Advertisement
| deadbase: DeadBase 50 John W. Scott, Stu Nixon, Mike Dolgushkin, 2015-07-15 Commemorative edition of the Complete Guide to Grateful Dead Song Lists |
| deadbase: Skeleton Key David Shenk, Steve Silberman, 2015-06-23 NOW AN EBOOK FOR THE FIRST TIME For fifty years and more than two thousand shows, the Grateful Dead have been earning the deadication of more than a million fans. Along the way, Deadheads have built an original and authentic American subculture, with vivid jargon and rich love, and its own legends, myths, and spirituality. Skeleton Key: A Dictionary for Deadheads is the first map of what Jerry Garcia calls the Grateful Dead outback, as seen through the eyes of the faithful, friends, and family, including Bill Walton, Elvis Costello, Tipper Gore, Al Franken, Bob Bralove, Dick Latvala, Blair Jackson, David Gans, Bruce Hornsby, Rob Wasserman, and Robert Hunter. Skeleton Key puts you on the Merry Pranksters' bus behind the real Cowboy Neal, uncovers the origins of Cherry Garcia, follows the dancing bear on its trip from psychedelic artifact to trademarked icon, and unlocks the Dead's own tape vault. Informative reading for the new fan or the most grizzled tourhead, Skeleton Key shines throughout with Deadheads' own stories, wit, insiders' knowledge, sincere appreciation of the music of the band beyond description, and the diverse and soulful culture it inspires. |
| deadbase: Infinite Dead David Cain, 2024-06-28 Infinite Dead is a new, groundbreaking guide to Grateful Dead concerts. Authoritative and entertaining, Volume Two features detailed reviews of every Grateful Dead concert performed in the month of July - over 170 shows, including: Their first performance of Dark Star in over two-and-a-half years, on a Friday the 13th, during a full moon, at the Greek Theater in Berkeley, CA in 1984 The band's maiden voyage at Red Rocks in Colorado, the first of twenty concerts they'll play at this fabled venue from 1978 through 1987 Their eight July 4th concerts, from 1969 through 1990 Also included in this volume are performances from the band's summer 1989 and 1990 tours, including the East Coast stadium shows, Alpine Valley, and Deer Creek, as well as their six night stand at the Orpheum Theater in San Francisco in 1976, and six concerts featuring full sets with Bob Dylan in 1987. Whether you're a next-generation Deadhead discovering their music for the first time, or a faithful fan with an extensive collection of recordings, Infinite Dead brings the Grateful Dead concert experience alive again: Jerry Garcia's scintillating solos, Phil Lesh's powerful bass lines, Bob Weir's creative chords and animated vocals, Bill and Mickey's Drums sessions, their adventurous Space segment, and so much more. |
| deadbase: All Graceful Instruments Nicholas Meriwether, 2021-04-16 All Graceful Instruments: The Contexts of the Grateful Dead Phenomenon gathers thirteen representative essays from a wide array of fields into an interdisciplinary anthology that reveals the depth and extent of this fascinating, variegated cultural phenomenon. Contributors use the techniques of literary criticism, musicology, sociology, philosophy, business theory, and more to explore the meaning and significance of the music of the Grateful Dead, the implications of their artistic and commercial success, and the social dimensions of their following, the Deadheads. For scholars and students of American history and culture, this book makes a convincing case for why the Grateful Dead phenomenon is worthy of academic attention and what that study can offer. By focusing a wide array of critical approaches on a single, discrete subject, All Graceful Instruments provides a refreshing approach to interdisciplinary studies that should appeal to a wide audience. |
| deadbase: The Grateful Dead Reader David Dodd, Diana Spaulding, 2000-08-24 Arranged in chronological order, these pieces add up to nothing less than a full-scale history of the greatest tour band in the history of rock. From Tom Wolfe's account of the Dead's first performance as the Grateful Dead (at an Acid Test in 1965), to Ralph Gleason's 1967 interview with the 24-year-old Jerry Garcia, to Mary Eisenhart's obituary of the beloved leader of the band, these selections include not only outstanding writing on the band itself, but also superb pieces on music and pop culture generally. Fans will be fascinated by the poetry, fiction, drawings, and rare and revealing photographs featured in the book, as well as the anthology's many interviews and profiles, interpretations of lyrics, and concert and record reviews. Still, The Grateful Dead was more than a band--it was a cultural phenomenon. For three decades it remained on one unending tour, followed everywhere by a small army of nomadic fans. This phenomenon is both analyzed and celebrated here, in such pieces as Ed McClanahan's groundbreaking article in Playboy in 1972, fan-magazine editor Blair Jackson's 1990 essay on the seriousness of the drug situation at Dead concerts, and Steve Silberman's insightful essays on the music and its fans. |
| deadbase: Reading the Grateful Dead Nicholas G. Meriwether, 2012-06-20 In Reading the Grateful Dead: A Critical Survey, Nicholas G. Meriwether has assembled a collection of essays that examine the development of Grateful Dead studies. This volume includes work from three generations of scholars and includes a wide variety of perspectives on the band and its cultural significance. Organized into four sections, each describes an aspect or approach to Dead studies, along with an overview of the nature and extent of Dead studies: how it evolved and what it comprises today. |
| deadbase: Deadhead Social Science Rebecca G. Adams, Robert Sardiello, 2000-05-30 Deadhead Social Science is a collection of papers examining various aspects of the complex subculture surrounding the rock band, the Grateful Dead. |
| deadbase: Perspectives on the Grateful Dead Robert G. Weiner, 1999-09-30 The Grateful Dead, one of the most meticulously documented rock bands, significantly influenced American music and popular culture. Its popularity has endured for three decades despite mixed critical reception. Jerry Garcia, thought of among many as a musical icon and spokesperson for more than one generation of fans, was often equally scorned by various critics. This collection of scholarly essays attests to the varied fields of interest the band and its followers, known as Deadheads, have affected, including psychology, law, and ethnomusicology. The contributions explore the diversity of the culture of fans, empirically analyze the music, apply literary criticism to the lyrics, and explore Dead-related philosophical and theological concepts — in other words, they are as eclectic as the myriad Grateful Dead fans themselves. Appealing to Grateful Dead scholars, fans, and collectors alike, these twenty-two essays are grouped by subject, and each essay includes a bibliography of resources for further research. |
| deadbase: Dead to the Core Eric Wybenga, 2011-08-17 The Grateful Dead have left us a musical bounty of thirty years and thousands of shows. Now Dead to the Core: An Almanack of the Grateful Dead takes Deadheads through the seasons and years of the Dead's dazzling array of music, with lavish treatment of those bumper crop eras from which their most succulent songs and shows and shows can be harvested. It is part reference, part critical companion to the best the Dead have to offer, a work liberally stocked with trivia, lore, humor, and arcana. No Head farmer wanting to reap the dankest of the Dead kind will want to be without this essential resource. Includes... Show-a-day seasonal calendars Detailed show reviews from key years Musical and lyrical analyses of the Dead's core tunes Annotated lists of hot versions of key tunes Capsule reviews of shows from throughout the Dead's career Personal anecdotes and observations from Deadheads A guide to the best Dead-related sites on the Internet In-depth essays on the Dead's prime eras ...And much, much more, including the Dead-Dylan connection, the Dead and Garcia's place in the musical universe, the Deadhead pantheon, tour lore... |
| deadbase: Grateful Dead Guitar Anthology Grateful Dead, 2015-07-01 (Guitar Recorded Versions). 20 of the very best from the Grateful Dead in note-for-note guitar transcriptions, including: Bertha * Box of Rain * Casey Jones * Fire on the Mountain * Friend of the Devil * Ramble on Rose * Shakedown Street * Sugar Magnolia * Touch of Grey * Truckin' * Uncle John's Band * and more. |
| deadbase: The Grateful Dead in Concert Jim Tuedio, Stan Spector, 2010-03-10 This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact. |
| deadbase: U2 Live Pimm Jal de la Parra, 2003 Since their formation in 1976, U2 have played over 1,000 concerts to millions of fans around the world. Now updated to include their PopMart and Elevation tours, U2 Live: A Concert Documentary takes you along to every single U2 live performance - from 1976 to 2003. With over 500 colour and black & white photographs. |
| deadbase: Grateful Dead and the Art of Rock Improvisation David Malvinni, 2013-02-28 Over 15 years since the death of lead guitarist and singer Jerry Garcia, the Grateful Dead stands as a cultural symbol of the unresolved cultural clashes of 1960s. The band’s 30-year odyssey is a testament to the American imagination, with thousands of live concert recordings by fans and the band itself, preserved alongside a cultural iconography of images, artwork, and paraphernalia. Most recently, the Grateful Dead has stepped up release of its live archive of recordings, culminating in one of the largest boxed sets of live music—73 compact discs—ever released. This publicly available archive of recorded music lays the groundwork for David Malvinni’s exploration in Grateful Dead and the Art of Rock Improvisation on the band’s musical signature as the ultimate jam band. Malvinni considers a a select group of songs from the Dead’s early repertoire, from its unique covers of “Viola Lee Blues,” “Midnight Hour,” and “Love Light” to original masterpieces like “Dark Star.” Marrying basic music analysis to philosophical frames offered by improvisatory musings of Heidegger, Derrida, and Deleuze, Malvinni outlines the core aesthetic underlying the Dead’s musical styling. In tracing the evolution of the band’s unique jam style, Malvinni outlines The Dead’s gift as gatherers and collectors of old and new soundscapes in their improvisations. Like no other band, The Dead brought together a variety of styles from roots and folk to country and free jazz to postmodern European art music. Devoted Deadheads reveled in the band’s polyglot approach to playing live, its free-wheeling and often risky efforts to reach a type of cosmic ecstasy, commonly described as the “X factor.” Although fans and scholars alike recognize the Grateful Dead as icons of the psychedelic music, the band’s improvisatory approach still remains an enigma to the uninitiated. In Grateful Dead and the Art of Rock Improvisation, Malvinni unravels this mystery, walking readers through the band’s musical decision-making process. Written for rock music fans with little to no background in music theory, and scholars and students of popular music culture, the book reveal the method behind the seeming madness of America’s greatest jam band. |
| deadbase: The Grateful Dead FAQ Tony Sclafani, 2013-09-01 (FAQ). The Grateful Dead rose out of San Francisco's '60s underground rock scene with an unprecedented sound and image. Its members, steeped in rock, folk, classical, and blues; their instrumental prowess; and their refusal to bow to commercial conventions helped originate jam band music. Unapologetic in its advocacy of drug use as a means toward mind expansion, the Dead helped catapult psychedelic music. After performing at the Monterey International Pop Festival and Woodstock, the group became iconic without ever scoring a hit single. A large, devoted fan base Deadheads began to follow the band everywhere. The group suffered a tragedy when bandleader Jerry Garcia slipped into a coma in 1986, but returned the next year with a top-selling album and surprise hit single, Touch of Grey. By 1993, the Dead was the top-grossing live act in the United States. The band ended when Garcia died in 1995, but the music lives on with a stream of live releases. In Grateful Dead FAQ , Tony Sclafani examines the band's impact and influence on rock music and pop culture. This book ventures into unexplored areas and features a host of rare images, making it a must-have for both Deadheads and casual fans. |
| deadbase: Technical Bulletin , 1955 |
| deadbase: The Grateful Dead's 100 Essential Songs Barry Barnes, Bob Trudeau, 2018-11-15 In the studio and more than 2,300 concerts between 1965 and 1995, the Grateful Dead performed more than 400 different songs. Their music continues to be tremendously popular as surviving band members and countless tribute bands memorialize the legacy the band left us upon the death of lead guitarist and singer, Jerry Garcia. The Grateful Dead’s 100 Essential Songs examines the band’s remarkable musical journey, pairing song analyses and memories with an online list of recommended recordings. Beyond a mere summary of each song, the descriptions here compare individual performances as they relate to the evolution of the band’s style and the waning health but vibrant spirit of Garcia. Welcoming readers into the unbroken chain of the Dead’s legacy, this book is indispensable for Deadheads, students of popular music, rock musicians, and anyone marveling at how the Dead’s appeal continues today. With linked performances and studio recordings to allow readers to listen along with the book, as well as other song analyses and first-hand narratives of the authors’ experience at hundreds of Dead concerts, the book will appeal to Deadheads, students of popular music, rock musicians, and anyone marveling at how the Dead’s appeal continues today. The online song list may be accessed under the features tab at https://rowman.com/ISBN/9781538110584. |
| deadbase: Popular Singers of the Twentieth Century Robert H. Cowden, 1999-07-30 This guide to the biographical literature available on popular 20th-century singers covers nearly 1000 artists. Much of the literature cited is also cross-referenced to major biographical dictionaries, encyclopedias, and relevant periodicals. Entries not only list known publications associated with popular singers but also incorporate elements of analytical and descriptive bibliography. The artists included in this volume increasingly cross musical boundaries. The popular singer category, therefore, encompasses Broadway, Hollywood, cabaret, and operetta performers as well as recording artists. Scholars of popular music and popular music enthusiasts will appreciate the extensive research this work embodies. Divided among three sections, citations are arranged alphabetically and include information about literature published through 1997. An appendix of additional artists and an index complete the volume. |
| deadbase: Grateful Dead Gear Blair Jackson, 2006 The origins and secrets of the Grateful Dead's magical sound are told! This book is the first in-depth examination of the Dead's technical side, including their recording methods. From the Acid Tests of the mid-'60s to the famous Wall of Sound PA setup in the '70s and on to their exceptional later touring systems, the Grateful Dead were always on the cutting edge of technological innovation and experimentation. This exhaustive study includes clear and concise explanations of the band's equipment technology, instrument design, and studio recording techniques, plus a history of the group. Features: more than 100 photos and diagrams, many never before seen; new interviews with band members and tech personnel; suggested listening for every era of the group's history; and more! |
| deadbase: This Is All a Dream We Dreamed Blair Jackson, David Gans, 2015-11-10 In This Is All a Dream We Dreamed, two of the most well-respected chroniclers of the Dead, Blair Jackson and David Gans, reveal the band’s story through the words of its members, their creative collaborators and peers, and a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Capturing the ebullient spirit at the group’s core, Jackson and Gans weave together a musical saga that examines the music and subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. This definitive book traces the Dead’s evolution from its humble beginnings as a folk/bluegrass band playing small venues in Palo Alto to the feral psychedelic warriors and stadium-filling Americana jam band that blazed all the way through to the 90s. Along the way, we hear from many who were touched by the Dead—from David Crosby and Miles Davis, to Ken Kesey, Carolyn “Mountain Girl” Garcia, and a host of Merry Pranksters, to legendary concert promoter Bill Graham, and others. Throughout their journey the Dead broke (and sometimes rewrote) just about every rule of the music business, defying conventional wisdom and charting their own often unusual course, in the process creating a business model unlike any seen before. Musically, too, they were pioneers, fusing inspired ideas and techniques with intuition and fearlessness to craft an utterly unique and instantly recognizable sound. Their music centered on collective improvisation, spiritual and social democracy, trust, generosity, and fun. They believed that you can make something real, spontaneous, and compelling happen with other musicians if you trust and encourage each other, and jam as if your life depended on it. And when it worked, there was nothing else like it. Whether you’re part of the new generation of Deadheads who are just discovering their music or a devoted fan who has traded Dead tapes for decades, you will want to listen in on the irresistible conversations and anecdotes shared in these pages. You’ll hear stories you haven’t heard before, possibly from voices that may be unfamiliar to you, and the tales that unfold will shed a whole new light on a long and inspiring musical odyssey. |
| deadbase: Notes Music Library Association, 1991 |
| deadbase: Sweet Chaos Carol Brightman, 1999-09 A social and cultural history of the Grateful Dead, America's greatest folk/rock institution, by a National Book Critics Circle Award-winning author. 8-page photo insert. |
| deadbase: Jerry Garcia , 2019-10-31 Jerry Garcia: Secret Space of Dreams is a hard cover coffee table book that will bring together, for the first time, a comprehensive collection of photographs of Jerry Garcia taken by renowned Grateful Dead photographer Jay Blakesberg. The focus of the book is to present a collection of Jay's iconic images of Garcia from 1978 until Garcia's death in 1995. The book will include photographs of Garcia with members of the Grateful Dead as well as guest musicians and solo projects Jerry worked on. Since Jerry Garcia's passing, the band's popularity has remained immense as evidenced by their continued merchandise sales, acclaimed 50th anniversary Fare Thee Well concerts in 2015 and ongoing tours by surviving members. The book will include quotes from many notable musicians who were influenced and inspired by Jerry Garcia. |
| deadbase: The Complete Annotated Grateful Dead Lyrics David G. Dodd, Alan Trist, 2015-10-13 Additional edition statement from dust jacket. |
| deadbase: Music in American Life Jacqueline Edmondson, 2013-10-03 A fascinating exploration of the relationship between American culture and music as defined by musicians, scholars, and critics from around the world. Music has been the cornerstone of popular culture in the United States since the beginning of our nation's history. From early immigrants sharing the sounds of their native lands to contemporary artists performing benefit concerts for social causes, our country's musical expressions reflect where we, as a people, have been, as well as our hope for the future. This four-volume encyclopedia examines music's influence on contemporary American life, tracing historical connections over time. Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture demonstrates the symbiotic relationship between this art form and our society. Entries include singers, composers, lyricists, songs, musical genres, places, instruments, technologies, music in films, music in political realms, and music shows on television. |
| deadbase: 100 Entertainers Who Changed America Robert C. Sickels, 2013-08-08 This fascinating and thought-provoking read challenges readers to consider entertainers and entertainment in new ways, and highlights figures from outside the worlds of film, television, and music as influential pop stars. Comprising approximately 100 entries from more than 50 contributors from a variety of fields, this book covers a wide historical swath of entertainment figures chosen primarily for their lasting influence on American popular culture, not their popularity. The result is a unique collection that spotlights a vastly different array of figures than would normally be included in a collection of this nature—and appeals to readers ranging from high school students to professionals researching specific entertainers. Each subject individual's influence on popular culture is analyzed from the context of his or her time to the present in a lively and engaging way and through a variety of intellectual approaches. Many entries examine commonly discussed figures' influence on popular culture in ways not normally seen—for example, the widespread appeal of Woody Allen's essay collections to other comedians; or the effect of cinematic adaptations of Tennessee Williams' plays in breaking down Hollywood censorship. |
| deadbase: Understanding Rock John Covach, Graeme M. Boone, 1997-11-20 Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead. |
| deadbase: Countercultures and Popular Music Sheila Whiteley, Jedediah Sklower, 2016-05-13 ’Counterculture’ emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of ’counterculture’ and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematise theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity. |
| deadbase: Got a Revolution! Jeff Tamarkin, 2024-05-07 The most successful and influential rock band to emerge from San Francisco during the 1960s, Jefferson Airplane created the sound of a generation. Their smash hits Somebody to Love and White Rabbit virtually invented the era's signature pulsating psychedelic music and, during one of the most tumultuous times in American history, came to personify the decade's radical counterculture. In this groundbreaking biography of the band, veteran music writer and historian Jeff Tamarkin produces a portrait of the band like none that has come before it. Having worked closely with Jefferson Airplane for more than a decade, Tamarkin had unprecedented access to the band members, their families, friends, lovers, crew members, fellow musicians, cultural luminaries, even the highest-ranking politicians of the time. More than just a definitive history, Got a Revolution! is a rock legend unto itself. Jann Wenner, editor-in-chief and publisher of Rolling Stone, wrote, The classic [Jefferson] Airplane lineup were both architects and messengers of a psychedelic age, a liberation of mind and body that profoundly changed American art, politics, and spirituality. It was a renaissance that could only have been born in San Francisco, and the Airplane, more than any other band in town, spread the good news nationwide. |
| deadbase: Community Archives Jeannette Allis Bastian, Ben Alexander, 2009 How do archives and other cultural institutions such as museums determine the boundaries of a particular community, and of their own institutional reach, in constructing effective strategies and methodologies for selecting and maintaining appropriate material evidence? This book offers guidance for archivists, record managers and museums professionals faced with such issues in their daily work. This edited collection explores the relationships between communities and the records they create at both practical and scholarly levels. It focuses on the ways in which records reflect community identity and collective memory, and the implications of capturing, appraising and documenting these core societal elements - with particular focus on the ways in which recent advances in technology can overcome traditional obstacles, as well as how technologies themselves offer possibilities of creating new virtual communities. It is divided into five themes: a community archives model communities and non-traditional record keeping records loss, destruction and recovery online communities: how technology brings communities and their records together building a community archive. Readership: This book will appeal to practitioners, researchers, and academics in the archives and records community as well as to historians and other scholars concerned with community building and social issues. |
| deadbase: Ink on the Tracks Adrian Grafe, Andrew McKeown, 2024-08-22 This book embraces the multiplicity of forms of writing inspired by rock and roll. Exploring a diverse range of formats including rock autobiography and gender, race and class in American rock journalism, rock obituaries, rock literature and spirituality, rock writing and promotion/packaging, and more, this book identifies and prioritizes writing forms often excluded from the categorization of rock music writing. Vitally, the volume places rock and roll writing within a wider cultural frame often overlooked by studies of traditional white male-led music journalism. |
| deadbase: American Countercultures: An Encyclopedia of Nonconformists, Alternative Lifestyles, and Radical Ideas in U.S. History Gina Misiroglu, 2015-03-26 Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. American Countercultures is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index. |
| deadbase: Inappropriate Relationships Robin Goodwin, Duncan Cramer, 2005-04-11 In one of the great euphemisms of our time, an embattled President Clinton admitted to an inappropriate relationship with his White House intern, Monica Lewinsky. But what exactly is an inappropriate relationship? For that matter, what is an appropriate relationship? And how can an understanding of the rules of appropriateness help us understand personal relationships in our modern world? Contributors to this book discuss the personal boundaries and taboos of modern relationships. Together they examine the power struggles that can occur when individuals are involved in inappropriate relationships, and the ways individuals in such a relationship may attempt to buffer themselves against sanctions--or even embrace this relationship as an agent of social change. Representing work from a range of disciplines, this collection will appeal to scholars, researchers, students, and professionals working on relationships issues in areas across the social sciences, including those working in the fields of social psychology, family studies, social anthropology, cultural studies, and communication. |
| deadbase: Aging, Media, and Culture C. Lee Harrington, Denise Bielby, Anthony R. Bardo, 2014-06-18 This collection of original articles sits at the intersection of two interdisciplinary fields: media studies and aging studies. Drawing on both scholarly literatures, we explore the reciprocal influences of aging and mediation in the realms of music, television, celebrity, fandom, social media, film, and advertising/marketing, among others. |
| deadbase: Cornell '77 Peter Conners, 2017-04-11 On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings—referred to as Betty Boards—began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially.With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.Rooted in dozens of interviews—including a conversation with Betty Cantor-Jackson about her recording—and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from New Minglewood Blues to One More Saturday Night, and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band.As Conners notes in his Prologue: You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77. |
| deadbase: Listen to the Music Play Justin Mason, 2021-07 A daily listening journal to discover set lists and available recordings of the Grateful Dead for (almost) every day of the year. This 600+ page book provides the most complete and accurate Grateful Dead set lists, presented in Month-Day format (January 1st through December 31st), so you can quickly and easily find all the Grateful Dead shows available for any given day of the year from the band's 30-year career (1965 - 1995). For every show, the book also provides information on interesting show and song notes, what the certainty status of a particular show and set list is, who the band members were, if a guest musician played with the band, and if it was the first, final or only time a song was played. It also identifies every officially released song, along with the name of the album that you can find it on. In addition, for every show, there is space to write your own notes, a place to mark your own show/set rating, if it's a favorite show, if you attended the show, and if you have a recording of it. |
| deadbase: Garcia: An American Life Blair Jackson, 2000-08-01 He was there when Dylan went electric, when a generation danced naked at Woodstock, and when Ken Kesey started experimenting with acid. Jerry Garcia was one of the most gifted musicians of all time, and he was a member of one of the most worshiped rock 'n' roll bands in history. Now, Blair Jackson, who covered the Grateful Dead for twenty-five years, gives us an unparalleled portrait of Garcia--the musical genius, the brilliant songwriter, and ultimately, the tortured soul plagued by his own addiction. With more than forty photographs, many of them previously unpublished, Garcia: An American Life is the ultimate tribute to the man who, Bob Dylan said, had no equal. |
| deadbase: Garcia Blair Jackson, 1999 A longtime journalist whose area of expertise includes the Grateful Dead takes readers on a psychedelic journey through the life of Jerry Garcia, one of the most fascinating figures ever to grace the American pop culture scene. |
| deadbase: The Deadhead's Taping Compendium: 1959-1974 Michael M. Getz, John R. Dwork, 1998 Every entry includes: the date and location of the show; a complete list of all the songs played and the tape length; the source of the tape and a rating of its quality; [and] a comprehensive review of the show, often song-by-song, that captures the special moments of each concert--Publisher's description. |
| deadbase: Reproduction and Establishment of Velvet Mesquite George Elmo Glendening, Harold A. Paulsen, 1955 |
| deadbase: Mongolic Elements in Tuvan Bayarma Khabtagaeva, 2009 Tuvan is one of the archaic Turkic languages. A powerful Mongolic influence means that it possibly also has more Mongolic elements than other Turkic languages. Results of the present work are based on a database of approximately 1500 Mongolic loanwords. After confirming the Mongolic origin of these words in Tuvan, etymological, phonetical and morphological aspects are listed to assure, when and from which Mongolian language the loanword was taken. The study demonstrates the powerful Mongolic influence on Tuvan and establishes what linguistic criteria are available to characterize and classify the Mongolic loanwords. Accordingly an earlier and a later layer are distinguished. The later layer further comprises three groups of loanwords, the Buryat, Khalkha and Oirat ones. |
Best SUV Lease Deals for July 2025 | Edmunds
2 days ago · See our list of the best SUV lease deals and current special offers available in your area. We've gathered all the important numbers to be aware of, from the monthly payment to …
10 Best SUV Lease Deals in July 2025 - Kelley Blue Book
2 days ago · Looking to lease a new SUV? We've found great offers on a wide range of models. Here are some of the best SUV lease deals in July 2025.
Best SUV Lease Deals in June 2025 - CARFAX
Jun 4, 2025 · Most advertised deals require large down payments, which manufacturers use to offset the low monthly payments that draw shoppers in. Related: Cheapest SUV Lease Deals …
Best SUV Leases, Deals & Incentives for July 2025 - TrueCar
Shopping for SUVs? Find July 2025 deals in your area for financing, leasing, and purchasing SUVs with TrueCar.
Toyota Lease Deals | Toyota Lease Specials
A lease deal lets you get the exact car you want without the commitment of car ownership. See Toyota lease deals near you today.
Best SUV Deals & Incentives in July 2025 | U.S. News
Apr 4, 2025 · Find the best SUV deals, rebates and incentives for July 2025 on new SUVs at U.S. News & World Report.
Best SUV Lease Deals: July 2025 - Autotrader
2 days ago · Here are the best SUV lease deals in July 2025. 1. 2024 Acura ZDX Lease deal: $299/month for 36 months with $4,699 due at signing Sticker price: $65,850 Expires: 9/2/2025 …
All SUV Lease Deals Compared June 2025 - RealCarTips.com
Jun 19, 2025 · Each month, I'm now uploading a full list of SUV lease deals all in one place. You can filter and compare all SUV lease deals by vehicle size, engine type, max monthly …
Jeep® Lease Deals - Discover Our Latest Specials
JEEP® BRAND VEHICLE LEASE DEALS NEAR YOU Explore lease deals on Jeep® Brand vehicles and SUVs and find the one that is right for you. Discover current incentives and offers …
Best SUV Lease Deals & Specials - Lease a SUV With Edmunds
Find the best SUV lease deals on Edmunds. Lease a SUV using current special offers, deals, and more. Learn about leasing offers including term, mileage, down payment, and monthly prices.
Google
Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for.
Google
Busque informações, imagens e muito mais com o Google.
Google Earth
Com o Google Earth, você viaja para qualquer lugar da Terra e pode ver imagens de satélite, mapas, terrenos e construções em 3D, das galáxias do espaço sideral aos cânions dos …
Google
Disponibilizado pelo Google em: EnglishPublicidade Tudo sobre a Google Google.com
Imagens do Google
Imagens do Google. A pesquisa de imagens mais completa da web.
Google Tradutor
O serviço do Google, oferecido sem custo financeiro, traduz instantaneamente palavras, frases e páginas da Web do português para mais de cem outros idiomas.
Google Chrome – Download the fast, secure browser from Google
Get more done with the new Google Chrome. A more simple, secure and faster web browser than ever, with Google’s smarts built in. Download now.
Google Imagens
Google Imagens. A pesquisa de imagens mais abrangente na Web.
Google Tradutor
TraduzirDetectar idioma → Português (Brasil)
Minha biblioteca - Google
Comprar livros no Google Play Procure a maior eBookstore do mundo e comece a ler hoje na web, no tablet, no telefone ou eReader. Ir para o Google Play agora »
