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cutting for stone review new yorker: Cutting for Stone Abraham Verghese, 2012-05-17 Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance and bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined. |
cutting for stone review new yorker: My Own Country Abraham Verghese, 2025-06-03 National Book Critics Circle Award Finalist “A fine mix of compassion and precision . . . Verghese makes indelible narratives of his cases, and they read like wrenching short stories.”—Pico Iyer, Time Abraham Verghese has garnered worldwide acclaim for his New York Times bestselling novel The Covenant of Water, selected as an Oprah’s Book Club Pick and spanning the years 1900 to 1977 in Kerala, India. In his first book, My Own Country, Verghese examined an American crisis from the vantage of a small town nestled in the Smoky Mountains of eastern Tennessee, which had always seemed exempt from the anxieties of modern life. But when the local hospital treated its first AIDS patient in the 1980s, a crisis that had once seemed an “urban problem” arrived in town to stay. At the time, Abraham Verghese was a young doctor specializing in infectious diseases at a Johnson City hospital. Of necessity, he became the local AIDS expert, soon besieged by a shocking number of patients, men and women whose stories came to occupy his mind, and even take over his life. Verghese brought a singular perspective to Johnson City: a doctor unique in his abilities; an outsider who could talk to people suspicious of local practitioners; and a writer who saw that what was happening in this conservative community was both a medical and a spiritual emergency. Out of his experience comes a startling but ultimately uplifting portrait of the American heartland as it confronts—and surmounts—its deepest prejudices and fears. |
cutting for stone review new yorker: The Tennis Partner Charles Todd, 2016-07-06 |
cutting for stone review new yorker: Foster Claire Keegan, 2010-09-02 *ORDER THE NEW NOVEL BY CLAIRE KEEGAN, SMALL THINGS LIKE THESE, NOW!* 'No better feeling than reading a book that makes you excited to discover everything its author has ever written...' - Douglas Stuart (Winner of the Booker Prize 2020) 'Foster confirms Claire Keegan's talent. She creates luminous effects with spare material, so every line seems to be a lesson in the perfect deployment of both style and emotion' - Hilary Mantel (Winner of the Booker Prize 2012 and 2009) 'Marvellous-exact and icy and loving all at once.' - Sarah Moss 'A haunting, hopeful masterpiece.' - Sinéad Gleeson A small girl is sent to live with foster parents on a farm in rural Ireland, without knowing when she will return home. In the strangers' house, she finds a warmth and affection she has not known before and slowly begins to blossom in their care. And then a secret is revealed and suddenly, she realizes how fragile her idyll is. Winner of the Davy Byrnes Memorial Prize, Foster is now published in a revised and expanded version. Beautiful, sad and eerie, it is a story of astonishing emotional depth, showcasing Claire Keegan's great accomplishment and talent. |
cutting for stone review new yorker: The Hard Crowd Rachel Kushner, 2021-04-06 Now includes a new essay, “Naked Childhood,” about Kushner’s family, their converted school bus, and the Summers of Love in Oregon and San Francisco! “The Hard Crowd is wild, wide-ranging, and unsparingly intelligent throughout.” —Taylor Antrim, Vogue From a writer celebrated for her “chops, ambition, and killer instinct” (John Powers, Fresh Air), a career-spanning collection of spectacular essays about politics and culture. Rachel Kushner has established herself as “the most vital and interesting American novelist working today” (The Millions) and as a master of the essay form. In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times—and illuminates the themes and real-life experiences that inform her fiction. In twenty razor-sharp essays, The Hard Crowd spans literary journalism, memoir, cultural criticism, and writing about art and literature, including pieces on Jeff Koons, Denis Johnson, and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing. These pieces, new and old, are electric, vivid, and wry, and they provide an opportunity to witness the evolution and range of one of our most dazzling and fearless writers. “Kushner writes with startling detail, imagination, and gallows humor,” said Leah Greenblatt in Entertainment Weekly, and, from Paula McLain in the Wall Street Journal: “The authority and precision of Kushner’s writing is impressive, but it’s the gorgeous ferocity that will stick with me.” |
cutting for stone review new yorker: I Know This Much Is True Wally Lamb, 1999-04-06 With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. |
cutting for stone review new yorker: My Own Country Abraham Verghese, 2016-11-15 The memoir and first book from the author of the beloved New York Times bestseller Cutting for Stone. Nestled in the Smoky Mountains of eastern Tennessee, the town of Johnson City had always seemed exempt from the anxieties of modern American life. But when the local hospital treated its first AIDS patient, a crisis that had once seemed an “urban problem” had arrived in the town to stay. Working in Johnson City was Abraham Verghese, a young Indian doctor specializing in infectious diseases. Dr. Verghese became by necessity the local AIDS expert, soon besieged by a shocking number of male and female patients whose stories came to occupy his mind, and even take over his life. Verghese brought a singular perspective to Johnson City: as a doctor unique in his abilities; as an outsider who could talk to people suspicious of local practitioners; above all, as a writer of grace and compassion who saw that what was happening in this conservative community was both a medical and a spiritual emergency. Out of his experience comes a startling but ultimately uplifting portrait of the American heartland as it confronts—and surmounts—its deepest prejudices and fears. |
cutting for stone review new yorker: Stone Upon Stone Wieslaw Mysliwski, 2013-11-04 Winner of the PEN Translation Prize A “sweeping . . . irreverent” masterpiece of postwar Polish literature that “chronicles the modernization of Poland and celebrates the persistence of desire” (The New Yorker) Hailed as one of the best ever books in translation, Stone Upon Stone is Wieslaw Mysliwski’s grand epic in the rural tradition—a profound and irreverent stream of memory cutting through the rich and varied terrain of one man’s connection to the land, to his family and community, to women, to tradition, to God, to death, and to what it means to be alive. Wise and impetuous, plainspoken and compassionate, Szymek recalls his youth in their village, his time as a guerrilla soldier, as a wedding official, barber, policeman, lover, drinker, and caretaker for his invalid brother. Filled with interwoven stories and voices, by turns hilarious and moving, Szymek’s narrative exudes the profound wisdom of one who has suffered, yet who loves life to the very core. |
cutting for stone review new yorker: What Isn't Remembered Kristina Gorcheva-Newberry, 2021-09 Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story Collection Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, the stories in What Isn't Remembered explore the burden, the power, and the nature of love between people who often feel misplaced and estranged from their deepest selves and the world, where they cannot find a home. The characters yearn not only to redefine themselves and rebuild their relationships but also to recover lost loves--a parent, a child, a friend, a spouse, a partner. A young man longs for his mother's love while grieving the loss of his older brother. A mother's affair sabotages her relationship with her daughter, causing a lifelong feud between the two. A divorced man struggles to come to terms with his failed marriage and his family's genocidal past while trying to persuade his father to start cancer treatments. A high school girl feels responsible for the death of her best friend, and the guilt continues to haunt her decades later. Evocative and lyrical, the tales in What Isn't Remembered uncover complex events and emotions, as well as the unpredictable ways in which people adapt to what happens in their lives, finding solace from the most surprising and unexpected sources. |
cutting for stone review new yorker: A Hologram for the King Dave Eggers, 2013-02-07 New from Dave Eggers, National Book Award finalist A Hologram for the King In a rising Saudi Arabian city, far from weary, recession-scarred America, a struggling businessman pursues a last-ditch attempt to stave off foreclosure, pay his daughter's college tuition, and finally do something great. In A Hologram for the King, Dave Eggers takes us around the world to show how one man fights to hold himself and his splintering family together in the face of the global economy's gale-force winds. This taut, richly layered, and elegiac novel is a powerful evocation of our contemporary moment - and a moving story of how we got here. 'A master of the surprising metaphor, Eggers's great skill is in tracking the exuberant chaos of thought, with all its sudden poignancies and unexpected joys' Daily Telegraph 'Among the most influential writers in the English language' GQ 'Eggers can write like an angel' Tablet |
cutting for stone review new yorker: Chasing The Light Oliver Stone, 2020-07-21 “Vulnerable, introspective, stubbornly tenacious and frequently heartbroken — may just be the most sympathetic character [Stone] has ever written.'' —New York Times Book Review Before moving to Los Angeles and the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while working odd jobs in Manhattan. Stone recounts those formative years with in-the-moment details of the highs and lows: meetings with Al Pacino over Stone’s early scripts; the harrowing demon of cocaine addiction; the failure of his first feature; his risky on-the-ground research of Miami drug cartels for Scarface; and much more. Chasing the Light is a true insider’s guide to Hollywood’s razor-edged years of upheaval in the 1970s and ’80s with untold stories of decade-defining films from the man behind the camera. “Chasing the Light shows a man who still runs towards the gunfire. This is, you will gather, a tremendous book—readable, funny, and harrowing. It’s also full of movie-making gossip, scandal, and fun.” —Sunday Times (London) “Oliver, in honest and sometimes brutal fashion, lays it out — what it took for him to get to where he hoped to be . . . Bravo. Bravo. Bravo.” —Spike Lee, Academy Award-winning director and producer ''Oliver Stone is a giant provocateur in the Hollywood movie system. His autobiography is a fascinating exposure of Stone’s inner life and his powerful, all devouring energy and genius that drove him to become one of the world’s greatest filmmakers.” —Sir Anthony Hopkins, a multi-award–winning film actor, director, and producer |
cutting for stone review new yorker: Will In The World Stephen Greenblatt, 2012-03-31 Stephen Greenblatt's Will in the World is widely recognised to be the fullest and most brilliant account ever written of Shakespeare's life, his work and his age. Shakespeare was a man of his time, constantly engaging with his audience's deepest desires and fears, and by reconnecting with this historic reality we are able to experience the true character of the playwright himself. Greenblatt traces Shakespeare's unfolding imaginative generosity - his ability to inhabit others, to confer upon them his own strength of spirit, to make them truly live as independent beings as no other artist has ever done. Digging deep into the vital links between the playwright and his world, Will in the World provides the fullest account ever written of the living, breathing man behind the masterpieces. |
cutting for stone review new yorker: Kafka on the Shore Haruki Murakami, 2011-10-10 Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. As their parallel odysseys unravel, cats converse with people; fish tumble from the sky; a ghost-like pimp deploys a Hegel-spouting girl of the night; a forest harbours soldiers apparently un-aged since World War II. There is a savage killing, but the identity of both victim and killer is a riddle - one of many which combine to create an elegant and dreamlike masterpiece. *PRE-ORDER HARUKI MURAKAMI’S NEW NOVEL, THE CITY AND ITS UNCERTAIN WALLS, NOW* 'Hypnotic, spellbinding' The Times 'Cool, fluent and addictive' Daily Telegraph ‘Addictive... Exhilarating... A pleasure’ Evening Standard |
cutting for stone review new yorker: When We Do Harm Danielle Ofri, MD, 2020-03-23 Medical mistakes are more pervasive than we think. How can we improve outcomes? An acclaimed MD’s rich stories and research explore patient safety. Patients enter the medical system with faith that they will receive the best care possible, so when things go wrong, it’s a profound and painful breach. Medical science has made enormous strides in decreasing mortality and suffering, but there’s no doubt that treatment can also cause harm, a significant portion of which is preventable. In When We Do Harm, practicing physician and acclaimed author Danielle Ofri places the issues of medical error and patient safety front and center in our national healthcare conversation. Drawing on current research, professional experience, and extensive interviews with nurses, physicians, administrators, researchers, patients, and families, Dr. Ofri explores the diagnostic, systemic, and cognitive causes of medical error. She advocates for strategic use of concrete safety interventions such as checklists and improvements to the electronic medical record, but focuses on the full-scale cultural and cognitive shifts required to make a meaningful dent in medical error. Woven throughout the book are the powerfully human stories that Dr. Ofri is renowned for. The errors she dissects range from the hardly noticeable missteps to the harrowing medical cataclysms. While our healthcare system is—and always will be—imperfect, Dr. Ofri argues that it is possible to minimize preventable harms, and that this should be the galvanizing issue of current medical discourse. |
cutting for stone review new yorker: Academy Street Mary Costello, 2015-04-07 A vibrant, intimate, hypnotic portrait of one woman's life, from an important new writer Tess Lohan is the kind of woman that we meet and fail to notice every day. A single mother. A nurse. A quiet woman, who nonetheless feels things acutely—a woman with tumultuous emotions and few people to share them with. Academy Street is Mary Costello's luminous portrait of a whole life. It follows Tess from her girlhood in western Ireland through her relocation to America and her life there, concluding with a moving reencounter with her Irish family after forty years of exile. The novel has a hypnotic pull and a steadily mounting emotional force. It speaks of disappointments but also of great joy. It shows how the signal events of the last half century affect the course of a life lived in New York City. Anne Enright has said that Costello's first collection of stories, The China Factory, has the feel of work that refused to be abandoned; of stories that were written for the sake of getting something important right . . . Her writing has the kind of urgency that the great problems demand (The Guardian). Academy Street is driven by this same urgency. In sentence after sentence it captures the rhythm and intensity of inner life. |
cutting for stone review new yorker: Fast Pitch Nic Stone, 2021-08-31 From #1 New York Times bestselling author Nic Stone comes a challenging and heartwarming coming-of-age story about a softball player looking to prove herself on and off the field. Shenice Lockwood, captain of the Fulton Firebirds, is hyper-focused when she steps up to the plate. Nothing can stop her from leading her team to the U12 fast-pitch softball regional championship. But life has thrown some curveballs her way. Strike one: As the sole team of all-brown faces, Shenice and the Firebirds have to work twice as hard to prove that Black girls belong at bat. Strike two: Shenice’s focus gets shaken when her great-uncle Jack reveals that a career-ending—and family-name-ruining—crime may have been a setup. Strike three: Broken focus means mistakes on the field. And Shenice’s teammates are beginning to wonder if she’s captain-qualified. It's up to Shenice to discover the truth about her family’s past—and fast—before secrets take the Firebirds out of the game forever. |
cutting for stone review new yorker: The Alienist Caleb Carr, 2006-10-24 NEW YORK TIMES BESTSELLER • NOW A TNT ORIGINAL SERIES • “A first-rate tale of crime and punishment that will keep readers guessing until the final pages.”—Entertainment Weekly “Caleb Carr’s rich period thriller takes us back to the moment in history when the modern idea of the serial killer became available to us.”—The Detroit News When The Alienist was first published in 1994, it was a major phenomenon, spending six months on the New York Times bestseller list, receiving critical acclaim, and selling millions of copies. This modern classic continues to be a touchstone of historical suspense fiction for readers everywhere. The year is 1896. The city is New York. Newspaper reporter John Schuyler Moore is summoned by his friend Dr. Laszlo Kreizler—a psychologist, or “alienist”—to view the horribly mutilated body of an adolescent boy abandoned on the unfinished Williamsburg Bridge. From there the two embark on a revolutionary effort in criminology: creating a psychological profile of the perpetrator based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who will kill again before their hunt is over. Fast-paced and riveting, infused with historical detail, The Alienist conjures up Gilded Age New York, with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. It is an age in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences. Praise for The Alienist “[A] delicious premise . . . Its settings and characterizations are much more sophisticated than the run-of-the-mill thrillers that line the shelves in bookstores.”—The Washington Post Book World “Mesmerizing.”—Detroit Free Press “The method of the hunt and the disparate team of hunters lift the tale beyond the level of a good thriller—way beyond. . . . A remarkable combination of historical novel and psychological thriller.”—The Buffalo News “Engrossing.”—Newsweek “Gripping, atmospheric . . . intelligent and entertaining.”—USA Today “A high-spirited, charged-up and unfailingly smart thriller.”—Los Angeles Times “Keeps readers turning pages well past their bedtime.”—San Francisco Chronicle |
cutting for stone review new yorker: The Stone Reader: Modern Philosophy in 133 Arguments Peter Catapano, Simon Critchley, 2015-12-07 A timeless volume to be read and treasured, The Stone Reader provides an unparalleled overview of contemporary philosophy. Once solely the province of ivory-tower professors and college classrooms, contemporary philosophy was finally emancipated from its academic closet in 2010, when The Stone was launched in The New York Times. First appearing as an online series, the column quickly attracted millions of readers through its accessible examination of universal topics like the nature of science, consciousness and morality, while also probing more contemporary issues such as the morality of drones, gun control and the gender divide. Now collected for the first time in this handsomely designed volume, The Stone Reader presents 133 meaningful and influential essays from the series, placing nearly the entirety of modern philosophical discourse at a reader’s grasp. The book, divided into four broad sections—Philosophy, Science, Religion and Morals, and Society—opens with a series of questions about the scope, history and identity of philosophy: What are the practical uses of philosophy? Does the discipline, begun in the West in ancient Greece with Socrates, favor men and exclude women? Does the history and study of philosophy betray a racial bias against non-white thinkers, or geographical bias toward the West? These questions and others form a foundation for readers as the book moves to the second section, Science, where some of our most urgent contemporary philosophical debates are taking place. Will artificial intelligence compromise our morality? Does neuroscience undermine our free will? Is there is a legitimate place for the humanities in a world where science and technology appear to rule? Should the evidence for global warming change the way we live, or die? In the book’s third section, Religion and Morals, we find philosophy where it is often at its best, sharpest and most disturbing—working through the arguments provoked by competing moral theories in the face of real-life issues and rigorously addressing familiar ethical dilemmas in a new light. Can we have a true moral life without belief in God? What are the dangers of moral relativism? In its final part, Society, The Stone Reader returns to its origins as a forum to encourage philosophers who are willing to engage closely, critically and analytically with the affairs of the day, including economic inequality, technology and racial discrimination. In directly confronting events like the September 11 attacks, the killing of Trayvon Martin, the Sandy Hook School massacre, the essays here reveal the power of philosophy to help shape our viewpoints on nearly every issue we face today. With an introduction by Peter Catapano that details the column’s founding and distinct editorial process at The New York Times, and prefatory notes to each section by Simon Critchley, The Stone Reader promises to become not only an intellectual landmark but also a confirmation that philosophy is, indeed, for everyone. |
cutting for stone review new yorker: Beautiful Disaster Signed Limited Edition Jamie McGuire, 2012-11-27 Abby Abernathy is re-inventing herself as the good girl as she begins her freshman year at college, which is why she must resist lean, cut, and tattooed Travis Maddox, a classic bad boy. |
cutting for stone review new yorker: What We Talk About When We Talk About Books Leah Price, 2019-08-20 Reports of the death of reading are greatly exaggerated Do you worry that you've lost patience for anything longer than a tweet? If so, you're not alone. Digital-age pundits warn that as our appetite for books dwindles, so too do the virtues in which printed, bound objects once trained us: the willpower to focus on a sustained argument, the curiosity to look beyond the day's news, the willingness to be alone. The shelves of the world's great libraries, though, tell a more complicated story. Examining the wear and tear on the books that they contain, English professor Leah Price finds scant evidence that a golden age of reading ever existed. From the dawn of mass literacy to the invention of the paperback, most readers already skimmed and multitasked. Print-era doctors even forbade the very same silent absorption now recommended as a cure for electronic addictions. The evidence that books are dying proves even scarcer. In encounters with librarians, booksellers and activists who are reinventing old ways of reading, Price offers fresh hope to bibliophiles and literature lovers alike. Winner of the Phi Beta Kappa Christian Gauss Award, 2020 |
cutting for stone review new yorker: Trump and Me Mark Singer, 2016-07-05 Ever since Donald Trump entered the presidential race—in a press conference attended by paid actors, in which he slandered Mexican immigrants—he has dominated headlines, becoming the unrestrained id at the center of one of the most bizarre and alarming elections in American history. It was not always so. In 1996, longtime New Yorker writer Mark Singer was conscripted by his editor to profile Donald Trump. At that time Trump was a mere Manhattan-centric megalomaniac, a failing casino operator mired in his second divorce and (he claimed) recovering from the bankruptcy proceedings that prompted him to inventory the contents of his Trump Tower home. Conversing with Trump in his offices, apartments, cars, and private plane, Singer found himself fascinated with this man “who had aspired to and achieved the ultimate luxury, an existence unmolested by the rumbling of a soul.” In Trump and Me, Singer revisits the profile and recounts how its publication lodged inside its subject’s head as an enduring irritant—and how Singer (“A TOTAL LOSER!” according to Trump) cheerfully continued to bait him. He reflects on Trump’s evolution from swaggering buffoon to potential threat to America’s standing as a rational guardian of the world order. Heedlessly combative, equally adept at spewing insults and manipulating crowds at his campaign rallies, the self-proclaimed billionaire has emerged as an unlikely tribune of populist rage. All politics is artifice, and Singer marvels at how Trump has transfixed an electorate with his ultimate feat of performance art—a mass political movement only loosely tethered to reality. |
cutting for stone review new yorker: Dream Catcher Margaret A. Salinger, 2013-09-10 In her highly anticipated memoir, Margaret A. Salinger writes about life with her famously reclusive father, J.D. Salinger—offering a rare look into the man and the myth, what it is like to be his daughter, and the effect of such a charismatic figure on the girls and women closest to him. With generosity and insight, Ms. Salinger has written a book that is eloquent, spellbinding, and wise, yet at the same time retains the intimacy of a novel. Her story chronicles an almost cultlike environment of extreme isolation and early neglect interwoven with times of laughter, joy, and dazzling beauty. Compassionately exploring the complex dynamics of family relationships, her story is one that seeks to come to terms with the dark parts of her life that, quite literally, nearly killed her, and to pass on a life-affirming heritage to her own child. The story of being a Salinger is unique; the story of being a daughter is universal. This book appeals to anyone, J.D. Salinger fan or no, who has ever had to struggle to sort out who she really is from whom her parents dreamed she might be. |
cutting for stone review new yorker: The Cutter Incident Paul A. Offit, 2007-09-18 Vaccines have saved more lives than any other single medical advance. Yet today only four companies make vaccines, and there is a growing crisis in vaccine availability. Why has this happened? This remarkable book recounts for the first time a devastating episode in 1955 at Cutter Laboratories in Berkeley, California, thathas led many pharmaceutical companies to abandon vaccine manufacture. Drawing on interviews with public health officials, pharmaceutical company executives, attorneys, Cutter employees, and victims of the vaccine, as well as on previously unavailable archives, Dr. Paul Offit offers a full account of the Cutter disaster. He describes the nation's relief when the polio vaccine was developed by Jonas Salk in 1955, the production of the vaccine at industrial facilities such as the one operated by Cutter, and the tragedy that occurred when 200,000 people were inadvertently injected with live virulent polio virus: 70,000 became ill, 200 were permanently paralyzed, and 10 died. Dr. Offit also explores how, as a consequence of the tragedy, one jury's verdict set in motion events that eventually suppressed the production of vaccines already licensed and deterred the development of new vaccines that hold the promise of preventing other fatal diseases. |
cutting for stone review new yorker: The Journal of Best Practices David Finch, 2012-10-09 Traces the author's battle with Asperger Syndrome, describing his adult diagnosis and the painstaking and often whimsical exercises he uses to preserve his family and build social skills. |
cutting for stone review new yorker: The Body in Question Jill Ciment, 2020-05-19 *** NEW YORK TIMES 100 NOTABLE BOOKS OF THE YEAR *** A 52 year-old photographer and a 41 year-old anatomy professor are jurors sequestered during a sensational three-week trial: a toddler murdered by one of his twin sisters. At the court appointed cut-rate motel off the interstate, they fall into an intense, furtive affair, but it is only during deliberations that the lovers learn they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens. After the trial, the photographer returns to her much older husband amidst an ongoing media frenzy over the case. But the judge has received an anonymous letter about the affair, and she is preparing to release the jurors names. From that point on, the photographer’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences, as The Body in Question moves to its affecting, powerful, and surprising conclusion. |
cutting for stone review new yorker: Sticky Fingers Joe Hagan, 2017-10-24 A delicious romp through the heyday of rock and roll and a revealing portrait of the man at the helm of the iconic magazine that made it all possible, with candid look backs at the era from Mick Jagger, Keith Richards, Elton John, Bono, Bruce Springsteen, Paul McCartney, and others. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O’Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine. Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America. |
cutting for stone review new yorker: The Old Drift Namwali Serpell, 2019 A dazzling debut, establishing Namwali Serpell as a writer on the world stage.--Salman Rushdie, The New York Times Book Review Longlisted for the Center for Fiction First Novel Prize - Clear-eyed, energetic and richly entertaining.--The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review - Time - Tordotcom - Kirkus Reviews - BookPage 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives--their triumphs, errors, losses and hopes--emerge through a panorama of history, fairytale, romance and science fiction. From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines, this gripping, unforgettable novel is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time. Praise for The Old Drift An intimate, brainy, gleaming epic . . . This is a dazzling book, as ambitious as any first novel published this decade.--Dwight Garner, The New York Times A founding epic in the vein of Virgil's Aeneid . . . though in its sprawling size, its flavor of picaresque comedy and its fusion of family lore with national politics it more resembles Salman Rushdie's Midnight's Children.--The Wall Street Journal A story that intertwines strangers into families, which we'll follow for a century, magic into everyday moments, and the story of a nation, Zambia.--NPR |
cutting for stone review new yorker: A Stone of Hope David L. Chappell, 2005-08-01 The author of Inside Agitators: White Southerners in the Civil Rights Movement revisits this monumental period in American history, revealing the power of religious fervor as a force of change that managed to succeed where liberal rationalism could not. Reprint. |
cutting for stone review new yorker: Stone Mattress Margaret Atwood, 2015-09-24 BY THE AUTHOR OF THE HANDMAID'S TALE, THE TESTAMENTS AND ALIAS GRACE 'Dark and witty tales from the gleefully inventive Margaret Atwood. Witty verve, imaginative inventiveness and verbal sizzle vivify every page' Sunday Times A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite. 'A collection of nine acerbic, mischievous, gulpable short stories' Harper's Bazaar 'Atwood's prose is so sharp and sly that the effect is bracing rather than bleak' Guardian '[Look at these tales] as eight icily refreshing arsenic Popsicles followed by a baked Alaska laced with anthrax, all served with impeccable style and aplomb. Enjoy!' Ursula K. Le Guin, Financial Times 'Atwood has characters here close to death, dead already, unwittingly doomed or - in one memorable case - freeze-dried; but her own curiosity, enthusiasm and sheer storytelling panache remain alive and kicking' Independent |
cutting for stone review new yorker: Wayward Dana Spiotta, 2022-06-21 A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A “furious and addictive new novel” (The New York Times) about mothers and daughters, and one woman's midlife reckoning as she flees her suburban life. “Exhilarating ... reads like a burning fever dream. A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad.” —The New York Times Book Review Samantha Raymond's life has begun to come apart: her mother is ill, her teenage daughter is increasingly remote, and at fifty-two she finds herself staring into the Mids—that hour of supreme wakefulness between three and four in the morning in which women of a certain age suddenly find themselves contemplating motherhood, mortality, and, in this case, the state of our unraveling nation. When she falls in love with a beautiful, decrepit house in a hardscrabble neighborhood in Syracuse, she buys it on a whim and flees her suburban life—and her family—as she grapples with how to be a wife, a mother, and a daughter, in a country that is coming apart at the seams. Dana Spiotta's Wayward is a stunning novel about aging, about the female body, and about female complexity in contemporary America. Probing and provocative, brainy and sensual, it is a testament to our weird times, to reforms and resistance and utopian wishes, and to the beauty of ruins. |
cutting for stone review new yorker: Lucky Jim Kingsley Amis, 1971 |
cutting for stone review new yorker: The Tenth Circle Jodi Picoult, 2006 When the daughter of a comic book artist claims she has been raped at a party and her friends turn against her, she runs away to Alaska and her father must face his own violent past as he tries to find her. |
cutting for stone review new yorker: Long for This World Jonathan Weiner, 2010-06-22 “[A] searching and surprisingly witty look at the scientific odds against tomorrow.” —Timothy Ferris Jonathan Weiner—winner of the Pulitzer Prize, the National Book Critics Circle Award, and the Los Angeles Times Book Prize, and one of the most distinguished popular science writers in America—examines “the strange science of immortality” in Long for This World. A fast-paced, sure-to-astonish scientific adventure from “one of our finest science journalists” (Jonah Lehrer), Weiner’s Long for This World addresses the ageless question, “Is there a secret to eternal youth?” And has it, at long last, been found? |
cutting for stone review new yorker: New York Review of the Telegraph and Telephone and Electrical Journal , 1913 |
cutting for stone review new yorker: The Club King Peter Gatien, 2020 In this frank and gritty memoir, Peter Gatien charts the seismic changes in his personal and professional life and the targeted destruction of his nightclub empire. From Peter's childhood in a Canadian mill town to the freedom of the 1970s, through the excesses of the 1980s and the ensuing crackdown in the 1990s, The Club King chronicles the birth and death of a cultural movement--and the life of the man who was in control of every beat.-- |
cutting for stone review new yorker: Forks Over Knives Gene Stone, 2012 What if one simple change could save you from heart disease, diabetes, and cancer? For decades, that question has fascinated a small circle of impassioned doctors and researchers - and now, their life-changing research is making headlines in the internationally best-selling Forks Over Knives. Their answer? Eat a whole-foods, plant-based diet - it could save your life. This accessible guide provides all the information you need to adopt and enjoy a plant-based diet, including 125 wonderful recipes - from blueberry oat muffins for breakfast, to Mexicali burritos or garlic rosemary polenta for dinner, to fresh strawberry pie for dessert - delicious, healthy options for every meal, every day. |
cutting for stone review new yorker: Stranger in a Strange Land Robert A. Heinlein, 2014-06-05 The original uncut edition of STRANGER IN A STRANGE LAND by Hugo Award winner Robert A Heinlein - one of the most beloved, celebrated science-fiction novels of all time. Epic, ambitious and entertaining, STRANGER IN A STRANGE LAND caused controversy and uproar when it was first published and is still topical and challenging today. Twenty-five years ago, the first manned mission to Mars was lost, and all hands presumed dead. But someone survived... Born on the doomed spaceship and raised by the Martians who saved his life, Valentine Michael Smith has never seen a human being until the day a second expedition to Mars discovers him. Upon his return to Earth, a young nurse named Jill Boardman sneaks into Smith's hospital room and shares a glass of water with him, a simple act for her but a sacred ritual on Mars. Now, connected by an incredible bond, Smith, Jill and a writer named Jubal must fight to protect a right we all take for granted: the right to love. |
cutting for stone review new yorker: Cutting and Polishing Stones Max Wilhelm von Bernewitz, Frank Lee Hess, 1940 |
cutting for stone review new yorker: Jesus' Son Denis Johnson, 2009-02-17 Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiraling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The raw beauty and careening energy of Denis Johnson's prose has earned this book a place among the classics of twentieth-century American literature. |
cutting for stone review new yorker: I Sang You Down from the Stars Tasha Spillett-Sumner, 2021 A Native American woman describes how she loved her child before it was born and, throughout her pregnancy, gathered a bundle of gifts to welcome the newborn. |
Self-injury/cutting - Symptoms and causes - Mayo Clinic
Nov 21, 2024 · Nonsuicidal self-injury, often simply called self-injury, is the act of harming your own body on purpose, such as by cutting or burning yourself. It's usually not meant as a suicide …
Cutting and self-harm: Why it happens and what to do
May 31, 2023 · What drives forms of self-harm like cutting that some teens engage in? Gaining an understanding of why some children harm themselves by cutting their skin, what signs to be …
Cutting: Self-Harm, on Arm, Yourself, Self-Injury, in ... - Healthline
Jan 18, 2019 · Find out the causes, risk factors, and signs of cutting, what you can do if you discover a loved one is harming themselves, and where to turn for support.
Cutting & Self-Harm: Warning Signs and Treatment - WebMD
May 22, 2024 · Cutting is the most common form of self-injury — more than 80% of people who self-harm choose this method — but it’s not the only one.
Self-Injury: 4 Reasons People Cut and What to Do
Oct 20, 2016 · The technical term for cutting is non-suicidal self-injury, and it’s defined as the deliberate, self-inflicted destruction of body tissue. But keep in mind two important facts: First, …
Cutting & Self-Injury (for Teens) | Nemours KidsHealth
Most of us know about cutting — using a sharp object like a razorblade, knife, or scissors to make marks, cuts, or scratches on one's own body. But cutting is just one form of self-injury.
Understanding Cutting and How to Find Help - Verywell Health
Apr 7, 2023 · Cutting is a form of intentional self-harm used to cope with stress or trauma or to process feelings and should always be taken seriously. Self-harm often indicates a mental …
Cutting and Self-Harm - HelpGuide.org
Aug 21, 2024 · While cutting and self-harming occurs most frequently in adolescents and young adults, it can happen at any age. Because clothing can hide physical injuries, and inner turmoil …
Self-harm by cutting: Causes, effects, & treatment - rula.com
Feb 19, 2025 · Cutting is a type of self-harm that involves using sharp objects to make cuts or scratches on your skin. Similar to other types of self-harm, cutting is often used as a coping …
How to stop cutting: Ways to help yourself and others - Medical News Today
Feb 21, 2019 · Cutting is a type of self-harm. Although it can be a challenging habit to break, there are many ways to prevent yourself or others from cutting. Learn about them here.
Self-injury/cutting - Symptoms and causes - Mayo Clinic
Nov 21, 2024 · Nonsuicidal self-injury, often simply called self-injury, is the act of harming your own body on purpose, such as by cutting or burning yourself. It's usually not meant as a …
Cutting and self-harm: Why it happens and what to do
May 31, 2023 · What drives forms of self-harm like cutting that some teens engage in? Gaining an understanding of why some children harm themselves by cutting their skin, what signs to be …
Cutting: Self-Harm, on Arm, Yourself, Self-Injury, in ... - Healthline
Jan 18, 2019 · Find out the causes, risk factors, and signs of cutting, what you can do if you discover a loved one is harming themselves, and where to turn for support.
Cutting & Self-Harm: Warning Signs and Treatment - WebMD
May 22, 2024 · Cutting is the most common form of self-injury — more than 80% of people who self-harm choose this method — but it’s not the only one.
Self-Injury: 4 Reasons People Cut and What to Do
Oct 20, 2016 · The technical term for cutting is non-suicidal self-injury, and it’s defined as the deliberate, self-inflicted destruction of body tissue. But keep in mind two important facts: First, …
Cutting & Self-Injury (for Teens) | Nemours KidsHealth
Most of us know about cutting — using a sharp object like a razorblade, knife, or scissors to make marks, cuts, or scratches on one's own body. But cutting is just one form of self-injury.
Understanding Cutting and How to Find Help - Verywell Health
Apr 7, 2023 · Cutting is a form of intentional self-harm used to cope with stress or trauma or to process feelings and should always be taken seriously. Self-harm often indicates a mental …
Cutting and Self-Harm - HelpGuide.org
Aug 21, 2024 · While cutting and self-harming occurs most frequently in adolescents and young adults, it can happen at any age. Because clothing can hide physical injuries, and inner turmoil …
Self-harm by cutting: Causes, effects, & treatment - rula.com
Feb 19, 2025 · Cutting is a type of self-harm that involves using sharp objects to make cuts or scratches on your skin. Similar to other types of self-harm, cutting is often used as a coping …
How to stop cutting: Ways to help yourself and others - Medical News Today
Feb 21, 2019 · Cutting is a type of self-harm. Although it can be a challenging habit to break, there are many ways to prevent yourself or others from cutting. Learn about them here.