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| contemporary lesbian poets: My Lover is a Woman Lesléa Newman, 1996 Editor Leslea Newman has collected the work of both well-known and emerging poets, some of them published here for the first time to create an anthology of some of the finest writers of any gender or sexual orientation writing poetry today. These poets have written daring confessions of love, sorrow, anger, and joy. Each poem is an elaborate confirmation of the resilience of the human spirit, and the ability to transform experience - including the struggle against the societal taboo of same-sex love - into brilliant poetry.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| contemporary lesbian poets: Naming the Waves Christian McEwen, 1989 Collection of contemporary lesbian poetry by more than 70 poets from both sides of the Atlantic--Back cover. |
| contemporary lesbian poets: Out of the Box Michael Farrell, Jill Jones, 2009 The first contemporary book of its kind: poems by gay and lesbian poets writing now in the freedoms and dangers of the 21st century. 'Out of the Box' features new poems by David Malouf and Dorothy Porter and introduces new poets Maria Zajkowski and Scott-Patrick Mitchell - not to mention the free ranging poets in between. |
| contemporary lesbian poets: Milk and Honey Julie R. Enszer, 2011 Poetry. LGBT Studies. Jewish Studies. In this land of MILK AND HONEY, poems flow. Contemporary Jewish, lesbian poets address an array of experiences--relationships between and among women, family relationships, politics, solitude, ethical responsibilities, history, solidarity, and community. MILK AND HONEY features beloved poets like Ellen Bass, Robin Becker, Elana Dykewomon, Marilyn Hacker, Eleanor Lerman, Joan Nestle, Leslea Newman and Ellen Orleans, as well as new and emerging voices. With language and imagery that moves from the sensual and political to the tender and serene, MILK AND HONEY explores the vibrant, complicated, exhilarating experience of being Jewish and lesbian--or queer--in the world today. |
| contemporary lesbian poets: Cool for You Eileen Myles, 2017-04-11 Grainy and stripped down, this gritty novel traces the downbeat progress of a tough, queer girl growing up in working-class Boston by a cult figure to a generation of post-punk females forming their own literary avant-garde” (The New York Times). Why can’t I live right now. Because I am not rich, I am not a saint. But I do know this: not all of us were sent here to work. The first published novel of legendary poet and performer Eileen Myles follows a queer female growing up in working-class Boston, straining against the institutions that hold her: family, Catholic school, jobs at a camp, at a nursing home, at a school for developmentally disabled adult males. She wants to be an astronaut. Instead, she becomes a poet and journeys through a series of low-end schools, pathetic jobs, and unmade beds. Schooled by mean and memorable Catholic nuns, this tomboy heroine stumbles and dreams her way through the painful corridors of family, early sexual encounters, and an eye-opening series of jobs caring for the sick and insane--the abandoned wards of the state. This is a book hell-bent on telling the truth about poor women, and how they do (and do not) get out of the hands of their families and the state. Without artifice or pseudonym, protagonist Eileen Myles boldly sets down a rich and graphic account of female experience in this world. Free-ranging and deadpan, tragic and joyful, this is a book about women, gender, class, bodies, escape, and what it means to be “inside.” Never more relevant, and now with an introduction by Chris Kraus. Eileen Myles is a genius!--Dorothy Allison |
| contemporary lesbian poets: Gay and Lesbian Poetry James J. Wilhelm, 2014-01-14 First published in 1995. This anthology focuses on European languages, but also includes Arabic and Hebrew poetry of medieval Spain, arranged chronologically and accompanied by commentary about the poets' lives and work. |
| contemporary lesbian poets: Poems Between Women Emma Donoghue, 1997 Emma Donoghue illustrates the ways in which women present their affections for each other, as childhood playmates, romantic friends, and lovers. With poems by over 100 women from all over the world, Poems Between Women collects four centuries of poetry between women writing in English. They are married and single, young and old, lesbian, heterosexual, or romantic friends, whose words reveal a wide range of experiences and emotions, but also chart the evolution of women's poetic expression. |
| contemporary lesbian poets: Haruko/Love Poems June Jordan, 2023-01-26 Selected by Seán Hewitt as a Granta Book of the Year In trailblazing poet, essayist, teacher and activist June Jordan's poems, love is a vision of revolutionary solidarity, crossing borders both emotional and literal with an outstretched hand. Haruko traces the faltering arc of a passionate love affair with another woman while Love Poems encompasses relationships with men and women, political resistance, the need for self-care in a demanding, uncaring world and apocalyptic visions of the eruption of Mount Vesuvius that destroyed Pompeii and Herculaneum. A contemporary of Alice Walker, Toni Morrison and Audre Lorde, June Jordan's spectacular poetry remains profoundly politically potent, lyrically inventive and breathtakingly romantic. First published in 1994, Haruko/ Love Poems is a vitally important modern classic. |
| contemporary lesbian poets: Encyclopedia of Contemporary LGBTQ Literature of the United States Emmanuel S. Nelson, 2009-07-14 In this two-volume work, hundreds of alphabetically arranged entries survey contemporary lesbian, gay, bisexual, transgendered, and queer American literature and its social contexts. Comprehensive in scope and accessible to students and general readers, Encyclopedia of Contemporary LGBTQ Literature of the United States explores contemporary American LGBTQ literature and its social, political, cultural, and historical contexts. Included are several hundred alphabetically arranged entries written by expert contributors. Students of literature and popular culture will appreciate the encyclopedia's insightful survey and discussion of LGBTQ authors and their works, while students of history and social issues will value the encyclopedia's use of literature to explore LGBTQ American society. Each entry is written by an expert contributor and lists additional sources of information. To further enhance study and understanding, the encyclopedia closes with a selected general bibliography of print and electronic resources for student research. |
| contemporary lesbian poets: Wound from the Mouth of a Wound torrin a. greathouse, 2020-12-22 A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw. |
| contemporary lesbian poets: Bukowski in a Sundress Kim Addonizio, 2016-06-21 “Somewhere between Jo Ann Beard’s The Boys of My Youth and Amy Schumer’s stand-up exists Kim Addonizio’s style of storytelling . . . at once biting and vulnerable, nostalgic without ever veering off into sentimentality.” —Refinery29 “Always vital, clever, and seductive, Addonizio is a secular Anne Lamott, a spiritual aunt to Lena Dunham.” —Booklist A dazzling, edgy, laugh-out-loud memoir from the award-winning poet and novelist that reflects on writing, drinking, dating, and more Kim Addonizio is used to being exposed. As a writer of provocative poems and stories, she has encountered success along with snark: one critic dismissed her as “Charles Bukowski in a sundress.” (“Why not Walt Whitman in a sparkly tutu?” she muses.) Now, in this utterly original memoir in essays, she opens up to chronicle the joys and indignities in the life of a writer wandering through middle age. Addonizio vividly captures moments of inspiration at the writing desk (or bed) and adventures on the road—from a champagne-and-vodka-fueled one-night stand at a writing conference to sparsely attended readings at remote Midwestern colleges. Her crackling, unfiltered wit brings colorful life to pieces like “What Writers Do All Day,” “How to Fall for a Younger Man,” and “Necrophilia” (that is, sexual attraction to men who are dead inside). And she turns a tender yet still comic eye to her family: her father, who sparked her love of poetry; her mother, a former tennis champion who struggled through Parkinson’s at the end of her life; and her daughter, who at a young age chanced upon some erotica she had written for Penthouse. At once intimate and outrageous, Addonizio’s memoir radiates all the wit and heartbreak and ever-sexy grittiness that her fans have come to love—and that new readers will not soon forget. |
| contemporary lesbian poets: Indigo Ellen Bass, 2020-04-07 “A bold and passionate new collection... Intimacy is rarely conveyed as gracefully as in Bass’s lustrous poems.” —Booklist Indigo, the newest collection by Ellen Bass, merges elegy and praise poem in an exploration of life’s complexities. Whether her subject is oysters, high heels, a pork chop, a beloved dog, or a wife’s return to health, Bass pulls us in with exquisite immediacy. Her lush and precisely observed descriptions allow us to feel the sheer primal pleasure of being alive in our own “succulent skin,” the pleasure of the gifts of hunger, desire, touch. In this book, joy meets regret, devotion meets dependence, and most importantly, the poet so in love with life and living begins to look for the point where the price of aging overwhelms the rewards of staying alive. Bass is relentless in her advocacy for the little pleasures all around her. Her gaze is both expansive and hyperfocused, celebrating (and eulogizing) each gift as it is given and taken, while also taking stock of the larger arc. She draws the lines between generations, both remembering her parents’ lives and deaths and watching her own children grow into the space that she will leave behind. Indigo shows us the beauty of this cycle, while also documenting the deeply human urge to resist change and hang on to the life we have, even as it attempts to slip away. |
| contemporary lesbian poets: Queer Expectations Zohar Weiman-Kelman, 2018-12-01 Examines how Jewish women have used poetry to challenge their historical limitations while rewriting their potential futures. Jewish women have had a fraught relationship with history, struggling for inclusion while resisting their limited role as (re)producers of the future. In Queer Expectations, Zohar Weiman-Kelman shows how Jewish women writers turned to poetry to write new histories, developing queer expectancy as a conceptual tool for understanding how literary texts can both invoke and resist what came before. Bringing together Jewish womens poetry from the late nineteenth century, the interwar period, and the 1970s and 1980s, Weiman-Kelman takes readers on a boundary-crossing journey through works in English, Yiddish, and Hebrew, setting up encounters between writers of different generations, locations, and languages. Queer Expectationshighlights genealogical lines of continuity drawn by authors as diverse as Emma Lazarus, Kadya Molodowsky, Leah Goldberg, Anna Margolin, Irena Klepfisz, and Adrienne Rich. These poets push back against heteronormative imperatives of biological reproduction and inheritance, opting instead for connections that twist traditional models of gender and history. Looking backward in queer ways enables new histories to emerge, intervenes in a troubled present, and gives hope for unexpected futures. Queer Expectations is one of the most original books of literary analysis, historiography, biography, and queer theory I have ever read. Its originality and its methodology turn traditional ways of thinking about literary analysis, questions of influence, and what queer can mean upside down. This is a truly brilliant book. Evelyn Torton Beck, editor of Nice Jewish Girls: A Lesbian Anthology, Revised and Updated Edition |
| contemporary lesbian poets: The Book of Daniel Aaron Smith, 2019-08-28 A tour de force, Aaron Smith’s fourth collection of poetry, The Book of Daniel, resists the easy satisfactions of Beauty while managing the contemporary entanglements of art, sex, and grief. Part pop-thriller, part queer rage, and part mourning, these poems depict not only the complications of representation in the age of social media but a critique of identity. Taking on subjects as diverse as the literary canon, his mother’s incurable cancer diagnosis, gay bashing, celebrity gossip, bigotry, violence on TV, and Alexander McQueen’s suicide, Smith proves that the confessional lyric is not dead. In tangents as wild as they are reigned, with his characteristic blend of directness, vulnerability and humor, these poems take on the world as it is, a world we love even as it resists all intimacy. |
| contemporary lesbian poets: Fire Power Chrystos, 1995 Eloquent words are Chrystos's tool for survival and her weapon in fighting for social justice. Chrystos is writing a poetry which indeed changes the world. -Lambda Book Report |
| contemporary lesbian poets: In Full Velvet Jenny Johnson, 2017 These sensuous poems explore love, desire, ecology, queerness in the 'natural' world, loss, and LGBTQ lineage and community. |
| contemporary lesbian poets: Love Speaks Its Name J. D. McClatchy, 2001-05-15 From Sappho to Shakespeare to Cole Porter–a marvelous and wide-ranging collection of classic gay and lesbian love poetry. The poets represented here include Walt Whitman, Hart Crane, Gertrude Stein, Federico García Lorca, Djuna Barnes, Constantine Cavafy, Elizabeth Bishop, W. H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety. |
| contemporary lesbian poets: "After Mecca" Cheryl Clarke, 2005 In After Mecca, Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. |
| contemporary lesbian poets: The Arc of Love Clare Coss, 1996 This anthology gathers together more than eighty contemporary lesbian poets - women, both young and old, of African, Asian, European, Latina, Native, and South Seas heritage. Well-known poets such as Gloria Anzaldua, Chrystos, Judy Grahn, Marilyn Hacker, Audre Lorde, Pat Parker, Adrienne Rich, and Muriel Rukeyser, and a new generation of poets such as Mi Ok Song Bruining, Ana Bantigue Fajardo, Melinda Goodman, and Melanie Hope, are featured in this energizing gift of imagination and heart, vision and community. Coss, a writer, activist, and psychotherapist with twenty years' experience working with individuals and couples, has selected poems that tell the story of love with eloquence, humor, grace, and passion. The poetry collected here is a generous sustaining resource for understanding attractions, loneliness, lust, hate, sexual play, power games, monogamy, fantasy, commitment, the search for meaning and direction in our daily lives.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| contemporary lesbian poets: Poems of Sappho Sappho, John Maxwell Edmonds, 2018-02-15 The Tenth Muse sings to both sexes of desire, rapture, and sorrow. This concise collection of the ancient Greek poet's surviving works was assembled and translated by a distinguished classicist. |
| contemporary lesbian poets: Queer Dog Gerry Pearlberg, 1997 With dogs looming large in America's collective conscious, according to a recent New Yorker article, Queer Dog presents a collection of canine poetry in a range of styles by such famous and infamous gay and lesbian poets as Gertrude Stein, Jack Anderson, Jeffery Conway, May Sarton, Eileen Myles, and Jan Freeman. |
| contemporary lesbian poets: Funeral Diva Pamela Sneed, 2020-10-20 A black lesbian poet's coming-of-age account of the AIDS era and its effects on life and art. |
| contemporary lesbian poets: A Room of One's Own Virginia Woolf, 2022-11-13 In 'A Room of One's Own,' Virginia Woolf constructs a sharply detailed and profoundly influential critique of the patriarchal limitations imposed on female writers and intellectuals. First published in 1929, this extended essay transcends its original lecture format, utilizing a fictional veil to delve into the intersection of women with literary creation and representation. Woolf's prose is fluid and exacting, a rally for recognition orchestrated in the cadence of narrative fiction, yet grounded in the stark realities of the feminist struggle for intellectual autonomy and recognition. This resourceful mingling of fact and fiction situates Woolf among the vanguard of feminist literary critique, providing context and commentary to the historical suppression of women's voices within the established literary canon. Virginia Woolf, with her exceptional literary prowess, embarks on this essay from a position of lived experience and recognition of the broader socio-historical currents of her time. Her own encounters with gender-based barriers and the psychological insights she developed in her broader oeuvre fuel the essay's core argument. The provenance of her writing in 'A Room of One's Own'—stemming from the dynamics of her personal journey and societal observations—elucidates the necessity of financial independence and intellectual freedom for the creative output of female authors. Woolf's narrative competence and critical acumen position her not only as a luminary of modernist literature but also as a vital provocateur in the discourse of gender equality. 'A Room of One's Own' remains a fundamental recommendation for readers seeking not only to understand the historical plight and literary silencing of women but also to appreciate the enduring relevance of Woolf's argument. Scholars, feminists, and bibliophiles alike will find in Woolf's essay an enduring testament to the necessity of giving voice to the voiceless and space to the confined. It is a rallying cry for the creation of a literary world that acknowledges and celebrates the contributions of all of its constituents, one where the measure of talent is not distorted by the filter of gender bias. |
| contemporary lesbian poets: Nepantla Christopher Soto, 2018 The first major literary anthology for queer poets of color in the United States In 2014, Christopher Soto and Lambda Literary Foundation founded the online journal Nepantla, with the mission to nurture, celebrate, and preserve diversity within the queer poetry community, including contributions as diverse in style and form, as the experiences of QPOC in the United States. Now, Nepantla will appear for the first time in print as a survey of poetry by queer poets of color throughout U.S. history, including literary legends such as Audre Lorde, James Baldwin, June Jordan, Ai, and Pat Parker alongside contemporaries such as Natalie Diaz, Ocean Vuong, Danez Smith, Joshua Jennifer Espinoza, Robin Coste Lewis, Joy Harjo, Richard Blanco, Erika L. Sánchez, Jericho Brown, Carl Phillips, Tommy Pico, Eduardo C. Corral, Chen Chen, and more! |
| contemporary lesbian poets: A Companion to Contemporary British and Irish Poetry, 1960 - 2015 Wolfgang Gortschacher, David Malcolm, 2020-12-21 A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors. |
| contemporary lesbian poets: The Vintage Book of Contemporary World Poetry J. D. McClatchy, 1996-06-25 This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh--Taslima Nasrin Chile--Pablo Neruda China--Bei Dao, Shu Ting El Salvador--Claribel Alegria France--Yves Bonnefoy Greece--Odysseus Elytis, Yannis Ritsos India--A.K. Ramanujan Israel--Yehuda Amichai Japan--Shuntaro Tanikawa Mexico--Octavio Paz Nicaragua--Ernesto Cardenal Nigeria--Wole Soyinka Norway--Tomas Transtromer Palestine--Mahmoud Darwish Poland--Zbigniew Herbert, Czeslaw Milosz Russia--Joseph Brodsky, Yevgeny Yevtushenko Senegal--Leopold Sedar Senghor South Africa--Breyten Breytenbach St. Lucia, West Indies--Derek Walcott |
| contemporary lesbian poets: Reader's Guide to Lesbian and Gay Studies Timothy Murphy, 2013-10-18 The Reader's Guide to Lesbian and Gay Studies surveys the field in some 470 entries on individuals (Adrienne Rich); arts and cultural studies (Dance); ethics, religion, and philosophical issues (Monastic Traditions); historical figures, periods, and ideas (Germany between the World Wars); language, literature, and communication (British Drama); law and politics (Child Custody); medicine and biological sciences (Health and Illness); and psychology, social sciences, and education (Kinsey Report). |
| contemporary lesbian poets: THE VINTAGE BOOK OF CONTEMPORARY AMERICAN POETRY. J.D. MCCLATCHY, 2022 |
| contemporary lesbian poets: Poetry Is Not a Luxury Audre Lorde, Maymanah Farhat, 2019-07-18 Poetry is Not a Luxury is an exhibition catalog for the 2019 exhibition of the same name. It considers how book arts have contributed to the recording of oppositional subjectivities in the U.S. The exhibition is titled after Audre Lorde's 1977 essay on the intersections of creativity and activism that were not only essential to her own work but to a diverse group of feminist thinkers at the time. Recognizing that both creative work and activism are driven by subjectivity, Lorde argues that for women poetry is not a luxury but a vital necessity, as it provides a framework through which survival and the desire for change can be articulated, conceptualized, and transformed into meaningful action.Featured artists:Aurora De Armendi with Adriana Mendez Rodenas; Zeina Barakeh; Janine Biunno; Ana Paula Cordeiro; Joyce Dallal; Nancy Genn; Gelare Khoshgozaran; Brenda Louie; Nancy Morejon with Ronaldo Estevez Jordan and Marciel Ruiz; Katherine Ng; Miné Okubo; Martha Rosler; Zeinab Saab; Jacqueline Reem Salloum; Patricia Sarrafian Ward; Jana Sim; Sable Elyse Smith; Patricia Tavenner; Christine Wong Yap; and Helen Zughaib.Publisher: The Center for Book ArtsCity: New York, NYYear: 2019Pages: 48Dimensions: 6.625 x 9 inchesCover: Letterpress printed softcover**This product ships on 7/30/2019**Binding: Dos-à-dos staple boundInterior: Color and black and white digital offsetEdition Size: 300 |
| contemporary lesbian poets: Flicker and Spark Regie Cabico, 2013-02 Section Three: Aids Diagnosis - Brandon Teena's Death Poets (1982-1993) -- Jo Bee -- Jay Bernard -- Franny Choi -- Meg Day -- Danielle Evennou -- Camongnhe Felix -- Adele Hampton -- Joanna Hoffman -- David Keali'I -- Suty Komsonkeo -- Sam Laroche -- Dan Lau -- Adam Lowe -- J Mase III -- Colin McGuire -- Katherine McMahon -- Sean Patrick Mulroy -- Alessandra Naccaratto -- Dan Nowak -- Andre Prefontaine -- Sam Sax -- Nathan Say -- Lisa Slater -- Danez Smith -- Max Wallis -- Sophia Walker -- July Westhale -- Kit Yan -- Daniel Zampanelli. |
| contemporary lesbian poets: Identity Poetics Linda Garber, 2001-10-17 Queer theory, asserts Linda Garber, alternately buries and vilifies lesbian feminism, missing its valuable insights and ignoring its rich contributions. Rejecting the either/or choice between lesbianism and queer theory, she favors an inclusive approach that defies current factionalism. In an eloquent challenge to the privileging of queer theory in the academy, Garber calls for recognition of the historical—and intellectually significant—role of lesbian poets as theorists of lesbian identity and activism. The connections, Garber shows, are most clearly seen when looking at the pivotal work of working-class lesbians/lesbians of color whose articulations of multiple, simultaneous identity positions and activist politics both belong to lesbian feminism and presage queer theory. Identity Poetics includes a critical overview of recent historical writing about the women's and lesbian-feminist movements of the 1970s; discussions of the works of Judy Grahn, Pat Parker, Audre Lorde, Adrienne Rich, and Gloria Anzaldúa; and, finally, a chapter on the rise and hegemony of queer theory within lesbigay studies. |
| contemporary lesbian poets: The Queer Renaissance Robert McRuer, 1997-06 The Queer Renaissance puts a name to the unprecedented outpouring of creative work by openly lesbian and gay novelists, poets, and playwrights in the past two decades. This volume is one of the first to critically analyze this cultural awakening and is one of the only books to consider the work of gay male and lesbian writers together. Most importantly, it is the first book to consider how this wave of creative activity has worked in tandem with a flourishing of radical queer politics. The Queer Renaissance explores the work of such important figures as Audre Lorde, Edmund White, Randall Kenan, Gloria Anzaldua, Tony Kushner, and Sarah Schulman to question the dichotomy between art and activism. In addition, it interrogates the ways queer theory deploys, intersects with, and contests contemporary theoretical movements such as cultural studies, feminist theory, African American theory, and Chicano/a theory. |
| contemporary lesbian poets: Tinderbox Lawn Carol Guess, 2008 Poetry. Set on the margins of Seattle, beneath bridges and on the banks of waterways, in strip clubs and flooded farmland, the prose poems in TINDERBOX LAWN illuminate the intersection of domesticity and bohemia, orthodoxy and passion. Each untitled block of prose constitutes a novel-in-miniature, with shadow characters and shards of plot. The intensity of Carol Guess's poems builds through lyrical language and recurring images, capturing the moment when the small mad heart at the center of things stalls mid-tick. This is such deep, rich writing. TINDERBOX LAWN feels like dreams you forgot as you walk through your day but it's your life. I mean we never think as deeply as we live and Carol Guess tries to braid those strands and succeeds. I love being in this work--Eileen Myles. |
| contemporary lesbian poets: Lesbian Poetry, an Anthology Elly Bulkin, Joan Larkin, 1981 |
| contemporary lesbian poets: Sister Arts Lisa Lynne Moore, 2011 How eighteenth-century artists created works that expressed their desire for other women. |
| contemporary lesbian poets: The Lesbian Lyre Jeffrey M. Duban, 2016-08-23 Hailed by Plato as the Tenth Muse of ancient Greek poetry, Sappho is inarguably antiquity's greatest lyric poet. Born over 2,600 years ago on the Greek island of Lesbos, and writing amorously of women and men alike, she is the namesake lesbian. What's left of her writing, and what we know of her, is fragmentary. Shrouded in mystery, she is nonetheless repeatedly translated and discussed – no, appropriated – by all. Sappho has most recently undergone a variety of treatments by agenda-driven scholars and so-called poet-translators with little or no knowledge of Greek. Classicist-translator Jeffrey Duban debunks the postmodernist scholarship by which Sappho is interpreted today and offers translations reflecting the charm and elegant simplicity of the originals. Duban provides a reader-friendly overview of Sappho's times and themes, exploring her eroticism and Greek homosexuality overall. He introduces us to Sappho's highly cultured island home, to its lyre-accompanied musical legends, and to the fabled beauty of Lesbian women. Not least, he emphasizes the proximity of Lesbos to Troy, making the translation and enjoyment of Homer's Iliad and Odyssey a further focus. More than anything else, argues Duban, it is free verse and its rampant legacy – and no two persons more than Walt Whitman and Ezra Pound – that bear responsibility for the ruin of today's classics in translation, to say nothing of poetry in the twentieth century. Beyond matters of reflection for classicists, Duban provides a far-ranging beginner's guide to classical literature, with forays into Spenser and Milton, and into the colonial impulse of Virgil, Spenser, and the West at large. |
| contemporary lesbian poets: The Estrangement Principle Ariel Goldberg, 2016 A book-length essay that travels through the limits and landscapes of categorization in recent histories of literature and art |
| contemporary lesbian poets: The Year of Blue Water Yanyi (poet), 2019 |
| contemporary lesbian poets: New Directions in Contemporary Australian Poetry Dan Disney, Matthew Hall, 2021-10-04 This book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here—“Indigeneities”; “Political Landscapes”; “Space, Place, Materiality”; “Revising an Australian Mythos”—models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium. |
| contemporary lesbian poets: I Must Be Living Twice Eileen Myles, 2015-09-29 Myles speaks with one of the essential voices in American poetry. —New York Times A collection of new and selected past work from one of America’s most celebrated poets Eileen Myles's poetry and prose are known for their blend of reality and fiction, the sublime and the ephemeral, in which readers can peer into existent places, like the East Village of Myles's iconic Chelsea Girls. But they are also lifted into dreams, through writing that has the vividness and energy of fantasy. I Must Be Living Twice brings selections from the poet’s previous work together with a set of bold new poems, through which Myles continues to refine their sardonic, unapologetic, and fiercely intellectual literary voice. Steeped in the culture of New York City, Myles's stomping grounds and the home of their most well-known work, they provide a wide-open lens into radical life. |
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然 …
如何知道一个期刊是不是sci？ - 知乎
Master Journal List在这个网站能搜到的就是吗？我在web of knowledge 上能搜到文章的杂志就是sci吗？
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然 …
如何剖析Alternative R&B , Contemporary R&B - 知乎
Contemporary rnb节奏感更强，鼓点抓耳，vocal上是比较明显的“黑人醇厚"嗓音； 而Alternative rnb会加入电子元素，歌手偏爱使用假音。 歌词方面，rnb本身表达的就是浪漫、情爱，不论当代节奏 …
R&B的定义和特点是什么，如何辨别哪些歌是R&B？ - 知乎
20世纪40年代，R&B大多指的基本上就是Jazz、Gospel、Blues所组合的音乐， 20世纪60年代，R&B出现了Motown R&B的分支（比如The Jacksons5的《I want you back》） 之后又 …
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然 …
如何知道一个期刊是不是sci？ - 知乎
Master Journal List在这个网站能搜到的就是吗？我在web of knowledge 上能搜到文章的杂志就是sci吗？
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然 …
如何剖析Alternative R&B , Contemporary R&B - 知乎
Contemporary rnb节奏感更强，鼓点抓耳，vocal上是比较明显的“黑人醇厚"嗓音； 而Alternative rnb会加入电子元素，歌手偏爱使用假音。 歌词方面，rnb本身表达的就是浪漫、情爱，不论当代节奏 …
R&B的定义和特点是什么，如何辨别哪些歌是R&B？ - 知乎
20世纪40年代，R&B大多指的基本上就是Jazz、Gospel、Blues所组合的音乐， 20世纪60年代，R&B出现了Motown R&B的分支（比如The Jacksons5的《I want you back》） 之后又 …
