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| dan diggles improv for actors: Improv for Actors Dan Diggles, 2004-03-01 In this step-by-step guide, an actor and improvisational teacher brings his tested methods to the page to show how actors can take risks and gain spontaneity in all genres of scripted theater. Through 28 lessons—each of which includes warm-ups, points of concentration, and improvisation exercises—Improv for Actors provides insights into thinking and reacting with fluidity, exploring a character’s social status, using the voice and body as effective tools of storytelling, and more. Actors of all levels will soon be able to give a fresh, original approach to classic characters, create funnier performances in farce and comedy, and make dramatic characters richer and more believable.• Approaches improvisation as a tool for developing acting technique • Lessons are applicable to contemporary and classic material and to both comedy and drama Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Improv for Actors Dan Diggles, 2004-03-01 In this step-by-step guide, an actor and improvisational teacher brings his tested methods to the page to show how actors can take risks and gain spontaneity in all genres of scripted theater. Through 28 lessons—each of which includes warm-ups, points of concentration, and improvisation exercises—Improv for Actors provides insights into thinking and reacting with fluidity, exploring a character’s social status, using the voice and body as effective tools of storytelling, and more. Actors of all levels will soon be able to give a fresh, original approach to classic characters, create funnier performances in farce and comedy, and make dramatic characters richer and more believable. |
| dan diggles improv for actors: Comedy Acting for Theatre Sidney Homan, Brian Rhinehart, 2018-02-22 Analysing why we laugh and what we laugh at, and describing how performers can elicit this response from their audience, this book enables actors to create memorable – and hilarious – performances. Rooted in performance and performance criticism, Sidney Homan and Brian Rhinehart provide a detailed explanation of how comedy works, along with advice on how to communicate comedy from the point of view of both the performer and the audience. Combining theory and performance, the authors analyse a variety of plays, both modern and classic. Playwrights featured include Harold Pinter, Tom Stoppard, Christopher Durang, and Michael Frayn. Acting in Shakespeare's comedies is also covered in depth. |
| dan diggles improv for actors: Long Form Improvisation and American Comedy M. Fotis, 2014-02-11 Long form scenic improv began with the Harold. The comic philosophy of this form started an era of comedy marked by support, trust, and collaboration. This book tells of the Harold, beginning with the development of improv theatre, through the tensions and evolutions that led to its creation at iO, and to its use in contemporary filmmaking. |
| dan diggles improv for actors: How to Improvise a Full-Length Play Kenn Adams, 2010-06-29 Forget the script and get on the stage! In How to Improvise a Full-Length Play, actors, playwrights, directors, theater-group leaders, and teachers will find everything they need to know to create comedy, tragedy, melodrama, and farce, with no scripts, no scenarios, and no preconceived characters. Author Kenn Adams presents a step-by-step method for long-form improvisation, covering plot structure, storytelling, character development, symbolism, and advanced scene work. Games and exercises throughout the book help actors and directors focus on and succeed with cause-and-effect storytelling, raising the dramatic stakes, creating dramatic conflict, building the dramatic arc, defining characters, creating environments, establishing relationships, and more. How to Improvise a Full-Length Play is the essential tool for anyone who wants to create exceptional theater. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Acting Terry Schreiber, 2012-03-07 Honed by the author's 35 years of teaching, this advanced book offers different warm-up exercises concentrating on the actor's sense of smell, sound, sight, and touch; sensory tools for conveying the climate and environment of the text; tips for suggesting a character's physical conditions; and much more. Individual exercises will help actors to free the voice and body, create a character, find the action and condition of scenes, and explore the subconscious for effective emotional recall. Readers will also find meticulous guidelines for best using rehearsal time and preparing for in-class scene work. The foreword is written by two-time Academy Award nominee Edward Norton. Those who act, direct, or teach will not want to miss the acting lessons that have made T. Schreiber Studio a premier actor training program. |
| dan diggles improv for actors: The Actor's Way Benjamin Lloyd, 2010-09-07 This is required reading for anyone passionate about the theater, acting, and the teaching of it. The struggles of a young actor, the actor/director relationship, the challenges of teaching art in universities, ageism, and techniques for teaching realistic acting are all communicated through a fictional series of letters between Andy, an anguished young New York City actor and Alice, his Quaker grade-school acting teacher. |
| dan diggles improv for actors: An Actor Rehearses David Hlavsa, 2006-10-01 With a commonsense approach, An Actor Rehearses takes performers through the rehearsal process and explains exactly what to do when. The actor’s process is explained simply, sequentially, and in detail, starting from the period before rehearsals begin and continuing through first read-through, blocking rehearsals, technical rehearsals, and performances. Packed with exercises that are useful in the classroom and in the rehearsal studio, An Actor Rehearses is an indispensable guide to the rehearsal process that makes building a character easier and more rewarding for both actor and audience. And because author David Hlavsa’s emphasis is on relating acting to life, performers learn to make a remarkable connection between becoming a better actor and becoming a better person: more compassionate, more vital, more alive. •Clear, practical, usable advice for actors at every level •Unique focus: learning to become a better actor means learning to become a better person •Huge potential audience Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Clues to Acting Shakespeare Wesley Van Tassel, 2010-09-07 A workhorse of a workbook!—Library Journal. American actors, fear Shakespeare no more! Through a series of inspiring, easy-to-follow exercises, an acclaimed director and drama coach shows both students and experienced actors how to break down the verse, support the words, understand the images, and use the text to create vibrant, living performances. This popular guide—more than TK,000 copies sold—has been revised and expanded to include the unique challenges facing teachers and their students in performing Shakespeare’s works, as well as time-tested tools for overcoming these obstacles. Effective delivery, correct breathing, scansion, phrasing, structure and rhythm, caesura, and more are covered. For text analysis and character interpretation, both classical British training and American methods are explored. In addition to ongoing, long-term practice exercises, Clues to Acting Shakespeare offers a one-day brush-up section to prep actors cast to play Shakespearean roles immediately. • Long term practice exercises and quick one-day brush-ups for auditions Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Long-Form Improv Ben Hauck, 2012-09-01 Long-Form Improv deftly teaches the wildly popular form of improvisation that is so foundational to the comedy stylings of many of today’s top actors and thriving comedians. Crammed with innovative ideas for conceptualizing improvised scenework and “finding the game of the scene,” this crisply written manual covers techniques for experienced improvisers, curious actors, and even non-actors. A complete long-form improv resource comprising topics like ideation and character creation, improvising scenes for extended periods of time and enhancing them—and even performing the most famous expression of long-form improv, the half-hour improvised form known as “The Harold”—this astute text is written in a friendly, supportive voice by an experienced improv teacher and professional actor whose own frustration in learning the craft drove an obsession to create a program free of confounding teachings and contradictory concepts. The book’s groundbreaking infusion with drama theory and game theory brings new life to the teachings of the craft, breaking down various aspects of long-form improv into short chapters for swift, step-by-step intake of its vital lessons. Students of acting and long-form improv alike should expect Long-Form Improv to bolster their education and fast-track their course to improv greatness. |
| dan diggles improv for actors: Stage Combat Jenn Boughn, 2010-09-21 The most complete guide on an essential stagecraft available! Wanna fight, buddy? This comprehensive guide covers everything performers, directors, theater teachers, fight choreographers, and others need to know to stage believable, safe action for theater and other performing arts. From basic falls, rolls, and tumbling to punches, kicks, hair pulls, and head slams, to advanced handling of weapons, Stage Combat provides in-depth instruction for realistic-looking fights and physical comedy. Grappling, slapping, pushing, choking—they were forbidden on the playground, but they’re needed for the play, and they’re all in here. So are basic drills for the quarterstaff, European rapier, and Japanese katana-style swordplay, and much more. Complete with illustrations and step-by-step directions, this book is a must-have for any actor spoiling for a fight—or the appearance of one. • Basics and more advanced techniques for the beginner and beyond • Emphasis on personal safety • Step-by-step directions and 200 illustrations for combat with and without weapons Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Creating Your Own Monologue Glenn Alterman, 2005-09-01 In the second edition of this popular guide, actors learn to use their skills to write monologues, performance art pieces, and one-person plays. Updated to include exclusive interviews and tips on marketing, this guide helps actors create their own exciting performance opportunities and follow in the footsteps of Elaine Stritch, Billy Crystal, John Leguizamo, and other stunningly successful writer-performers of one-person shows. The author, an award-winning actor, breaks down the writing process into simple steps, coaching the reader through each stage of the creative journey. |
| dan diggles improv for actors: Letters from Backstage Michael Kostroff, Jason Alexander, 2012-01-31 Ever wonder what it’s like to be a real working actor? Wonder no more! Michael Kostroff is here to reveal, in hilarious detail, just what it’s like to travel with the road companies of The Producers and Les Miserables. His firsthand account of the exciting, funny, and sometimes bizarre highlights of his journey includes working at a temp job when his agent calls to say, “You got the part!”; singing on a revolving stage while lugging a dead body; seeing ghosts in haunted theaters; and much more. Along the way, anecdotes about nailing an audition, keeping a performance fresh, and getting along with fellow cast members give useful tips for working actors. Anyone who wants to know what a life in the theater is really like needs this intimate and unforgettable narrative. |
| dan diggles improv for actors: Schottenfreude Ben Schott, 2013-10-31 Schottenfreude is a unique, must-have dictionary, complete with newly coined words that explore the idiosyncrasies of life as only the German language can. Ever thought, There should be a German word for that? Well, thanks to the brilliantly original mind behind Schott’s Original Miscellany, now there is. In what other language but German could you construct le mot juste for a secret love of bad foods, the inability to remember jokes, Sunday-afternoon depression, the urge to yawn, the glee of gossip, reassuring your hairdresser, delight at the changing of the seasons, the urge to hoard, or the ineffable pleasure of a cold pillow? A beguiling, ideal gift book for the Gelehrte or anyone on your list—just beware of rapidly expanding (and potentially incomprehensible) vocabularies. |
| dan diggles improv for actors: Green Graphic Design Celery Design Collaborative, Brian Dougherty, 2010-06-29 Can a graphic designer be a catalyst for positive change? Green Graphic Design reframes the way designers can think about the work they create, while remaining focused on cost constraints and corporate identity. Simple, eco-innovative changes are demonstrated in all phases of the design process, including: · Picking projects · Strategizing with clients · Choosing materials for manufacture and shipping · Understanding users · Picking ink and paper for printing · Binding · Packing final products · Building strong brands · Working with clients to foster transparency and corporate social responsibility Fully illustrated and packed with case studies of green design implementation, this reference guide more than inspires; a sustainability scorecard and a complete glossary of key terms and resources ensure that anyone in the design field can implement practical green solutions. Green Graphic Design is an indispensable resource for graphic designers ready to look to the future of their business and the environment. |
| dan diggles improv for actors: How to Audition for TV Commercials W. L. Jenkins, 2005-07-01 What do ad agencies look for when casting TV commercials? This insider's guide, written by a former actor turned ad agency exec, has the answers. It provides step—by—step instructions to help actors understand and master the entire process, from assessing one's looks and personality to the agency preproduction process, from reading scripts and understanding storyboards to preparing for the audition, doing the shoot, and more. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Making It on Broadway David Wienir, Jodie Langel, Jason Alexander, 2004-04-01 Countering the misperceptions about Broadway performers leading glamorous lives, the words of more than 150 Broadway stars provide unprecedented insight into their struggle for stardom. With an introduction by Jason Alexander and candid interviews with today's most celebrated Broadway stars, this book offers stories to entertain and astonish theater lovers, as well as serve as a sobering reality check for those considering careers on the stage. This book shares firsthand accounts of professional actors' difficult yet fulfilling journeys to Broadway: moving to New York, finding survival jobs, auditioning, landing roles, avoiding pitfalls, forging a family life, and much more. |
| dan diggles improv for actors: Let's Put on a Show Gail Brown, 2010-09-21 • Everything a group needs, from first inspiration to closing night • Makes the complexities of a theatrical production easy for a non-pro to master • Filled with amusing, enlightening anecdotes from producers, directors, and players. Stop fussing with bake sales and overpriced gift wrap! The real money in fundraising—and the real fun in fundraising—is in putting on a show. A theatrical show can raise significant sums and, at the same time, create enduring community spirit. Step by step, Let’s Put on a Show covers everything needed: securing rights, choosing material, finding a venue, budgeting, scheduling, working with children, using musicians, building sets, handling lights, publicizing, and much more. Anecdotes from producers, directors, and participants share the agony, the ecstasy, and the just plain fun of getting a show up and making money for a good cause while doing it. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Your Modeling Career Debbie Press, 2004-07-01 From high-fashion spreads and runway shows to shoe, hand, hair, and character shots to magazine and catalog ads, this comprehensive guide reveals how to be a successful model without being a superstar or drop-dead gorgeous. Tips are given on breaking into the modeling business, finding the right agent, and maneuvering in this often complex business. Aspiring models-men, women, girls, and boys-find out what the modeling scenes are like in New York, other major US cities, Europe, and Australia. Detailed information is provided on modeling agencies, schools, conventions, and contests, along with advice on building a portfolio and using the Internet to expand opportunities. Interviews with industry legends and a complete resource section are also included. |
| dan diggles improv for actors: The Art of Auditioning Rob Decina, 2004-06-01 A network daytime casting director highlights the difference between the craft of acting and the business of auditioning, and how those two worlds meet in television. Included are proven-effective preparation techniques, including asking the right questions, making specific acting choices, sitting versus standing, finding beats and beat changes, using spontaneity, and much more. Also included are interviews with top daytime casting directors and actors, advice on headshots and resumes, and an examination of the difference between audition preparation and theatrical preparation. |
| dan diggles improv for actors: Running Theaters Duncan M. Webb, 2012-02-14 Advice culled from interviews with more than 100 experts in the field The best practices that consistently lead to successful theater operation are now revealed in this comprehensive resource. Culled from surveys and interviews with theater managers and experts in crucial functional areas, this guide provides important tips for all people who work or want to work in regional, campus and community-based theaters. Proven strategies from managers, staff, and volunteer leaders cover virtually every aspect of running a theater - from audience development and fundraising to facility development and community involvement. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: Comedy FAQs and Answers Dave Schwensen, 2012-02-14 This guide to the world of stand—up comedy, written in easy—to—use Q&A format, provides current and potential comedians with the nononsense advice they need for every stage of their careers. Schwensen's lively book features interviews with many of the top names in stand—up—Ray Romano, George Carlin, Christopher Titus, Weird Al Yankovic, Margaret Cho—all sharing lessons learned along the way. Additional interviews with club owners, talent executives, publicists, and others provide behind—the—scenes expertise. |
| dan diggles improv for actors: Technical Theater for Nontechnical People Drew Campbell, 2004-04 This book is an indispensable resource designed to help producers, actors, dancers, playwrights, directors, event planners, press agents, and anyone else involved in live performance, understand and utilize every aspect of the backstage environment. Updated to reflect today's fast changing technology, this book will teach you: What you need to know about technical theater and why. What to look for when choosing a space for your show. How to communicate with lighting, scenery, audio, and costume designers. How to stage manage an effective show or presentation. |
| dan diggles improv for actors: Creative Careers in Fashion Debbie Hartsog, 2010-06-29 Want to become a fashionista—for real? Get this book! Fun and entertaining, Creative Careers in Fashion reveals how the fashion industry works—and explores the vast range of career opportunities in the field. Focusing on the most creative jobs, including accessory, costume, and fashion design, as well as make-up artists, wardrobe consultants, textile designers, and colorists, this book showcases the practical information that will help readers find the perfect job and get it. Included are details on salary ranges, educational and experience requirements, where jobs are located, and new trends. Cameo interviews with real-life fashion professionals offer insider tips. Comprehensive, practical, and inspiring, Creative Careers in Fashion is the complete guide to finding a new career in an exciting industry. • Start a new career with help from industry insiders • Dozens of creative careers for students, career changers, anyone looking for their new parachute • Resources include detailed school and college listings Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| dan diggles improv for actors: The Comedy Improv Handbook Matt Fotis, Siobhan O'Hara, 2015-10-14 The Comedy Improv Handbook: A Comprehensive Guide to University Improvisational Comedy in Theatre and Performance is a one-stop resource for both improv teachers and students, covering improv history, theory, maxims, exercises, games, and structures. You will learn the necessary skills and techniques needed to become a successful improviser, developing a basic understanding of the history of improvisation and its major influences, structures, and theories. This book also addresses issues associated with being a college improviser – like auditions, rehearsals, performances, and the dynamics of improv groups. |
| dan diggles improv for actors: Disability, Public Space Performance and Spectatorship B. Hadley, 2014-03-18 In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out. |
| dan diggles improv for actors: G.K. Hall Bibliographic Guide to Theatre Arts New York Public Library. Research Libraries, 2003 |
| dan diggles improv for actors: 東方即興劇場 歌仔戲「做活戲」（上編） 林鶴宜, 2016-12-12 以即興戲劇角度切入，挖掘歌仔戲過去未被認可的成就， 瞭解歌仔戲如何憑藉「做活戲」出奇制勝，從鄉野躋身內臺戲院。 歌仔戲圈內稱「幕表制的即興演出」為「做活戲」。本書總結作者近二十年深耕臺灣民間歌仔戲田野調查的研究心得，以「即興戲劇」角度切入，深入並完整的探索歌仔戲劇種藝術，透過學理分析，試圖為歌仔戲建立體系化的戲劇理論。藉此為臺灣民間歌仔戲獨到的創造方法發聲，豐富學界對於戲劇創作和表演的認知，並試圖為它建構理論。 歌仔戲在1920年代以極短的時間自我改造，憑藉「做活戲」出奇制勝，大量吸收其他大戲，如京劇、北管戲、高甲戲等劇種的劇目及表演藝術，躋身內臺戲院，並不斷地迎合時俗之所趨，翻新劇碼和演出內容，在日本殖民時期的1920至1930年代，以及戰後1950至1960年代開創了兩個黃金巔峰。 本書分為上、下二編。上編《歌仔戲即興戲劇研究》從歷史與發展、研究與運用、劇場條件與運作機制等層面，以講戲人、演員、樂師為主軸，剖析歌仔戲即興戲劇的創作和呈現，特別著重相互間的影響和合作，兼論人才養成。這部書豐富了戲劇創作和表演的認知，進而豐富當今編劇、導演及表演的研究和實用面向及內涵，為歌仔戲開拓了新的研究視角，且對世界戲劇之即興創作示範了極佳的選例。 |
| dan diggles improv for actors: Improv Ideas , 2006 This book is perfect € jam-packed with games and lists, it's also the most user-friendly book we've ever seen! Who knows what you'll love more? Maybe it will be the clean layout that specifies space prep minutes, player prep minutes, performance minutes, and number of players for every single game. Or maybe it will be the appendices, where each of the 71 games is cross-referenced by not only these details just mentioned, but also dramatic skills and National Theatre Standards by grade! Perhaps you'll best love the CD-Rom which includes printable PDF files of every list in the book. You can even print these lists directly onto labels or pages for student use. Besides directions and examples, every single game also has tips on side coaching and evaluation and critique. It just doesn't get better than this! This mother lode of rich activities will be mined by drama teachers in search of memory jogs and new inspirations for years to come! |
| dan diggles improv for actors: American Book Publishing Record , 2003 |
| dan diggles improv for actors: The Message of You Judy Carter, 2013-02-19 A step-by-step handbook that teaches readers to find the extraordinary stories tucked deep within them to make a difference in the lives of others—and to get paid—as a motivational speaker THE MESSAGE OF YOU begins with a simple belief - that your greatest speech already exists and that it has already been delivered in front of a live audience masterfully and powerfully by you. Best-selling author and international comic, Judy Carter sets out to prove that THE MESSAGE OF YOU is in the advice you give to your friends; in the lessons you teach your children; in the stories you tell your family. It's expressed through the volunteer work you do, the way you run your business, the way you turned your messes into successes. THE MESSAGE OF YOU is a distillation of all of your experiences, both personal and professional, that form the narrative meaning of your life. A meaning that you can develop into a well-written, funny speech to inspire audiences, enhance your current profession, and launch a successful money making career as a professional speaker. In Part One of the book, Judy leads you through a series of in-depth exercises meant to mine your personal and professional experiences for stories that establish your qualifications, your problem/solutions, your action steps and your methodology. In Part Two, Judy has created a six-step structure for writing an entertaining and informative speech, guiding you through each step in detail. But the real bonus of THE MESSAGE OF YOU is that Judy is a comic. Her Comedy Pass chapter takes you through simple but effective comedy writing techniques that will transform even a flat PowerPoint snoozer into a knee-slapping showstopper of a keynote. Once your speech is well-written and funny, Judy takes you through Part Three, teaching you how to take your message to the masses with inexpensive but essential marketing tips. The Message of You offers an accessible approach, big picture guidance, and nitty-gritty nuts and bolts of sound advice. Judy has been a comedy and speaking coach for over twenty years. She's a firm believer that how you present your ideas is just as important as the ideas themselves. She knows that humor and strong content are the missing ingredients in most speeches and her book, THE MESSAGE OF YOU helps you discover both your message and your comedic voice by taking you through the same process she uses to coach her private clients. |
| dan diggles improv for actors: A Practical Handbook for the Actor , 2007 |
| dan diggles improv for actors: Acting that Matters Barry Pineo, 2004 An invaluable resource for anyone wanting his or her acting to matter, this groundbreaking guide defies most modern acting methods by rejecting emotion as an acting tool. With the advice in this book, actors will see beyond the prevailing objective-obstacle approach and look primarily to the text the playwright provides. Actors learn how to dissect a text for key words and phrases, as well as how to score a script, find proper tempo and rhythm, modulate volume and intensity, use theatrical stillness effectively, find beat actions, listen to their acting partners, and much more. Expert tips are also provided for auditioning, cold reading, and taking direction. |
| dan diggles improv for actors: Das Spiel mit dem Chaos Gunter Lösel, 2014-03-15 Improvisationstheater ist eine weltweit erfolgreiche Theaterbewegung, die immer mehr Menschen erfasst. Während die Praxis blüht und gedeiht, fehlt bisher eine gründliche theaterwissenschaftliche Aufarbeitung. Das ändert sich mit diesem Buch: Gunter Lösel, selbst seit vielen Jahren Improvisationsschauspieler, nähert sich dem Thema aus theaterwissenschaftlicher Perspektive. Es gelingt ihm zu zeigen, dass Improvisationstheater ein Spiel mit den Prozessen der sozialen Konstruktion von Wirklichkeit ist, und er untersucht, wie diese Bühnenrealität scheinbar aus dem Nichts entsteht und immer neue, überraschende Formen hervorbringt. |
| dan diggles improv for actors: Book Review Index Cumulation Dana Ferguson, 2005-09 Book Review Index provides quick access to reviews of books, periodicals, books on tape and electronic media representing a wide range of popular, academic and professional interests. The up-to-date coverage, wide scope and inclusion of citations for both newly published and older materials make Book Review Index an exceptionally useful reference tool. More than 600 publications are indexed, including journals and national general interest publications and newspapers. Book Review Index is available in a three-issue subscription covering the current year or as an annual cumulation covering the past year. |
| dan diggles improv for actors: Mastering Stand-Up Stephen Rosenfield, 2018 This entertaining and sharply written guide--for both beginners breaking into comedy and professionals seeking to improve their sets and advance their careers--examines the work of great comedians such as Louis C.K., Jerry Seinfeld, Eddie Izzard, Moms Mabley, Hannibal Buress, Sarah Silverman, Richard Pryor, and more as a means of illustrating the most important techniques of performing and writing stand-up. Here, Stephen Rosenfield lays out a clear plan for achieving success, candidly explaining what works, what doesn't, and why. Including a 12-item Successful Comedian's To-Do List, Rosenfield states, Get undeniably good at each of these and you can kiss your day job good-bye. You will be a pro. The New York Times heralded Stephen Rosenfield as probably the best known comedy teacher in the country. His alumni include some of today's most prominent comedians and comedy writers, such as Lena Dunham, Jim Gaffigan, Eric Slovin, and Jessica Kirson. Rosenfield has directed, coached, and/or written for these and hundreds of other comedians. As a pioneer in the field of teaching comedy, he founded the American Comedy Institute, the premier stand-up comedy school in the United States, in 1989. |
| dan diggles improv for actors: Creating Your Own Monologue Glenn Alterman, 1999 The second edition of this popular guide shows beginning and experienced actors how to use their acting skills to write, rehearse, and perform successful audition monologues, performance art pieces, and one-person plays. The process is explained in easy-to-follow steps and includes excerpts from critically acclaimed monologues. Learn how to: Develop well-rounded characters, Write convincing dialogue, Organize, rewrite, and edit your material, Choose and work with the right director, Polish your performance onstage, Market your solo show |
| dan diggles improv for actors: Family Names and Their Story Sabine Baring-Gould, 2018-11-11 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| dan diggles improv for actors: Improvise. Scene from the Inside Out Mick Napier, 2015-08-17 Renowned improv instructor and award-winning director Mick Napier has been at the heart of the professional improvisation community for more than 25 years. The first edition of Improvise. quickly earned its position as necessary reading for improv students across the country and around the world and gave birth to a new generation of performers who questioned The Rules of improvisation. This expanded and revised edition has a new foreword by The Late Show host Stephen Colbert, additional advice and tips for success, and a full reproduction of Mick Napier's web journal from his time directing the famous show Paradigm Lost for The Second City that included Tina Fey, Rachel Dratch, and Kevin Dorff. In this entertaining and incredibly informative book, Napier will teach you the essentials of... --Why The Rules don't matter --How to take care of yourself in a scene --Using context to your advantage --Effective two-person scenes --Balanced large-cast scenes --Successful auditioning --Solo exercises you can practice at home |
| dan diggles improv for actors: Urban Development Action Grant Program , 1979 |
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