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| damiana eugenio legends: Philippine Folk Literature Damiana L. Eugenio, 2002 Philippine Folk Literature: The Legends constitutes Volume III of the author's eight-volume Philippine Folk Literature Series. The present volume focuses on the legend, which may simply be defined as an account of an extraordinary happening believed to have actually occurred. The Introduction gives a more detailed characterization of the legend, distinguishes it from the folktale, offers a system of classification, and gives a detailed description, with examples from the collection, of the different types of Philippine legends. Five types of legends are given : heroic/historical legends, about epic and culture heroes, historical personages, and persons with extraordinary powers; religious legends, recounting miracles of God and His saints; legends narrating encounters with supernatural beings (aswang, cafre, duende, etc.); miscellaneous legends--about sunken bells, buried treasure, etc.; and place name legends. Within each category, the legends are arranged by geographical regions--Luzon, Visayas, Mindanao. As in the other volumes in the series, the selections are given in English translation. Like them also, this collection is intended to be national in scope. Care was tfore taken to make it as widely representative as possible of the different types of Philippine legends and of the different ethnolinguistic groups in the country. |
| damiana eugenio legends: Philippine Folk Literature Damiana L. Eugenio, 1993 |
| damiana eugenio legends: Philippine Folk Literature Damiana L. Eugenio, 2007 This anthology presents a bird's-eye view of the whole range of Philippine folk literature. |
| damiana eugenio legends: Filipino Popular Tales Dean S. Fansler, 2016-09-06 The folk-tales in this volume, which were collected in the Philippines during the years from 1908 to 1914, have not appeared in print before. They are given to the public now in the hope that they will be no mean or uninteresting addition to the volumes of Oriental Märchen already in existence. The Philippine archipelago, from the very nature of its geographical position and its political history, cannot but be a significant field to the student of popular stories. Lying as it does at the very doors of China and Japan, connected as it is ethnically with the Malayan and Indian civilizations, Occidentalized as it has been for three centuries and more, it stands at the junction of East and West. It is therefore from this point of view that these tales have been put into a form convenient for reference. Their importance consists in their relationship to the body of world fiction. The language in which these stories are presented is the language in which they were collected and written down,—English. Perhaps no apology is required for not printing the vernacular herewith; nevertheless an explanation might be made. In the first place, the object in recording these tales has been a literary one, not a linguistic one. In the second place, the number of distinctly different languages represented by the originals might be baffling even to the reader interested in linguistics, especially as our method of approach has been from the point of view of cycles of stories, and not from the point of view of the separate tribes telling them. In the third place, the form of prose tales among the Filipinos is not stereotyped; and there is likely to be no less variation between two Visayan versions of the same story, or between a Tagalog and a Visayan, than between the native form and the English rendering. |
| damiana eugenio legends: Diccionario mitológico de Filipinas Ferdinand Blumentritt, 2021 Many authors, ancient and modern, native and foreign, have been preoccupied with 'primitive' religion, or even better said, the paganism of the Natives of the Philippines; however, their writings about the religion of the natives, non-Christianized or from the mountains, who until now keep their ancient practices, are always reduced to form a chapter indistinct from the other historical or ethnographic notes of their published works. There exists no work, [major] or minor, dedicated specifically and especially to the study of the religion of all the indigenous races of the Philippine Archipelago. The purpose of this dictionary is to put together the religious groups of the Philippines, and removing those of Christian or Mohammedan origins. This work will provide an opportunity to make comparative studies and give an idea of the wealth of names that are in the mythologies of this country. |
| damiana eugenio legends: Philippine Folk Literature Damiana L. Eugenio, 2001 |
| damiana eugenio legends: A Handbook of Philippine Folklore Mellie Leandicho Lopez, 2006 The voluminous book provides a range of international theories and methodologies in analytical folklore investigations, and a classification scheme based on genre is offered as the system of taxonomy for Philippine traditional materials. Lopez counts on the regional folklorists to refine the classification according to the texts of their respective areas. The different genres, too, are explained and examined in another part of Lopez's study. The reader will definitely find interesting and useful, the illustrative examples for each genre. |
| damiana eugenio legends: Philippine Folk Literature Damiana L. Eugenio, 1987 |
| damiana eugenio legends: Philippine Folk Tales Mabel Cook Cole, 2016-08-21 The folk-tales in this volume, which were collected in the Philippines during the years from 1908 to 1914, have not appeared in print before. They are given to the public now in the hope that they will be no mean or uninteresting addition to the volumes of Oriental Märchen already in existence. The Philippine archipelago, from the very nature of its geographical position and its political history, cannot but be a significant field to the student of popular stories. Lying as it does at the very doors of China and Japan, connected as it is ethnically with the Malayan and Indian civilizations, Occidentalized as it has been for three centuries and more, it stands at the junction of East and West. It is therefore from this point of view that these tales have been put into a form convenient for reference. Their importance consists in their relationship to the body of world fiction. |
| damiana eugenio legends: The Creatures of Philippine Lower Mythology Maximo D. Ramos, 2019-11-30 IMAGINARY CREATURES depicted in a people's lower mythology are one of the most important phenomena in their belief systems. This is because the common folk in particular must strive to maintain harmonious relations with these creatures, a continuous process that permeates many aspects of their everyday lives and requires the intercession of a special person in the community who acts as the medium of communication between them.The subject of Maximo D. Ramos's work is the creatures of Philippine lower mythology, as this level of folklore is called. In undertaking this study, Dr. Ramos directed his efforts to two principal tasks: (1) making a taxonomic classification of all the beings which in his opinion fall within the framework of the problem as found in Philippine folk beliefs, and (2) correlating the implications of these beliefs, in terms of these classifications, to education, particularly on the elementary level.The taxonomic classification is intended to help clear up the confusion that attended earlier studies of these creatures. This is indeed the first attempt to systematize the identities of these Philippine mythological beings for the benefit of folklore scholarship. More specifically, Ramos writes: Where names, traits, and functions appear to have become confused ... through the process of transfer that constantly occurs in traditional lore, it was thought fruitful to point these out and then attempt to account for them.In spite of the very extensive Christianization of the Filipinos-particularly the lowlanders-these mythical entities still persist in their traditional belief systems, hence the student of folk traditions cannot ignore them if he is to achieve greater relevance in his studies. Little by little the perspective from which these creatures have been traditionally viewed is bound to change until they are accepted as part of our cultural heritage. This change is bringing about an understanding of these creatures' function in our society.The present work is primarily taxonomic in nature but it sheds light into many of the dark corners of Philippine folklore studies and brings to the reader a fuller understanding of the most maligned inhabitants of the Philippine other- world. Herein lies the major contribution of Dr. Ramos-a basic recognition and a deeper insight into the cultural heritage of the Filipino. |
| damiana eugenio legends: Filipino Women Writers and Their Works , 1999 |
| damiana eugenio legends: The Lost Journal of Alejandro Pardo , 2016 |
| damiana eugenio legends: Tales from the 7,000 Isles Dianne de Las Casas, Zarah C. Gagatiga, 2011-09-22 Celebrate the unique diversity and vibrancy of the Philippines through an in-depth exploration of the stories, traditions, songs, crafts, and recipes of the many different regions of the country. Tales from the 7,000 Isles: Filipino Folk Stories offers insights into the people and culture of the Philippines through dozens of tales representing the nation's various islands, regions, and cultural-ethnic groups. Designed to provide educators with material with which to enhance curriculum and lesson plans, the stories open a gateway to a rich and unique cultural mix. The tales presented here are divided into animal stories, how and why stories, tales of enchantment, trickster tales, and scary stories. In them readers can discern not only the native Filipino culture, but the influences of the many peoples who have moved through and settled in the islands, most notably Malay, Chinese, and Spanish, but also Arab, Indian, and American. A brief history of the country, its people, and their cultural traditions is included, as are crafts, children's games, recipes, and color photos. Notes about the stories, a bibliography, and a glossary complete the volume. |
| damiana eugenio legends: Saints of Resistance Christina H. Lee, 2021 Saints of Resistance: Devotions in the Philippines under Early Spanish Rule is the first scholarly study to focus on the dynamic life of saints and their devotees in the Spanish Philippines from the sixteenth through the early part of the eighteenth century. Christina Lee recovers the voices of colonized Philippine subjects as well as those of Spaniards who, through the veneration of miraculous saints, projected and relieved their grievances, anxieties, and histories of communal suffering. |
| damiana eugenio legends: Puss in Boots , 1856 |
| damiana eugenio legends: Tales for Big Children: Myths and legends Susie L. Tan, 1995 |
| damiana eugenio legends: Sea Is Ours Jaymee Goh, Joyce Chng, 2015-11-30 Steampunk takes on Southeast Asia in this anthology The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world. The Sea Is Ours is an exciting new anthology that features stories infused with the spirits of Southeast Asia's diverse peoples, legends, and geography. |
| damiana eugenio legends: American Myths, Legends, and Tall Tales Christopher R. Fee, Jeffrey B. Webb, 2016-08-29 A fascinating survey of the entire history of tall tales, folklore, and mythology in the United States from earliest times to the present, including stories and myths from the modern era that have become an essential part of contemporary popular culture. Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. Organized alphabetically, the coverage includes Native American creation myths, tall tales like George Washington chopping down his father's cherry tree and the adventures of King of the Wild Frontier Davy Crockett, through to today's urban myths. Each entry explains the myth or legend and its importance and provides detailed information about the people and events involved. Each entry also includes a short bibliography that will direct students or interested general readers toward other sources for further investigation. Special attention is paid to African American folklore, Asian American folklore, and the folklore of other traditions that are often overlooked or marginalized in other studies of the topic. |
| damiana eugenio legends: Philippine Folk Literature Damiana L. Eugenio, 2001 Philippine Folk Literature: The Epics presents 23 folk epics collected from some 14 ethnolinguistic groups in the country. This is the eighth volume being added to the original 7-volume Philippine Folk Literature Series. Folk epics are long heroic narratives in verse which recount the adventures of tribal heroes and in the process express the customs, beliefs, and ideals of the people who sing them. The introductory essay, The Philippine Folk Epic, gives a detailed discussion of the features and characteristics of Philippine folk epics--their geographic distribution; epic singing and singers; the epic hero, his adventures and his outstanding qualities; epic conventions; dominant motifs; and the customs, beliefs, and values expressed in them. The epics are arranged in geographic order from north to south, starting with Lam-ang (Northern. Luzon), then to Labaw Donggon (Visayas), and on to Mindanao, w the greatest number of our folk epics come from (Tuwaang, Agyu, Bantugan, etc.). A distinctive feature of Philippine epic literature is that while other countries have one national epic hero, e.g., England's Beowulf, Spain's El Cid, etc., the Philippines has no national epic hero but more than a dozen tribal epic heroes. This volume thus gives the reader an opportunity to get acquainted with these folk epic heroes and the values and ideals they stand for. As in the other volumes in the Philippine Folk Literature Series , the selections are given in English translation, but a sampling of the text in the original language is given at the beginning of each selection. |
| damiana eugenio legends: Explorations in Philippine Folklore Herminia Meñez Coben, 1996 |
| damiana eugenio legends: The Spirit Glass Roshani Chokshi, 2023-09-05 Corazon yearns to finally start training as a babaylan (a mystical healer and spirit guide) under her powerful guardian, Aunt Tina. As soon as her magic awakens, Corazon plans to bring her parents back from the dead and no longer have to rely on a soul key to allow visits with their ghosts for a few hours every Saturday night. But when a vengeful ghost steals Corazon's precious key, the fragile balance between the human world and the spirit world is thrown out of whack. Aunt Tina reveals that if Corazon wants her magic to awaken, then she just lay the ghost to rest by fashioning a new soul key. With her rather bloodthirsty gecko companion, Saso, Corazon embarks on a quest through the spirit realms. But they must move quickly, for if the ghost gets through the spirit glass, all hope will be lost. Roshani Chokshi pays tribute to her Filipino heritage in this book that has all the magic, sparkle, and heart that made her Aru Shah series a fantasy classic. |
| damiana eugenio legends: Encyclopedia of Giants and Humanoids in Myth, Legend and Folklore Theresa Bane, 2016-05-12 Every culture has in its folklore and mythology beings of immense size and strength, as well as other preternatural humanoids great or small who walk among us, serving the divine or fulfilling their own agendas. This book catalogs the lore and legends of more than 1,000 different humanoid species and individual beings, including the Titans, Valkyries, Jotnar, yōkai, biblical giants, elves, ogres, trolls and many more. |
| damiana eugenio legends: Trickster Tales , 1996 Stories from cultures including ancient Babylonia, China, India, Eastern Europe, Morocco. |
| damiana eugenio legends: Philippine Folk-Tales Clara Kern Bayliss, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| damiana eugenio legends: Philippine Myths, Legends, and Folktales Maximo D. Ramos, 1990-01-15 A collection of 31 Myths, Legends, and Folktales from around the Philippines that showcase the rich and diverse cultural identity throughout the archipelago. The book includes some illustrations, making it a wonderful collection to share with children of Filipino ancestry, or anyone interested in learning about different cultures from around the globe. WHEN THE WORLD WAS YOUNG: How People Were Created Why the Sun Is Brighter than the Moon The Coleto and the Crow The Legend of Mount Kanlaon Why Dogs Bare Their Teeth The Origin of Bananas IN THE PHILIPPINE ELFLAND: The Two Woodcutters and the Elf The Wee Folk The Frog Princess The Bridge of the Angels Two Boys and a Tianak The Elf's Gifts TALES OF LAUGHTER: The Tale of Pakungo-adipen The Man and the Lizard The Man Who Played Dead The Two Foolish Peddlers ANIMALS AND PEOPLE: The Monkeys and the Butterflies Three Friends Seek a Home The Monkey Prince Tale of the Kind-hearted Manobo The Monkey Who Became a Servant ADVENTURE TALES:Death and Datu Omar The Man Who Reached the Sky-World The Buried Treasure The Tale of Magbaloto Tale of the 101 Brothers and Their Sister The Tale of Sog-sogot The Enchanted Snail The Man Who Tried to Cheat Death The Tale of Diwata |
| damiana eugenio legends: Melo the Umang-Boy Alyssa Sarmiento-Co, Christina Newhard, 2017-06 Melo is a painfully shy little boy living with his grandmother and uncle. One day he visits a magical, busy city on the bottom of the ocean, filled with talking sea creatures. Disaster strikes the city, and he must overcome his shyness to help the sea creatures rebuild. |
| damiana eugenio legends: Barefoot in Siargao Christina Camingue Buo, 2018-06-15 Barefoot in Siargao is a collection of stories that the author drew on her memories of idyllic childhood summers and nature adventures in Siargao, the mystical island home of her grandparents. She writes about family life, traditional beliefs, local culture, and folklore—ayok (witches), ghosts, and balls of fire. The book was born out of her love of art, nature, literature, and culture. The book aims to open wonders in nature and deepen the human bond with the natural world. The writer urges readers to be sensitive to culture and environment and protect all creation. Readers learn about the natural heritage of Siargao Island, which is of important conservation value to the Philippines because of its coral habitats, seagrass, mangroves, and wildlife. The book is a loving tribute to Siargao, the touchstone of her family, and a celebration of the strong heritage of faith and love that her parents and grandparents left the family. |
| damiana eugenio legends: Folktales and Fairy Tales Anne E. Duggan Ph.D., Donald Haase Ph.D., Helen J. Callow, 2016-02-12 Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource. |
| damiana eugenio legends: Asian American Literature in Transition, 1996-2020: Volume 4 Betsy Huang, Victor Román Mendoza, 2021-06-17 This volume examines the concerns - political, literary, and identity-based - of contemporary Asian American literatures in neoliberal times. |
| damiana eugenio legends: Mythology for Storytellers Howard J Sherman, 2014-12-18 Illustrated in full color throughout, this delightful collection puts the riches of world mythology at the fingertips of students and storytellers alike. It is a treaury of favorite and little-known tales from Africa, Asia, Europe, the Americas, Australia, and Oceania, gracefully retold and accompanied by fascinating, detailed information on their historic and cultural backgrounds. The introduction provides an informative overview of mythology, its purpose in world cultures, and myth in contemporary society and popular culture. Mythic themes are defined and the often-misunderstood difference between myth and legend explained. Following this, the main sections of the book are arranged thematically, covering The Creation, Death and Rebirth, Myths of Origins, Myths of the Gods, and Myths of Heroes. Each section begins by comparing its theme cross-culturally, explaining similarities and differences in the mthic narratives. Myths from diverse cultures are then presented, introduced, and retold in a highly readable fashion. A bibliography follows each retelling so readers can find more information on the culture, myth, and deities. Character, geographical, and general indexes round out this volume, and a master bibliography facilitates research. For students, storytellers, or anyone interested in the wealth of world mythology, Mythology: Stories and Themes from Around the World provides answers to common research questions, sources for myths, and stories that will delight, inform, and captivate. |
| damiana eugenio legends: Oral Traditions of Southeast Asia and Oceania Herman C. Kemp, 2004 |
| damiana eugenio legends: Tagalog Stories for Language Learners Joi Barrios, 2021-10-05 The most enjoyable way to learn about a new culture is through its stories—especially when they're told in two languages! This book introduces 40 stories from the Philippines through bilingual Tagalog and English texts presented on facing pages. Paired with cultural notes, vocabulary lists, exercises, comprehension questions and free online audio recordings, Tagalog Stories for Language Learners is an excellent resource for intermediate language learners, or those who wish to pick up a bit of Phlippine cultural knowledge. This compilation includes a mix of traditional folktales retold for a modern audience, as well as several well-known works of contemporary Philippine literature. Along the way, you will meet fabulous mythological characters like the Bagobo goddess Mebuyan and the shape-shifting Aswang. Other characters cope with day-to-day issues, such as the domestic worker who cannot find her keys and a beauty queen who leaves behind her comfortable city life in order to help peasants in the countryside. Four of the stories are by well-known Filipino writers and are presented in complete or partially condensed form. These include: Estrangheritis by Inigo Ed. Regalado (1907) — The writer is critical of Filipinos who exalt all things foreign while, in fact, benefitting from their own land but unappreciative of their national culture. Desire by Paz Latorena (1928) — The story of a Filipino woman who has to deal with the narrow-mindedness of a foreigner who is far more interested in her body than in her personality. Greta Garbo by Deogracia Rosaro (1930) — Monina, who looks like Greta Garbo, plans a weekend getaway with her beau, only to be left at the station waiting, and later discovers he has gone on a honeymoon! Maria Elena Paterno's Sampaguita (1991) —Two popular legends about the Sampaguita (Philippine jasmine flower) which touch on the themes of courage and forbidden love. |
| damiana eugenio legends: Outline of Philippine Mythology F. Jocano, 2018-11-27 This book is a collection of Philippine myths and tales of wonder grouped under a few large headings and strung together with a minimum of unobtrusive commentary by an outstanding Filipino scholar, Dr. F. Landa Jocano. The stories are drawn both from previously published materials and from Dr. Jocano's own researches, especially in the interior fastnesses of his native Panay. While there is no attempt at comprehensiveness, one is struck by the richness and variety of these Philippine stories of gods, spirits and heroes. The variety is such as at times to induce confusion, especially where the same proper name is given to different divinities or variants of the same narrative are used. These gleanings from the traditions of our animistic forefathers reveal some strands which they may have had in common with some of the major world religions. For example, Dr. Jocano tells us that the early Tagalogs believed in the transmigration of the soul. One would surmise a common culture trait with Indian civilization. Likewise, some details remind one of Biblical lore, such as the flood story, and the use of clay in the making of man as found both in Igorot and Bagobo traditions. The Bisayan divinity Magyan and the Manobo spirit Manduyapit, both of whom ferried the souls of the dead to the afterworld, bear a strong resemblance to Charon of Greek mythology. Some stories may suggest conditions prevailing at the time. For example, there is an extremely interesting reference to lending money at high interest in the Sambal legend of the shark, possibly an indication that the story arose in the early phases of the introduction of money into a subsistence economy. Clearer still are indications of the prevailing ethos among certain people. For example, the Panay epic of Hinilawod narrates the matrimonial exploits of some of its heroes. Labaw Donggon, on his way home with a new bride, hears about another beautiful woman and promptly leaves his wife with his mother and proceeds to court and win a second wife. However, his try for a third bride, a married woman, is not as successful. His brother Humadapnon wins a bride with a feat of strength and magic and then, hearing during the wedding feast about the beauty of another goddess, goes forth to woo and win her. Later, it appears that he also takes a third wife. Perhaps these stories are meant to show that in mythological times men were men, and they may also help to explain the marital behavior of their modern day descendants! Other stories lead one to question whether they antedate the coming of the Spaniards, or whether post-Magellanic traditions have been added to the pre-Hispanic accounts. For example, the Bisayan story of Hari-sa-bukid refers to the planting of tobacco on the slopes of Mt. Kanlaon. Since tobacco is an American plant and was unknown in this country before the coming of western explorers, one wonders what part of the story is pre-Hispanic, if any. Likewise, the Ilocano legend of Lam-ang, while apparently pre-Hispanic in its framework, makes reference to various introduced features such as tobacco, Christian names like Juan, Marcos, Pasyo and Ines, and a church wedding with a nuptial mass followed by feasting where the Fandango is danced. Some of these tales have been analyzed by scholars, both Filipinos and foreigners. Others remain to be collected and collated, as Dr. Jocano's own work demonstrates. Some day it is hoped that we can have an encyclopedic work on Philippine mythology, similar to those available for Greek, Roman, Germanic and Scandinavian folklore. In the meantime, this book may serve as an introduction for laymen to this highly interesting phase of our people's culture. |
| damiana eugenio legends: Philippine Studies Priscelina Patajo-Legasto, 2008 These essays by Philippine and U.S.-based scholars illustrate the dynamism and complexities of the discursive field of Philippine studies as a critique of vestiges of universalist (Western/hegemonic) paradigms; as an affirmation of traditional and emergent cultural practices; as a site for new readings of old texts and new popular forms brought into the ambit of serious scholarship; and as a liberative space for new art and literary genres. |
| damiana eugenio legends: Folkloristics Robert A. Georges, Michael Owen Jones, 1995 Excellent. -- The Reader's Review Anybody contemplating the study and pursuit of folklore... will benefit from reading this presentation thoroughly to determine your place in this most exciting scholastic world. -- Come-All-Ye This is the most complete and up-to-date study of folklore and folklore methodologies available. The authors describe the pervasiveness of folklore, including its uses in literature, films, television, cartoons, comic strips, advertising, and other media in a variety of cultures. |
| damiana eugenio legends: Writing Spaces Esthir Lemi, Ekaterina Midgette, Jessica Seymour, 2019-03-25 This collection of papers invites the reader to look deeply at traditional and contemporary forms of writing, their implications for teaching and pedagogy, and their use of space as a strategy and as an implied device. We explore the lives and times of great writers, how they use space and how space influenced them, and we unveil the patterns upon which writing, as an artistic act, may be influenced by the spaces experienced by the creator. Contributors are David W. Bulla, Nathan James Crane, Phil Fitzsimmons, Gail Hammill, Genevieve Jorolan-Quintero, Syeda Hajirah Junaid, Edie Lanphar, Esthir Lemi, Imogen Lesser Woods, Panagiota Mavridou, Sam Meekings, Barış Mete, Ekaterina Midgette, Sevil Nakisli, Layla Roesler, Yadigar Sanli and Shelley Smith. |
| damiana eugenio legends: Folklore and Book Culture Kevin J. Hayes, 2016-02-05 To many observers, folklore and book culture may appear to be opposites. Folklore, after all, involves orally circulated stories and traditions while book culture is concerned with the transmission of written texts. However, as Kevin J. Hayes points out, there are many instances where the two intersect, and exploring those intersections is the purpose of this fascinating and provocative study. Hayes shows that the acquisition of knowledge and the ownership of books have not displaced folklore but instead have given rise to new beliefs and superstitions. Some books have generated new proverbs; others have fostered their own legends. Occasionally the book has served as an important motif in folklore, and in one folk genre--the flyleaf rhyme--the book itself has become the place where folklore occurs, thus indicating a lively interaction between folk, print, and manuscript culture. The author begins by examining the tradition of the Volksbucher--cheaply printed books, often concerned with the occult, whose powers are said to transcend the written text. Hayes looks in depth at one particular Volksbuch--The Sixth and Seventh Books of Moses--and proceeds, in subsequent chapters, to discuss a variety of folktales and legends, placing them within the context of book culture and the history of education. He closes with an examination of flyleaf rhymes, the little verses that book owners have inscribed in their books, and considers what they reveal about the identity of the inscribers as well as about attitudes toward book lending, book borrowing, and the circulation of knowledge. Solidly researched and venturing into areas long neglected by scholars. Folklore and Book Culture is a work that will engage not only folklorists but historians and literary scholars as well. |
| damiana eugenio legends: Selected Filipiniana Books Feliciana L. Aldaba, National Library (Philippines), 1999 |
| damiana eugenio legends: Nínay Pedro A. Paterno, 2023-05-09 Published just two years before José Rizal's national epic, Touch Me Not, Pedro A. Paterno's Nínay is a cultural novel that portrays Philippine society to an international non-Filipino audience. Considered to be the first novel published by a Native Filipino author, Nínay follows the life, love and death of a young woman named Antonina Milo y Buisan, or Nínay for short. Her story is told by a young man named Taric to an unknown narrator over the course of the nine-day vigil of Pasiyam. Recounting the passionate affair in the time of cholera between Nínay and the highly regarded Don Carlos Mabagsic, Taric explores the journey of two young lovers and the events that lead to their eventual separation. Professionally typeset with a beautifully designed cover, this edition of Nínay is a reimagining of a Filipino classic for the modern reader. |
| damiana eugenio legends: Fabulists and Chroniclers Cristina Pantoja-Hidalgo, 2008 Has its close connections with academe enriched or diminished Philippine literature in English? Are there alternatives to academe as literary arbiters? How do contemporary Filipino women writers perform the modern wonder tale? These are some of the questions that Hidalgo asks in her latest book. |
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Nov 13, 2024 · Damiana, scientifically known as Turnera diffusa or Turnera aphrodisiaca, is a medicinal plant made from the leaves of a wild shrub. It grows in arid regions of the United …
Damiana Benefits, Uses, Dosage & Side Effects
Oct 31, 2023 · Damiana, scientifically known as Turnera diffusa, is a small, aromatic shrub native to the subtropical regions of Central and South America. It belongs to the Passifloraceae …
The 11+ Benefits of Damiana (Turnera Diffusa or Aphrodisiaca)
Jun 3, 2023 · Damiana is a shrub native to southern Texas in the United States, Central America, Mexico, South America, and the Caribbean. Maya Indians called this species mis kok ("broom …
DAMIANA - Uses, Side Effects, and More - WebMD
Damiana (Turnera diffusa) is a wild shrub that grows in Mexico, Central America, and the West Indies. The leaf and stem are used to make medicine. Damiana contains chemicals that might …
Top 14 Benefits & Uses of Damiana - Organic Facts
Apr 19, 2024 · Damiana is a low-growing plant with yellow flowers and fragrant leaves. Photo Credit: Shutterstock. There are quite a few benefits associated with damiana, including its …
Damiana Benefits, Uses, Recipes and Side Effects - Dr. Axe
Jun 30, 2018 · Damiana (Turnera diffusa and Turnera aphrodisiaca) is a medicinal plant that is native to the southern United States, Central and South America. It is a natural relaxant, …
Damiana Uses, Side Effects & Warnings - Drugs.com
May 8, 2025 · Damiana has been used in alternative medicine to improve mental function, or to treat headache, depression, upset stomach, constipation, or bedwetting. Damiana has also …
Does Damiana Really Help Improve Libido? - Verywell Health
Sep 18, 2024 · Damiana (Turnera diffusa) has been promoted as an aphrodisiac. This means that damiana might improve sex drive (libido) and performance. It is essential to remember, …
Turnera diffusa - Wikipedia
Turnera diffusa, known as damiana, [4] is a shrub native to southern Texas in the United States, [5] Mexico, Central America, South America, and the Caribbean. It belongs to the family …
Damiana: Depression Uses, Warnings, Side Effects, Dosage
Damiana is an herbal supplement used for headache, depression, bedwetting, and as an aphrodisiac. Damiana use can be addictive and can lead to overdose. Damiana may have an …
Damiana: Benefits, Uses, Side Effects, and More - Health
Nov 13, 2024 · Damiana, scientifically known as Turnera diffusa or Turnera aphrodisiaca, is a medicinal plant made from the leaves of a wild shrub. It grows in arid regions of the United …
Damiana Benefits, Uses, Dosage & Side Effects
Oct 31, 2023 · Damiana, scientifically known as Turnera diffusa, is a small, aromatic shrub native to the subtropical regions of Central and South America. It belongs to the Passifloraceae family …
The 11+ Benefits of Damiana (Turnera Diffusa or Aphrodisiaca)
Jun 3, 2023 · Damiana is a shrub native to southern Texas in the United States, Central America, Mexico, South America, and the Caribbean. Maya Indians called this species mis kok ("broom …
