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| david andrew wits: Multimodal Approaches to Research and Pedagogy Arlene Archer, Denise Newfield, 2014-03-14 This book brings together social semiotics, cultural studies, multiliteracies, and other approaches in order to theorize very different learning environments, giving visibility to the modal effect in a range of disciplines. It highlights the ideological nature of discursive practices, examines questions of access, and argues for transformation of these practices, with a constant eye on issues of social justice and equity. Contributors argue that we can harness learners’ representational resources through making these resources visible, and creating less regulated spaces in the curriculum in which they can be used. Examples from primary education through to adult continuing education are used throughout the text. |
| david andrew wits: The Art of Public Space Kim Gurney, 2016-01-05 A journey through Johannesburg via three art projects raises intriguing notions about the constitutive relationship between the city, imagination and the public sphere- through walking, gaming and performance art. Amid prevailing economic validations, the trilogy posits art within an urban commons in which imagination is all-important. |
| david andrew wits: Multimodality and Social Semiosis Margit Böck, Norbert Pachler, 2013-07-24 Gunther Kress, one of the founders of social semiotics and multimodality, has made lasting contributions to these fields through his work in semiotics and meaning-making; power and identity; agency, design, production; and pedagogy and learning; in varied sites of transformation. This book brings together leading scholars in a variety of disciplines, including social semiotics, pedagogy, linguistics, media and communication studies, new literacy studies, ethnography, academic literacy, literary criticism and, more recently, medical/clinical education, to examine and build upon his work. This disciplinary diversity is evidence of the ways in which Kress' work has influenced and been influenced by a wide range of academic work and intellectual endeavors and how it has been used to lay foundations for theory-building and concept development in a varied yet connected range of areas. The individual contributions to the book pick up the threads of the often collaborative work of the authors with Kress; they show how these approaches were subsequently developed and discuss what future trajectories the authors see for them. |
| david andrew wits: The Model Men Ivan Vladislavić, Andries Walter Oliphant, 2004 |
| david andrew wits: Johannesburg Circa Now Terry Kurgan, 2005 |
| david andrew wits: Congo Style Ruth Sacks, 2023-07-25 Congo Style presents a postcolonial approach to discussing the visual culture of two now-notorious regimes: King Leopold II’s Congo Colony and the state sites of Mobutu Sese Seko’s totalitarian Zaïre. Readers are brought into the living remains of sites once made up of ambitious modernist architecture and art in Kinshasa, Democratic Republic of the Congo. From the total artworks of Art Nouveau to the aggrandizing sites of post-independence Kinshasa, Congo Style investigates the experiential qualities of man-made environments intended to entertain, delight, seduce, and impress. In her study of visual culture, Ruth Sacks sets out to reinstate the compelling wonder of nationalist architecture from Kinshasa’s post-independence era, such as the Tower of the Exchange (1974), Gécamines Tower (1977), and the artworks and exhibitions that accompanied them. While exploring post-independence nation-building, this book examines how the underlying ideology of Belgian Art Nouveau, a celebrated movement in Belgium, led to the dominating early colonial settler buildings of the ABC Hotels (circa 1908–13). Congo Style combines Sacks’s practice as a visual artist and her academic scholarship to provide an original study of early colonial and independence-era modernist sites in their African context. |
| david andrew wits: DNA James D. Watson, Andrew Berry, 2009-01-21 Fifty years ago, James D. Watson, then just twentyfour, helped launch the greatest ongoing scientific quest of our time. Now, with unique authority and sweeping vision, he gives us the first full account of the genetic revolution—from Mendel’s garden to the double helix to the sequencing of the human genome and beyond. Watson’s lively, panoramic narrative begins with the fanciful speculations of the ancients as to why “like begets like” before skipping ahead to 1866, when an Austrian monk named Gregor Mendel first deduced the basic laws of inheritance. But genetics as we recognize it today—with its capacity, both thrilling and sobering, to manipulate the very essence of living things—came into being only with the rise of molecular investigations culminating in the breakthrough discovery of the structure of DNA, for which Watson shared a Nobel prize in 1962. In the DNA molecule’s graceful curves was the key to a whole new science. Having shown that the secret of life is chemical, modern genetics has set mankind off on a journey unimaginable just a few decades ago. Watson provides the general reader with clear explanations of molecular processes and emerging technologies. He shows us how DNA continues to alter our understanding of human origins, and of our identities as groups and as individuals. And with the insight of one who has remained close to every advance in research since the double helix, he reveals how genetics has unleashed a wealth of possibilities to alter the human condition—from genetically modified foods to genetically modified babies—and transformed itself from a domain of pure research into one of big business as well. It is a sometimes topsy-turvy world full of great minds and great egos, driven by ambitions to improve the human condition as well as to improve investment portfolios, a world vividly captured in these pages. Facing a future of choices and social and ethical implications of which we dare not remain uninformed, we could have no better guide than James Watson, who leads us with the same bravura storytelling that made The Double Helix one of the most successful books on science ever published. Infused with a scientist’s awe at nature’s marvels and a humanist’s profound sympathies, DNA is destined to become the classic telling of the defining scientific saga of our age. |
| david andrew wits: Motive in Shadow Dell Shannon, 2014-07-14 The Manning Company is a big business, but although it was headed by Claire Manning, the founder's widow, before her death, her son John had been running the firm for many years and was the undisputed successor. So why did Claire leave almost everything to her third cousin, whom no one associated with the firm has ever heard of? Enter Jesse Falkenstein, who is launched into an investigation of Claire Manning's past - and a litany of treachery, fraud, blackmail, abortion, impersonation and sudden death. 'My favourite American crime-writer' New York Herald Tribune |
| david andrew wits: The Register of the Parish Church of Addingham, Co. York Addingham, Eng. (Parish), 1920 |
| david andrew wits: Historical Collections of Harrison County, in the State of Ohio, with Lists of the First Land-owners, Early Marriages, to 1841, Will Records, to 1861, Burial Records of the Early Settlements, and Numerous Genealogies Charles Augustus Hanna, 1975 Excerpt from Historical Collections of Harrison County, in the State of Ohio: With Lists of the First Land-Owners, Early Marriages, (to 1841), Will Records, (to 1861), Burial Records of the Early Settlements, and Numerous Genealogies Anniversary Discourse Delivered in the Ridge Church by Rev. Robert Herron, D. D Dec. 13, 1873: Uhrichsville, 1874. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. |
| david andrew wits: Multiliteracies in International Educational Contexts Gabriela C. Zapata, Mary Kalantzis, Bill Cope, 2023-12-22 Multiliteracies in International Educational Contexts: Towards Education Justice examines how multiliteracies and Learning by Design have been taken up across international second-language instructional contexts, with a focus on inclusive practices and social justice. This edited collection brings together a team of international contributors to offer a global perspective on the application of multiliteracies in L2 education. Through the analysis of classroom-based qualitative and quantitative data on different aspects of the multiliteracies pedagogy, the book shows how the multiliteracies pedagogy can facilitate more inclusive practices while providing suggestions for pedagogical interventions and future research. This book will be a key resource for language educators, researchers, and practitioners interested in the multiliteracies pedagogy, as well as those interested in critical and social justice approaches to language teaching. |
| david andrew wits: Multimodal Pedagogies in Diverse Classrooms Pippa Stein, 2007-11-07 This book examines how the classroom can become a democratic space and is essential reading for anyone interested in multimodality, pedagogy & social justice. |
| david andrew wits: Wills of Richmond County, Virginia, 1699-1800 Robert Kirk Headley, 1983 Richmond County wills are extant only from 1699, but the compiler of this useful work has bridged the gap by substituting information from Order Books, 1692-1699, thereby extending the possibilities for genealogical enquiry. The entries, which consist mainly of abstracts of wills and inventories and refer to about 8,000 persons, are arranged throughout the work in chronological order. |
| david andrew wits: Don't Panic Gabi Ngcobo, 2011 Don't/Panic is an exhibition that brings together many powerful voices as it engages African artists dealing with the current ecological situation--P. 5. |
| david andrew wits: Shakespeare's First Folio Emma Smith, 2016-03-24 This is a biography of a book: the first collected edition of Shakespeare's plays printed in 1623 and known as the First Folio. It begins with the story of its first purchaser in London in December 1623, and goes on to explore the ways people have interacted with this iconic book over the four hundred years of its history. Throughout the stress is on what we can learn from individual copies now spread around the world about their eventful lives. From ink blots to pet paws, from annotations to wineglass rings, First Folios teem with evidence of its place in different contexts with different priorities. This study offers new ways to understand Shakespeare's reception and the history of the book. Unlike previous scholarly investigations of the First Folio, it is not concerned with the discussions of how the book came into being, the provenance of its texts, or the technicalities of its production. Instead, it reanimates, in narrative style, the histories of this book, paying close attention to the details of individual copies now located around the world - their bindings, marginalia, general condition, sales history, and location - to discuss five major themes: owning, reading, decoding, performing, and perfecting. This is a history of the book that consolidated Shakespeare's posthumous reputation: a reception history and a study of interactions between owners, readers, forgers, collectors, actors, scholars, booksellers, and the book through which we understand and recognise Shakespeare. |
| david andrew wits: A New Companion to Renaissance Drama Arthur F. Kinney, Thomas Warren Hopper, 2017-04-20 A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field |
| david andrew wits: New York Magazine , 1985-03-11 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| david andrew wits: Living and Sustaining a Creative Life Sharon Louden, 2013-01-10 |
| david andrew wits: Safari Nation Jacob S. T. Dlamini, 2020-04-22 Safari Nation opens new lines of inquiry in the study of national parks in Africa and the rest of the world. The Kruger National Park is South Africa’s most iconic nature reserve, renowned for its rich flora and fauna. According to author Jacob Dlamini, there is another side to the park, a social history neglected by scholars and popular writers alike in which blacks (meaning Africans, Coloureds, and Indians) occupy center stage. Safari Nation details the ways in which black people devoted energies to conservation and to the park over the course of the twentieth century—engagement that transcends the stock (black) figure of the laborer and the poacher. By exploring the complex and dynamic ways in which blacks of varying class, racial, religious, and social backgrounds related to the Kruger National Park, and with the help of previously unseen archival photographs, Dlamini’s narrative also sheds new light on how and why Africa’s national parks—often derided by scholars as colonial impositions—survived the end of white rule on the continent. Relying on oral histories, photographs, and archival research, Safari Nation engages both with African historiography and with ongoing debates about the “land question,” democracy, and citizenship in South Africa. |
| david andrew wits: The Publications of the Yorkshire Parish Register Society , 1920 |
| david andrew wits: The New York Times Theater Reviews 1997-1998 Times Books, 2014-10-13 From the musical hits Lion King and Bring In da Noise, Bring In da Funk, to important new off-Broadway plays such as Beauty Queen of Leenane and Wit, the latest volume in this popular series features a chronological collection of facsimiles of every theater review and awards article published in the New York Times between January 1997 and December 1998. Includes a full index of personal names, titles, and corporate names. Like its companion volume, the New York Times Film Reviews 1997-1998, this collection is an invaluable resource for all libraries. |
| david andrew wits: District of Columbia Probate Records , 1996 These probate records include wills, administrations of estates, some appointment of guardians and a few indentures of apprenticeship. This work contains detailed abstracts of 1,260 wills and listings of 3,406 estate records. Data was taken from will books and estate files found in the D.C. Archives and National Archives. Many entries include additional information from newspaper accounts and other sources. -- Cover [p.4]. |
| david andrew wits: Cities of Gold, Townships of Coal Patrick Bond, 2000 After apartheid was dismantled, South Africa's townships anticipated a peace and development dividend. But as the ANC begins its second term in office (1999-2004), the cities have degenerated further into impoverished, polluted, under-serviced, zones of blight and despair. Indeed, in many respects, the townships were worse off than when the ANC took power. In this collection of essays, the author argues that the ANC's adoption of free-market economic and social policies is at the root of these problems and can be blamed for S Africa's uneven urban development. |
| david andrew wits: Great Presidential Wit Robert J. Dole, 2001 The former senator and presidential candidate collects bipartisan presidential humor from famous, and not-so-famous, chief executives, from Washington to Clinton. |
| david andrew wits: Who's who of Southern Africa , 2004 Vols. for 1967-70 include as a section: Who's who of Rhodesia, Mauritius, Central and East Africa. |
| david andrew wits: International Exchange in the Early Modern Book World Matthew McLean, Sara K. Barker, 2016-07-11 International Exchange in the Early Modern Book World presents new research on several aspects of the movement and exchange of books between countries, languages and confessions. It considers elements of the international book trade, the circulation and collection of texts, the practice of translation and the diffusion and exchange of technical and cultural knowledge. Commercial and logistical aspects of the early modern book trade are considered, as are the relationships between local markets and the internationally-minded firms which sought to meet their expectations. The barriers to the movement of books across borders – political, linguistic, confessional, cultural – are explored, as are the means by which these barriers were surmounted. |
| david andrew wits: Chambers's Journal of Popular Literature, Science and Arts , 1863 |
| david andrew wits: The New York Times Theater Reviews 1997-1998 Times Books, 2001-01-02 First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company. |
| david andrew wits: Catalog of Copyright Entries Library of Congress. Copyright Office, 1957 |
| david andrew wits: The Publications of the Thoresby Society , 1923 |
| david andrew wits: The Granville District of North Carolina, 1748-1763 Margaret M. Hofmann, 1989 |
| david andrew wits: A Discourse concerning Natural and Revealed Religion, evidencing the truth and certainty of both, etc Stephen NYE, 1752 |
| david andrew wits: South African Literature after the Truth Commission S. Graham, 2009-04-27 This book studies a broad and ambitious selection of contemporary South African literature, fiction, drama, poetry, and memoir to make sense of the ways in which these works 'remap' the intersections of memory, space/place, and the body, as they explore the legacy of apartheid. |
| david andrew wits: New York Magazine , 1985-03-18 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| david andrew wits: Uncivil Mirth Ross Carroll, 2022-08-09 How the philosophers and polemicists of eighteenth-century Britain used ridicule in the service of religious toleration, abolition, and political justice The relaxing of censorship in Britain at the turn of the eighteenth century led to an explosion of satires, caricatures, and comic hoaxes. This new vogue for ridicule unleashed moral panic and prompted warnings that it would corrupt public debate. But ridicule also had vocal defenders who saw it as a means to expose hypocrisy, unsettle the arrogant, and deflate the powerful. Uncivil Mirth examines how leading thinkers of the period searched for a humane form of ridicule, one that served the causes of religious toleration, the abolition of the slave trade, and the dismantling of patriarchal power. Ross Carroll brings to life a tumultuous age in which the place of ridicule in public life was subjected to unparalleled scrutiny. He shows how the Third Earl of Shaftesbury, far from accepting ridicule as an unfortunate byproduct of free public debate, refashioned it into a check on pretension and authority. Drawing on philosophical treatises, political pamphlets, and conduct manuals of the time, Carroll examines how David Hume, Mary Wollstonecraft, and others who came after Shaftesbury debated the value of ridicule in the fight against intolerance, fanaticism, and hubris. Casting Enlightenment Britain in an entirely new light, Uncivil Mirth demonstrates how the Age of Reason was also an Age of Ridicule, and speaks to our current anxieties about the lack of civility in public debate. |
| david andrew wits: Claiming the Pen Catherine Kerrison, 2015-05-05 In 1711, the imperious Virginia patriarch William Byrd II spitefully refused his wife Lucy's plea for a book; a century later, Lady Jean Skipwith placed an order that sent the Virginia bookseller Joseph Swan scurrying to please. These vignettes bracket a century of change in white southern women's lives. Claiming the Pen offers the first intellectual history of early southern women. It situates their reading and writing within the literary culture of the wider Anglo-Atlantic world, thus far understood to be a masculine province, even as they inhabited the limited, provincial social circles of the plantation South.Catherine Kerrison uncovers a new realm of female education in which conduct-of-life advice—both the dry pedantry of sermons and the risqué plots of novels—formed the core reading program. Women, she finds, learned to think and write by reading prescriptive literature, not Greek and Latin classics, in impromptu home classrooms, rather than colleges and universities, and from kin and friends, rather than schoolmates and professors. Kerrison also reveals that southern women, in their willingness to take up the pen and so claim new rights, seized upon their racial superiority to offset their gender inferiority. In depriving slaves of education, southern women claimed literacy as a privilege of their whiteness, and perpetuated and strengthened the repressive institutions of slavery. |
| david andrew wits: Andrew the Glad Maria Thompson Daviess, 2022-09-16 In Andrew the Glad, Maria Thompson Daviess weaves an evocative tapestry of early 20th-century American life, imbuing her narrative with a distinctive blend of wit and warmth. The novel's idyllic portrayal of the South and its society is a testament to the author's finesse in capturing the zeitgeist of the era. The prose is marked by its charm and ease, rendering a vibrant storytelling experience that maintains its literary merits even as it enlightens and entertains. As part of DigiCat's effort to preserve timeless classics, this special edition invites us to explore Daviess's world in a format that honors its historical and cultural significance within the broader literary canon.nMaria Thompson Daviess stands as a notable figure in American literature, and Andrew the Glad reflects her literary prowess and perceptive social commentary. A Kentuckian by birth, Daviess was known for her ability to depict Southern life with an authenticity that likely stems from her profound connection to her roots. The act of republishing her work speaks to the ongoing appreciation for Daviess's storytelling, which captures the delicacies of human emotions and the complexities of communal ties with an enchanting simplicity.nAndrew the Glad is recommended for those who cherish the classic works of American literature and partake in the rediscovery of voices that have shaped our cultural landscape. Scholars and general readers alike will find pleasure and insight in Daviess's novel, now thoughtfully republished by DigiCat Publishing. Its universal themes of joy, community, and resilience resonate across generations, making this book a delightful addition to any collection and an enduring contribution to the preservation of literary heritage. |
| david andrew wits: Ansearchin' News , 1993 |
| david andrew wits: One Rainy Day Joan Jonker, 2012-02-02 For one young girl, a walk in the rain will change her life forever... One Rainy Day is an unforgettable saga of warmth and humour from hugely popular author, Joan Jonker. Perfect for fans of Dilly Court and Katie Flynn. Poppy Meadows has a face of rare beauty. Like most other nineteen-year-olds, she enjoys life. And, oh, how she loves to dance! The only blot on her happiness is her dreadful boss in the office where she works... One rainy day, Poppy is delivering a letter when she fails to notice two people approaching and is knocked to the ground. The couple are full of apologies but Poppy brushes aside the young man's offer to replace her ruined raincoat. As she walks away with her head held high, Andrew Wilkie-Brook says to his sister Charlotte, 'I wish she'd let me help, but she wouldn't listen to me.' Someone is listening, however, and her name is Fate... What readers are saying about One Rainy Day: 'A wonderfully delightful story by Joan Jonker, who as always satisfies her readers. I thoroughly enjoyed the humour, friendship and romance in the story. Such an enjoyable read which was difficult to put down. I just loved to cuddle up with such a super book' 'This is a most delightful book; even for romantic males! It had everything. Sorrow and laughter, hatred and love, rich and poor. I would have liked to have read a follow-up to discover what happened next' |
| david andrew wits: The New York Genealogical and Biographical Record , 1879 |
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