Galway from his squad in Dublin, is assigned to dig into a cold case from twenty years ago—the seeming overdose of Jack and Maude's drug and alcohol addled mother. Other detectives are connecting Jack’s death to his mother’s, and pushing Reilly to arrest Maude, and fast. But instinct tells him something isn’t quite what it seems… This unsettling small-town noir draws us deep into the dark heart of Ireland, where corruption, desperation, and crime run rife. A gritty look at trust and betrayal where the written law isn't the only one, The Ruin asks who will protect you when the authorities can't—or won't. |
| criticism of beloved: Flow My Tears, the Policeman Said Philip K. Dick, 2012-07-17 Winner of the John W. Campbell Award and a Hugo and Nebula award nominee, Philip K. Dick's Flow My Tears, the Policeman Said is a rollicking chase story that combines altered reality, genetic enhancement, and drug use into a dystopian setting to create one of the most popular and enduring science fiction novels. Dick skillfully explores the psychological ramifications of this nightmare.—New York Times Review of Books Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight? |
| criticism of beloved: How Beautiful the Beloved Gregory Orr, 2012-12-11 “[A] confident, mystical, expansive project.”—Publishers Weekly “[D]azzling and timeless . . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice” Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems.—ForeWord ...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless. —The Bloomsbury Review Gregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he speaks of the events that have no larger or more important rival in our lives—of our love and our loving. If to say it once And once only, then still To say: Yes. And say it complete, Say it as if the word Filled the whole moment With its absolute saying. Later for “but,” Later for “if.” Now Only the single syllable That is the beloved. That is the world. Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville. |
| criticism of beloved: Mouth Full of Blood Toni Morrison, 2019-02-21 “She was our conscience. Our seer. Our truth-teller. She was a magician with language, who understood the power of words.” - Oprah Winfrey A vital non-fiction collection from one of the most celebrated and revered American writers Spanning four decades, these essays, speeches and meditations interrogate the world around us. They are concerned with race, gender and globalisation. The sweep of American history and the current state of politics. The duty of the press and the role of the artist. Throughout Mouth Full of Blood our search for truth, moral integrity and expertise is met by Toni Morrison with controlled anger, elegance and literary excellence. The collection is structured in three parts and these are heart-stoppingly introduced by a prayer for the dead of 9/11, a meditation on Martin Luther King and a eulogy for James Baldwin. Morrison’s Nobel lecture, on the power of language, is accompanied by lectures to Amnesty International and the Newspaper Association of America. She speaks to graduating students and visitors to both the Louvre and America’s Black Holocaust Museum. She revisitsThe Bluest Eye, Sula and Beloved; reassessing the novels that have become touchstones for generations of readers. Mouth Full of Blood is a powerful, erudite and essential gathering of ideas that speaks to us all. It celebrates Morrison’s extraordinary contribution to the literary world. |
| criticism of beloved: Jazz Toni Morrison, 1992-04-07 From the acclaimed Nobel Prize winner, a passionate, profound story of love and obsession that brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life. With a foreword by the author. “As rich in themes and poetic images as her Pulitzer Prize–winning Beloved.... Morrison conjures up the hand of slavery on Harlem’s jazz generation. The more you listen, the more you crave to hear.” —Glamour In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This novel “transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious” (People). The author conjures up worlds with complete authority and makes no secret of her angst at the injustices dealt to Black women.” —The New York Times Book Review |
| criticism of beloved: Beloved Stranger Clare Boylan, 1999 Dick and Lily have been married for fifty years, and Lily finally believes that marriage is like an old tune you take for granted but find yourself whistling when you're happy. Until the night she wakes to find her husband's pyjama'd bottom poking out from under the bed. He claims there's an intruder and he's got him in his sights. When she turns on the light he backs out, holding a shotgun. 'Bugger got away when you created a diversion' he says. The comic incident marks the start of Dick's terrifying plunge into insanity. He enters a world of imaginary enemies, fantastic opportunities, sexual rivals. For an old-fashioned wife who accepted her partner for better or worse, there is nowhere left to turn except to her only daughter. Ruth, who has turned her back on emotional commitment in favour of good sex with good friends is now forced to penetrate the conspiratorial and chaotic web of her parents' marriage. Part love story, part thriller, BELOVED STRANGER is also, an analysis of marriage - a changeless institution in a vastly altered world, a private dictatorship where love and fear, tenderness or tyranny remain hidden at its heart. |
| criticism of beloved: Toni Morrison Henry L. Gates, 2000-04-23 Reviews, essays, and interviews offer critical interpretations of the works of Toni Morrison |
| criticism of beloved: The Rosie Result Graeme Simsion, 2019-02-05 The hilarious, challenging and inspiring ending to the Don Tillman trilogy that will have readers cheering for joy. |
| criticism of beloved: God Help the Child Toni Morrison, 2015-04-21 NATIONAL BESTSELLER • A New York Times Notable Book • This fiery and provocative novel from the acclaimed Nobel Prize winner weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult. At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths. And finally, Bride’s mother herself, Sweetness, who takes a lifetime to come to understand that “what you do to children matters. And they might never forget.” “Powerful.... A tale that is as forceful as it is affecting, as fierce as it is resonant.” —Michiko Kakutani, The New York Times |
| criticism of beloved: Critical Essays on Toni Morrison's Beloved Barbara H. Solomon, 1998 Ten reviews and seventeen essays present critical commentary on the novel Beloved, by Toni Morrison. |
| criticism of beloved: Toni Morrison's Beloved Harold Bloom, 2003-10-01 Bloom's Guides - successor to the acclaimed Bloom's Notes and Bloom's Reviews Comprehensive reading and study guides with a selection of critical excerpts providing a scholarly overview of each work Each book includes a biographical sketch of the author, a descriptive list of characters, an extensive summary and analysis, plus an annotated bibliography |
| criticism of beloved: Letter from Birmingham Jail MARTIN LUTHER KING JR., Martin Luther King, 2018 This landmark missive from one of the greatest activists in history calls for direct, non-violent resistance in the fight against racism, and reflects on the healing power of love. |
| criticism of beloved: Love Toni Morrison, 2008-12-26 A haunting and affecting meditation on love from the Nobel-prize winning author of Beloved. May, Christine, Heed, Junior, Vida – even L – all are women obsessed with Bill Cosey. He shapes their yearnings for a father, husband, lover, guardian, and friend. This audacious vision from a master storyteller on the nature of love – its appetite, its sublime possession, and its consuming dread – is rich in characters and dramatic events, and in its profound sensitivity to just how alive the past can be. Sensual, elegiac and unforgettable, Love ultimately comes full circle to that indelible, overwhelming first love that marks us forever. Winner of the PEN/Saul Bellow award for achievement in American fiction ‘Love is her best work...a slender but mesmerising tale’ Evening Standard |
| criticism of beloved: The Bluest Eye Toni Morrison, 2024-05-02 Read the searing first novel from the celebrated author of Beloved, which immerses us in the tragic, torn lives of a poor black family in post-Depression 1940s Ohio. Unloved, unseen, Pecola prays each night for blue eyes. In this way she dreams of becoming beautiful, of becoming someone - like her white schoolfellows - worthy of care and attention. Immersing us in the tragic, torn lives of a poor black family in post-Depression Ohio, Toni Morrison's indelible debut reveals the nightmare at the heart of Pecola's yearning, and the tragedy of its fulfilment. 'She revealed the sins of her nation, while profoundly elevating its canon. She suffused the telling of blackness with beauty, whilst steering us away from the perils of the white gaze. That's why she told her stories. And why we will never, ever stop reading them' Afua Hirsch 'Discovering a writer like Toni Morrison is rarest of pleasures' Washington Post 'When she arrived, with her first novel, The Bluest Eye, she immediately re-ordered the American literary landscape' Ben Okri Winner of the PEN/Saul Bellow award for achievement in American fiction |
| criticism of beloved: The Prophets Robert Jones, Jr., 2021-01-05 Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love. |
| criticism of beloved: The Bluest Eye Toni Morrison, 1998 |
| criticism of beloved: The Left Hand of Darkness Ursula K. Le Guin, 1987-03-15 50TH ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction. |
| criticism of beloved: The Lightness Emily Temple, 2020-06-11 ‘A psychologically smart debut that swathes teen desire and friendship in mystery and mirth’ Observer ‘Like a twisted Malory Towers or maybe a cosmic version of ‘Heathers’’ Daily Mail ‘Funny, whip-smart and transcendently wise’ Jenny Offill ‘The love child of Donna Tartt and Tana French’ Chloe Benjamin |
CRITICISM Definition & Meaning - Merriam-Webster
The meaning of CRITICISM is the act of criticizing usually unfavorably. How to use criticism in a sentence.
Criticism - Wikipedia
Criticism is the construction of a judgement about the negative or positive qualities of someone or something. Criticism can range from …
CRITICISM | English meaning - Cambridge Dictionary
CRITICISM definition: 1. the act of saying that something or someone is bad or a comment that says what is …
Criticism Definition & Meaning | Britannica Dictionary
CRITICISM meaning: 1 : the act of expressing disapproval and of noting the problems or faults of a person or thing the act of criticizing someone …
Criticism - Definition, Meaning & Synonyms - Voca…
The noun criticism is most often used to describe negative commentary about something or someone, but it's just as correct to use criticism to mean "an …
CRITICISM Definition & Meaning - Merriam-Webster
The meaning of CRITICISM is the act of criticizing usually unfavorably. How to use criticism in a sentence.
Criticism - Wikipedia
Criticism is the construction of a judgement about the negative or positive qualities of someone or something. Criticism can range from impromptu comments to a written detailed response. [1] …
CRITICISM | English meaning - Cambridge Dictionary
CRITICISM definition: 1. the act of saying that something or someone is bad or a comment that says what is bad about it…. Learn more.
Criticism Definition & Meaning | Britannica Dictionary
CRITICISM meaning: 1 : the act of expressing disapproval and of noting the problems or faults of a person or thing the act of criticizing someone or something; 2 : a remark or comment that …
Criticism - Definition, Meaning & Synonyms - Vocabulary.com
The noun criticism is most often used to describe negative commentary about something or someone, but it's just as correct to use criticism to mean "an examination or judgment." Critics …
Criticism - definition of criticism by The Free Dictionary
The act of criticizing, especially adversely. 2. A critical comment or judgment. 3. a. The practice of analyzing, classifying, interpreting, or evaluating literary or other artistic works. b. A critical …
CRITICISM definition and meaning | Collins English Dictionary
A criticism is a statement that expresses disapproval. This policy had repeatedly come under strong criticism on Capitol Hill. The criticism that the English do not truly care about their …
criticism - Wiktionary, the free dictionary
May 28, 2025 · (countable) A critical observation or detailed examination and review. The politician received several detailed criticisms of his stance on the issue. Her attitude was that …
criticism noun - Definition, pictures, pronunciation and usage …
Definition of criticism noun from the Oxford Advanced Learner's Dictionary. [uncountable, countable] the act of expressing disapproval of somebody/something and opinions about their …
What does criticism mean? - Definitions.net
Criticism generally refers to the act of evaluating, analyzing, and offering judgments or opinions about something, such as a work of art, literature, film, or a person's actions, beliefs, or behavior.
