Advertisement
| de selby language: Utterly Other Discourse Ellen G. Friedman, Richard Martin, 1995 The British novelist and critic Christine Brooke-Rose (born 1923) is increasingly being regarded as one of the most significant writers of the contemporary period. In her dozen novels she has explored themes as diverse as biligualism (as a metaphor for alienation) and the influence of computer technology on the humanities. As these themes suggest, Brooke-Rose is sometimes perceived as a difficult writer, especially given the dazzling virtuosity of the linguistic wordplay that enlivens her later novels. Utterly Other Discourse (a phrase from her 1984 novel Amalgamemnon) provides a valuable introduction to her work; in fifteen essays--some previously published, some written for this book--scholars from America, England, and Europe examine her work from a variety of critical angles. |
| de selby language: The Seriality of the One Nicola Masciandaro, 2025-04-08 Following the idea of the series as a fundamental feature of reality, The Seriality of the One investigates its metaphysical, ontological, and existential significance in dialogue with an open constellation of modern and premodern authors, giving special attention to the way seriality mediates and measures the relation between the individual and the universal, bridging by ellipsis the unbounded interpenetrating unities of the one and the One. Seen through the ongoing perspective of the series, beings, events, and facts are never discrete and definable identities that can ever be counted or discounted as having greater or lesser importance or status than others. Nothing is merely itself or a part of something else. In the infinity mirror of seriality, all are simultaneously equivalent to all or the totality itself. |
| de selby language: Literature and its Language Garry L. Hagberg, 2022-10-29 This stimulating volume brings together an international team of emerging, mid-career, and senior scholars to investigate the relations between philosophical approaches to language and the language of literature. It has proven easy for philosophers of language to leave literary language to one side, just as it has proven easy for literary scholars to discuss questions of meaning separately from relevant issues in the philosophy of language. This volume brings the two together in mutually enlightening ways: considerations of literary meaning are deepened by adding philosophical approaches, just as philosophical issues are enriched by bringing them into contact or interweaving them with literary cases in all their subtlety. |
| de selby language: Reading Backwards Muireann Maguire, Timothy Langen, 2021-06-18 This book outlines with theoretical and literary historical rigor a highly innovative approach to the writing of Russian literary history and to the reading of canonical Russian texts. Anticipatory plagiarism” is a concept developed by the French Oulipo group, but it has never to my knowledge been explored with reference to Russian studies. The editors and contributors to the proposed volume – a blend of senior and beginning scholars, Russians and non-Russians – offer a set of essays on Gogol, Dostoevsky, and Tolstoy which provocatively test the utility of AP as a critical tool, relating these canonical authors to more recent instances, some of them decidedly non-canonical. The senior scholars who are the editors and most of the contributors are truly distinguished. The volume is likely to receive serious attention and to be widely read. I recommend it with unqualified enthusiasm. William Mills Todd III, Harry Tuchman Levin Professor of Literature, Harvard University As the founder of the notion of plagiarism by anticipation, which was stolen from me in the sixties by fellow colleagues, I am delighted to learn that my modest contribution to literary theory will be used to better understand the interplay of interferences in Russian literature. Indeed, one would have to be naive to think that the great Russian authors would have invented everything. In fact, they were able to draw their ideas from their predecessors, but also from their successors, testifying to the open-mindedness that characterizes the Slavic soul. This book restores the truth. Pierre Bayard, Professor of Literature, University of Paris 8 This edited volume employs the paradoxical notion of ‘anticipatory plagiarism’—developed in the 1960s by the ‘Oulipo’ group of French writers and thinkers—as a mode for reading Russian literature. Reversing established critical approaches to the canon and literary influence, its contributors ask us to consider how reading against linear chronologies can elicit fascinating new patterns and perspectives. Reading Backwards: An Advance Retrospective on Russian Literature re-assesses three major nineteenth-century authors—Gogol, Dostoevsky and Tolstoy—either in terms of previous writers and artists who plagiarized them (such as Raphael, Homer, or Hall Caine), or of their own depredations against later writers (from J.M. Coetzee to Liudmila Petrushevskaia). Far from suggesting that past authors literally stole from their descendants, these engaging essays, contributed by both early-career and senior scholars of Russian and comparative literature, encourage us to identify the contingent and familiar within classic texts. By moving beyond rigid notions of cultural heritage and literary canons, they demonstrate that inspiration is cyclical, influence can flow in multiple directions, and no idea is ever truly original. This book will be of great value to literary scholars and students working in Russian Studies. The introductory discussion of the origins and context of ‘plagiarism by anticipation’, alongside varied applications of the concept, will also be of interest to those working in the wider fields of comparative literature, reception studies, and translation studies. |
| de selby language: Sub-versions Ciaran Ross, 2010 From Swift's repulsive shit-flinging Yahoos to Beckett's dying but never quite dead moribunds, Irish literature has long been perceived as being synonymous with subversion and all forms of subversiveness. But what constitutes a subversive text or a subversive writer in twenty-first-century Ireland? The essays in this volume set out to redefine and rethink the subversive potential of modern Irish literature. Crossing three central genres, one common denominator running through these essays whether dealing with canonical writers like Yeats, Beckett and Flann O'Brien, or lesser known contemporary writers like Sebastian Barry or Robert McLiam Wilson, is the continual questioning of Irish identity - Irishness - going from its colonial paradigm and stereotype of the subaltern in MacGill, to its uneasy implications for gender representation in the contemporary novel and the contemporary drama. A subsidiary theme inextricably linked to the identity problematic is that of exile and its radical heritage for all Irish writing irrespective of its different genres. Sub-Versions offers a cross-cultural and trans-national response to the expanding interest in Irish and postcolonial studies by bringing together specialists from different national cultures and scholarly contexts - Ireland, Britain, France and Central Europe. The order of the essays is by genre. This study is aimed both at the general literary reader and anyone particularly interested in Irish Studies. |
| de selby language: Testamenta Eboracensia York (England), 1869 |
| de selby language: Classical Constructions S. J. Heyworth, P. G. Fowler, S. J. Harrison, 2007-10-04 A collection of ground-breaking and scholarly papers on Latin literature by a number of distinguished classicists, produced in memory of Don Fowler, who died in 1999 at the age of 46. The essays are concerned with the reception of the classical world, extending into the realms of modern philosophy, art history, and cultural studies. |
| de selby language: Reading the Absurd Joanna Gavins, 2013-07-30 What is the literary absurd? What are its key textual features? How can it be analysed? How do different readers respond to absurdist literature?Taking the theories and methodologies of stylistics as its underlying analytical framework, Reading the Absurd tackles each of these questions. Selected key works in English literature are examined in depth to reveal significant aspects of absurd style. Its analytical approach combines stylistic inquiry with a cognitive perspective on language, literature and reading which sheds new light on the human experience of literary reading.By exploring the literary absurd as a linguistic and experiential phenomena, while at the same time reflecting upon its essential historical and cultural situation, Joanna Gavins brings a new perspective to the absurd aesthetic. |
| de selby language: The Third Policeman Flann O'Brien, 2014 |
| de selby language: Afterlife and Narrative in Contemporary Fiction Alice Bennett, 2012-07-06 Afterlife and Narrative explores why life after death is such a potent cultural concept today, and why it is such an attractive prospect for modern fiction. The book mines a rich vein of imagined afterlives, from the temporal experiments of Martin Amis's Time's Arrow to narration from heaven in Alice Sebold's The Lovely Bones . |
| de selby language: Assembling Flann O'Brien Maebh Long, 2014-01-02 Flann O'Brien - also known as Brian O'Nolan or Myles na gCopaleen - is now widely recognised as one of the foremost of Ireland's modern authors. Assembling Flann O'Brien explores the author's innovative and experimental work by reading him in relation to some of the 20th century's most important theorists, including Derrida, Agamben, Freud, Lacan and Žižek. Assembling Flann O'Brien offers a detailed study of O'Brien's five major novels – including At Swim-Two-Birds and The Third Policeman – as well as his plays, short stories, journalistic output and unpublished archival material. The book presents new theoretical perspectives on his works, exploring his compelling engagements with questions of the proper name, the archive, law, and desire, and the problems of identity, language, sexuality and censorship which acutely troubled Ireland's new state. Combining a wide range of contemporary theory with a sensitivity to the cultural and political context in which the author wrote, Maebh Long opens up entirely new aspects of Flann O'Brien's writings, and explores the ingenious and the problematic within his oeuvre. |
| de selby language: A Newcomer's Guide to the Afterlife Daniel Quinn, 2009-12-30 The guide of choice for anyone who plans to die someday--are YOU ready for the AFTERLIFE? To find out, take this simple quiz: 1. Like Earth, the Afterlife has celebrities, outcasts, deadheads, losers, and busybodies. True False 2. Is there an Afterlife after the Afterlife? Yes No 3. When you first arrive on the Other Side, you will be given: a) a set of wings b) a toaster c) a copy of A Newcomer's Guide to the Afterlife Don't worry if you're not sure how to respond. A Newcomer's Guide to the Afterlife has answers to these questions and more--and if you're lucky, some of them may turn out to be right! An irreverent, one-of-a-kind compendium from the award-winning author of Ishmael, A Newcomer's Guide to the Afterlife can be read as a parable, an allegory, a work of fiction--or exactly what it claims to be: a helpful handbook for the recently deceased. It is filled with uncommon wisdom, bizarre imaginings, uncanny perceptions, and unexpected humor. Is it fantastic escapism or a seminal event in human history? Read it and find out.... Face it. The Afterlife is the ultimate test. You might as well study. |
| de selby language: Explorations in the Field of Nonsense , 2022-07-04 |
| de selby language: The Complete Novels of Flann O'Brien Flann O'Brien, 2008-01-08 Flann O’Brien, along with Joyce and Beckett, is part of the holy trinity of modern Irish literature. His five novels–collected here in one volume–are a monument to his inspired lunacy and gleefully demented genius. O’Brien’s masterpiece, At Swim-Two-Birds, is an exuberant literary send-up and one of the funniest novels of the twentieth century. The novel’s narrator is writing a novel about another man writing a novel, in a Celtic knot of interlocking stories. The riotous cast of characters includes figures “stolen” from Gaelic legends, along with assorted students, fairies, ordinary Dubliners, and cowboys, some of whom try to break free of their author’s control and destroy him. The narrator of The Third Policeman, who has forgotten his name, is a student of philosophy who has committed murder and wanders into a surreal hell where he encounters such oddities as the ghost of his victim, three policeman who experiment with space and time, and his own soul (who is named “Joe”). The Poor Mouth, a bleakly hilarious portrait of peasants in a village dominated by pigs, potatoes, and endless rain, is a giddy parody aimed at those who would romanticize Gaelic culture. A naïve young orphan narrates the deadpan farce The Hard Life, and The Dalkey Archive is an outrageous satiric fantasy featuring a mad scientist who uses relativity to age his whiskey, a policeman who believes men can turn into bicycles, and an elderly, bar-tending James Joyce. With a new Introduction by Keith Donohue |
| de selby language: Geographies of Modernism Peter Brooker, Andrew Thacker, 2007-05-07 This volume explores the interface between modernism and geography in a range of writers, texts and artists across the twentieth century. |
| de selby language: Flann O'Brien Joseph Brooker, 2005 This new study assesses the whole span of O'Brien's achievement, including his early forays into public satire and his fabrication of authorial identities. |
| de selby language: Unauthorized Versions José Lanters, 2000 Certain moments in history, especially periods of cultural turmoil and political change, appear to be conducive to the writing of Menippean satire. Unauthorized Versions is the first integral study of Menippean satires written in Ireland in the three decades following the declaration of the Irish Free State in 1922. The book discusses works by Darrell Figgis, Eimar O'Duffy, Austin Clarke, Flann O'Brien, and Mervyn Wall in the context of political and social developments, particularly relating to economic policy, the role of the Church, and censorship. Mikhail Bakhtin defines Menippean satire as an unresolved dialogue between actual and/or implied voices designed to test a truth or philosophical idea. The Irish satirists of the first half of the twentieth century use medieval Ireland as a setting for addressing contemporary concerns, or borrow characters from medieval Irish texts that they place in a modern context. Each satire thus creates a series of dialogues: between the past and present; between characters who represent opposing values and ideologies; and between the older texts and their modern reworkings. Unauthorized Versions reveals the double bind at the core of every Menippean satire. Each writer discussed in the book expresses an awareness of the paradox of an author writing in the vacuum created by official censorship, seeking to engage his audience in the dethroning of the very authorities by whom he is deprived of his audience. By revealing his own ambiguous position, the satirist knowingly subverts his own authority along with that of his opponents. This study will appeal to students and scholars interested in Irish literature, genre studies, the reception of the Middle Ages, and the relationship between literature and history. Jos Lanters, associate professor of classics at the University of Oklahoma, will begin her position as associate professor of English at the University of Wisconsin-Milwaukee in Fall 2000. She is author of Missed Understandings: A Study of Stage Adaptations of the Works of James Joyce and coeditor of Troubled Histories, Troubled Fictions: Twentieth-Century Anglo-Irish Prose. Irish satire in the twentieth century has awaited a critic as intelligent and well-informed as Jose Lanters, whose Unauthorized Versions nicely complements Vivian Mercier's pioneering efforts. For several of the works she discusses, Lanters here provides the only substantial criticism they have received to date. Her approach combines sensitivity to form and expression with a constant attentiveness to historical context, while her study is anchored in a lucid and suggestive use of Bakhtin. Every library with an interest in Irish writing will want this book.--R. Brandon Kershner Alumni Professor of English, University of Florida Lanters' well-argued volume will be a valuable resource for the study of modern Irish prose at the upper-division undergraduate level and above.--Choice Works discussed in Unauthorized Versions Darrell Figgis The Return of the Hero Eimar O'Duffy King Goshawk and the Birds The Spacious Adventures of the Man in the Street Asses in Clover Austin Clarke The Bright Temptation The Singing-Men at Cashel The Sun Dances at Easter Flann O'Brien At Swim-Two-Birds The Third Policeman Mervyn Wall The Unfortunate Fursey The Return of Fursey |
| de selby language: Testamenta Eboracensia Outlook Verlag, 2024-10-10 Reprint of the original, first published in 1836. |
| de selby language: Testamenta Eboracensia Or Wills Registered at York York (Province), Surtees Society (Durham, City of), 1836 |
| de selby language: Testamenta Eboracensia, Or, Wills Registered at York , 1836 |
| de selby language: Digressions in European Literature A. Grohmann, C. Wells, 2010-11-17 With studies of, amongst others, Miguel de Cervantes, Anton Chekhov, Charles Baudelaire and Henry James, this landmark collection of essays is a unique and wide-ranging exploration and celebration of the many forms of digression in major works by fifteen of the finest European writers from the early modern period to the present day. |
| de selby language: Writing Against Time Howard Moss, 1969 |
| de selby language: Emergency Writing Anna Teekell, 2018-06-15 Taking seriously Ireland’s euphemism for World War II, “the Emergency,” Anna Teekell’s Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency. Anchored in close textual analysis of works by Samuel Beckett, Elizabeth Bowen, Flann O’Brien, Louis MacNeice, Denis Devlin, and Patrick Kavanagh, and supported by archival material and historical research, Emergency Writing shows how Irish late modernism was a response to the sociopolitical conditions of a newly independent Irish Free State and to a fully emerged modernism in literature and art. What emerges in Irish writing in the wake of Independence, of the Gaelic Revival, of Yeats and of Joyce, is a body of work that invokes modernism as a set of discursive practices with which to counter the Free State’s political pieties. Emergency Writing provides a new approach to literary modernism and to the literature of conflict, considering the ethical dilemma of performing neutrality—emotionally, politically, and rhetorically—in a world at war. |
| de selby language: The Wolfe of Badenoch sir Thomas Dick Lauder (7th bart.), 1863 |
| de selby language: Testamenta Eboracensia Eng York, York (England), 1855 |
| de selby language: The Wolfe of Badenoch Sir Thomas Dick-Lauder, 1886 |
| de selby language: History of the High Court of Chancery and Other Institutions of England Conway Robinson, 1882 |
| de selby language: The Absurd in Literature Neil Cornwell, 2006-10-31 This is the first book to offer a comprehensive survey of the phenomenon of the absurd in a full literary context (that is to say, primarily in fiction, as well as in theatre). |
| de selby language: The Dalkey Archive Brian O'Nolan, 2022-08-01 DigiCat Publishing presents to you this special edition of The Dalkey Archive by Brian O'Nolan. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| de selby language: Modern Death in Irish and Latin American Literature Jacob L. Bender, 2020-09-22 This comparative literature study explores how writers from across Ireland and Latin America have, both in parallel and in concert, deployed symbolic representations of the dead in their various anti-colonial projects. In contrast to the ghosts and revenants that haunt English and Anglo-American letters—where they are largely either monstrous horrors or illusory frauds—the dead in these Irish/Latinx archives can serve as potential allies, repositories of historical grievances, recorders of silenced voices, and disruptors of neocolonial discourse. |
| de selby language: Eboracum Francis Drake, 1736 |
| de selby language: The Great Unexpected Dan Mooney, 2019-06-25 A curmudgeon and his eccentric new roommate join together to plan an epic escape in this charming, poignant tale. Joel lives in a nursing home, and he’s not one bit happy about it. He hates being told when to eat, when to sleep, when to take his pills. He’s fed up with life and begins to plan a way out when his new roommate, a retired soap opera actor named Frank, moves in and turns the nursing-home community upside down. Though the two men couldn’t be more opposite, a fast friendship is formed when Frank is the only one who listens to and stands up for Joel. When he tells Frank about his burgeoning plan, they embark together on a mission to find the perfect escape, and along the way will discover that it’s never too late for new beginnings. Filled with colorful characters, sparkling humor and deep emotion, The Great Unexpected is the story of friendship, finding oneself later in life and experiencing newfound joy in the most unexpected places. |
| de selby language: Telling Stories Jane Tormey, Gillian Whiteley, 2020-07-24 Trespassing disciplines and binding together practice and theory, Telling Stories: Visual Practice, Theories and Narrative crosses strange territories and occupies liminal spaces. It addresses a contemporary preoccupation with narrative and narration, which is being played out across the arts, humanities and beyond, and considers how visual and performative encounters contribute to thinking. How might they tell theories? Telling Stories results from a series of symposia, held at Loughborough University School of Art and Design in 2007. The programme included papers, screenings and performances and was based around the convenors’ shared interests in Peggy Phelan’s notion of ‘performative writing’ and in the examination of inter-disciplinary forms of narrative and counter-narrative. It specifically focused on three aspects - experimental forms of Theories and Criticism, Objects and Narrative and the particular form of the Cinematic Essay and explored how the performative move could also be said to apply to forms of contemporary art practice: to what photography, film, objects wish to say. This resulting edited collection presents contemporary making and writing practices as multi-faceted, interdisciplinary and trans-medial and is indicative of an attitude that sets out to encounter the world, its social conditions, its global perspectives and the nature of aesthetic discussion that is no longer confined by formalism. |
| de selby language: Historical Dictionary of Postmodernist Literature and Theater Fran Mason, 2016-12-12 This second edition of Historical Dictionary of Postmodernist Literature and Theater contains a chronology, an introduction, and a bibliography. The dictionary section has over 400 cross-referenced entries on postmodernist writers, the important postmodernist aesthetic practices. |
| de selby language: Revolutionary Damnation Sheldon Brivic, 2017-05-11 In Irish fiction, the most famous example of the embrace of damnation in order to gain freedom—politically, religiously, and creatively—is Joyce’s Stephen Dedalus. His “non serviam,” though, is not just the profound rebellion of one frustrated young man, but, as Brivic demonstrates in this sweeping account of twentieth-century Irish fiction, the emblematic and necessary standpoint for any artist wishing to envision something truly new. Revolutionary fervor is what allowed a country with a population lower than that of Connecticut to produce so many of the greatest writers of the twentiety century. Because Irish culture was largely dictated by the Catholic Church and its conservatism, the most ambitious Irish writers, like Joyce, Beckett, and the ten others Brivic presents here, saw the advantages of damnation and seized them, rejecting powerful norms of church, state, and culture, as well as of literary form, voice, and character, to produce some of the most radical work of the twentieth century. Brivic links the work of writers such as Flann O’Brien, Patrick McCabe, and Anne Enright to the theories of Alain Badiou. His mathematical procedure for distinguishing what is truly innovative informs the progressive political and philosophical thrust that these writers at their best carry on from Joyce and Beckett to unfold a fierce tradition that extends into the twenty-first century. |
| de selby language: The Third Policeman Brian O'Nolan, 2021-08-31 The Third Policeman by Brian O'Nolan. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format. |
| de selby language: The Dalkey Archive Flann O'Brien, 2022-08-10 The Dalkey Archive features a mad scientist, De Selby, who attempts to annihilate the world by removing all the oxygen from the air. He exploits the theory of relativity and invents the time-traveling machine, which he uses to age his whiskey in just a few hours. |
| de selby language: The A to Z of Postmodernist Literature and Theater Fran Mason, 2009-07-23 The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates. |
| de selby language: Journey Westward Frank Shovlin, 2012-01-01 Journey Westward suggests that James Joyce was attracted to the west of Ireland as a place of authenticity and freedom. It examines how this acute sensibility is reflected in Dubliners via a series of coded nods and winks, posing new and revealing questions about one of the most enduring and resonant collections of short stories ever written. The answers are a fusion of history and literary criticism, utilizing close readings that balance the techniques of realism and symbolism. The result is a startlingly original study that opens up fresh ways of thinking about Joyce's masterpieces. |
| de selby language: Testamenta Eboracensia James Raine, John William Clay, 1865 |
Deere & Company (DE)
Find the latest Deere & Company (DE) stock quote, history, news and other vital information to help you with your stock trading and investing.
DeepSeek | 深度求索
深度求索（DeepSeek），成立于2023年，专注于研究世界领先的通用人工智能底层模型与技术，挑战人工智能前沿性难题。基于自研训练框架、自建智算集群和万卡算力等资源，深度求索 …
DE Definition & Meaning - Dictionary.com
De definition: from; of (used in French, Spanish, and Portuguese personal names, originally to indicate place of origin).. See examples of DE used in a sentence.
DE Definition & Meaning - Merriam-Webster
What does the abbreviation DE stand for? Meaning: defensive end. How to use DE in a sentence.
De Prefix: Meaning and Examples of the Prefix De - 7ESL
Jun 18, 2024 · You can identify if the de- in the word is a prefix if the root word is understandable by itself and without the prefix. Or you can also substitute de- with another prefix, such as a-, …
DE- definition and meaning | Collins English Dictionary
De-is added to a verb in order to change the meaning of the verb to its opposite.
De
The official website of the State of Delaware. Find information about state government, programs, and services. The First State is located in the Northeast U.S.
De- - definition of de- by The Free Dictionary
de- a prefix, occurring orig. in loanwords from Latin, used to form verbs that denote motion or conveyance down from, away, or off ( deflect; descend ); reversal or undoing of the effects of …
110 DE Prefix Words (Real Examples, Free PDF + Video)
I have written this guide to help you use the prefix DE- with confidence by listing lots of common words with real example sentences. (Images too!) The prefix DE- meaning#1. the opposite: …
de- prefix - Definition, pictures, pronunciation and usage notes ...
Definition of de- prefix in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Deere & Company (DE)
Find the latest Deere & Company (DE) stock quote, history, news and other vital information to help you with your stock trading and investing.
DeepSeek | 深度求索
深度求索（DeepSeek），成立于2023年，专注于研究世界领先的通用人工智能底层模型与技术，挑战人工智能前沿性难题。基于自研训练框架、自建智算集群和万卡算力等资源，深度求索团队仅用半年时 …
DE Definition & Meaning - Dictionary.com
De definition: from; of (used in French, Spanish, and Portuguese personal names, originally to indicate place of origin).. See examples of DE used in a sentence.
DE Definition & Meaning - Merriam-Webster
What does the abbreviation DE stand for? Meaning: defensive end. How to use DE in a sentence.
De Prefix: Meaning and Examples of the Prefix De - 7ESL
Jun 18, 2024 · You can identify if the de- in the word is a prefix if the root word is understandable by itself and without the prefix. Or you can also substitute de- with another prefix, such as a-, in …
DE- definition and meaning | Collins English Dictionary
De-is added to a verb in order to change the meaning of the verb to its opposite.
De
The official website of the State of Delaware. Find information about state government, programs, and services. The First State is located in the Northeast U.S.
De- - definition of de- by The Free Dictionary
de- a prefix, occurring orig. in loanwords from Latin, used to form verbs that denote motion or conveyance down from, away, or off ( deflect; descend ); reversal or undoing of the effects of an …
110 DE Prefix Words (Real Examples, Free PDF + Video)
I have written this guide to help you use the prefix DE- with confidence by listing lots of common words with real example sentences. (Images too!) The prefix DE- meaning#1. the opposite: …
de- prefix - Definition, pictures, pronunciation and usage notes ...
Definition of de- prefix in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
