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| dangerous liaisons film analysis: Dangerous Acquaintances Choderlos de Laclos, 1961 An epistolary novel chronicles the cruel seduction of a young girl by two ruthless, eighteenth-century aristocrats |
| dangerous liaisons film analysis: Dangerous Liaisons Choderlos de Laclos, 2009 For the Marquise de Merteuil and the Vicomte de Valmont seduction is a game - the former lovers relish manipulating others to bring amusement to their jaded existences. While Valmont is determined to succeed in his conquest of a virtuous married woman, Merteuil challenges him to seduce an innocent convent girl who it to be married to her former lover. As their intrigues become increasingly duplicitous and they find their human pawns responding in ways they could not have predicted, the consequences prove to be more serious, and deadly, than the two conspirators could have guessed. Depicting decadence and moral corruption in pre-revolutionary France, Dangerous Liaisons (1782) is one of the most scandalous and controversial novels in European literature. |
| dangerous liaisons film analysis: Les Liaisons Dangereuses Christopher Hampton, 2014-07-31 The scandalous reputation of Laclos's novel, first published in 1782, is based on its chilling portrayal of the mannered decadence and sexual cynicism of the French aristocracy in the last years of the ancien regime. Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent. Les liaisons dangereuses was premiered by Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, on 24 September 1985, and won Christopher Hampton the Evening Standard Award for Best Play and the Laurence Olivier Award for Best New Play in 1986 . |
| dangerous liaisons film analysis: The Last Libertines Benedetta Craveri, 2020-10-20 This “rich . . . highly enjoyable portrait of an extraordinary moment in French history” introduces us to 7 dazzling aristocrats who rose and fell during the French Revolution (Guardian). Benedetta Craveri reveals the history of the Libertine generation “whose youth coincided with the French monarchy’s final moment of grace—a moment when . . . a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and . . . reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet 7 characters who Craveri singles out not only for their “romantic character” but also for “the keenness with which they experienced this crisis . . . of the ancien régime, of which they themselves were the emblem.” • Duc de Lauzun • Vicomte de Ségur • Duc de Brissac • Comte de Narbonne • Chevalier de Boufflers • Comte de Ségur • Comte de Vaudreuil These men were at once “irreducible individualists” and true “sons of the Enlightenment”—all of them ambitious to play their part in bringing around the great changes that were in the air. But when the French Revolution came, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own. |
| dangerous liaisons film analysis: Film Review , 2003 |
| dangerous liaisons film analysis: Cryptography Fred Piper, Sean Murphy, 2002-05-30 This book is a clear and informative introduction to cryptography and data protection - subjects of considerable social and political importance. It explains what algorithms do, how they are used, the risks associated with using them, and why governments should be concerned. Important areas are highlighted, such as Stream Ciphers, block ciphers, public key algorithms, digital signatures, and applications such as e-commerce. This book highlights the explosive impact of cryptography on modern society, with, for example, the evolution of the internet and the introduction of more sophisticated banking methods. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| dangerous liaisons film analysis: A Thematic Approach to French Cultural Studies Marie-Anne Visoi, 2012 A Thematic Approach to French Cultural Studies: Love, Sex and Desire in French Literature and Cinema introduces a selection of major literary texts and film adaptations to students at the intermediate college and university level. The goal of this book is to provide a theme-based approach for teaching French Cultural Studies by enabling undergraduate students to contextualise and to think conceptually about French culture and its place in the Western culture and tradition. One of the most noteworthy aspects of this book is that it includes a collection of effective hands-on activities, multimedia resources and teaching suggestions which will stimulate students to develop their cultural and literary competency. The text-based method is designed to encourage close reading of three representative novels in English translation and foster an independent approach to formulating problems and arguments related to specific cultural norms and patterns. |
| dangerous liaisons film analysis: The Parisian Woman Beau Willimon, 2019-08-12 Inspired by Henri Becque’s La Parisienne. Set in Washington, D.C., where powerful friends are the only kind worth having, THE PARISIAN WOMAN follows Chloe, a socialite armed with charm and wit, coming to terms with politics, her past, her marriage, and an uncertain future. Dark humor and drama collide at this pivotal moment in Chloe’s life, and in our nation’s, when the truth isn’t obvious and the stakes couldn’t be higher. |
| dangerous liaisons film analysis: Hearing Film Anahid Kassabian, 2002-06 Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film. Also includes 11 musical examples. |
| dangerous liaisons film analysis: Interview with the Vampire Anne Rice, 2010-11-17 The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write. |
| dangerous liaisons film analysis: Uma Thurman Bryony Sutherland, Lucy Ellis, 2005 Daughter of an eminent Buddhist scholar and a psychotherapist, Uma Thurman left school at 15 to pursue an acting career in New York. After a brief stint as a model, she gained recognition in films such as Dangerous Liaisons and Henry and June. In 1990, she married the gifted British actor Gary Oldman, but their marriage was troubled and short lived. On the set of the sci-fi thriller Gattaca, she met actor Ethan Hawke, whom she married in 1998. Back in top form after the birth of her second child and her subsequent separation from Hawke, she gave an electrifying performance as a wronged bride on a rampage of revenge in Quentin Tarantino’s 2003 film Kill Bill. This complete biography looks at Uma Thurman’s rise to fame as well as what lies ahead for this mesmerizing star. |
| dangerous liaisons film analysis: New Dangerous Liaisons Luisa Passerini, Liliana Ellena, Alexander C.T. Geppert, 2010-10-01 In Europe, love has been given a prominent place in European self-representations from the Enlightenment onwards. The category of love, stemming from private and personal spheres, was given a public function and used to distinguish European civilisation from others. Contributors to this volume trace historical links and analyse specific connections between the two discourses on love and Europe over the course of the twentieth century, exploring the distinctions made between the public and private, the political and personal. In doing so, this volume develops an innovative historiography that includes such resources as autobiographies, love letters, and cinematic representations, and takes issue with the exclusivity of Eurocentrism. Its contributors put forth hypotheses about the historical pre-eminence of emotions and consider this history as a basis for a non-Eurocentric understanding of new possible European identities. |
| dangerous liaisons film analysis: Hearing Film Anahid Kassabian, 2002-06-01 Music is central to any film, creating a tone for the movie that is just as vital as the visual and narrative components. In recent years, racial and gender diversity in film has exploded, and the making of musical scores has changed drastically. Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film . In the first section, A Woman Scored, Kassabian analyzes desire and agency in the music of such films as Dangerous Liaisons,Desert Hearts, Bagdad Café, Dirty Dancing and Thelma andLouise. In At the Twilight's Last Scoring, she looks at gender, race, sexuality and assimilation in the music of The Hunt for Red October, Lethal Weapon 2 and IndianaJones and the Temple of Doom. And finally, in Opening Scores, she considers how films such as Dangerous Minds,The Substitute, Mississippi Masala and Corrina, Corrina bring together several different entry points of identification through their scores. Kassabian ensures that modern film criticism has a new chapter written through this book. Her important and long-overdue analysis is not to be ignored. Also includes eleven musical examples. |
| dangerous liaisons film analysis: Deception Ziyad Marar, 2014-12-05 Most of us think we are about 15 per cent cleverer, nicer, more attractive and better drivers than others think we are. It seems deception begins at home. After all the most convincing liars convince themselves first. Sellers and buyers, parents and children, friends and lovers must conceal from each other the unutterable truth that they don't believe or want the same things. In this book, Ziyad Marar throws a revealing light on the many ways deception is woven into the texture of human life: our wiring leaves us easily suckered by persuasive illusions, while our contradictory desires (for sex and honesty, money and kindness, for cake and losing weight) force us to cook up self-serving stories. We manage flattering impressions with effortless skill, while pretending our sins and self-indulgences are beyond our control.Drawing on insights from philosophy, psychology and literature, Marar explores the implications for living well in the shadow of Kant's humbling thought that out of the crooked timber of humanity, no straight thing was ever made. |
| dangerous liaisons film analysis: Pre-Code Hollywood Thomas Doherty, 1999-08-27 Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema—but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded—in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era—what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward. |
| dangerous liaisons film analysis: Almond Won-Pyung Sohn, 2021-06-15 WALL STREET JOURNAL STORIES THAT CAN TAKE YOU ANYWHERE PICK * ENTERTAINMENT WEEKLY'S STAY HOME AND READ PICK * SALON'S BEST AND BOLDEST * BUSTLE'S MOST ANTICIPATED The Emissary meets The Curious Incident of the Dog in the Nighttime in this poignant and triumphant story about how love, friendship, and persistence can change a life forever. This story is, in short, about a monster meeting another monster. One of the monsters is me. Yunjae was born with a brain condition called Alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends--the two almond-shaped neurons located deep in his brain have seen to that--but his devoted mother and grandmother provide him with a safe and content life. Their little home above his mother's used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say thank you, and when to laugh. Then on Christmas Eve--Yunjae's sixteenth birthday--everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school, and they develop a surprising bond. As Yunjae begins to open his life to new people--including a girl at school--something slowly changes inside him. And when Gon suddenly finds his life at risk, Yunjae will have the chance to step outside of every comfort zone he has created to perhaps become the hero he never thought he would be. Readers of Wonder by R.J. Palaccio and Ginny Moon by Benjamin Ludwig will appreciate this resonant story that gives Yunjae the courage to claim an entirely different story. (Booklist, starred review) Translated from the Korean by Sandy Joosun Lee. |
| dangerous liaisons film analysis: Sartre Against Stalinism Ian H. Birchall, 2004 Sartre against Stalinism demonstrates that the continuing debate with the anti-Stalinist left was an essential component of Sartre's political development, and provides an important key to the understanding of his work as a whole.--BOOK JACKET. |
| dangerous liaisons film analysis: Imperial Leather Anne Mcclintock, 2013-10-01 Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power. |
| dangerous liaisons film analysis: Blended and Online Teaching in the Humanities Marie-Anne Visoi, 2019-03-05 This book offers tested practices for successful design, implementation and teaching of blended and online courses in French and cultural studies. Founded on recent research, it promotes a contextualized, accessible environment through increased online access to authentic materials, face-to-face creative interaction, and embedded formative assessment. Each chapter focuses on major pedagogical issues associated with teaching blended and online courses, including instructional design, teaching tools adapted to a media-rich learning environment, and formative evaluation techniques through rubric-based assessment, self-evaluation and peer interaction. The book will appeal to humanities faculty and teaching assistants who plan the transition from the traditional classroom environment to blended and online teaching. The examples provided throughout clearly indicate that a good combination of proven pedagogies and technology-supported strategies will greatly enhance the quality of students’ learning through the acquisition of advanced linguistic skills and cultural competence in preparation for bilingual career certification, work and study abroad, and will lead to a deeper understanding of blended and online teaching and the future use of technology in higher education. Designed for use in small and large undergraduate courses in colleges and universities around the world, the book will be a major asset to any library collection looking to expand its humanities and education collections and reference sections. |
| dangerous liaisons film analysis: The Grandmothers Doris Lessing, 2009-10-13 Shocking, intimate, often uncomfortably honest, these stories reaffirm Doris Lessing’s unequalled ability to capture the truth of the human condition In the title novel, two friends fall in love with each other's teenage sons, and these passions last for years, until the women end them, vowing a respectable old age. In Victoria and the Staveneys, a young woman gives birth to a child of mixed race and struggles with feelings of estrangement as her daughter gets drawn into a world of white privilege. The Reason for It traces the birth, faltering, and decline of an ancient culture, with enlightening modern resonances. A Love Child features a World War II soldier who believes he has fathered a love child during a fleeting wartime romance and cannot be convinced otherwise. |
| dangerous liaisons film analysis: Heritage Film Audiences Claire Monk, 2012-09-07 This book is a study of the contemporary audiences for quality period films, and their responses to these films, with reference to the critical debate which constructs many of these films as 'heritage films'. |
| dangerous liaisons film analysis: A Most Dangerous Method John Kerr, 2011-02-23 “Has all the elements of a juicy novel . . . riveting. . . . Reudite and elegant.” —Newsday NOW A MAJOR MOTION PICTURE, Direcetd by Dabid Cronenbertg and STARRING KEIRA KNIGHTLY, VIGGO MORENSEN, MICHAEL FASSBENDER, and VINCENT CASSEL In 1907, Sigmund Freud and Carl Jung began what promised to be both a momentous collaboration and the deepest friendship of each man’s life. Six years later they were bitter antagonists, locked in a savage struggle that was as much personal and emotional as it was theoretical and professional. Between them stood a young woman named Sabina Spielrein, who had been both patient and lover to Jung and colleague and confidante to Freud before going on to become an innovative psychoanalyst herself. With the narrative power and emotional impact of great tragedy, A Dangerous Method is impossible to put down. |
| dangerous liaisons film analysis: A Typology of Domestic Violence Michael P. Johnson, 2008 The author argues that domestic violence is not a unitary phenomenon. Instead, he delineates three major different forms of partner violence: intimate terrorism, violent resistance, and situational couple violence. |
| dangerous liaisons film analysis: Film Review 1991-2 F. Maurice Speed, 1990 |
| dangerous liaisons film analysis: A Cage in Search of a Bird Florence Noiville, 2021-08-15 Now in paperback, A Cage in Search of a Bird is the gripping story of two women caught in the vise of a terrible delusion. Laura Wilmote is a television journalist living in Paris. Her life couldn't be better--a stimulating job, a loving boyfriend, interesting friends--until her phone rings in the middle of one night. It is C., an old school friend whom Laura recently helped find a job at the same television station: My phone rang. I knew right away it was you. Thus begins the story of C.'s unrelenting, obsessive, incurable love/hatred of Laura. She is convinced that Laura shares her love, but cannot--or will not--admit it. C. begins to dress as Laura, to make her friends and family her own, and even succeeds in working alongside Laura on the unique program that is Laura's signature achievement. The obsession escalates, yet is artfully hidden. It is Laura who is perceived as the aggressor at work, Laura who appears unwell, Laura who is losing it. Even Laura's adoring boyfriend begins to question her. Laura seeks the counsel of a psychiatrist who diagnoses C. with De Clérambault syndrome--she is convinced that Laura is in love with her. And worse, the syndrome can only end in one of two ways: the death of the patient, or that of the object of the obsession. A Cage in Search of a Bird is the gripping story of two women caught in the vise of a terrible delusion. Florence Noiville brilliantly narrates this story of obsession and one woman's attempts to escape the irrational love of another--an inescapable, never-ending love, a love that can only end badly. |
| dangerous liaisons film analysis: Dream Worlds: Production Design for Animation Hans Bacher, 2012-11-12 A truly unique visual delight offering insight into the development of animation classics like Bambi, Beauty and the Beast, The Lion King, Lilo and Stitch as well as a tantalizing examination of unfinished Disney projects. |
| dangerous liaisons film analysis: Jane Austen and Co. Suzanne R. Pucci, James Thompson, 2012-02-01 Jane Austen and Co. explores the ways in which classical novels—particularly, but not exclusively, those of Jane Austen—have been transformed into artifacts of contemporary popular culture. Examining recent films, television shows, Internet sites, and even historical tours, the book turns from the question of Austen's contemporary appeal to a broader consideration of other late-twentieth-century remakes, including Dangerous Liaisons, Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together, the essays in Jane Austen and Co. offer a wide-ranging model for understanding how all of these texts—visual, literary, touristic, British, American, French—reshape the past in the new fashions, styles, media, and desires of the present. Contributors include Virginia L. Blum, Mike Crang, Madeline Dobie, Denise Fulbrook, Deidre Lynch, Sarah Maza, Ruth Perry, Suzanne R. Pucci, Kristina Straub, James Thompson, Maureen Turim, and Martine Voiret. |
| dangerous liaisons film analysis: Clueless Lesley Speed, 2017-07-14 Clueless: American Youth in the 1990s is a timely contribution to the increasingly prominent academic field of youth film studies. The book draws on the social context to the film’s release, a range of film industry perspectives including marketing, audience reception and franchising, as well as postmodern theory and feminist film theory to assert the cultural and historical significance of Amy Heckerling’s film and reaffirm its reputation as one of the defining teen films of the 1990s. Lesley Speed examines how the film channels aspects of Anita Loos’ 1925 novel Gentlemen Prefer Blondes, the 1960s television series Gidget and Jane Austen’s Emma, to present a heightened, optimistic view of contemporary American teenage life. Although seemingly apolitical, Speed makes the case for Clueless as a feminist exploration of relationships between gender, comedy and consumer culture, centring on a contemporary version of the ‘dumb blonde’ type. The film is also proved to embrace diversity in its depiction of African American characters and contributing to an increase in gay teenagers on screen. Lesley Speed concludes her analysis by tracking the rise of the Clueless franchise and cult following. Both helped to cement the film in popular consciousness, inviting fans to inhabit its fantasy world through spinoff narratives on television and in print, public viewing rituals, revivalism and vintage fashion. |
| dangerous liaisons film analysis: City of Light Lauren Belfer, 2010-09-01 A NEW YORK TIMES NOTABLE BOOK It is 1901 and Buffalo, New York, stands at the center of the nation's attention as a place of immense wealth and sophistication. The massive hydroelectric power development at nearby Niagara Falls and the grand Pan-American Exposition promise to bring the Great Lakes “city of light” even more repute. Against this rich historical backdrop lives Louisa Barrett, the attractive, articulate headmistress of the Macaulay School for Girls. Protected by its powerful all-male board, “Miss Barrett” is treated as an equal by the men who control the life of the city. Lulled by her unique relationship with these titans of business, Louisa feels secure in her position, until a mysterious death at the power plant triggers a sequence of events that forces her to return to a past she has struggled to conceal, and to question everything and everyone she holds dear. Both observer and participant, Louisa Barrett guides the reader through the culture and conflicts of a time and place where immigrant factory workers and nature conservationists protest violently against industrialists, where presidents broker politics, where wealthy “Negroes” fight for recognition and equality, and where women struggle to thrive in a system that allows them little freedom. Wrought with remarkable depth and intelligence, City of Light remains a work completely of its own era, and of ours as well. A stirring literary accomplishment, Lauren Belfer's first novel marks the debut of a fresh voice for the new millennium and heralds a major publishing event. |
| dangerous liaisons film analysis: Practical Approaches to Teaching Film Rachel S. Ritterbusch, 2020-07-24 Rachel Ritterbusch’s Practical Approaches to Teaching Film is a collection of essays focusing on the use of film in settings ranging from an introductory film class to an upper-division Women’s Studies course. Drawing on their experience in the classroom, contributors to this anthology show how movies can be used to promote critical thinking, create an awareness of the male gaze, challenge dominant ideology, and unmask the constructedness of film. This volume treats a wide variety of film texts, from box-office hits like The Da Vinci Code to underappreciated art films such as Susan Streitfeld’s Female Perversions; from Pépé le Moko and other French classics to more contemporary francophone works like Chaos and Rosetta; from self-reflexive films that interrogate the act of filmmaking itself to those that draw attention to the phallocentric nature of cinematic apparatus. Common to all these essays is the belief that, if used judiciously, film can be a valuable pedagogical tool. Aimed both at those currently teaching film and those wishing to do so, this volume provides practical support in the form of sample syllabi, assignments, and a glossary of film terms. |
| dangerous liaisons film analysis: I Will See You Again , 2020-03-25 When the author learns of the death of her brother overseas, she embarks on a journey to bring him home. Through memories and dreams of all they shared together and through her Dene traditions, she finds comfort and strength. The lyrical art and story leave readers with a universal message of hope and love. |
| dangerous liaisons film analysis: Feminism in the Study of Religion Darlene Juschka, 2001-08-02 Written by feminist scholars over a period of nearly thirty years, the selected readings are wide-ranging in content, offer a multi-ethnic and multi-cultural perspective, and reflect the work of scholars working within religious studies as well as other disciplines.The introductory essays link the sections and are packed with useful information on resources, issues, and the current debates. The book illustrates how debates about feminism within the study of religions have been impacted by broader theoretical discussions and provides evidence that feminist scholars working on religion have made their own contribution to feminist theory. |
| dangerous liaisons film analysis: Resources in education , 1991 |
| dangerous liaisons film analysis: Les Liaisons dangereuses Pierre Choderlos de Laclos, 2008-04-17 The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game - a game which they must win. This new translation gives Laclos a modern voice, and readers will be able a judge whether the novel is as `diabolical' and `infamous' as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| dangerous liaisons film analysis: Billy the Kid on Film, 1911-2012 Johnny D. Boggs, 2013-10-04 A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance. |
| dangerous liaisons film analysis: Inclusion, Diversity and Innovation in Translation Education Alejandro Bolaños García-Escribano, Mazal Oaknín, 2024-10-01 Through examples of literary and audiovisual translation teaching practices, Inclusion, Diversity and Innovation in Translation Education places a novel emphasis on equality, diversity and inclusion (EDI) synergising the latest research advancements in EDI and translation curricula. The contributors revisit how languages and translation are currently taught and explore the relevance of EDI values from an interdisciplinary perspective. The chapters contain proposals of best teaching practices and teacher training guidance alongside examples of research-led teaching scenarios. There is a twofold rationale behind this volume: firstly, identifying links between literary and audiovisual translation teaching practices, which often demand great creativity inside and outside the classroom; and, secondly, placing greater emphasis on EDI-focused methods and themes. Following this approach, readers are invited to consider pressing societal issues such as (media) accessibility, intersectionality, LGBTQI+ and race, among others, and to embed them in their language and translation teaching practices. Praise for Inclusion, Diversity and Innovation in Translation Education ‘This collection brings together a diverse group of scholars of various identities and backgrounds to provide us with invaluable lessons on how to increase a sense of belonging in university classrooms, especially among minoritised students. An inspiring and empowering archive of justice-oriented translation pedagogies.’ Emek Ergun, University of North Carolina at Charlotte ‘A topical and thorough manual for academics, instructors, professional translators and apprentices who will gain a critical insight into the need to develop competences about EDI during the educational years.’ Marcella De Marco, London Metropolitan University ‘A rich, kaleidoscopic collection that breathes life into EDI by weaving technological advances, intersectionality, accessibility and social justice into audio-visual and literary translation classrooms.’ Şebnem Susam-Saraeva, University of Edinburgh |
| dangerous liaisons film analysis: Translation, Adaptation and Transformation Laurence Raw, 2012-01-12 In recent years adaptation studies has established itself as a discipline in its own right, separate from translation studies. The bulk of its activity to date has been restricted to literature and film departments, focussing on questions of textual transfer and adaptation of text to film. It is however, much more interdisciplinary, and is not simply a case of transferring content from one medium to another. This collection furthers the research into exactly what the act of adaptation involves and whether it differs from other acts of textual rewriting. In addition, the 'cultural turn' in translation studies has prompted many scholars to consider adaptation as a form of inter-semiotic translation. But what does this mean, and how can we best theorize it? What are the semiotic systems that underlie translation and adaptation? Containing theoretical chapters and personal accounts of actual adaptions and translations, this is an original contribution to translation and adaptation studies which will appeal to researchers and graduate students. |
| dangerous liaisons film analysis: Screening the Dark Side of Love Karen A. Ritzenhoff, Karen Randell, 2012-10-15 How can love be understood globally as a problematic transgression rather than the narrative of happy endings that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship. |
| dangerous liaisons film analysis: Issues in Feminist Film Criticism Patricia Erens, 1990 This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s. —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood. |
| dangerous liaisons film analysis: Cinematic Overtures Annette Insdorf, 2017-11-07 A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique. From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler’s List, Cinematic Overtures analyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera’s gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments. |
DANGEROUS Synonyms: 117 Similar and Opposite Words
Some common synonyms of dangerous are hazardous, perilous, precarious, and risky. While all these words mean "bringing or involving the chance of loss or injury," dangerous applies to …
Dangerous (2021 film) - Wikipedia
Dangerous is a 2021 action thriller film directed by David Hackl and starring Scott Eastwood, Tyrese Gibson, Famke Janssen, Kevin Durand, and Mel Gibson. [4] [5] [6] [7] The film was …
DANGEROUS Definition & Meaning - Merriam-Webster
The meaning of DANGEROUS is involving possible injury, pain, harm, or loss : characterized by danger. How to use dangerous in a sentence. Synonym Discussion of Dangerous.
Dangerous (2021) - IMDb
Dangerous: Directed by David Hackl. With Scott Eastwood, Kevin Durand, Famke Janssen, Tyrese Gibson. A reformed sociopath journeys to a remote island to investigate the mystery …
DANGEROUS | English meaning - Cambridge Dictionary
DANGEROUS definition: 1. A dangerous person, animal, thing, or activity could harm you: 2. A dangerous person, animal…. Learn more.
Dangerous - Definition, Meaning & Synonyms | Vocabulary.com
Use the word dangerous to describe anything that can potentially cause serious harm, like a snarling pit bull or an icy, treacherous road. The earliest meaning of the word dangerous was …
DANGEROUS Definition & Meaning - Dictionary.com
Dangerous definition: full of danger danger or risk; causing danger; danger; perilous; risky; hazardous; unsafe.. See examples of DANGEROUS used in a sentence.
DANGEROUS Synonyms: 117 Similar and Opposite Words
Some common synonyms of dangerous are hazardous, perilous, precarious, and risky. While all these words mean "bringing or involving the chance of loss or injury," dangerous applies to …
Dangerous (2021 film) - Wikipedia
Dangerous is a 2021 action thriller film directed by David Hackl and starring Scott Eastwood, Tyrese Gibson, Famke Janssen, Kevin Durand, and Mel Gibson. [4] [5] [6] [7] The film was …
DANGEROUS Definition & Meaning - Merriam-Webster
The meaning of DANGEROUS is involving possible injury, pain, harm, or loss : characterized by danger. How to use dangerous in a sentence. Synonym Discussion of Dangerous.
Dangerous (2021) - IMDb
Dangerous: Directed by David Hackl. With Scott Eastwood, Kevin Durand, Famke Janssen, Tyrese Gibson. A reformed sociopath journeys to a remote island to investigate the mystery …
DANGEROUS | English meaning - Cambridge Dictionary
DANGEROUS definition: 1. A dangerous person, animal, thing, or activity could harm you: 2. A dangerous person, animal…. Learn more.
Dangerous - Definition, Meaning & Synonyms | Vocabulary.com
Use the word dangerous to describe anything that can potentially cause serious harm, like a snarling pit bull or an icy, treacherous road. The earliest meaning of the word dangerous was …
DANGEROUS Definition & Meaning - Dictionary.com
Dangerous definition: full of danger danger or risk; causing danger; danger; perilous; risky; hazardous; unsafe.. See examples of DANGEROUS used in a sentence.
