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| conservato: The Big Book of Italian Verbs: 900 Fully Conjugated Verbs in All Tenses. With IPA Transcription, 2nd Edition Fabrizio Berloco, 2018-09-01 By far the largest, most authoritative and up-to-date single-volume book on Italian verbs ever written, The Big Book of Italian Verbs: 900 Fully Conjugated Verbs in All Tenses - With IPA, 2nd Edition is the result of many years of research into the morphology and phonetics of Italian verbs. At the time of its publication, it is the only reference on the phonetics of Italian verbs as well as of Italian in general - all conjugation tables of verbs have IPA transcriptions associated with them. Inside you will find: 900 Italian verbs fully conjugated in all tenses and including usage examples IPA transcription given within conjugation tables for each tense An index comprising all the verb forms available in the book, in order to easily find irregular verb forms |
| conservato: The Big Green Book of Italian Verbs Katrien Maes-Christie, 2004-12-02 A colorful addition to the popular Big Book of Verbs series What does The Big Green Book of Italian Verbs have that the competition doesn't? It has more verbs, a better selection of conjugations, more usage examples, and clearer presentation of tense formation and usage. Also, this book streamlines the learning process by indicating the principal parts and irregularities of each conjugated verb. Destined to become the new verb bible for English students of Italian, The Big Green Book of Italian Verbs includes: 555 of the most useful Italian verbs, fully conjugated Tense names provided in English and Italian Example sentences for all 555 verbs Full facing-page of contextual sentences for the top 50 verbs A two-page Formation and Usage spread for each tense An index of the 2,700 most common verbs, cross-referenced to all 555 verbs A list of confusing irregular forms and their infinitives Plus verb tests and drills to improve competence |
| conservato: A Critical Account of the Drawings by Michel Angelo and Raffaello in the University Galleries, Oxford Sir John Charles Robinson, 1870 |
| conservato: A Critical Account of the drawings by Michel Angelo and Raffaello in the University Galleries, Oxford, etc Sir John Charles ROBINSON, 1870 |
| conservato: International Society of Blood Transfusion, 7th Congress 1958 L. P. Holländer, 1959-10-22 |
| conservato: A critical account of the drawings by Michel Angelo and Raffaello in the University galleries, Oxford. [extra-illustr. by J. Fisher, in 5 vols.]. Sir John Charles Robinson, 1870 |
| conservato: College Guide for Performing Arts Majors Carole J. Everett, 2009-09-14 Describes graduate programs in art, dance, music, and theater, and lists undergraduate programs. |
| conservato: Il politecnico , 1863 |
| conservato: The Symbolic Language of Royal Authority in the Carolingian World (c.751-877) Ildar H. Garipzanov, 2008 This book is not a conventional political narrative of Carolingian history shaped by narrative sources, capitularies, and charter material. It is structured, instead, by numismatic, diplomatic, liturgical, and iconographic sources and deals with political signs, images, and fixed formulas in them as interconnected elements in a symbolic language that was used in the indirect negotiation and maintenance of Carolingian authority. Building on the comprehensive analysis of royal liturgy, intitulature, iconography, and graphic signs and responding to recent interpretations of early medieval politics, this book offers a fresh view of Carolingian political culture and of corresponding roles that royal/imperial courts, larger monasteries, and human agents played there. |
| conservato: Antiquarian Literature in the Sixteenth Century Joan Carbonell Manils, Gerard González Germain, 2024-07-01 During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings – as numerous fair copies of sylloges and treatises attest –, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand – partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers. |
| conservato: A Pronouncing Dictionary of the Spanish and English Languages Mariano Velázquez de la Cadena, 1858 |
| conservato: Bibliotheca dissidentium , 2006 |
| conservato: Historical Dictionary of Russian Music Daniel Jaffé, 2022-02-15 Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. |
| conservato: A pronouncing dictionary of the Spanish and English languages: composed from the Spanish dictionaries of the Spanish Academy ... Mariano Velazquez de la Cadena, 1862 |
| conservato: Ask the Experts Michael Sy Uy, 2020-08-31 From the end of the Second World War through the U.S. Bicentennial, the National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation granted close to $300 million (approximately $2.3 billion in 2017 dollars) in the field of music alone. In deciding what to fund, these three grantmaking institutions decided to ask the experts, adopting seemingly objective, scientific models of peer review and specialist evaluation. They recruited music composers at elite institutions, professors from prestigious universities, and leaders of performing arts organizations. Among the most influential expert-consultants were Leonard Bernstein, Aaron Copland, Lukas Foss, and Milton Babbitt. The significance was two-fold: not only were male, Western art composers put in charge of directing large and unprecedented channels of public and private funds, but in doing so they also determined and defined what was meant by artistic excellence. They decided the fate of their peers and shaped the direction of music-making in this country. By asking the experts, the grantmaking institutions produced a concentrated and interconnected field of artists and musicians. Officers and directors utilized ostensibly objective financial tools like matching grants and endowments in an attempt to diversify and stabilize applicants' sources of funding, as well as the number of applicants they funded. Such economics-based strategies, however, relied more on personal connections among the wealthy and elite, rather than local community citizens. Ultimately, this history demonstrates how expertise served as an exclusionary form of cultural and social capital that prevented racial minorities and non-dominant groups from fully participating. |
| conservato: Omnia mutantur. Canvi, transformació i pervivència en la cultura clàssica, en les seves llengües i en el seu llegat (II) Esperança Borrell Vidal, Óscar de la Cruz Palma, 2017-02-07 Els dos volums dOmnia mutantur apleguen algunes de les contribucions que, focalitzades en la cultura, la literatura, la llengua i la civilització de la Grècia i la Roma antigues, així com en la seva pervivència, es presentaren en el decurs dunes jornades celebrades a la Universitat de Barcelona el juliol de 2013. El fil conductor dels articles que componen els llibres és el concepte de canvi i la capacitat dadaptació dels antics a noves circumstàncies i nous contextos socials, culturals, intel·lectuals i lingüístics, fet que permet reconèixer també la vigència de lAntiguitat grega i romana. Aquest segon volum ofereix nombroses actualitzacions de temes relacionats amb el món llatí, sovint revisionistes sobre teories existents, sovint innovadores. Omnia mutantur vol ser un instrument útil per als filòlegs i estudiosos del món antic, i alhora contribuir a la difusió i continuïtat de la tasca que es realitza en aquest camp del coneixement. |
| conservato: Del Modo Di Conservare Le Sostanze Ossia Regole E Processi basati sull'esperienza e sui principii più incontrastabili onde prevenire la corruzione e ritardare la distruzione di qualunque sostanza animale e vegetabile tanto solida che liquida, soprattutto dell classe delle alimentari ; Opera Utile Ad Ogni Ceto Di Persone Di Gian Carlo Leuch Membro della Società reale di Klagenfurt, Corrispondente della Società delle arti die Francfort ecc. ; Versione Italiana Con Addizioni E Note Del Dott. Ercole Terzaghi Seguita Da Un Appendice Sui Mezzi di conservare la salute e prolungare la vita Johann Carl Leuchs, 1835 |
| conservato: Vesta aeterna Francesca Caprioli, 2007 |
| conservato: Agrigento Ernesto De Miro, |
| conservato: A Practical and Elementary Abridgement of the Cases Argued and Determined in the Courts of King's Bench, Common Pleas, Exchequer, and at Nisi Prius and of the Rules of Court Charles Petersdorff, 1831 |
| conservato: Traduzione e qualita Bruno Osimo, 2004 |
| conservato: Cicero , 1825 |
| conservato: Figures of Modernity Rūta Stanevičiūtė, 2024-11-11 The subject of this book is the activity of the Lithuanian Section of the International Society for Contemporary Music, its pre-history (1936–1939) and post-war reception, as well as the history of the Vilnius Chapter of the ISCM Polish Section which is seen as integral part of the modernisation of Lithuanian and international musical culture. With the aim of including the modern music movements in Kaunas and Vilnius in the international context, the book presents a critical review of ISCM strategies and a history of festivals in the interwar and early Cold War periods. In the said context not only the artistic, but also the politic al contexts of the Society's activities are important. The Lithuanian Section of the ISCM is attributed to typical organisations of small countries stimulated by an international movement of modern music. However, in an environment of cultural transfer, not only the migration of ideas from the centre to the periphery is important, but also the response from the periphery to the centre. The author addresses the issues which are only marginally represented in many histories of the 20th-century musical modernisation. |
| conservato: Catechismo di perseveranza, ovvero Esposizione storica, dogmatica, morale e liturgica della religione dall'origine del mondo fino ai nostri giorni dell'ab. G. Gaume , 1851 |
| conservato: I reperti e i motivi egizi ed egittizzanti a Pompei Nikola D. Bellucci, 2021-10-21 This volume presents a synthesis of research on Egyptian and Egyptianizing material from Pompeii. Starting from the historical context in which to frame these phenomena and proceeding with a review of terminology, the work provides the first up-to-date corpus of Egyptian and Egyptianizing subjects and finds from the famous archaeological site. |
| conservato: Journal of the Fine Arts and Musical World , 1852 |
| conservato: Delle inscrizioni Veneziane Emmanuele Antonio Cicogna, 1834 |
| conservato: New York's Great Industries Richard Edwards, 1884 |
| conservato: Ladies of the Canyons Lesley Poling-Kempes, 2015-09-17 Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age. |
| conservato: Rimsky-Korsakov and His World Marina Frolova-Walker, 2018-09-11 A rare look at the life and music of renowned Russian composer Nikolai Rimsky-Korsakov During his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention. In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky. The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev. The Bard Music Festival Bard Music Festival 2018 Rimsky-Korsakov and His World Bard College August 10–12 and August 17–19, 2018 |
| conservato: The Sino-Soviet Alliance Austin Jersild, 2014-02-03 In 1950 the Soviet Union and the People’s Republic of China signed a Treaty of Friendship, Alliance, and Mutual Assistance to foster cultural and technological cooperation between the Soviet bloc and the PRC. While this treaty was intended as a break with the colonial past, Austin Jersild argues that the alliance ultimately failed because the enduring problem of Russian imperialism led to Chinese frustration with the Soviets. Jersild zeros in on the ground-level experiences of the socialist bloc advisers in China, who were involved in everything from the development of university curricula, the exploration for oil, and railway construction to piano lessons. Their goal was to reproduce a Chinese administrative elite in their own image that could serve as a valuable ally in the Soviet bloc’s struggle against the United States. Interestingly, the USSR’s allies in Central Europe were as frustrated by the “great power chauvinism” of the Soviet Union as was China. By exposing this aspect of the story, Jersild shows how the alliance, and finally the split, had a true international dimension. |
| conservato: Theremin Albert Glinsky, 2000 LEON THEREMIN led a life of flamboyant musical invention laced with daring electronic stealth. A creative genius and prolific inventor, Theremin launched the field of electronic music virtually singlehandedly in 1920 with the musical instrument that bears his name. The theremin -- the only instrument that is played without being touched -- created a sensation worldwide and paved the way for the modern synthesizer. Its otherworldly sound became familiar in sci-fi films and even in rock music. This magical instrument that charmed millions, however, is only the beginning of the story. As a Soviet scientist, Theremin surrendered his life and work to the service of State espionage. On assignment in Depression-era America, he became the toast of New York society and worked the engines of capitalist commerce while passing data on U.S. industrial technology to the Soviet apparat. Following his sudden disappearance from New York in 1938, Theremin was exiled to a Siberian labor camp. He subsequently vanished into the top-secret Soviet intelligence machine and was presumed dead for nearly thirty years. Using the same technology that lay behind the theremin, he designed bugging devices that eavesdropped on U.S. diplomatic offices and stood at the center of a pivotal cold war confrontation. Throughout his life, Theremin developed many other electronic wonders, including one of the earliest televisions and multimedia devices that anticipated performance art and virtual reality by decades. In this first full biography of Leon Theremin, Albert Glinsky depicts the inventor's nearly one-hundred-year life span as a microcosm of the twentieth century. Theremin is seen at the epicenter of most of themajor events of the century: the Russian Revolution, two world wars, America's Great Depression, Stalin's purges, the cold war, and perestroika. His life emerges as no less than a metaphor for the divergence of communism and capitalism. Theremin blends the whimsical and the treacherous into a chronicle that takes in everything from the KGB to Macy's store windows, Alcatraz to the Beach Boys, Hollywood thrillers to the United Nations, Joseph Stalin to Shirley Temple. Theremin's world of espionage and invention is an amazing drama of hidden loyalties, mixed motivations, and an irrepressibly creative spirit. |
| conservato: The 20th Century Go-N Frank N. Magill, 2014-03-05 Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography. |
| conservato: Joint (Ad)venture Music Monika Oebelsberger, 2017-04-05 Programme book for the 25th EAS Conference and 6th European ISME Regional Conference held on 19-22 April 2017 at the Mozarteum University in Salzburg, Austria. The conference was organized by the Department for Music Pedagogics Salzburg of Mozarteum University Salzbug. The programme book lists the events and includes abstracts of the research papers. |
| conservato: Song from the Land of Fire Inna Naroditskaya, 2003-07-29 Song from the Land of Fire explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of mugham performance--a fusion of traditional poetry and musical improvisation--and analysis of hybrid genres, such as mugham-operas and symphonic mugham by native composers. Intimately |
| conservato: Virtuosi Abroad Kiril Tomoff, 2015-08-12 In the 1940s and 1950s, Soviet musicians and ensembles were acclaimed across the globe. They toured the world, wowing critics and audiences, projecting an image of the USSR as a sophisticated promoter of cultural and artistic excellence. In Virtuosi Abroad, Kiril Tomoff focuses on music and the Soviet Union's star musicians to explore the dynamics of the cultural Cold War. He views the competition in the cultural sphere as part of the ongoing U.S. and Soviet efforts to integrate the rest of the world into their respective imperial projects. Tomoff argues that the spectacular Soviet successes in the system of international music competitions, taken together with the rapturous receptions accorded touring musicians, helped to persuade the Soviet leadership of the superiority of their system. This, combined with the historical triumphalism central to the Marxist-Leninist worldview, led to confidence that the USSR would be the inevitable winner in the global competition with the United States. Successes masked the fact that the very conditions that made them possible depended on a quiet process by which the USSR began to participate in an international legal and economic system dominated by the United States. Once the Soviet leadership transposed its talk of system superiority to the economic sphere, focusing in particular on consumer goods and popular culture, it had entered a competition that it could not win. |
| conservato: Kamilari. Una necropoli di tombe a tholos nella Messarà (Creta) Luca Girella, Ilaria Caloi, 2019-12-20 Il volume presenta l’edizione definitiva della necropoli dell’età del Bronzo di Kamilari, situata a pochi chilometri di distanza dal più noto centro palaziale di Festòs, nella Creta meridionale. Lo scavo fu eseguito alla fine degli anni ’50 dalla Scuola Archeologica Italiana di Atene sotto la direzione dell’allora direttore Doro Levi e produsse una dettagliata pubblicazione preliminare che lasciò tuttavia aperte numerose questioni. La ripresa dello studio e la conseguente pubblicazione sono state possibili grazie al supporto della Scuola Archeologica Italiana di Atene. La necropoli è composta da tre tombe a tholos, la prima delle quali (la Tholos A), la più grande, fu occupata senza soluzione di continuità dagli inizi del II millennio a.C. (Medio Minoico IB) alla fine del XIV secolo a.C. (Tardo Minoico IIIA2), per ricevere poi una parziale rioccupazione tra l’VIII e il VII secolo a.C. Per la ricchezza dei suoi contesti e la straordinaria continuità d’uso, la necropoli getta una luce importante sulle pratiche e i rituali funerari della Creta dell’età del Bronzo e rappresenta la cartina di tornasole per l’interpretazione delle trasformazioni sociali e politiche intervenute nell’area. La necropoli si distingue per l’uso del seppellimento collettivo ancora nel Medio Minoico, ossia in corrispondenza della fondazione e sviluppo del Primo Palazzo di Festòs, quando nell’area meridionale di Creta e in generale nell’intera isola, questa tipologia di seppellimento è già in declino. Ugualmente importanti sono le testimonianze della necropoli nel corso del Tardo Minoico quando, soprattutto nella prima fase, la documentazione funeraria appare intermittente sull’isola; anche nelle fasi di progressiva ‘miceneizzazione’, momento in cui Creta subisce profonde trasformazioni nelle pratiche funerarie, la Tholos A testimonia la persistenza di pratiche antichissime. Il volume si distingue per la partecipazione di studiosi internazionali che hanno contribuito significativamente in varie parti dell’opera. I dieci capitoli del volume affrontano in maniera esauriente lo studio delle tre tombe, con particolare riguardo alla Tholos A, la tomba più grande, che ha restituito i corredi più ricchi e importanti. Alla trattazione in dettaglio delle architetture e della stratigrafia, segue l’analisi del materiale ceramico, dei modellini fittili, dei vasi in pietra, dei sigilli, degli oggetti in bronzo e dei gioielli (Capitoli I-II.1-14). Il capitolo III è dedicato alla Tholos B; il IV e il V rispettivamente allo studio dei resti ossei umani e animali delle Tholoi A e B; il VI e il VII prendono in esame le conchiglie e il materiale botanico, con particolare riferimento ai resti lignei carbonizzati. Il Capitolo VIII analizza la Tholos C, la cui rioccupazione in epoca ellenistico-romana viene interpretata come possibile sacello connesso con culti di fertilità agraria. Gli ultimi capitoli, IX e X, analizzano rispettivamente le pratiche e i rituali funerari e lo sviluppo generale della necropoli nel contesto della piana della Messarà. Il volume è arricchito da tre appendici e da un esauriente apparato illustrativo di novanta tavole. |
| conservato: Are the Arts Essential? Alberta Arthurs, Michael DiNiscia, 2022-02-22 Twenty-seven contributors--artists, cultural professionals, scholars, a journalist, grantmakers--were asked this question: 'Are the arts essential?' In response, they offer deep and challenging answers applying the lenses of the arts, and those of the sciences, the humanities, public policy, and philanthropy. Playing so many parts, situated in so many places, these writers illustrate the ubiquity of the arts and culture in the United States. They draw from the performing arts and the visual arts, from poetry and literature, and from culture in our everyday lived experiences. The arts, they remind readers, are everywhere, and--in one way and another--touch everyone-- |
| conservato: Ravenna: archeologia di una città (Premio Ottone d'Assia e Riccardo Francovich 2005) Enrico Cirelli, 2008-07-01 Ravenna è una delle più importanti capitali del Medioevo europeo e tuttavia, a fronte dei pochi monumenti ben noti e celebrati, buona parte delle sue evidenze materiali risultano ancora poco conosciute, soprattutto dal punto di vista della moderna indagine archeologica. Ciò ha reso finora difficile la contestualizzazione di molte evidenze archeologiche necessarie per la ricostruzione delle vicende di una delle maggiori città dell’alto Medioevo. Questo volume descrive la storia delle trasformazioni della città dalla sua nascita fino al tardo Medioevo, attraverso l’uso della documentazione archeologica, delle testimonianze scritte e della cartografia storica. La combinazione di tutte queste informazioni, raccolte e sistematizzate grazie all’ausilio di tecnologie informatiche applicate alle discipline storiche, restituisce una nuova immagine di Ravenna, centrata non solo nel periodo in cui è chiamata a sostenere il ruolo di capitale dell’Impero Romano d’occidente, ma anche nei secoli successivi, quando il suo nome è ancora simbolo di potere e prestigio per gli imperatori sassoni e per tutti i protagonisti dell’Europa medievale. |
| conservato: Tesoro Cattolico ; Scelta di opere antiche e moderne atte a sanar le piaghe religiose e politiche (etc.) Jean-Joseph Gaume, 1851 |
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