Advertisement
| crackhead from don't be a menace: Knifer Ronnie Thompson, 2011-03-31 Drug addiction. Criminal behaviour. Murder... and all before his sixteenth birthday. From foster home to children's home to living rough on the streets, Cain never had a normal childhood. By the age of 8 he was carrying a knife. Seven years later he was serving time for killing someone. Based on real events, ex-prison officer Ronnie Thompson tells Cain's shocking story and reveals what really happens to teenage offenders both on the streets and once they're behind bars. Prison riots, assaults on officers, roof-top protests and brutal acts of violence - this is an inside account of life in a young offender's institute and of an angry young man spiralling dangerously out of control. |
| crackhead from don't be a menace: When Truth Is Gangsta Tecori Sheldon, 2014-09-30 An assault team storms eight-year-old Walker Ruffneck' Story's rural Pennsylvania family compound, killing both of his parents. Ruffneck escapes and is smuggled out of state to Detroit. Under the watchful eye of Granny Sinclair, Ruffneck re-emerges 11 years later, hungry for power and revenge. He challenges the elitists in the dope game for control. Betrayed, Ruffneck is put behind bars for two years, and Granny Sinclair and Ruffneck's cousin are murdered. Out of prison, Ruffneck has only revenge on his mind. All fingers point to one man: the Mayor of Detroit.' |
| crackhead from don't be a menace: Father Complex Gregory Ashe, 2022-04-08 Having a father can be hard. Being a good one might be even harder. The call-out for the double homicide, when it comes, is a strange one: two men gunned down in a motel room, no witnesses, no real clues. Even stranger, the men were enemies, and no one seems to know why they were in that motel room together. And stranger still, people won’t stop calling John-Henry Somerset, telling him he needs to find some answers—preferably nice, easy ones—fast. Hazard and Somers set out to learn what happened, but they quickly find themselves mired in shifting factions: the ultraconservative political machine of the Ozark Volunteers; a liberal activist group protesting the local gun show; a reclusive fundamentalist church; even a hint of Mexican drug cartels. The further they press their investigation, the clearer it becomes that the killer—or killers—wants something, and they’ll stop at nothing to get it. As Hazard and Somers struggle to find the truth, they face trouble at home as well. Their foster-son, Colt, has received a letter from his estranged father, the same man who attacked Colt and Somers in their home. Worse, Colt seems open to more communication, which leaves Hazard grappling with his fears for Colt and his helplessness against a world that seems to be conspiring to take his foster-son away. But when a pair of gunmen come after Hazard at home, two things are crystal clear: he’s going to get to the bottom of these murders, and he’ll do anything to keep his family together. |
| crackhead from don't be a menace: Let's Pretend This Never Happened Jenny Lawson, 2012-04-17 The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside |
| crackhead from don't be a menace: Can't Be Trusted Tawana Logan, 2019-10-08 Butafli is a majestic Jamaican go-getta who, regardless of parole, uses her body and street knowledge to get whatever she wants. She makes the mistake of recruiting the assistance of her sister Tonka and her cousin Fresh to rob Kilo, not knowing behind every boss is another boss. Take the reckless journey filled with humor, sex, drugs, money, and deception. The saying goes when you want something done, you must do it yourself. Otherwise, you learn that people can't be trusted. Bonus Books A Diabetic Cereal Killer Joshua is a young man who grew up with juvenile diabetes. Without a dad and with an ungrateful mom, he has to collect cans and work, yet he still cannot make his mom happy. With deep anger and disappointment, Joshua takes out his anger on others in a twisted way to get what he always wanted love and a little sugar satisfaction. Justice or Unforeseen Occurance? On her birthday, Crylynn Dunbar drives into incoming traffic in a DWI accident that claims the life of a man. After a brief encounter with the victim's family, she learns more about him as well as his homicidal past. The justice system gives her a break, but will the family? She soon learns that, as always, one action has a chain reaction and a consequence. |
| crackhead from don't be a menace: Hoodlums William L. Van Deburg, 2013-10-21 Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary. Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy. |
| crackhead from don't be a menace: Fallin' For A Carolina Menace Natisha Raynor, 2019-02-21 |
| crackhead from don't be a menace: Every Man a Menace Patrick Hoffman, 2016-10-04 The author of The White Van delivers “everything you could want in a thriller—lightning pace, dead-on dialogue, and a twisting, high-torque plot” (Award-winning author Carl Hiaasen). Patrick Hoffman burst onto the crime fiction scene with The White Van, a bank heist thriller set on the back streets of San Francisco and a finalist for the CWA Ian Fleming Steel Dagger Award. Now he returns with his second novel, Every Man a Menace, the inside story of a ruthless ecstasy-smuggling ring. San Francisco is about to receive the biggest delivery of MDMA to hit the West Coast in years. Raymond Gaspar, just out of prison, is sent to the city to check in on the increasingly erratic dealer expected to take care of distribution. In Miami, the man responsible for getting the drugs across the Pacific has just met the girl of his dreams—a woman who can’t seem to keep her story straight. And thousands of miles away in Bangkok, someone farther up the supply chain is about to make a phone call that will put all their lives at risk. Stretching from the Golden Triangle of Southeast Asia to the Golden Gate of San Francisco, Every Man a Menace offers “a mind-bending, attention-demanding narrative as full of shocks and surprises as an LSD party” (The Wall Street Journal). |
| crackhead from don't be a menace: Focus On: 100 Most Popular American Satirical Films Wikipedia contributors, |
| crackhead from don't be a menace: My Religion Charles Lamar Garrison, 2012-08-16 Winding down the deceit soaked pavement of Chicago’s infamous Cabrini Green housing project through the drug infested plight of Columbus, Ohio’s Lower Westside. Imprisoned stick up kid and contract killer Remorse Evans details his life of crime. All the while attempting to survive within the walls of one of the nations most notorious prisons, S.O.C.F. better known as Lucasville Max. |
| crackhead from don't be a menace: Deep Shaker Les Roberts, 2005-06-01 #3 in the Milan Jacovich mystery series . . . No one is as loyal to old friends as Cleveland private investigator Milan Jacovich (it’s pronounced MY-lan YOCK-ovich). So when a grade school chum worries his son Paulie might be selling drugs, Milan has no choice but to help. Milan turn up Paulie’s connection, a handsome Jamaican named Deshon who pals around with two baseball-bat wielding thugs and a German shepherd dog who looks like he’s all business. The narcotics business makes curious bedfellows, as Milan discovers during his investigation of a particularly brutal murder; he butts heads with a wily realtor named Christmas, a flamboyant automobile dealer with lofty political ambitions, an edgy street pusher, and his old friends from the Little Italy mob, Don Giancarlo D’Allessandro and Victor Gaimari. Milan also encounters a drug gang unparalleled in their savagery, and unearths a relic from every Clevelander’s childhood that proves to be deadly. |
| crackhead from don't be a menace: How to Be Idle Tom Hodgkinson, 2013-07-30 Yearning for a life of leisure? In 24 chapters representing each hour of a typical working day, this book will coax out the loafer in even the most diligent and schedule-obsessed worker. From the founding editor of the celebrated magazine about the freedom and fine art of doing nothing, The Idler, comes not simply a book, but an antidote to our work-obsessed culture. In How to Be Idle, Hodgkinson presents his learned yet whimsical argument for a new, universal standard of living: being happy doing nothing. He covers a whole spectrum of issues affecting the modern idler—sleep, work, pleasure, relationships—bemoaning the cultural skepticism of idleness while reflecting on the writing of such famous apologists for it as Oscar Wilde, Robert Louis Stevenson, Dr. Johnson, and Nietzsche—all of whom have admitted to doing their very best work in bed. It’s a well-known fact that Europeans spend fewer hours at work a week than Americans. So it’s only befitting that one of them—the very clever, extremely engaging, and quite hilarious Tom Hodgkinson—should have the wittiest and most useful insights into the fun and nature of being idle. Following on the quirky, call-to-arms heels of the bestselling Eat, Shoots and Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss, How to Be Idle rallies us to an equally just and no less worthy cause: reclaiming our right to be idle. |
| crackhead from don't be a menace: Family Over Everything Paige Green, 2013-05-28 Twin brothers, Deion and Day'onne Jenkins, have grown up in the cold streets of the gritty Northview Heights, Pittsburgh community. Deion, a young, aspiring writer, tries his best to stay out of trouble and keep his hands clean. But it's a challenge with his brother's hard, ruthless ways. Day'onne, who continuously wreaks havoc throughout the city, does whatever it takes to get on top. But after crossing the wrong person, a vet in the drug game, things turn for the worst in all of their lives. Will Deion stay on the road to success or swallow his fears for his family? |
| crackhead from don't be a menace: The Night of the Gun David Carr, 2012-12-11 David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened. |
| crackhead from don't be a menace: Historical Dictionary of African American Cinema S. Torriano Berry, Venise T. Berry, 2015-05-07 This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema. |
| crackhead from don't be a menace: Shook One Charlamagne Tha God, 2019-09-03 Charlamagne Tha God, New York Times bestselling author of Black Privilege and always provocative cohost of Power 105.1’s The Breakfast Club, reveals his blueprint for breaking free from your fears and anxieties. Being “shook” is more than a rap lyric for Charlamagne, it’s his mission to overcome. While it may seem like he’s ahead of the game, he is actually plagued by anxieties, such as the fear of losing his roots, the fear of being a bad dad, and the fear of being a terrible husband. In the national bestseller Shook One, Charlamagne chronicles his journey to beat those fears and shows a path that you too can take to overcome the anxieties that may be holding you back. Ironically, Charlamagne’s fear of failure—of falling into the life of stagnation or crime that caught up so many of his friends and family in his hometown of Moncks Corner—has been the fuel that has propelled him to success. However, even after achieving national prominence as a radio personality, Charlamagne still found himself paralyzed by anxiety and distrust. Here, in Shook One, he is working through these problems—many of which he traces back to cultural PTSD—with help from mentors, friends, and therapy. Being anxious doesn’t serve the same purpose anymore. Through therapy, he’s figuring out how to get over the irrational fears that won’t take him anywhere positive. Charlamange hopes Shook One can be a call to action: Getting help is your right. His second book “cements the radio personality’s stance in making sure he’s on the right side of history when it comes to society’s growing focus on mental health, while helping remove the negative stigma” (Billboard). |
| crackhead from don't be a menace: SPIN , 2005-11 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| crackhead from don't be a menace: Screen World John A. Willis, 1997 |
| crackhead from don't be a menace: From the Streets to the Skies No Limits Crystal Victoria, 2012-04 From the Streets to the Skies No Limits is based on a true story and the diary of Crystal Victoria. The book addresses many obstacles facing our young generation, as they evolve into adulthood. Many times the author made decisions based on peer pressure and an immature mindset. In the end, she overcame her biggest problem, which was herself. This is the story of her failure, flight, and motivation to overcome the struggles in spite of the conflicts that could have held her back. The message From the Streets to the Skies No Limits communicates to individuals is to be your best self. The author's age, level of understanding, and in-depth story is certain to grasp the reader's attention and will keep you on the edge of your seat to the end. The life she previously lived was full of crime, drug abuse & dealing, prostitution, and domestic violence. It is by the grace of God, she survivied the adversity. From the Streets to the Skies No Limits: Diary of A Boss Lady illustrates where and how she went wrong in the beginning, but also gained the strength to move forward and correct her mistakes. |
| crackhead from don't be a menace: A Perfect Fit Luther Wright, Karen Hunter, 2010-11-23 FORMER NBA STAR LUTHER WRIGHT SHARES HIS HARROWING AND UPLIFTING JOURNEY OF FINDING GOD—AND HIMSELF—WHEN HE HAD NOTHING LEFT TO LOSE. Luther Wright had the life hoop dreams are made of. A first-round NBA draft pick for the Utah Jazz, he was a rookie on a team with basketball legends Karl Malone and John Stockton. He had money, women, cars, and a luxurious bachelor pad overlooking Salt Lake City. But within a year, ravaged by drugs and unable to cope with life as an NBA star, he was homeless, broke and addicted to crack cocaine. Wright never wanted to play basketball, yet standing more than seven feet tall even as a boy, he thought he had no choice. In this heartrending memoir, he writes candidly about the self-destructive spiral he found himself on after neglecting his passions to pursue the dreams of others. After years of living on the streets, he finally found a gift greater than anything his millions could have bought him—God. Today, Wright offers a simple message: believe in yourself, follow your dreams, and only then will you find your Perfect Fit. |
| crackhead from don't be a menace: Dark Horses: The Magazine of Weird Fiction No. 14 | March 2023 Wayne Kyle Spitzer, 2023-03-14 dark horse /ˈdärk ˈˌhôrs/ noun 1. a candidate or competitor about whom little is known but who unexpectedly wins or succeeds. a dark-horse candidate Join us for a monthly tour of writers who give as good as they get. From hard science-fiction to stark, melancholic apocalypses; from Lovecraftian horror to zombies and horror comedy; from whimsical interludes to tales of unlikely compassion--whatever it is, if it's weird, it's here. So grab a seat before the starting gun fires, pour yourself a glass of strange wine, and get ready for the running of the dark horses. In this issue: MOTHER STORY Lee Landey LIGHTSIREN Tim McHugh MEN’S HELL CLUB Fred Nolan ONE OF THESE NIGHTS H. Thomas SHADOWS IN THE LIGHT Todd Sullivan SOMEWHERE ANYWHERE Kevin Brown THE HAUNTING OF THE HAUNTED HOUSE K. Danckert THE NEW NORMAL Matthew McAyeal BEER AND TENTACLES Bill Link THE GHOSTS IN THEIR BOROUGHS Wayne Kyle Spitzer |
| crackhead from don't be a menace: Police Ethics Michael Caldero, Jeffrey Dailey, Brian Withrow, 2018-02-01 Police Ethics, Fourth Edition, provides an analysis of corruption in law enforcement organizations. The authors argue that the noble cause—a commitment to “doing something about bad people”—is a central “ends-based” police ethic. This fundamental principle of police ethics can paradoxically open the way to community polarization and increased violence, however, when officers violate the law on behalf of personally held moral values. This book is about the power that police use to do their work and how it can lead police to abuse their positions at the individual and organizational levels. It provides students of policing with a realistic understanding of the kinds of problems they will confront in the practice of police work. This timely new edition offers police administrators direction for developing agency-wide corruption prevention strategies, and a re-written chapter further expands our level of understanding of corruption by covering the Model of Circumstantial Corruptibility in detail. The fourth edition also discusses critical ethical issues relating to the relationship between police departments and minority communities, including Black Lives Matter and other activist groups. In the post-Ferguson environment, this is a crucial text for students, academicians, and law enforcement professionals alike. |
| crackhead from don't be a menace: Blackout Girl Jennifer Storm, 2008-01-09 A riveting memoir of what happens to a teenage girl whose life is awash in alcohol, drugs, and the trauma of rape. Jennifer Storm's Blackout Girl is a can't-tear-yourself-away look at teenage addiction and redemption. At age six, Jennifer Storm was stealing sips of her mother's cocktails. By age 13, she was binge drinking and well on her way to regular cocaine and LSD use. Her young life was awash in alcohol, drugs, and the trauma of rape. She anesthetized herself to many of the harsh realities of her young life--including her own misunderstandings about her sexual orientation--, which made her even more vulnerable to victimization. Blackout Girl is Storm's tender and gritty memoir, revealing the depths of her addiction and her eventual path to a life of accomplishment and joy. |
| crackhead from don't be a menace: I AM HE, MR. RETRIBUTION ERIC JONES, 2013-07-21 How can you possibly identify a sophisticated killer with multiple identities? A ghost! A killer who could find you at any moment with the aid of his psychic ability if you were on his list. A killer who leaves not a trace. The mystery becomes too intricate for law enforcement and forensics experts to unstitch when letters justifying Mr. Retribution's killings, are found at the many gruesome crime scenes, who started his massacres in the 60's, 70's and 80's, return to the new millennium to claim more malicious victims of the Chicago south suburbs, who he believes mercy shall never be a savior for. But who is this masked murderer who calls himself, Mr. Retribution? The mystery shall surely shock you! |
| crackhead from don't be a menace: One Lyfe to Live Erick S. Gray, 2011 |
| crackhead from don't be a menace: The Sun King David Ignatius, 1999-08-24 Washington Post columnist David Ignatius is one of the most highly regarded writers in the capital, an influential journalist and acclaimed novelist with a keen eye for the subtleties of power and politics. In The Sun King, Ignatius has written a love story for our time, a spellbinding portrait of the collision of ambition and sexual desire. Sandy Galvin is a billionaire with a rare talent for taking risks and making people happy. Galvin arrives in a Washington suffering under a cloud of righteous misery and proceeds to turn the place upside down. He buys the city's most powerful newspaper, The Washington Sun and Tribune, and wields it like a sword, but in his path stands his old Harvard flame, Candace Ridgway, a beautiful and icy journalist known to her colleagues as the Mistress of Fact. Their fateful encounter, tangled in the mysteries of their past, is narrated by David Cantor, an acid-tongued reporter and Jerry Springer devotee who is drawn inexorably into the Sun King's orbit and is transformed by this unpredictable man. In this wise and poignant novel, love is the final frontier for a generation of baby boomers at midlife--still young enough to reach for their dreams but old enough to glimpse the prospect of loss. The Sun King can light up a room, but can he melt the worldly bonds that constrain the Mistress of Fact? In The Sun King, David Ignatius proves with perceptive wit and haunting power that the phrase Washington love story isn't an oxymoron. |
| crackhead from don't be a menace: Born a Crime Trevor Noah, 2016-11-15 The compelling, inspiring, and comically sublime New York Times bestseller about one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed. Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The eighteen personal essays collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. |
| crackhead from don't be a menace: In Our Mad and Furious City Guy Gunaratne, 2018-12-11 Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so. |
| crackhead from don't be a menace: Come Get Some Nane Quartay, 2008-04-01 Come Get Some is a vivid tale of street life and the struggle to conquer poverty, tragedy, and discovering one's self through the indomitable will of the human spirit. Four friends—Mugwump, Whiteboy Paul, Truitt, and Willmon Angel—are tragic outcasts plunged into a world of shifting morality, sexual exploration, and the stinging reality of racism. An illicit relationship with a high school English teacher, a tragic altercation with the police and a youthful indiscretion force them each to confront their personal demons, revealing hard truths that alter their lives forever. When one of the friends is murdered, their friendship is shattered, and his violent death tears their clique apart as they go their separate ways. Years later, they are reunited and when forced to face the consequences of their actions they hatch a plan to exact revenge on the man responsible for the murder. Thrust into a world of shifting morality, sexual exploration, and encountering the stinging reality of racism, Come Get Some bridges the gap between a literary, yet fully entertaining style of storytelling. Nane Quartay's bold, literary style captures thoughtful, social commentary through a fast-paced narrative. Come Get Some is a story of survival, friendship, tragedy, and ultimate redemption—revealing how the bonds of friendship can give people the power they need to overcome all obstacles that life sets in their path. |
| crackhead from don't be a menace: New York Magazine , 1993-09-06 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| crackhead from don't be a menace: Screen World 1997 John Willis, Barry Monush, 2000-02 John Willis' Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. You'll also find biographical entries - a prices reference for over 2 000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own. |
| crackhead from don't be a menace: The Year Nick McGowan Came to Stay Rebecca Sparrow, 2013-07-01 Bubble skirts. Transvision Vamp. Corkscrew perms. ‘21 Jump Street’. It's 1989 and Rachel Hill is the girl most likely to succeed. And the girl most likely to have everything under control ... that is, until her father invites the moody Nick McGowan to live with them. With the help of her best friend Zoe, Rachel battens down the hatches in preparation for Nick McGowan to move into her old bedroom and into her life. Nick immediately labels Rachel as uptight. With bad taste in music. Rachel immediately labels Nick a no-hoper. With a bad attitude. But it's a secret from Nick's past that will draw them together and make the year Nick McGowan came to stay one that Rachel will never forget. From the bestselling author of The Girl Most Likely. |
| crackhead from don't be a menace: Ruckus L. J. Shen, 2025-03-06 |
| crackhead from don't be a menace: Grace After Midnight Felicia Pearson, 2007-11-01 Felicia Pearson, who starred of the acclaimed television series The Wire, reveals her incredible, hard-knock life story, one that dramatically parallels her television character. While Felicia is a brilliant actor who played a truly chilling role, what's most remarkable about Snoop is what she has overcome in her life. Snoop was born a three-pound cross-eyed crack baby in East Baltimore. Those streets are among the toughest in the world, but Snoop was tougher. The runt of the ghetto showed an early aptitude for drug slinging and violence and thrived as a baby gangsta until she landed in Jessup state penitentiary after killing a woman in self-defense. There she rebelled violently against the system, and it was only through the cosmic intervention of her mentor, Uncle Loney, that she turned her life around. Eventually, Snoop was discovered in a nightclub by one of The Wire's cast members and quickly recruited to be one of television's most frightening and intriguing villains. While the story of coming up from the hood has been told by Antwone Fisher and Chris Gardner, among others, Snoop's tale goes far deeper into The Life than any previous books. And like Mary Karr's story, Snoop's is a woman's story from a fresh point of view. She defied traditional conventions of gender and sexual preference on the hardest streets in America and in front of millions of viewers on TV. |
| crackhead from don't be a menace: Is It Still Good to Ya? Robert Christgau, 2018-10-04 Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman. |
| crackhead from don't be a menace: Sister 2 Sister , 1994 |
| crackhead from don't be a menace: Ashes, Ashes Charles Atkins, 2014-11-20 A Manhattan forensic psychologist is targeted by a madman in this “taut, mind-blowing . . . Genuinely gripping thriller” (Booklist). Dr. Barrett Conyors knows just how dangerous Richard Glash is. She’s studied him. An easily triggered paranoid schizophrenic obsessed with Charles Manson and John Wayne Gacy, he’s currently serving four life sentences for an appalling series of murders. What a terrible mistake it would be if he were to be transferred to a local, far less secure, hospital for the criminally insane. It’s what Glash’s bleeding-heart attorney Carla Phelps demands. It’s what Barrett fears. The nightmare comes true when Glash escapes. Taking Barrett and Carla hostage is Glash’s first move. His next is inconceivably chilling. Barrett and Carla won’t be the only ones to suffer. What Glash has planned is to terrorize the entire city of New York. He’s sworn to become one of the most notorious mass murderers in recorded history—and he’s determined to make good on his promise. |
| crackhead from don't be a menace: Rayne Hawke: The Killing Fields: Dusk 'til Sunrise , |
| crackhead from don't be a menace: The Downhill Lie Carl Hiaasen, 2008-05-13 Originally drawn to the game by his father, Carl Hiaasen wisely quit golfing in 1973. But some ambitions refuse to die, and as the years–and memories of shanked 7-irons faded, it dawned on Carl that there might be one thing in life he could do better in middle age than he could as a youth. So gradually he ventured back to the dreaded driving range, this time as the father of a five-year-old son–and also as a grandfather. “What possesses a man to return in midlife to a game at which he’d never excelled in his prime, and which in fact had dealt him mostly failure, angst and exasperation? Here’s why I did it: I’m one sick bastard.” And thus we have Carl’s foray into a world of baffling titanium technology, high-priced golf gurus, bizarre infomercial gimmicks and the mind-bending phenomenon of Tiger Woods; a maddening universe of hooks and slices where Carl ultimately–and foolishly–agrees to compete in a country-club tournament against players who can actually hit the ball. “That’s the secret of the sport’s infernal seduction,” he writes. “It surrenders just enough good shots to let you talk yourself out of quitting.” Hiaasen’s chronicle of his shaky return to this bedeviling pastime and the ensuing demolition of his self-esteem–culminating with the savage 45-hole tournament–will have you rolling with laughter. Yet the bittersweet memories of playing with his own father and the glow he feels when watching his own young son belt the ball down the fairway will also touch your heart. Forget Tiger, Phil and Ernie. If you want to understand the true lure of golf, turn to Carl Hiaasen, who offers an extraordinary audiobook for the ordinary hacker. BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey. |
| crackhead from don't be a menace: Two Sons Nelson Christ Kennedy, 2008-08 A cast of troubled anti-heroes struggle to survive and family ties are tested in an uncertain world where power is held by a Christ and the many gods all clash to rule supreme. Used as a pawn in the machinations of those above him Nelson MacClease saves himself from one god only to fall prey to another. Drugs, violence and the politics of war takes the reader around the globe, from the ocean's bottom to the edges of space to spy on palace intrigues and vie with street-gangs and mobsters in a futuristic science-fiction novel filled with the violent underworld of crime and power. |
CRACKHEAD Definition & Meaning | Dictionary.com
A crackhead is a slang term for someone who is addicted to or does a lot of the drug crack cocaine. The word is more generally used to insult someone considered to be acting like a crackhead, that …
CRACKHEAD | English meaning - Cambridge Dictionary
CRACKHEAD definition: 1. a person who cannot stop using crack (= an illegal drug) 2. a person who cannot stop using crack…. Learn more.
CRACKHEAD Definition & Meaning - Merriam-Webster
The meaning of CRACKHEAD is one who smokes crack.
How Can I Tell If Someone Is on Crack? - The Recovery Village Drug …
Aug 30, 2024 · The slang names for such high-frequency users include addict, junkie, crackhead and fiend. Signs that someone has potentially binged on crack can include extreme irritability, …
Crack Whore & Crackhead | Meaning, Definition, And Stigma
Mar 2, 2022 · People who stigmatize crack addiction often use derogatory terms such as crack head and crack whore. Crack head refers to someone who regularly uses crack cocaine. Crack …
CRACKHEAD definition and meaning | Collins English Dictionary
Slang a person addicted to the drug crack.... Click for English pronunciations, examples sentences, video.
crackhead noun - Definition, pictures, pronunciation and usage …
Definition of crackhead noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Crack head & crack whore: crack addiction stigma - Recovered
Jan 4, 2022 · The term “crackhead” is often used to describe anyone who is considered to display physical signs of addiction. "Crackhead", "junky", and "druggy" can be extremely damaging …
What does crackhead mean? - Definitions.net
What does crackhead mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word crackhead. Did you actually mean crosshead or …
Crackhead - definition of crackhead by The Free Dictionary
Define crackhead. crackhead synonyms, crackhead pronunciation, crackhead translation, English dictionary definition of crackhead. n. Slang A heavy user of crack cocaine.
CRACKHEAD Definition & Meaning | Dictionary.com
A crackhead is a slang term for someone who is addicted to or does a lot of the drug crack cocaine. The …
CRACKHEAD | English meaning - Cambridge Dictionary
CRACKHEAD definition: 1. a person who cannot stop using crack (= an illegal drug) 2. a person who cannot stop …
CRACKHEAD Definition & Meaning - Merriam-Webster
The meaning of CRACKHEAD is one who smokes crack.
How Can I Tell If Someone Is on Crack? - The Recovery Villa…
Aug 30, 2024 · The slang names for such high-frequency users include addict, junkie, crackhead and fiend. Signs that someone has potentially binged on …
Crack Whore & Crackhead | Meaning, Definition, And Stig…
Mar 2, 2022 · People who stigmatize crack addiction often use derogatory terms such as crack head and crack whore. Crack head refers to …
