Daniil Kharms

  daniil kharms: Daniil Kharms and the Poetics of the Absurd Neil Cornwell, 1991-06-18 This volume of essays and other materials offers an assessment of the short prose, verse and drama of Daniil Kharms, Leningrad absurdist of the 1920s and 1930s, who was one of the last representatives of the Russian literary avante-garde.
  daniil kharms: Russian Absurd Daniil Kharms, 2017-02-15 A writer who defies categorization, Daniil Kharms has come to be regarded as an essential artist of the modernist avant-garde. His writing, which partakes of performance, narrative, poetry, and visual elements, was largely suppressed during his lifetime, which ended in a psychiatric ward where he starved to death during the siege of Leningrad. His work, which survived mostly in notebooks, can now be seen as one of the pillars of absurdist literature, most explicitly manifested in the 1920s and ’30s Soviet Union by the OBERIU group, which inherited the mantle of Russian futurism from such poets as Vladimir Mayakovsky and Velimir Khlebnikov. This selection of prose and poetry provides the most comprehensive portrait of the writer in English translation to date, revealing the arc of his career and including a particularly generous selection of his later work.
  daniil kharms: Daniil Kharms Branislav Jakovljevic, 2009-11-24 The texts of Russian artist and thinker Daniil Kharms (1905-1942) were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization—and, thus, thorough study or appreciation—through much of the twentieth century. This book, the first in English to view Kharms’s oeuvre in its entirety, is also the first to offer a complete, inclusive, and coherent understanding of the overall project of this artist and writer now considered a major figure in the modernist canon of Europe.
  daniil kharms: "I Am a Phenomenon Quite Out of the Ordinary" Daniil Kharms, 2013-02-01 A fascinating look into the life and mind of poet and prose miniaturist Daniil Kharms ... Anemone and Scotto offer a wide-ranging selection of materials from Kharms's private notebooks, diaries, letters, and even documents from the KGB archives detailing Kharms's tragic end in a psychiatric prison hospital.--Page 4 of cover.
  daniil kharms: The Man with the Black Coat Даниил Хармс, Александр Иванович Введенский, 1997 This book brings together works by two of the outstanding talents of Soviet literature, Daniil Kharms and Alexander Vvedensky. It discloses a little-known tradition of absurdism that persisted during the Stalinist period, a testimony to both the hardiness of the Russian imagination in the face of socialist realism and the vitality of an important cultural and literary tradition.
  daniil kharms: Incidences Daniil Kharms, 2006 'With remarkable precision and fluid language, the stories capture everyday tension in a land where an innocent knock on the door might mean entrapment in a bureaucratic maze or even death at the hands of the military.' - The New York Times Book Review This collection of stories is composed of short miniatures, many of which the author called 'incidents.' The quirky, bold writing of Incidences perfectly captures the surreal spirit of its times.
  daniil kharms: Daniil Kharms #2 Daniil Kharms, 2020
  daniil kharms: 7 best short stories - Absurdist August Nemo, H. P. Lovecraft, Daniil Kharms, Franz Kafka, 2020-05-12 Absurdist fiction is a genre of fictional narrative (traditionally, literary fiction), most often in the form of a novel, play, poem, or film, that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. The critic Augst Nemo selected seven short stories of the absurd for his appreciation: - A Country Doctor by Franz Kafka - In the Penal Colony by Franz Kafka - Before the Law by Franz Kafka - Ex Oblivione by H. P. Lovecraft - Andrey Semyonovich by Daniil Kharms - A sonnet by Daniil Kharms - Symphony no. 2 by Daniil Kharms For more books with interesting themes, be sure to check the other books in this collection!
  daniil kharms: The Plummeting Old Women Даниил Хармс, 1989 The Plummeting Old Women by Daniil Kharms is a collection of stories, incidents, dialogues and fragments that forms an important part of the buried literature of Russian modernism now revealed under glasnost. These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.
  daniil kharms: The Absurd in Literature Neil Cornwell, 2006-10-31 This is the first book to offer a comprehensive survey of the phenomenon of the absurd in a full literary context (that is to say, primarily in fiction, as well as in theatre).
  daniil kharms: First, Second Daniil Kharms, Richard Pevear, Marc Rosenthal, 1996 A man out for a walk encounters another man, the shortest man in the world, a long man, a donkey, an elephant, and a little dog.
  daniil kharms: Russian Minimalism Adrian Wanner, 2003-12-26 Table of contents
  daniil kharms: A Failed Performance Daniil Kharms, 2018 Drama. Poetry. Translated from the Russian by C Dylan Bassett and Emma Winsor Wood. People disappear without explanation. The government takes hostages. War and death occur without reason or meaning. The cycle of poverty and deprivation proliferates. A FAILED PERFORMANCE is a collection of bizarre and darkly humorous plays and scenes from the Russian avant-garde writer Daniil Kharms. This collection--the first volume in English dedicated entirely to Kharms's dramatic works--includes his major stage plays Elizaveta Bam and Lapa as well as lesser-known sketches and hybrid poem-plays, most of which were never published or performed during his lifetime.
  daniil kharms: Daniil Kharms #1 Daniil Kharms, 2020
  daniil kharms: The Last Soviet Avant-Garde Graham Roberts, 1997-06-05 A comprehensive study of the OBERIU group of avant-garde Soviet writers.
  daniil kharms: Gender and Sexuality in Russian Civilisation Peter I. Barta, 2013-06-17 Gender and Sexuality in Russian Civilisation considers gender and sexuality in modern Russia in the nineteenth and early twentieth centuries. Chapters look individually at gender and sexuality through history, art, folklore, philosophy or literature,but are also arranged into sections according to the arguments they develop. A number of chapters also consider Russia in the Soviet and post-Soviet periods. Thematic sections include: *Gender and Power *Gender and National Identity *Sexual Identity and Artistic Impression *Literary Discourse of Male and Female Sexualities *Sexuality and Literature in Contemporary Russian Society
  daniil kharms: Voiceless Vanguard Sara Pankenier Weld, 2014-06-30 Winner, 2015 International Research Society in Children's Literature (IRSCL) Book Award Voiceless Vanguard: The Infantilist Aesthetic of the Russian Avant-Garde offers a new approach to the Russian avant-garde. It argues that central writers, artists, and theorists of the avant-garde self-consciously used an infantile aesthetic, as inspired by children’s art, language, perspective, and logic, to accomplish the artistic renewal they were seeking in literature, theory, and art. It treats the influence of children’s drawings on the Neo-Primitivist art of Mikhail Larionov, the role of children’s language in the Cubo-Futurist poetics of Aleksei Kruchenykh, the role of the naive perspective in the Formalist theory of Viktor Shklovsky, and the place of children’s logic and lore in Daniil Kharms’s absurdist writings for children and adults. This interdisciplinary and cultural study not only illuminates a rich period in Russian culture but also offers implications for modernism in a wider Western context, where similar principles apply.
  daniil kharms: Daniil Kharms and the Poetics of the Absurd Neil Cornwell, 1991
  daniil kharms: Gender and Sexuality in Russian Civilization Peter I. Barta, 2001 Considers gender and sexuality in Russia in the nineteenth and early twentieth centuries. Chapters examine gender and sexuality through history, art, folklore, philosophy or literature, and are also grouped according to the arguments they develop.
  daniil kharms: A Difficult Soul Vladimir Zlobin, 2023-11-15 guide the Symbolist movement which dominated Russian literature for the first third of the twentieth century. A major poet, important playwright, and influential literary critic, she was also a sexual rebel who rejected traditional male/female roles as early as the 1890s. Vladimir Zlobin, her secretary and factotum from the time of her emigration to Paris after the revolution until her death in 1945, exposes the consequential inner workings of the literary circle around Gippius. His account of her three most important personal involvements--with her husband, the novelist and critic Dmitry Merezhkovsky; with the unattainable love of her life, the critic Dmitry Filosofov; and with the Devil, with whom she believed herself in personal contact--facilitates the task of understanding this truly difficult soul. Himself a poet, Zlobin also offeres a detailed commentary on her poetry, and persuasively connects it to her personal and mystical experiences. In Karlinsky's perceptive introduction, Gippius emerges not only as one of the principals in the Modernist renascence of Russian poetry between 1890 and 1930, but as a figure of considerable historical interest, whose views, life, and work stand in significant relation to the major social, sexual, religious, and political currents of her time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.
  daniil kharms: 7 best short stories by Daniil Kharms Daniil Kharms, 2019-06-24 Daniil Kharms was a representative of avant-garde trends in the Soviet literature. During his lifetime, Kharms was best-known for his humorous children's stories. His other works, held in private archives, were rediscovered in the late 1960s and today his fame rests chiefly on his experimental, absurd prose pieces. The critic August Nemo has selected seven short stories by this author that remain surprising and innovative: - Symphony no. 2 - On phenomena and existences - No. 1 - The thing - Andrey Semyonovich - An unexpected drinking bout - The destiny of a professor's wife - The memoirs of a wise old man
  daniil kharms: Times of Trouble Marcus C. Levitt, Tatyana Novikov, 2007 From the country that has added to our vocabulary such colorful terms as purges, pogroms, and gulag, this collection investigates the conspicuous marks of violence in Russian history and culture. Russians and non-Russians alike have long debated the reasons for this endemic violence. Some have cited Russia's huge size, unforgiving climate, and exposed geographical position as formative in its national character, making invasion easy and order difficult. Others have fixed the blame on cultural and religious traditions that spurred internecine violence or on despotic rulers or unfortunate episodes in the nation's history, such as the Mongol invasion, the rule of Ivan the Terrible, or the Red Terror of the revolution. Even in contemporary Russia, the specter of violence continues, from widespread mistreatment of women to racial antagonism, the product of a frustrated nationalism that manifests itself in such phenomena as the wars in Chechnya. Times of Trouble is the first in English to explore the problem of violence in Russia. From a variety of perspectives, essays investigate Russian history as well as depictions of violence in the visual arts and in literature, including the works of Fyodor Dostoevsky, Isaac Babel, Mikhail Lermontov, and Nina Sadur. From the Mongol invasion to the present day, topics include the gulag, genocide, violence against women, anti-Semitism, and terrorism as a tool of revolution.
  daniil kharms: Beyond Tula Andrei Egunov-Nikolev, 2019-06-03 Andrei Egunov-Nikolev’s Beyond Tula is an uproarious romp through the earnestly boring and unintentionally campy world of early Soviet “production” prose, with its celebration of robust workers heroically building socialism. Combining burlesque absurdism and lofty references to classical and Russian High Modernist literature with a rather tongue-in-cheek plot about the struggles of an industrializing rural proletariat, this “Soviet pastoral” actually appeared in the official press in 1931 (though it was quickly removed from circulation). As a renegade classics scholar, Egunov was aware of the expressive potential latent in so-called “light genres”—Beyond Tula is a modernist pastoral jaunt that leaves the reader with plenty to ponder.
  daniil kharms: Freedom and Responsibility in Russian Literature Elizabeth Cheresh Allen, Gary Saul Morson, 1995 Robert Louis Jackson has long been recognized on both sides of the Atlantic as one of the foremost Dostoevsky scholars in the world. Freedom and Responsibility in Russian Literature collects twenty essays by distinguished scholars (many former students of Jackson's) and admiring colleagues on some of the foremost questions in Russian studies. Whatever the specific topic, these essays manifest a determination to exercise the critical independence and integrity exemplified by Jackson throughout his long career.
  daniil kharms: Reference Guide to Russian Literature Neil Cornwell, 2013-12-02 First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
  daniil kharms: Carnival Culture and the Soviet Modernist Novel Craig Brandist, 1997-01-12 This book examines the work of five Soviet prose writers - Olesha, Platonov, Kharms, Bulgakov and Vaginov - in the light of the carnivalesque elements of Russian popular culture. It shows that while Bakhtin's account of carnival culture sheds considerable light on the work of these writers, they need to be considered with reference to both the concrete forms of Russian and Soviet popular culture and the changing institutional framework of Soviet society in the 1920s and 1930s.
  daniil kharms: Commemorating Pushkin Stephanie Sandler, 2004 Commemorating Pushkin is a study of the fascination with Pushkin that has helped Russian culture define itself, as seen in poems, stories, essays, memoirs, films, museums, and commemorative celebrations.
  daniil kharms: Alexander Vvedensky: An Invitation for Me to Think Alexander Vvedensky, 2013-04-02 “Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don’t consider that we’ve been defeated.... According to the official report, Alexander Vvedensky died on December 20, 1941. We don’t know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of ‘bad rhythm’ is our own. He wrote: ‘It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.’ ... It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die.” — Pussy Riot [Nadezhda Tolokonnikova’s closing statement at their trial in August 2012] “I raise[d] my hand against concepts,” wrote Alexander Vvedensky, “I enacted a poetic critique of reason.” This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky—with Daniil Kharms the major figure in the short–lived underground avant-garde group OBERIU (a neologism for “the union for real art”)—responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn’t make a statement. It is an event. Vvedensky’s poetry was unpublishable during his lifetime—he made a living as a writer for children before dying under arrest in 1942—and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals. This English-only edition does not include the poems in their original language.
  daniil kharms: Nikolai Zabolotsky Sarah Pratt, 2000-01-25 Sarah Pratt traces interwoven questions in the work of Nikolai Zabolotsky, a figure ranking just behind Pasternak, Mandelstram and Akhmatova in modern Russian poetry and the first major poet to come to light in the Soviet period.
  daniil kharms: All the World on a Page Andrew Kahn, Mark Lipovetsky, 2025-04-15 The rich and ongoing development of Russian lyric poetry, explored through close readings of thirty-four poems by poets ranging from Alexander Blok to Maria Stepanova The Russian cultural tradition treats poetry as the supreme artistic form, with Alexander Pushkin as its national hero. Modern Russian lyric poets, often on the right side of history but the wrong side of their country’s politics, have engaged intensely with subjectivity, aesthetic movements, ideology (usually subversive), and literature itself. All the World on a Page gathers thirty-four poems, written between 1907 and 2022, presenting each poem in the original Russian and an English translation, accompanied by an essay that places the poem in its cultural, historical, and biographical contexts. The poems, both canonical and lesser-known works, extend across a range of moods and scenes: Velimir Khlebnikov’s Futurist revolutionary prophecy, Anna Akhmatova’s lyric cycle about poetic inspiration, Vladimir Nabokov’s Symbolist erotic dreamworld, Joseph Brodsky’s pastiche of a Chekhovian play set on a country estate, Maria Stepanova’s pandemic allegory of political repression, Galina Rymbu’s energetic manifesto “My Vagina.” An introduction explores the abiding inspiration of modernism on the Russian lyric tradition. Kahn and Lipovetsky's separate chapter essays, informed by extensive knowledge of the existing scholarship and critical styles of interpretation, consider how the interplay of originality and tradition and form and voice work to engage the reader. The poems themselves, many of them in newly commissioned translations, operate outside state-mandated poetic styles to address the reader directly, “tête-à-tête,” as Brodsky said in his 1987 Nobel lecture. With each chapter devoted to a different poem, All the World on a Page allows readers to experience the richness of Russian poetry through poems and poets rather than through movements.
  daniil kharms: Literature Redeemed Nicolas Dreyer, 2020-07-13 In the post-Soviet period, discussions of postmodernism in Russian literature have proliferated. Based on close literary analysis of representative works of fiction by three post-Soviet Russian writers – Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin – this book investigates the usefulness and accuracy of the notion of postmodernism in the post-Soviet context. Classic Russian literature, renowned for its pursuit of aesthetic, moral and social values, and the modernism that succeeded it have often been seen as antipodes to postmodernist principles. The author wishes to dispute this polarity and proposes post-Soviet neo-modernism as an alternative concept. Neo-modernism embodies the notion that post-Soviet writers have redeemed the tendency of earlier literature to seek the meaning of human existence in a transcendent realm, as well as in the treasures of Russia's cultural past.
  daniil kharms: Transcending Boundaries Sandra L. Beckett, 2013-10-11 Transcending Boundaries: Writing for a Dual Audience of Children and Adults is a collection of essays on twentieth-century authors who cross the borders between adult and children's literature and appeal to both audiences. This collection of fourteen essays by scholars from eight countries constitutes the first book devoted to the art of crosswriting the child and adult in twentieth-century international literature. Sandra Beckett explores the multifaceted nature of crossover literature and the diverse ways in which writers cross the borders to address a dual readership of children and adults. It considers classics such as Alice's Adventures in Wonderland and Pinocchio, with particular emphasis on post-World War II literature. The essays in Transcending Boundaries clearly suggest that crossover literature is a major, widespread trend that appears to be sharply on the rise.
  daniil kharms: A Dictionary of the Avant-Gardes , 2013-05-13 A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
  daniil kharms: The Hand at Work Susanne Strätling, 2021-12-14 Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media, we still regard the avant-garde as heyday for modernism’s obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing, and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making, as well as the perception, of literature and the arts.
  daniil kharms: Marvelous Transformations Christine A. Jones, Jennifer Schacker, 2012-10-19 Marvelous Transformations is an anthology of tales and original critical essays that moves beyond canonized “classics” and old paradigms, documenting the points of historical connection between literary tales and field-based collections. This innovative anthology reflects current interdisciplinary scholarship on oral traditions and the cultural history of the print fairy tale. In addition to the tales, original critical essays, newly written for this volume, introduce readers to differing perspectives on key ideas in the field.
  daniil kharms: A History of Russian Literature Andrew Kahn, Mark Naumovich Lipovet︠s︡kiĭ, Irina Reyfman, Stephanie Sandler, 2018 Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
  daniil kharms: The American Bibliography of Slavic and East European Studies Patt Leonard, Rebecca Routh, 2020-02-27 This bibliography, first published in 1957, provides citations to North American academic literature on Europe, Central Europe, the Balkans, the Baltic States and the former Soviet Union. Organised by discipline, it covers the arts, humanities, social sciences, life sciences and technology.
Daniil Medvedev - Wikipedia
Daniil Sergeyevich Medvedev (Russian: Даниил Сергеевич Медведев, IPA: [dənʲɪˈil sʲɪrˈɡʲe (j)ɪvʲɪtɕ mʲɪdˈvʲedʲɪf]; born 11 February 1996) is a Russian professional tennis player. He has been ranked …

Daniil Medvedev | Overview | ATP Tour | Tennis
Official tennis player profile of Daniil Medvedev on the ATP Tour. Featuring news, bio, rankings, playing activity, coach, stats, win-loss, points breakdown, videos, and more.

Daniil Medvedev Stats, News, Pictures, Bio, Videos - ESPN
Feb 11, 1996 · Get the latest news, stats, videos, and more about tennis player Daniil Medvedev on ESPN.com.

Daniil Medvedev Discusses Retirement After Rotterdam Open Loss
Feb 6, 2025 · Daniil Medvedev's months-long slump continued with another disappointing loss on Thursday. The World No. 7 lost in the second round of the ABN AMRO Open (also known as the …

Daniil Medvedev defeats Altmaier in the 1st round at the ...
13 hours ago · Daniil added to his prize money € 17,215 after winning this match. He has already won € 36,885 after this win. If he wins the next match, the Russian will add € 32,215 to his …

Everything you always wanted to know about Daniil Medvedev
Feb 6, 2025 · Daniil Medvedev is a professional tennis player from Russia. As of February 6, 2025, he has won 20 singles titles, including the US Open in 2021 and is currently ranked No 7 in the …

Player card - Daniil MEDVEDEV - Roland-Garros 2025 - The ...
Jun 8, 2025 · The exclusive home of Roland-Garros tennis delivering live scores, schedules, draws, players, news, photos, videos and the most complete coverage of The 2025 Roland-Garros …

Daniil Medvedev - Wikipedia
Daniil Sergeyevich Medvedev (Russian: Даниил Сергеевич Медведев, IPA: [dənʲɪˈil sʲɪrˈɡʲe (j)ɪvʲɪtɕ mʲɪdˈvʲedʲɪf]; born 11 February 1996) is a Russian professional tennis player. He has …

Daniil Medvedev | Overview | ATP Tour | Tennis
Official tennis player profile of Daniil Medvedev on the ATP Tour. Featuring news, bio, rankings, playing activity, coach, stats, win-loss, points breakdown, videos, and more.

Daniil Medvedev Stats, News, Pictures, Bio, Videos - ESPN
Feb 11, 1996 · Get the latest news, stats, videos, and more about tennis player Daniil Medvedev on ESPN.com.

Daniil Medvedev Discusses Retirement After Rotterdam Open Loss
Feb 6, 2025 · Daniil Medvedev's months-long slump continued with another disappointing loss on Thursday. The World No. 7 lost in the second round of the ABN AMRO Open (also known as …

Daniil Medvedev defeats Altmaier in the 1st round at the ...
13 hours ago · Daniil added to his prize money € 17,215 after winning this match. He has already won € 36,885 after this win. If he wins the next match, the Russian will add € 32,215 to his …

Everything you always wanted to know about Daniil Medvedev
Feb 6, 2025 · Daniil Medvedev is a professional tennis player from Russia. As of February 6, 2025, he has won 20 singles titles, including the US Open in 2021 and is currently ranked No 7 …

Player card - Daniil MEDVEDEV - Roland-Garros 2025 - The ...
Jun 8, 2025 · The exclusive home of Roland-Garros tennis delivering live scores, schedules, draws, players, news, photos, videos and the most complete coverage of The 2025 Roland …