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| dekada 70 movie review: Critic After Dark Noel Vera, 2005 |
| dekada 70 movie review: The Philippines Is Not a Small Country Gideon Lasco, 2020 This book is an exploration of the Philippines as a beautiful land, a home to a diversity of peoples, a nation-in-the-making, and a country at the heart of the world. Drawing from anthropology, history, contemporary events, popular culture, and the author's field experiences and travels, the essays draw connections between nature and culture, self and society, the local and the global, as well as the past and the present in order to arrive at a deeper, fuller, critical, yet hopeful view of a country that is larger than many imagine it to be. |
| dekada 70 movie review: The Diliman Review , 1984 Devoted to letters, the arts and discussion. |
| dekada 70 movie review: The Last Time I Saw Mother Arlene J. Chai, 2010-12-29 My mother never writes. So when the mail arrived that day, I was not expecting to find a letter from her. There was no warning. Between generations of women, there are always secrets--relationships kept hidden, past events obscured, true feelings not spoken. But sometimes the truth is so primal it must be told. Now, with haunting lyricism and emotional clarity, Arlene Chai has written an exquisite novel about a family of women who break their silence. At the center of The Last Time I Saw Mother is the singular story of a woman who suddenly learns she is not who she thinks she is. Caridad is a wife and mother, a native of the Philippines living in Sydney, Australia. Out of the blue Caridad's mother summons her home. Although she is not ill, Thelma needs to talk to her daughter -- to reveal a secret that has been weighing heavily on her for years. It is a tale that Caridad in no way suspects. She stopped asking questions about the past long ago; her mother's constant reluctance to answer finally subdued her curiosity. Now, it is through the words of Thelma, her aunt Emma, and her cousin Ligaya, that Caridad will learn the startling truth and attempt to recapture what has been lost to her. Arlene Chai tells their versions of the story in their own voices, each one distinct, moving, and magical. As each woman tells her part of their family's hidden history, Caridad hears at last the unspoken stories--the joys and sorrows that her parents kept to themselves, and the never forgotten tragedy of the war years, when Japan's brutal occupation and civilian deprivations helped destroy a country and its history. The Last Time I Saw Mother is about mothers and daughters. It is about a cultural identity born of Spanish, Chinese, and Filipino influence. And it is about the healing power of truth. Arlene Chai is one of the most stunning new novelists in years. She takes us to a place we have never been before. |
| dekada 70 movie review: Designing Virtual Worlds Richard A. Bartle, 2004 This text provides a comprehensive treatment of virtual world design from one of its pioneers. It covers everything from MUDs to MOOs to MMORPGs, from text-based to graphical VWs. |
| dekada 70 movie review: Sambotani Iii' 2007 Ed. , |
| dekada 70 movie review: Communication and Society Florangel Rosario-Braid, 1991 |
| dekada 70 movie review: No Acting, Please Eric Morris, Joan Hotchkis, 1979 Approach to acting and living that includes a foreword by Jack Nicholson. |
| dekada 70 movie review: The Apprentice’s Sorcerer Ishay Landa, 2009-11-23 20th-century European Fascism is conventionally described by both historians and political scientists as a fierce assault on liberal politics, culture and economics. Departing from such typical analysis, this book highlights the long overlooked critical affinities between liberal tradition and fascism. Far from being the antithesis of liberalism, fascism, both in its ideology and its practice, was substantially, if dialectically, indebted to liberalism, particularly to its economic variant. Fascism ought to be seen centrally as an effort to unknot the longue durée tangle of the liberal order, as it finally collided, head on, with mass democracy. This brilliantly provocative thesis is sustained through innovative and incisive readings of seminal political thinkers, from Locke and Burke, to Proudhon, Bagehot, Sorel and Schmitt. |
| dekada 70 movie review: Suite for Barbara Loden Nathalie Léger, 2016-10-17 The second in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. “I believe there is a miracle in Wanda,” wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed. “Usually, there is a distance between representation and text, subject and action. Here that distance is completely eradicated.” It is perhaps this “miracle”—the seeming collapse of fiction and fact—that has made Wanda (1970) a cult classic, and a fascination of artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed French writer Nathalie Léger, the mysteries of Wanda launched an obsessive quest across continents, into archives, and through mining towns of Pennsylvania, all to get closer to the film and its maker. Suite for Barbara Loden is the magnificent result. |
| dekada 70 movie review: Being & Becoming, the Cinemas of Asia Aruna Vasudev, Latika Padgaonkar, Rashmi Doraiswamy, 2002 Contributed articles on cinemas of various Asian countries. |
| dekada 70 movie review: The Conjugal Dictatorship of Ferdinand and Imelda Marcos Primitivo Mijares, 2016-01-17 Author's Foreword This book is unfinished. The Filipino people shall finish it for me. I wrote this volume very, very slowly. 1 could have done with it In three months after my defection from the conjugal dictatorship of Ferdinand and Imelda Marcos on February 20.1975. Instead, I found myself availing of every excuse to slow it down. A close associate, Marcelino P. Sarmiento, even warned me, Baka mapanis 'yan. (Your book could become stale.)While I availed of almost any excuse not to finish the manuscript of this volume, I felt the tangible voices of a muted people back home in the Philippines beckoning to me from across the vast Pacific Ocean. In whichever way I turned, I was confronted by the distraught images of the Filipino multitudes cryingout to me to finish this work, lest the frailty of human memory -- or any incident a la Nalundasan - consign to oblivion the matters I had in mind to form the vital parts of this book. It was as if the Filipino multitudes and history itself were surging in an endless wave presenting a compelling demand on me toSan Francisco, California perpetuate the personal knowledge I have gained on the infamous machinations of Ferdinand E. Marcos and his overly ambitious wife, Imelda, that led to a day of infamy in my country, that Black Friday on September 22, 1972, when martial law was declared as a means to establish history's first conjugal dictatorship. The sense of urgency in finishing this work was also goaded by the thought that Marcos does not have eternal life and that the Filipino people are of unimaginable forgiving posture. I thought that, if I did not perpetuate this work for posterity, Marcos might unduly benefit from a Laurelian statement that, when a man dies, the virtues of his past are magnified and his faults are reduced to molehills. This is a book for which so much has been offered and done by Marcos and his minions so that it would never see the light of print. Now that it is off the press. I entertain greater fear that so much more will be done to prevent its circulation, not only in the Philippines but also in the United States.But this work now belongs to history. Let it speak for itself in the context of developments within the coming months or years. Although it finds great relevance in the present life of the present life of the Filipinos and of Americans interested in the study of subversion of democratic governments by apparently legal means, this work seeks to find its proper niche in history which mustinevitably render its judgment on the seizure of government power from the people by a lame duck Philippine President.If I had finished this work immediately after my defection from the totalitarian regime of Ferdinand and Imelda, or after the vicious campaign of the dictatorship to vilify me in July-August. 1975, then I could have done so only in anger. Anger did influence my production of certain portions of the manu-script. However, as I put the finishing touches to my work, I found myself expurgating it of the personal venom, the virulence and intemperate language of my original draft.Some of the materials that went into this work had been of public knowledge in the Philippines. If I had used them, it was with the intention of utilizing them as links to heretofore unrevealed facets of the various ruses that Marcos employed to establish his dictatorship.Now, I have kept faith with the Filipino people. I have kept my rendezvous with history. I have, with this work, discharged my obligation to myself, my profession of journalism, my family and my country.I had one other compelling reason for coming out with this work at the great risks of being uprooted from my beloved country, of forced separation from my wife and children and losing their affection, and of losing everything I have in my name in the Philippines - or losing life itself. It is that I wanted to makea public expiation for the little influence that I had . . . .(more inside) |
| dekada 70 movie review: The Politics of Torture T. Lightcap, 2011-08-15 Why did it happen? Why did the United States begin to torture detainees during the War on Terror? Instead of an indictment, this book presents an explanation. Crises produce rare opportunities for overcoming the domestic and foreign policylogjams facing political leaders. But what if the projects used to address the crisis and provide cover for their domestic policy initiatives come under serious threat from clandestine opponents? Then the restraints on interrogation can be overwhelmed, leading to the creation ofinformal institutions that allow the official establishment of torture. These ideas are tested using comparative historical narratives drawn from two cases where torture was adopted - the War on Terror and the Stalinist Terror - and one where it was not - the Mexican War. The book concludes with some thoughts about how the United States can avoid the legal establishment of torture in the future. |
| dekada 70 movie review: Fighting For Hope Jazel L Faith, 2019-11-08 When she was a child, Hope Valentino witnessed a murder committed by the multi-millionaire Calvin Woodland and her mother. That night she swore to seek revenge. Ten years later, Hope matured into a beautiful woman with a heart filled with hatred and vengeance. Everything changed when she met Tyler Rivera, and it is up to him to melt the heart Hope hardened into ice. |
| dekada 70 movie review: Life in Transit Shimon Redlich, 2018-05-30 Life in Transit is the long-awaited sequel to Shimon Redlich's widely acclaimed Together and Apart in Brzezany, in which he discussed his childhood during the War and the Holocaust. Life in Transit tells the story of his adolescence in the city of Lodz in postwar Poland. Redlich's personal memories are placed within the wider historical context of Jewish life in Poland and in Lodz during the immediate postwar years. Lodz in the years 1945-1950 was the second-largest city in the country and the major urban center of the Jewish population. Redlich's research based on conventional sources and numerous interviews indicates that although the survivors still lived in the shadow of the Holocaust, postwar Jewish Lodz was permeated with a sense of vitality and hope. |
| dekada 70 movie review: Political Theory Rajeev Bhargava, 2008 |
| dekada 70 movie review: Digital Humanities and Film Studies Adelheid Heftberger, 2019-01-23 This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, “How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools?” The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalist sphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 1920s and 30s. |
| dekada 70 movie review: Music from a Speeding Train Harriet Murav, 2011-08-15 Music from a Speeding Train explores the uniquely Jewish space created by Jewish authors working within the limitations of the Soviet cultural system. It situates Russian- and Yiddish- language authors in the same literary universe—one in which modernism, revolution, socialist realism, violence, and catastrophe join traditional Jewish texts to provide the framework for literary creativity. These writers represented, attacked, reformed, and mourned Jewish life in the pre-revolutionary shtetl as they created new forms of Jewish culture. The book emphasizes the Soviet Jewish response to World War II and the Nazi destruction of the Jews, disputing the claim that Jews in Soviet Russia did not and could not react to the killings of Jews. It reveals a largely unknown body of Jewish literature beginning as early as 1942 that responds to the mass killings. By exploring works through the early twenty-first century, the book reveals a complex, emotionally rich, and intensely vibrant Soviet Jewish culture that persisted beyond Stalinist oppression. |
| dekada 70 movie review: Martial Law Babies Arnold Arre, 2008 |
| dekada 70 movie review: Bewitching Women, Pious Men Aihwa Ong, Michael G. Peletz, 1995-09-07 This impressive array of essays considers the contingent and shifting meanings of gender and the body in contemporary Southeast Asia. By analyzing femininity and masculinity as fluid processes rather than social or biological givens, the authors provide new ways of understanding how gender intersects with local, national, and transnational forms of knowledge and power. Contributors cut across disciplinary boundaries and draw on fresh fieldwork and textual analysis, including newspaper accounts, radio reports, and feminist writing. Their subjects range widely: the writings of feminist Filipinas; Thai stories of widow ghosts; eye-witness accounts of a beheading; narratives of bewitching genitals, recalcitrant husbands, and market women as femmes fatales. Geographically, the essays cover Singapore, Indonesia, Malaysia, Thailand, and the Philippines. The essays bring to this region the theoretical insights of gender theory, political economy, and cultural studies. Gender and other forms of inequality and difference emerge as changing systems of symbols and meanings. Bodies are explored as sites of political, economic, and cultural transformation. The issues raised in these pages make important connections between behavior, bodies, domination, and resistance in this dynamic and vibrant region. |
| dekada 70 movie review: Reconstructing Memory Piotr Forecki, 2013 The book aims to reconstruct and analyze the disputes over the Polish-Jewish past and memory in public debates in Poland between 1985 and 2012. The analysis includes the course and dynamics of the debates and, most importantly, the panorama of opinions revealed in the process. |
| dekada 70 movie review: Memories of Philippine Kitchens Amy Besa, Romy Dorotan, 2012-05-01 The owners and chef at Soho's popular Cendrillon restaurant present a fascinating look at Filipino cuisine and culture. They document dishes and culinary techniques that are rapidly disappearing and offer more than 100 unique recipes. |
| dekada 70 movie review: The Dark Book of Gwenna Luna Guenther Primig, 2019-12-03 There's a lot of horrible things to be afraid of. I want to stop something. I want to save someone. I want to know I did some good, have a use. I want to say to myself, just once: Bam. Good witch. Gwenna Luna is seventeen and on the run. And she dreams of strange things: A child-eating giant who lives in the woods; ghosts haunting a laboratory; a valley of the undead; a magical book and Jack the Ripper's escape from hell... Why did Gwenna Luna seek out the help of a jaded psychiatrist to unravel these dreams? And is it wise to listen to a girl who just may be... a witch? |
| dekada 70 movie review: Patricia Highsmith: Her Diaries and Notebooks: 1941-1995 Patricia Highsmith, 2021-11-16 New York Times • Times Critics Top Books of 2021 The Times (of London) • Best Books of the Year Excerpted in The New Yorker Profiled in The Los Angeles Times Publishing for the centenary of her birth, Patricia Highsmith’s diaries “offer the most complete picture ever published” of the canonical author (New York Times). Relegated to the genre of mystery during her lifetime, Patricia Highsmith is now recognized as one of “our greatest modernist writers” (Gore Vidal). Beloved by fans who were unaware of the real psychological turmoil behind her prose, the famously secretive Highsmith refused to authorize a biography, instead sequestering herself in her Switzerland home in her final years. Posthumously, her devoted editor Anna von Planta discovered her diaries and notebooks in 1995, tucked in a closet—with tantalizing instructions to be read. For years thereafter, von Planta meticulously culled from over eight thousand pages to help reveal the inscrutable figure behind the legendary pen. Beginning with her junior year at Barnard in 1941, Highsmith ritualistically kept a diary and notebook—the former to catalog her day, the latter to brainstorm stories and hone her craft. This volume weaves diary and notebook simultaneously, exhibiting precisely how Highsmith’s personal affairs seeped into her fiction—and the sheer darkness of her own imagination. Charming yet teetering on the egotistical, young “Pat” lays bare her dizzying social life in 1940s Greenwich Village, barhopping with Judy Holliday and Jane Bowles, among others. Alongside Flannery O’Conner and Chester Himes, she attended—at the recommendation of Truman Capote—the Yaddo artist colony in 1948, where she drafted Strangers on a Train. Published in 1950 and soon adapted by Alfred Hitchcock, this debut novel brought recognition and brief financial security, but left a heartsick Highsmith agonizing: “What is the life I choose?” Providing extraordinary insights into gender and sexuality in mid-twentieth-century America, Highsmith’s diaries convey her euphoria writing The Price of Salt (1951). Yet her sophomore novel would have to be published under a pseudonym, so as not to tarnish her reputation. Indeed, no one could anticipate commercial reception for a novel depicting love between two women in the McCarthy era. Seeking relief from America, Highsmith catalogs her peripatetic years in Europe, subsisting on cigarettes and growing more bigoted and satirical with age. After a stay in Positano with a new lover, she reflects in her notebooks on being an expat, and gleefully conjures the unforgettable The Talented Mr. Ripley (1955); it would be this sociopathic antihero who would finally solidify her true fame. At once lovable, detestable, and mesmerizing, Highsmith put her turbulent life to paper for five decades, acutely aware there must be “a few usable things in literature.” A memoir as significant in our own century as Sylvia Plath’s journals and Simone de Beauvoir’s writings were to another time, Patricia Highsmith: Her Diaries and Notebooks is an historic work that chronicles a woman’s rise against the conventional tide to unparalleled literary prominence. |
| dekada 70 movie review: 'Night, Mother Marsha Norman, 1983 Jessie Cates calmly tells her mother Thelma that it is her intention to commit suicide. |
| dekada 70 movie review: Tall Story Candy Gourlay, 2010-05-27 Be careful what you wish for . . . Andi is short. And she has lots of wishes. She wishes she could play on the school basketball team, she wishes for her own bedroom, but most of all she wishes that her long lost half brother, Bernardo, could come and live in London, where he belongs. Then Andi's biggest wish comes true and she's minutes away from becoming someone's little sister. As she waits anxiously for Bernardo to arrive from the Philippines, she hopes he'll turn out to be tall and just as mad as she is about basketball. When he finally arrives, he's tall all right. But he's not just tall ... he's a GIANT. In a novel packed with humour and quirkiness, Gourlay explores a touching sibling relationship and the clash of two very different cultures. |
| dekada 70 movie review: Desert Island, Burrow, Grave Marta Cobel-Tokarska, 2018 The book is an anthropological essay which aims to capture the phenomenon of hideouts employed by Jews during World War II. Based on wartime and post-war testimonies of Jewish escapees, the author seeks to examine the realm of hideouts to develop an interdisciplinary perspective on this aspect of the 20th-century history. |
| dekada 70 movie review: MASS (Marc-based Automated Serials System) Birmingham Libraries Co-operative Mechanisation Project, 1970 |
| dekada 70 movie review: Familiar Strangers Erik R. Scott, 2016-03-15 A small, non-Slavic nation located far from the Soviet capital, Georgia was more closely linked with the Ottoman and Persian empires than with Russia for most of its history. One of over one hundred officially classified Soviet nationalities, Georgians represented less than 2% of the Soviet population, yet they constituted an extraordinarily successful and powerful minority. Familiar Strangers aims to explain how Georgians gained widespread prominence in the Soviet Union, yet remained a distinctive national community. Through the history of a remarkably successful group of ethnic outsiders at the heart of Soviet empire, Erik R. Scott reinterprets the course of modern Russian and Soviet history. Scott contests the portrayal of the Soviet Union as a Russian-led empire composed of separate national republics and instead argues that it was an empire of diasporas, forged through the mixing of a diverse array of nationalities behind external Soviet borders. Internal diasporas from the Soviet republics migrated throughout the socialist empire, leaving their mark on its politics, culture, and economics. Arguably the most prominent diasporic group, Georgians were the revolutionaries who accompanied Stalin in his rise to power and helped build the socialist state; culinary specialists who contributed dishes and rituals that defined Soviet dining habits; cultural entrepreneurs who perfected a flamboyant repertoire that spoke for a multiethnic society on stage and screen; traders who thrived in the Soviet Union's burgeoning informal economy; and intellectuals who ultimately called into question the legitimacy of Soviet power. Looking at the rise and fall of the Soviet Union from a Georgian perspective, Familiar Strangers offers a new way of thinking about the experience of minorities in multiethnic states, with implications far beyond the imperial borders of Russia and Eurasia. |
| dekada 70 movie review: Kant's Conception of Freedom Henry E. Allison, 2020-01-16 Traces the development of Kant's views on free will from earlier writings through the three Critiques and beyond. |
| dekada 70 movie review: Philippine Politics and Society in the Twentieth Century Eva-Lotta Hedman, John Sidel, 2005-11-29 The only book length study to cover the Philippines after Marco's downfall, this key title thematically explores issues affecting this fascinating country, throughout the last century. Appealing to both the academic and non academic reader, topics covered include: national level electoral politics economic growth the Philippine Chinese law and order opposition the Left local and ethnic politics. |
| dekada 70 movie review: Turkish Cinema Gönül Dönmez-Colin, 2008-11-15 Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike. |
| dekada 70 movie review: The Mighty Child Clémentine Beauvais, 2015-01-14 The Mighty Child offers an existentialist approach to the theorization and criticism of children’s literature, nuancing the academic claim that children’s literature, specifically defined as ‘didactic’, alienates childhood from adulthood and disempowers its implied child reader. This volume recentres the theoretical debate around the constructions of time and power which characterize conceptions of childhood and adulthood in children’s literature. The ‘hidden’, didactic adult of children’s literature, this volume argues, is not solely the dictatorial planner of the child’s future, but also a disempowered entity, yearning for unpredictability in the semi-educational, semi-aesthetic endeavor of the children’s book. Leaning on current work in the field of children’s literature theory, on French phenomenological existentialism, and on the philosophy and sociology of childhood, The Mighty Child is addressed to contemporary theorists and critics of children’s literature. |
| dekada 70 movie review: Libraries of the United States and Canada American Library Association, 1918 |
| dekada 70 movie review: The Artist as Curator Celina Jeffery, 2015 In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture. Taking a deliberately multidisciplinary and cross-cultural focus, The Artist as Curator will fill a gap in museum and curatorial studies, offering a thorough and diverse treatment of various approaches to the historical and changing role of the artist as curator that should appeal to scholars, curators, and artists alike. |
| dekada 70 movie review: World Under Revision Wojciech Ligęza, 2019 This book provides a comprehensive overview of the entirety of Wislawa Szymborska's poetic oeuvre. The author reveals that - without reflecting on her early entanglement in socialist realism - Szymborska's mature anti-dogmatic attitude will remain unclear. The book shows how Szymborska's rhetoric and stylistics affect her messages. |
| dekada 70 movie review: Fairy Tales and True Stories Ben Hellman, 2013-08-15 Russian literature for children and young people has a history that goes back over 400 years, starting in the late sixteenth century with the earliest alphabet primers and passing through many different phases over the centuries that followed. It has its own success stories and tragedies, talented writers and mediocrities, bestsellers and long-forgotten prize winners. After their seizure of power in 1917, the Bolsheviks set about creating a new culture for a new man and a starting point was children's literature. 70 years of Soviet control and censorship were succeeded in the 1990s by a re-birth of Russian children's literature. This book charts the whole of this story, setting Russian authors and their books in the context of translated literature, critical debates and official cultural policy. |
| dekada 70 movie review: Notorious New Jersey Jon Blackwell, 2008 A fascinating study of crime and corruption, murder and mayhem, in the Garden State presents one hundred true crime tales that span more than three hundred years of history, shedding new light on such cases as the Lindbergh baby kidnapping, the fatal duel of Alexander Hamilton, the murder of Dutch Schultz, and the Jersey City terrorists who made the first World Trade Center bomb. Original. |
| dekada 70 movie review: Ends of War Paulina Gulińska-Jurgiel, Yvonne Kleinmann, Miloš Řezník, Dorothea Warneck, 2019 |
| dekada 70 movie review: 101 Stories on the Philippine Revolution Ambeth R. Ocampo, 2009 |
Dekada 70 - University of Nebraska Omaha
Dekada 70 journeys with the central character Amanda Bartolome (Vilma Santos), the reticent wife of an alpha-male husband, and the worrying mother of a boisterous all-male brood. …
Lakas ng Feministang Makabayan Laban sa Patriyarkang ...
Ang Dekada ’70 ay dokumentong historikal at mala-alegorikong testimonya ng karanasan ng medya-klaseng taga-lungsod noong panahon ng diktaduryang Marcos. Nakakintal sa salaysay …
Ang Banal na Santo Rosaryo - Marian Youth Movement …
Ang grupo ng sampung butil ay isang Dekada. Bago ang bawat dekada, isipin ang nangyari kay Kristo. Hawakan ang mga butil para sa mga Dasal maliban sa butil ng Luwalhati. Habang …
Desaparesidos - Archive.org
Dekada '70. Pero narito ang Desaparesidos, at kalunos-lunos ang nilalaman ng bagong nobela tungkol sa paglasog ng mga kabuktutang militar sa pamilya ng mga rebolusyonaryong nasa …
Ang Novelty - scientia-sanbeda.org
Amerikano lalo noong dekada “Filipinized” Matapos na pinoy ballad, pinoy, pinoy popular na kaalinsabay na musika— panahon, ng ring masumpungan na itinuturing na ay nagsimula sa …
Shtatë dekada krijimtari në shtatë vëllime - Onufri SHPK
Ideja për një version të ri prej shtatë vëllimesh të veprës së plotë u diskutua kur autori shfletoi arkivin e tij personal, prej nga veçoi novelën “Në dheun e panjohur”, si zanafillën e veprës së tij …
Dekada '70: Ang Orihinal At Kumpletong Edisyon PDF
Lualhati Bautista is known for her novels Dekada '70, Lina and Kasama. While Dekada '70 is based on the lives of the Pasig River flood victims, Lina is based on the lives of the …
Dekada 70 - University of Nebraska Omaha
Dekada 70 journeys with the central character Amanda Bartolome (Vilma Santos), the reticent wife of an alpha-male husband, and the worrying mother of a boisterous all-male brood. …
Lakas ng Feministang Makabayan Laban sa Patriyarkang ...
Ang Dekada ’70 ay dokumentong historikal at mala-alegorikong testimonya ng karanasan ng medya-klaseng taga-lungsod noong panahon ng diktaduryang Marcos. Nakakintal sa salaysay …
Ang Banal na Santo Rosaryo - Marian Youth Movement …
Ang grupo ng sampung butil ay isang Dekada. Bago ang bawat dekada, isipin ang nangyari kay Kristo. Hawakan ang mga butil para sa mga Dasal maliban sa butil ng Luwalhati. Habang …
Desaparesidos - Archive.org
Dekada '70. Pero narito ang Desaparesidos, at kalunos-lunos ang nilalaman ng bagong nobela tungkol sa paglasog ng mga kabuktutang militar sa pamilya ng mga rebolusyonaryong nasa …
Ang Novelty - scientia-sanbeda.org
Amerikano lalo noong dekada “Filipinized” Matapos na pinoy ballad, pinoy, pinoy popular na kaalinsabay na musika— panahon, ng ring masumpungan na itinuturing na ay nagsimula sa …
Shtatë dekada krijimtari në shtatë vëllime - Onufri SHPK
Ideja për një version të ri prej shtatë vëllimesh të veprës së plotë u diskutua kur autori shfletoi arkivin e tij personal, prej nga veçoi novelën “Në dheun e panjohur”, si zanafillën e veprës së …
Dekada '70: Ang Orihinal At Kumpletong Edisyon PDF
Lualhati Bautista is known for her novels Dekada '70, Lina and Kasama. While Dekada '70 is based on the lives of the Pasig River flood victims, Lina is based on the lives of the …
