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| contame un cuento silvia schujer: La biblioteca , 1995 |
| contame un cuento silvia schujer: Billiken , 1998 |
| contame un cuento silvia schujer: Augustus and His Smile Catherine Rayner, 2016-03-01 Augustus the tiger was sad. He had lost his smile. So he did a HUGE tigery stretch, and set off to find it. Stunning illustrations celebrate the beauty of the world and the simple happiness it brings to us. An imaginative book for children who love to explore the world around them. |
| contame un cuento silvia schujer: Numeralia Jorge Luján, 2014 A lyrically abstract celebration of numbers depicts a world where three is for bedtime kisses, five is for secret creatures hiding in a glove, and an ugly duckling that proves to be not so unattractive. |
| contame un cuento silvia schujer: Petit, the Monster , 2010 Petit wonders why some things that he does, like playing with his dog, make him a good boy, while others, like pulling girl's hair, make him bad, and how it is that he can be both bad and good. |
| contame un cuento silvia schujer: Gorilla! Gorilla! Jeanne Willis, 2006-06-01 Baby mouse is missing! Mother mouse can't find him anywhere. And then, to make matters worse -- a big, scary gorilla charges out of the rainforest! Will mother mouse escape the gorilla? And where is her baby? Jeanne Willis's rhythmic text and Tony Ross's playful illustrations enliven this suspenseful chase. |
| contame un cuento silvia schujer: The Story Blanket Ferida Wolff, Harriet May Savitz, 2020-10-06 A woman shares imaginative stories and gifts—all from her big, old story blanket—in this charmingly illustrated tale of community, friendship, and kindness. Babba Zarrah lives in a tiny village in the snow-covered mountains, and the children love to visit her. They settle down on her big, old story blanket and listen to her imaginative tales. One day, Babba Zarrah notices that Nikolai needs new socks, but she has no yarn. Every question has an answer, Babba Zarrah tells herself, I just have to find it. So after the children leave, she unravels part of her story blanket and knits him some nice warm socks. As villagers start receiving mysterious gifts to keep them warm, the story blanket gets smaller and smaller until the children have nothing to sit on at story time. When the villagers finally discover Babba Zarrah's secret, they decide to give her a surprise of her own. This heartwarming story from Ferida Wolff and Harriet May Savitz is a wonderful read-aloud experience, rich with themes of community, sharing, generosity, and kindness—with a touch of upcycling. Paired with Elena Odriozola's folk-tinged illustrations, this tale is one to read while cuddled up with the ones you love. |
| contame un cuento silvia schujer: Blue Monday Nicci French, 2012-03-01 The stunning first book in a new series of psychological thrillers introducing an unforgettable London psychotherapist Frieda Klein is a solitary, incisive psychotherapist who spends her sleepless nights walking along the ancient rivers that have been forced underground in modern London. She believes that the world is a messy, uncontrollable place, but what we can control is what is inside our heads. This attitude is reflected in her own life, which is an austere one of refuge, personal integrity, and order. The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when his face is splashed over the newspapers, Frieda cannot ignore the coincidence: one of her patients has been having dreams in which he has a hunger for a child. A red-haired child he can describe in perfect detail, a child the spitting image of Matthew. She finds herself in the center of the investigation, serving as the reluctant sidekick of the chief inspector. Drawing readers into a haunting world in which the terrors of the mind have spilled over into real life, Blue Monday introduces a compelling protagonist and a chilling mystery that will appeal to readers of dark crime fiction and fans of In Treatment and The Killing. |
| contame un cuento silvia schujer: The Wizard, the Ugly, and the Book of Shame , 2005-10-21 When the wizard's homely assistant Chancery asks a magic book to make him handsome, causing its powers go haywire, he discovers that the only way to remedy the situation is to try to attain his wish without magic assistance. |
| contame un cuento silvia schujer: Infinity Pablo Bernasconi, 2021-03-09 What is infinity? A jar full of stories and white ink spilled on the snow? Maybe! Celebrated Argentinian author-illustrator Pablo Bernasconi, finalist for the 2018 Hans Christian Andersen Award, offers quirky, philosophical takes on what infinity could mean to us. |
| contame un cuento silvia schujer: Gilda the Giant Sheep Emilio Urberuaga, 2018 Gilda was living a quiet life, but being so big made things more complicated for her. Now she needs to set off to find a new home. |
| contame un cuento silvia schujer: Panthera Tigris Sylvain Alzial, 2019 After devouring every available book on Bengal tigers, a great scholar travels to the jungle and discovers that his encyclopedic knowledge cannot compete with his guide's practical experience. |
| contame un cuento silvia schujer: Aquí he vivido Eliseo Diego, 2000 |
| contame un cuento silvia schujer: Town Musicans of Bremen (Illustrated) Brothers Grimm, 2018-10-07 Rare edition with unique illustrations. When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as Rapunzel, Hansel and Gretel, and Cinderella would become the most celebrated in the world. From The Frog King to The Golden Key, wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers. |
| contame un cuento silvia schujer: Pelo Bueno Yolanda Arroyo Pizarro, 2018-10-15 La abuela Petronila demuestra todo el amor que siente por su nieta, al contarle historias familiares. También brinda lecciones sobre la defensa del cabello natural. Este es un cuento que resalta las raíces de la afropuertorriqueñidad y que infunde orgullo para que crezca la autoestima en nuestros nietos y nietas, hijos e hijas. |
| contame un cuento silvia schujer: The Orbis Pictus of John Amos Comenius Johann Amos Comenius, 1887 |
| contame un cuento silvia schujer: Peek-a-Poo What's in Your Diaper? Guido van Genechten, 2010 A curious mouse insists on inspecting the contents of his friends' diapers. Features lift-the-flap illustrations. |
| contame un cuento silvia schujer: The Selfish Giant Oscar Wilde, 2019-10-15 The Selfish Giant is a short fantasy story for children by the Irish author Oscar Wilde. The story's plot revolves around a giant who builds a wall to keep children out of his garden, but learns compassion from the innocence of the children. The short story contains significant religious imagery. The Selfish Giant owns a beautiful garden which has 12 peach trees and lovely fragrant flowers, in which children love to play after returning from the school. The Giant put a notice board TRESPASSERS WILL BE PROSECUTED. The garden falls into perpetual winter. One day, the giant is awakened by a linnet, and discovers that spring has returned to the garden, as the children have found a way in through a gap in the wall… It was first published in 1888 in the anthology The Happy Prince and Other Tales, which, in addition to its title story, also includes The Nightingale and the Rose, “The Happy Prince”, The Devoted Friend and The Remarkable Rocket. |
| contame un cuento silvia schujer: The Cat with Boots Charles Perrault, 2021-06-02 The cat with boots. (Le Maître Chat ou le Chat bottand, in Frenchands) is a European folk tale compiled, in 1695, by Charles Perrault and published in 1697 in his book Tales of Antañor (Histoires ou contes du temps passand. Avec des moralitands). as Master Cat or Puss in Boots. 3. It tells the story of a cat that, based on cunning and deceitñYou, get the fortune and the hand of a princess for your master, totally poor. The 1695 handwritten book istodedicated to Mademoiselle, niece of Louis XIV. Puss in Boots was a hit from its first publication and remains popular, despite its ambiguous morals. The character is inspired by at least two stories previously written: the novel The Pleasant Nights by Gianfrancesco Straparola (1550, the first part and 1553, the second part) . and the Pentamerorn (The tale of tales), collectionorn of stories by Giambattista Basile published in five volumes, from 1634 to 1636. Puss in Boots has inspired designers, composers, choreographers, and just about every type of artist. It appears in the third act of the ballet The Sleeping Beauty of Tchaikovsky. In addition, the adaptations of the story have been multiple, from theater to cinema and comics, through opera, parodies ... |
| contame un cuento silvia schujer: The Wolf and the Seven Little Goats Jacob Grimm, Wilhelm Grimm, 1999 When six of her seven kids are swallowed by a wicked wolf, Old Mother Goat devises a way to rescue them. |
| contame un cuento silvia schujer: Twelve Dancing Princesses Alison Ritchie, Kate Baker, 2017-03 |
| contame un cuento silvia schujer: Lorca - a Dream of Life Leslie Stainton, 2013-06-10 With a rare blend of grace, warmth, and scholarship, Leslie Stainton raises the stakes of our appreciation for the greatest of Spain's modern poets, Federico Garca Lorca. Drawing on fourteen years of research; more than a hundred letters unknown to prior biographers; exclusive interviews with Lorca's friends, family, and acquaintances; and dozens of newly discovered archival material, Stainton has brought her subject to life as few writers can. She describes his carefree childhood in rural Andalusia; his residencies in Madrid and Granada, then in New York, Havana, and Buenos Aires; his potent interaction with other Spanish artists, such as Salvador Dal, Luis Buuel, and the composer Manuel de Falla; and, finally, Stainton shows how Lorca's marginal political activity during the Spanish Civil War still cost him his life. Throughout, Stainton meticulously but unobtrusively relates the oeuvre to the life. Her biography is quickly becoming the standard one-volume work on the poet. |
| contame un cuento silvia schujer: Japan Bradley Smith, 1979 |
| contame un cuento silvia schujer: 구둣방 할아버지와 꼬마 요정 , 2010 |
| contame un cuento silvia schujer: A Different Story Adolfo Serra, 2019 Large or small, busy or calm, flying or sinking--even creatures as different as a rhinoceros and a rhinoceros beetle can find something in common.mmon. |
| contame un cuento silvia schujer: Klee 1879-1940 Susanna Partsch, Paul Klee, 2000 The entertaining companion novel to the best-selling The Sweet Second Life of Darrell Kincaid. Michelle Lawrence's perfect life has been just as she's designed it. But then her husband, Chad, ruins everything by taking a job in San Francisco, about as far from their comfortable family home as it's possible to get without actually emigrating. Up until now, Chad's primary focus has been keeping her happy, and Michelle can see no good reason why this should change. But change it has, and Michelle now has to deal with Chad's increasing detachment, while building a new life with her two small children in a place filled with cat-eating coyotes. On top of that, Michelle's oldest friend is turning against marriage while her newest is a little too obsessed with clean taps. And down the redwood-lined street, there's Aishe Herne, a woman who could pick a fight with a silent order of nuns. Aishe has designed her own kind of perfect life, in which there's room for her, her teenage son and no one else. But when cousin Patrick lands in town like a Cockney nemesis, both Aishe and Michelle must begin determined campaigns to regain their grip on the steering wheel of their lives. The Catherine Robertson Trilogy Book 1: The Sweet Second Life of Darrell Kincaid Book 2: The Not So Perfect Life of Mo Lawrence Book 3: The Misplaced Affections of Charlotte Forbes |
| contame un cuento silvia schujer: Art and Anarchy Edgar Wind, 1985 Will works of the imagination ever regain the power they once had to challenge and mould society and the individual? This was the question posed by Edgar Wind's influential Reith Lectures delivered in 1960 and later expanded into his book Art and Anarchy. The book examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and--perhaps the fundamental weakness of our age--the dispassionate acceptance of art. In the course of his discussion, Wind surveyed a wide range of topics in the history of painting, literature, music, and the plastic arts from the Renaissance to modern times. |
| contame un cuento silvia schujer: Gráfica política de izquierdas Guido Julián Indij, Centro de Documentación e Investigación de la Cultura de Izquierdas en la Argentina, 2006 Anthology of left wing grapics, especially posters and magazines, in Argentina from 1890-2001. A helpful chronology is included. |
| contame un cuento silvia schujer: Cubanísimo Daniel Spehr, 2012-06 BILINGUAL ENGLISH / SPANISH EDITION It is sometimes said that Cuba is easy to photograph: focus a camera anywhere on the island and a marvelous picture will result. In this volume, photographers Daniel Spehr and Kathrin Schulthess--who have also produced similar saturation-job portraits of Berlin (Made in Berlin, 2011) and Buenos Aires (Buenos Aires, 2008)--take up that challenge, photographing everything from tile patterns, building facades, iron railings and washing lines to floor mosaics, door buzzers, fire hydrants and public phones. From Havana and the fields of Holguín to Camaguey and Trinidad, Cubanísimo offers the most thorough account of Cuban life imaginable. CUBAnísimo pertenece a la colección Registro Gráfico la cual fue pensada para documentar las diversas expresiones gráficas con las que convivimos desde siempre, y para darles un sentido de perdurabilidad y apropiación por parte del lector. En ediciones bilingües, nos proponemos establecer un registro documental no solo de los imaginarios locales y nacionales sino también de la manera en que estos se cristalizan en las distintas gráficas populares. Se dice que Cuba es fácil de fotografiar; que basta con apuntar la cámara hacia cualquier sitio de la isla y una foto maravillosa estará hecha; que Cuba no permite otro resultado que no sea una pequeña maravilla fotográfica. Por eso fue difícil fotografiar CUBAnísimo. La fragmentación es una forma de narrar la ruptura de todos los paradigmas políticos. Es la sociedad civil libre la que marca el camino, más allá de las caras amadas de proceres congelados. |
| contame un cuento silvia schujer: Picasso Arianna Stassinopoulos Huffington, 1988 A biography of the twentieth-century painter discussing his many relationships with women, his children, his philosophies and his work. |
| contame un cuento silvia schujer: Bertolt Brecht Frederic Ewen, 1969 |
| contame un cuento silvia schujer: The Millennium Book of Prophecy John Hogue, 1997-05-29 All prophetic cycles throughout history pinpoint the final years of this century as a turning point or cusp, with diverse prophets foreseeing humankind either destroyed by an outer fire or transformed by an inner one. As we draw ever closer to the year |
| contame un cuento silvia schujer: This is a Dictatorship Equipo Plantel, 2021-09-11 What happens to a country when one person makes all the rules? What would it feel like to live in such a place? And why is it important for us to know about? This book, first written in Spain soon after the end of the Franco dictatorship, set out to explain dictatorship to the next generation. The authors believed, as the Spanish publishers of this book put it, that Children are interested in everything adults are interested in. You must explain things to them, even if it requires effort. Forty years later, reillustrated with stunning images by Mikel Casal (who himself grew up under Franco's regime), its message remains as timely as ever--Page 4 of cover. |
| contame un cuento silvia schujer: To Hell With Culture, and Other Essays on Art and Society Sir Herbert Edward Read, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| contame un cuento silvia schujer: Shanzhai Byung-Chul Han, 2017-10-06 Tracing the thread of “decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original. Shanzhai is a Chinese neologism that means “fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or “decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—“a kind a shanzhai Marxism,” Han writes. Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such “pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction. |
| contame un cuento silvia schujer: Edward Hopper, 1882-1967 Rolf Günter Renner, 1997 Considered the first important American painter in 20th-century art, Edward Hopper (1882-1967) used color and light to create a mood of transcendent melancholy in images of the streets, houses, and lost souls of pre- and postwar America. This Spanish-language book also shows Hopper's other side - the painter of landscapes in warm brown hues and seascapes that exude a lyrical tranquility. |
| contame un cuento silvia schujer: Extra-territorial George Steiner, 1976 |
| contame un cuento silvia schujer: Cuéntame un cuento 3 Concha Cardeñoso, 1999 |
| contame un cuento silvia schujer: Snow on the Atlantic Nacho Carretero, 2018-09-06 Smuggling has been a way of life in Galicia for millennia. The Romans considered its windswept coast the edge of the world. To the Greeks it was from where Charon ferried souls to the Underworld. Since the Middle Ages, its shoreline has scuppered thousands of pirate ships. But the history of Cape Finisterre is no fiction and by the late twentieth century a new and exotic cargo flooded the cape’s ports and fishing villages. In Snow on the Atlantic, the book the Spanish national court tried to ban, intrepid investigative journalist Nacho Carretero tells the incredible story of how a sleepy, unassuming corner of Spain became the cocaine gateway into Europe, exposing a new generation of criminals, cartels and corrupt officials, more efficient and ruthless than any who came before. |
| contame un cuento silvia schujer: The Philosophy of Art John Durand, 2022-10-26 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
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