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| coum transmissions book: Wreckers of Civilisation Simon Ford, 2017-10-31 Wreckers of Civilisation tells the story of two interconnected groups: the performance art group COUM Transmissions and the music group Throbbing Gristle, focusing on their key protagonists – Genesis P-Orridge, Cosey Fani Tutti, Peter Christopherson and Chris Carter. |
| coum transmissions book: Art Sex Music Cosey Fanni Tutti, 2017-04-04 A SUNDAY TIMES, TELEGRAPH, ROUGH TRADE, PITCHFORK AND UNCUT MUSIC BOOK OF THE YEAR SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZE Art Sex Music is the autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades. It is the account of an artist who, as part of COUM Transmissions, represented Britain at the IXth Biennale de Paris, whose Prostitution show at the ICA in 1976 caused the Conservative MP Nicholas Fairbairn to declare her, COUM and Throbbing Gristle 'Wreckers of Civilisation' . . . shortly before he was arrested for indecent exposure, and whose work continues to be held at the vanguard of contemporary art. And it is the story of her work as a pornographic model and striptease artiste which challenged assumptions about morality, erotica and art. Art Sex Music is the wise, shocking and elegant autobiography of Cosey Fanni Tutti. |
| coum transmissions book: Wreckers of Civilisation Simon Ford, 1999 Wreckers of Civilisation tells the story of two interconnected groups: the performance art group COUM Transmissions and the music group Throbbing Gristle, focusing on their key protagonists – Genesis P-Orridge, Cosey Fani Tutti, Peter Christopherson and Chris Carter. |
| coum transmissions book: Nonbinary Genesis P-Orridge, 2020-11-10 A revealing memoir from a pioneering industrial musician and visual artist who inspired generations of outsiders, rebels, and risk-takers In a memoir spanning decades of artistic risk-taking, Genesis P-Orridge, the inventor of industrial music, founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist takes us on a journey through creativity and destruction, pleasure and pain. Genesis's unwillingness to be stuck--in one place, in one genre, or in one gender--will be an inspiration to the newest generation of trailblazers and nonconformists. It's for an audience that cannot and will not be ignored. Nonbinary has far-reaching potential because of Genesis's remarkable body of work. It is full of great stories about Genesis's experiences with icons like William S. Burroughs and Ian Curtis. |
| coum transmissions book: Cosey Complex Cosey Fanni Tutti, Maria Fusco, Richard Birkett, 2012 'Cosey Complex' discusses seminal artist and musician Cosey Fanni Tutti. The book includes new commissions from a diverse range of international artists, writers and theorists, each contributor was invited to consider the shifting 'Cosey' from noun to verb, and to produce work enacting this transition. |
| coum transmissions book: THEE PSYCHICK BIBLE Genesis Breyer P-Orridge, 2010-11-09 Thee Temple ov Psychick Youth (TOPY) will be remembered for its crucial influence on youth culture throughout the 1980s, popularizing tattooing, body piercing, acid house raves, and other ahead-of-the-curve cultic flirtations and investigations. Its leader was Genesis P-Orridge, co-founder of Psychick TV and Throbbing Gristle, the band that created the industrial music genre. The limited signed cloth edition of Thee Psychick Bible quickly sold out, creating demand for any edition of this 544-page book, which will be available in a handsome smyth-sewn paperback edition with flaps and ribbon. According to author Genesis Breyer P-Orridge, this is the most profound new manual on practical magick, taking it from its Crowleyan empowerment of the Individual to a next level of realization to evolve our species. |
| coum transmissions book: Art Labor, Sex Politics Siona Wilson, 2015-02-01 Contrary to critics who have called it the “undecade,” the 1970s were a time of risky, innovative art—and nowhere more so than in Britain, where the forces of feminism and labor politics merged in a radical new aesthetic. In Art Labor, Sex Politics Siona Wilson investigates the charged relationship of sex and labor politics as it played out in the making of feminist art in 1970s Britain. Her sustained exploration of works of experimental film, installation, performance, and photography maps the intersection of feminist and leftist projects in the artistic practices of this heady period. Collective practice, grassroots activism, and iconoclastic challenges to society’s sexual norms are all fundamental elements of this theoretically informed history. The book provides fresh assessments of key feminist figures and introduces readers to less widely known artists such as Jo Spence and controversial groups like COUM Transmissions. Wilson’s interpretations of two of the best-known (and infamous) exhibitions of feminist art—Mary Kelly’s Post-Partum Document and COUM Transmissions’ Prostitution—supply a historical context that reveals these works anew. Together these analyses demonstrate that feminist attention to sexual difference, sex, and psychic formation reconfigures received categories of labor and politics. How—and how much—do sexual politics transform our approach to aesthetic debates? What effect do the tropes of sexual difference and labor have on the very conception of the political within cultural practice? These are the questions that animate Art Labor, Sex Politics as it illuminates an intense and influential decade of intellectual and artistic experimentation. |
| coum transmissions book: Cross-Overs John A. Walker, 2023-05-31 This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group’s look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs – between the visual arts and groups, musicians and movements. |
| coum transmissions book: Strange Angel George Pendle, 2006-02 Traces the life story of the rocket scientist whose work was dismissed after his accidental death revealed his occult beliefs, discussing his contributions to rocketry and his participation in the occult community of 1930s Los Angeles. |
| coum transmissions book: London Art Worlds Jo Applin, Catherine Spencer, Amy Tobin, 2017-12-14 The essays in this collection explore the extraordinarily rich networks of international artists and art practices that emerged in and around London during the 1960s and ’70s, a period that saw an explosion of new media and fresh attitudes and approaches to making and thinking about art. The contributors to London Art Worlds examine the many activities and movements that existed alongside more established institutions in this period, from the rise of cybernetics and the founding of alternative publications to the public protests and new pedagogical models in London’s art schools. The essays explore how international artists and the rise of alternative venues, publications, and exhibitions, along with a growing mobilization of artists around political and cultural issues ranging from feminism to democracy, pushed the boundaries of the London art scene beyond the West End’s familiar galleries and posed a radical challenge to established modes of making and understanding art. Engaging, wide-ranging, and original, London Art Worlds provides a necessary perspective on the visual culture of the London art scene in the 1960s and ’70s. Art historians and scholars of the era will find these essays especially valuable and thought provoking. In addition to the editors, contributors to this volume are Elena Crippa, Antony Hudek, Dominic Johnson, Carmen Juliá, Courtney J. Martin, Lucy Reynolds, Joy Sleeman, Isobel Whitelegg, and Andrew Wilson. |
| coum transmissions book: Almost to Freedom Vaunda Micheaux Nelson, 2013-11-01 Lindy and her doll Sally are best friends - wherever Lindy goes, Sally stays right by her side. They eat together, sleep together, and even pick cotton together. So, on the night Lindy and her mama run away in search of freedom, Sally goes too. This young girl's rag doll vividly narrates her enslaved family's courageous escape through the Underground Railroad. At once heart-wrenching and uplifting, this story about friendship and the strength of the human spirit will touch the lives of all readers long after the journey has ended. |
| coum transmissions book: Statement for COUM group COUM Transmissions (Grupo musical), 1975 |
| coum transmissions book: Ausstellungskat Ken Friedman, 1972 |
| coum transmissions book: Modern Women: Women Artists at The Museum of Modern Art Alexandra Schwartz, 2010 This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives. |
| coum transmissions book: Radical Dreams Elliott H. King, Abigail Susik, 2022-03-08 Surrealism is widely thought of as an artistic movement that flourished in Europe between the two world wars. However, during the 1960s, ’70s, and ’80s, diverse radical affinity groups, underground subcultures, and student protest movements proclaimed their connections to surrealism. Radical Dreams argues that surrealism was more than an avant-garde art movement; it was a living current of anti-authoritarian resistance. Featuring perspectives from scholars across the humanities and, distinctively, from contemporary surrealist practitioners, this volume examines surrealism’s role in postwar oppositional cultures. It demonstrates how surrealism’s committed engagement extends beyond the parameters of an artistic style or historical period, with chapters devoted to Afrosurrealism, Ted Joans, punk, the Situationist International, the student protests of May ’68, and other topics. Privileging interdisciplinary, transhistorical, and material culture approaches, contributors address surrealism’s interaction with New Left politics, protest movements, the sexual revolution, psychedelia, and other subcultural trends around the globe. A revelatory work, Radical Dreams definitively shows that the surrealist movement was synonymous with cultural and political radicalism. It will be especially valuable to those interested in the avant-garde, contemporary art, and radical social movements. In addition to the editors, the contributors to this volume include Mikkel Bolt Rasmussen, Jonathan P. Eburne, David Hopkins, Claire Howard, Michael Löwy, Alyce Mahon, Gavin Parkinson, Grégory Pierrot, Penelope Rosemont, Ron Sakolsky, Marie Arleth Skov, Ryan Standfest, and Sandra Zalman. |
| coum transmissions book: The Consumer Michael Gira, 1994 |
| coum transmissions book: Boogaloo Arthur Kempton, 2003 Boogaloo—the synonym of choice among the cognoscenti for rhythm and blues—is a stylish and profound meditation on the art, influence, and commerce of black American popular music. At once deeply knowing and keenly observant, Arthur Kempton reveals the tensions between the sacred and the profane at the heart of “soul music,” and the complex centrality of “Aframericans” in the evolution of our mass musical culture. What that culture is all about, who owns it, and who gets paid—these are issues of moment in his epic narrative. Kempton brilliantly traces the interconnections among a century’s worth of signal personalities, events, and achievements: from Thomas A. Dorsey, the so-called Father of Gospel Music, whose career (“Got to Know How to Work Your Show”) sheds light on Mahalia Jackson, Aretha Franklin, and James Brown, among others, to the rise of that “handsome Negro lad,” Sam Cooke (perhaps the greatest of soul singers) and his definitive crossover dreams; from Berry Gordy Jr.’s infatuation with Doris Day and his sharp business plan to capture and exploit the sounds of young America through Motown (“It’s What’s in the Grooves That Counts”) to the founding of Stax Records and Memphis Soul by a white farm kid who grew up dreaming of being a country fiddler; from the visionary funk of George Clinton to the ascendancy of hip hop (“Sharecropping in Wonderland”), the murders of Tupac Shakur and Biggie Smalls, and the story of Death Row Records. Boogaloois a monumental work, informed by a rare fierceness of intellect, which debunks many a myth and canard about our popular music heritage even as it enlarges our understanding of its quintessence. |
| coum transmissions book: Hip Priest Simon Ford, 2003 |
| coum transmissions book: COUM Transmissions COUM., 1973 |
| coum transmissions book: No Future Matthew Worley, 2017-09-21 An innovative history of British youth culture during the 1970s and 1980s, charting the full spectrum of punk's cultural development. |
| coum transmissions book: Living Easy with Ayurveda Dr JV Hebbar, 2015-05-21 The book guides you to adopt a healthy lifestyle based on the ancient Indian Medical Science - Ayurveda. The book covers the following topics - setting up a healthy lifestyle, basics of Tridosha, Massage, benefits and side effects, Panchakarma and related procedures, Mental and physical exercises, How to adopt Pranayama in your routine, Health advice based on seasons, Diet advice, Fasting tips, Tastes and their qualities Abstinence, Sexual health, Sleep and related aspects, Dairy products, Spices, Oils, simple and effective home remedies and more. |
| coum transmissions book: Live Art in the UK Maria Chatzichristodoulou, 2020-02-06 Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on key artists whose prolific body of work has been vital to the development of contemporary practice, this collection studies the landscape of Live Art in the UK today and illuminates its origins, as well as particular concerns and aesthetics. The introduction to the volume situates Live Art in relation to other areas of artistic practice and explores the form as a British phenomenon. It considers questions of cultural specificity, financial and institutional support, and social engagement, by tracing the work and impact of key organizations on the UK scene: the Live Art Development Agency, SPILL Festival of Performance and Compass Live Art. Across three sections, leading scholars offer case studies exploring the practice of key artists Tim Etchells, Marisa Carnesky, Marcia Farquhar, Franko B, Martin O'Brien, Oreet Ashery, David Hoyle, Jordan McKenzie, and Cosey Fanni Tutti. |
| coum transmissions book: Unlimited Action Dominic Johnson, 2019-02 Extremity might suggest violence, pornography, criminality, misanthropy, danger, recklessness, eccentricity or obscurantism. How has art exceeded its own example through performance art? How have artists used performance to question and overextend the limits of form in the 1970s? And with what effects? |
| coum transmissions book: Kusama Presents an Orgy of Nudity, Love, Sex and Beauty , 2001-03-01 |
| coum transmissions book: Book of Lies Richard Metzger, 2014-09-01 First published in 2003, Book of Lies was hailed as a 21st century grimoire and instantly became a cult classic. Now reformatted for the next generation of magicians and all counterculture devotees, it gathers an unprecedented cabal of occultists, esoteric scholars,and forward thinkers, all curated by Disinformation’s former wicked warlock Richard Metzger. This compendium of the occult includes entries on topics as diverse and dangerous as Aleister Crowley, secret societies, psychedelics, and magick in theory and practice. The result is an alchemical formula that may well rip a hole in the fabric of your reality: Mark Pesce, author of The Playful World, compares computer programming and spellcasting. Genesis Breyer P-Orridge, father of Industrial Music and Rave culture explains how samples in a rave song can have magical consequences. William Burroughs and the occult. Nevill Drury, Australia's most noted occult writer, tells of Dion Fortune, Austin Spare, and Rosaleen Norton. Donald Tyson's The Enochian Apocalypse Working ask if the seeds of the end of the world sown in the Elizabethan era. A biographical essay on Marjorie Cameron, the fascinating character from Los Angeles' occult and beatnik scene. Hitler and the occult--Peter Levenda interview by Tracy Twyman. Robert Temple on how his book The Sirius Mystery's, controversial thesis (for which he was ridiculed) was proven by the Hubble telescope twenty-five years late. An exclusive Anton LaVey interview by Michael Moynihan, author of best-selling book Lords of Chaos. Erik Davis, author of Techgnosis, looks at H. P. Lovecraft's Magick Realism Robert Anton Wilson on Timothy Leary and Aleister Crowley Comics genius Grant Morrison offers Magic for the people. It’s all here and more! |
| coum transmissions book: Egress Matt Colquhoun, 2020-03-10 Egress is the first book to consider the legacy and work of the writer, cultural critic and cult academic Mark Fisher. Narrated in orbit of his death as experienced by a community of friends and students in 2017, it analyses Fisher’s philosophical trajectory, from his days as a PhD student at the University of Warwick to the development of his unfinished book on Acid Communism. Taking the word “egress” as its starting point—a word used by Fisher in his book The Weird and the Eerie to describe an escape from present circumstances as experiences by the characters in countless examples of weird fiction—Egress consider the politics of death and community in a way that is indebted to Fisher’s own forms of cultural criticism, ruminating on personal experience in the hope of making it productively impersonal. |
| coum transmissions book: Apocalypse Culture II Adam Parfrey, 2000 The sequel to one of the most disturbing books ever published which was an international alternative bestseller and an underground classic of the highest order. If you thought the first book transgressed cultural norms, watch out! An extraordinary collection unlike anything I have ever encountered. These are the terminal documents of the twentieth century.' - J G Ballard' |
| coum transmissions book: Henry Cow Benjamin Piekut, 2019-09-27 In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow’s story resonates far beyond its inimitable music; it speaks to the avant-garde’s unpredictable potential to transform the world. |
| coum transmissions book: Art Encounters Deleuze and Guattari S. O'Sullivan, 2005-12-16 In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics - an aesthetics of affect - and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts - the virtual, the minor, the fold, etc. - and the work of artists that position their work outside of the gallery or 'outside' of representation - Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these 'possible worlds' to work back on philosophy. |
| coum transmissions book: No Boyd Rice, 2017-10-27 A new-classic of blunt realities, social composition and discourse. NO dissects deceptive affairs including Rebellion, The Sexes, Individuality, Equality, Peace, The Nazis, and Keeping It Real, all brought to light in a fashion that only Boyd Rice can. If past written collections of his work serve as time-capsuled history, let NO be the words of the future. Third edition with alternate layout. |
| coum transmissions book: Thee Psychick Bible Joseph A. Rapoza, 2006 |
| coum transmissions book: Anarchism, Marxism, and the Future of the Left Murray Bookchin, 1999 Presents a series of interviews with, and essays by, Murray Bookchin, the founder of social ecology. |
| coum transmissions book: England's Dreaming Jon Savage, 2016 England's Dreaming is the ultimate book on punk, its progenitors, the Sex Pistols, and the moment they defined for music fans in England and the United States. Savage brings to life the sensational story of the meteoric rise and rapid implosion of the Pistols through layers of rich detail, exclusive interviews, and rare photographs. This fully revised and updated edition of the book covers the legacy of punk twenty-five years later and provides an account of the Pistols' 1996 reunion as well as a freshly updated discography and a completely new introduction. |
| coum transmissions book: Artist's Book Yearbook , 1996 |
| coum transmissions book: Umbrella , 1997 |
| coum transmissions book: Eardrums Tyler Whitney, 2019-06-15 In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his “sound poems,” which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus—all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. Eardrums is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science. |
| coum transmissions book: Radical Dreams Elliott H. King, Abigail Susik, 2022-03-17 Surrealism is widely thought of as an artistic movement that flourished in Europe between the two world wars. However, during the 1960s, ’70s, and ’80s, diverse radical affinity groups, underground subcultures, and student protest movements proclaimed their connections to surrealism. Radical Dreams argues that surrealism was more than an avant-garde art movement; it was a living current of anti-authoritarian resistance. Featuring perspectives from scholars across the humanities and, distinctively, from contemporary surrealist practitioners, this volume examines surrealism’s role in postwar oppositional cultures. It demonstrates how surrealism’s committed engagement extends beyond the parameters of an artistic style or historical period, with chapters devoted to Afrosurrealism, Ted Joans, punk, the Situationist International, the student protests of May ’68, and other topics. Privileging interdisciplinary, transhistorical, and material culture approaches, contributors address surrealism’s interaction with New Left politics, protest movements, the sexual revolution, psychedelia, and other subcultural trends around the globe. A revelatory work, Radical Dreams definitively shows that the surrealist movement was synonymous with cultural and political radicalism. It will be especially valuable to those interested in the avant-garde, contemporary art, and radical social movements. In addition to the editors, the contributors to this volume include Mikkel Bolt Rasmussen, Jonathan P. Eburne, David Hopkins, Claire Howard, Michael Löwy, Alyce Mahon, Gavin Parkinson, Grégory Pierrot, Penelope Rosemont, Ron Sakolsky, Marie Arleth Skov, Ryan Standfest, and Sandra Zalman. |
| coum transmissions book: The Visual Is Political Na'ama Klorman-Eraqi, 2019-07-19 This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance. |
| coum transmissions book: Beyond Unwanted Sound Marie Thompson, 2017-02-09 Noise is so often a 'stench in the ear' – an unpleasant disturbance or an unwelcome distraction. But there is much more to noise than what greets the ear as unwanted sound. Beyond Unwanted Sound is about noise and how we talk about it. Weaving together affect theory with cybernetics, media histories, acoustic ecology, geo-politics, sonic art practices and a range of noises, Marie Thompson critiques both the conservative politics of silence and transgressive poetics of noise music, each of which position noise as a negative phenomenon. Beyond Unwanted Sound instead aims to account for a broader spectrum of noise, ranging from the exceptional to the banal; the overwhelming to the inaudible; and the destructive to the generative. What connects these various and variable manifestations of noise is not negativity but affectivity. Building on the Spinozist assertion that to exist is to be affected, Beyond Unwanted Sound asserts that to exist is to be affected by noise. |
| coum transmissions book: Information Sources in Art, Art History and Design Simon Ford, 2015-05-19 No detailed description available for Information Sources in Art, Art History and Design. |
COUM Transmissions - Wikipedia
COUM Transmissions / k uː m / was a music and performance art collective who operated in the United Kingdom from 1969 through to 1976. The collective was influenced by the Dada and …
COUM Transmissions
COUM TRANSMISSIONS 1001 Ways To COUM. COSEY FANNI TUTTI & THROBBING GRISTLE ARE NOW ON BLUE SKY Blue Sky will eventually be Cosey and TG’s preferred …
The College of Universal Medicine - Community Education Based …
We define our approach to education based on the teachings of the Ageless Wisdom as a restoration of true values which brings to life the physical and metaphysical elements that are …
Primal Evidence: The Strange World Of COUM Transmissions
Jan 27, 2017 · In COUM Transmissions the future members of Throbbing Gristle would intensely interrogate the nature of art and performance, along with testing their own experiential limits, …
COUM Transmissions – Home Aged & The 18 Month Hope - Dazed
Oct 22, 2013 · In 1971 COUM Transmissions often invaded weekend shopping and other “normal” activities of the Hull population, improvising surreal street theatre in bizarre home-made …
'Prostitution' Revisited | Institute of Contemporary Arts
Oct 26, 2016 · In 1976 UK performance art group COUM Transmissions brought their exibition Prostitution to the ICA. The exhibition caused walkouts, made headlines, inspired a debate in …
COUM Transmissions – Humber Street Gallery - YouTube
Explore the life of COUM Transmissions in the first exhibition of materials drawn from the personal archives of Cosey Fanni Tutti and Genesis P-Orridge. Live...
COUM Transmissions on Dais Records
COUM Transmissions were a music and performance art collective who operated in the United Kingdom from 1969 through to 1976. Influenced by the Dada artistic movement, COUM were …
Other, Like Me (2020) - IMDb
Other, Like Me: Directed by Marcus Werner Hed, Dan Fox. With Paul Buck, Chris Carter, Peter Christopherson, Spydee Gasmantell. History of Coum Transmissions and Throbbing Gristle.
Other, Like Me: The Oral History of COUM Transmissions and …
Other, Like Me: The Oral History of COUM Transmissions and Throbbing Gristle, also shorter titled Other, Like Me, is a 2020 American-British documentary film on the music and art groups …
COUM Transmissions - Wikipedia
COUM Transmissions / k uː m / was a music and performance art collective who operated in the United Kingdom from 1969 through to 1976. The collective was influenced by the Dada and …
COUM Transmissions
COUM TRANSMISSIONS 1001 Ways To COUM. COSEY FANNI TUTTI & THROBBING GRISTLE ARE NOW ON BLUE SKY Blue Sky will eventually be Cosey and TG’s preferred …
The College of Universal Medicine - Community Education Based …
We define our approach to education based on the teachings of the Ageless Wisdom as a restoration of true values which brings to life the physical and metaphysical elements that are …
Primal Evidence: The Strange World Of COUM Transmissions
Jan 27, 2017 · In COUM Transmissions the future members of Throbbing Gristle would intensely interrogate the nature of art and performance, along with testing their own experiential limits, …
COUM Transmissions – Home Aged & The 18 Month Hope - Dazed
Oct 22, 2013 · In 1971 COUM Transmissions often invaded weekend shopping and other “normal” activities of the Hull population, improvising surreal street theatre in bizarre home-made …
'Prostitution' Revisited | Institute of Contemporary Arts
Oct 26, 2016 · In 1976 UK performance art group COUM Transmissions brought their exibition Prostitution to the ICA. The exhibition caused walkouts, made headlines, inspired a debate in …
COUM Transmissions – Humber Street Gallery - YouTube
Explore the life of COUM Transmissions in the first exhibition of materials drawn from the personal archives of Cosey Fanni Tutti and Genesis P-Orridge. Live...
COUM Transmissions on Dais Records
COUM Transmissions were a music and performance art collective who operated in the United Kingdom from 1969 through to 1976. Influenced by the Dada artistic movement, COUM were …
Other, Like Me (2020) - IMDb
Other, Like Me: Directed by Marcus Werner Hed, Dan Fox. With Paul Buck, Chris Carter, Peter Christopherson, Spydee Gasmantell. History of Coum Transmissions and Throbbing Gristle.
Other, Like Me: The Oral History of COUM Transmissions and …
Other, Like Me: The Oral History of COUM Transmissions and Throbbing Gristle, also shorter titled Other, Like Me, is a 2020 American-British documentary film on the music and art groups …
