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| daughters speech at father's funeral: My Father's Daughter Sheila Fitzpatrick, 2010 How does a daughter tell the story of her father? Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him. Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter. My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian. |
| daughters speech at father's funeral: Daddy: Reflections of Father-Daughter Relationships K E Garland, 2018-04-30 A father¿s presence is important in a daughter¿s life. He is the first man a little girl sees and knows. He demonstrates how men relate to women. But what happens when the father-daughter relationship is dysfunctional? Daddy answers that question. Included are fourteen memoirs that describe the impact a failed father-daughter relationship can have. These women share essays and narratives that detail various stages of breakdown. Whether an event occurred in childhood, adolescence, or adulthood, each story explains how their father¿s physical, emotional, or psychological abandonment has affected them. The book is separated into two parts. Part I shows the proverbial truth in the phrase, hurt people hurt people. While some stories confirm why or how men mistreat their daughters, others show how daughters sometimes internalize neglect and continue the cycle either with the relationship they have with themselves, or others. Part II illustrates how compassion can lead towards a path of inner peace and happiness, no matter the state of the relationship. |
| daughters speech at father's funeral: My Father, His Daughter Yaël Dayan, 2015-04-07 A life of one of Israel’s greatest heroes, as seen through his daughter’s eyes Moshe Dayan was one of the greatest military leaders in Israel’s short history. A child of the first kibbutz movement in British Palestine, he went on to lead Israel to victory in the 1948 War of Independence and to liberate Jerusalem in the 1967 Six-Day War. Dayan was not only a soldier but a politician, an archaeologist, and a larger-than-life figure who helped shape the state of Israel. In My Father, His Daughter, Yaël Dayan, who herself served in the Israeli Parliament, shares an uncensored look into her father’s life and her own conflicted relationship with him. With poignancy and candor, Dayan creates a profound yet nuanced profile of her father. She relates his strong national pride, his boldness in dealing with other world leaders, and his troubles at home to his disintegrating marriage and multiple affairs. As revealing as My Father, His Daughter is of the man behind the myth, it is also a snapshot of a loving relationship between Yaël and Moshe Dayan, and of a daughter’s admiration and respect for a complicated but loving father. |
| daughters speech at father's funeral: The Daughter’s Way Tanis MacDonald, 2012-09-01 The Daughter’s Way investigates negotiations of female subjectivity in twentieth-century Canadian women’s elegies with a special emphasis on the father’s death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Mouré as elegiac daughteronomies—literary artifacts of mourning that grow from the poets’ investigation into the function and limitations of elegiac convention. Some poets treat the father as a metaphor for socio-political power, while others explore more personal iterations of loss, but all the poets in The Daughter’s Way seek to redefine daughterly duty in a contemporary context by challenging elegiac tradition through questions of genre and gender. Beginning with psychoanalytical theories of filiation, inheritance, and mourning as they are complicated by feminist challenges to theories of kinship and citizenship, The Daughter’s Way debates the efficacy of the literary “work of mourning” in twentieth-century Canadian poetry. By investigating the way a daughter’s filial piety performs and sometimes reconfigures such work, and situating melancholia as a creative force in women’s elegies, the book considers how elegies inquire into the rhetoric of mourning as it is complicated by father-daughter kinship. |
| daughters speech at father's funeral: The Father-Daughter Plot Rebecca L. Copeland, Esperanza Ramirez-Christensen, 2001-07-31 This provocative collection of essays is a comprehensive study of the father-daughter dynamic in Japanese female literary experience. Its contributors examine the ways in which women have been placed politically, ideologically, and symbolically as daughters in a culture that venerates the father. They weigh the impact that this daughterly position has had on both the performance and production of women's writing from the classical period to the present. Conjoining the classical and the modern with a unified theme reveals an important continuum in female authorship-a historical approach often ignored by scholars. The essays devoted to the literature of the classical period discuss canonical texts in a new light, offering important feminist readings that challenge existing scholarship, while those dedicated to modern writers introduce readers to little-known texts with translations and readings that are engaging and original. Contributors: Tomoko Aoyama, Sonja Arntzen, Janice Brown, Rebecca L. Copeland, Midori McKeon, Eileen Mikals-Adachi, Joshua S. Mostow, Sharalyn Orbaugh, Esperanza Ramirez-Christensen, Edith Sarra, Atsuko Sasaki, Ann Sherif. |
| daughters speech at father's funeral: Mother. Father. Daughter. Dog. Ronnie Desai, 2025-02-07 This is the story of a dedicated lawyer who fights for the right of a faithful dog to continue residing in his deceased owner's mansion, while the dead man's evil relatives try to cruelly evict the poor loving animal, heartlessly leaving him to perish by the roadside. The lawyer fights an epic battle, from the courts all the way to Parliament, ending with dogs being granted equal rights as any other family member. With this verdict in mind, a couple decide not to have a second child and instead adopt a streetie to 'brother' their only daughter. Once the puppy enters its new home, heaven and hell, joy and sadness, all break loose in the household of this family of four. Mother. Father. Daughter. Dog. The story is fictional, though I'm sure there are many who would wish it were not. |
| daughters speech at father's funeral: Shakespeare's Fathers and Daughters Oliver Ford Davies, 2017-06-29 A theme that obsessed Shakespeare in over 20 plays from Titus Andronicus to The Tempest was the relationship between a daughter and her father. This study traces chronologically the development of this theme, relating it to the little we know of his own two daughters, and sheds new light on his exploration of the family that so dominated his approach to drama. Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies, a former university lecturer and now an Honorary Associate Artist of the RSC and Olivier Award winner, has written an engaging and deeply researched study of a topic that has intrigued him from playing Capulet in 1967, King Lear in 2002, to Polonius in 2008. |
| daughters speech at father's funeral: The Bishop's Daughter: A Memoir Honor Moore, 2009-05-18 “An eloquent argument for speaking even the most difficult truths.” —New York Times Book Review Paul Moore’s vocation as an Episcopal priest took him— with his wife, Jenny, and their family of nine children—from robber-baron wealth to work among the urban poor, leadership in the civil rights and peace movements, and two decades as the bishop of New York. The Bishop’s Daughter is his daughter’s story of that complex, visionary man: a chronicle of her turbulent relationship with a father who struggled privately with his sexuality while she openly explored hers and a searching account of the consequences of sexual secrets. |
| daughters speech at father's funeral: The Lost Daughters Leigh Grossman, 2018-10-10 A thousand years after the apocalyptic Holy Wars banished them from Ananya, the gods have returned—massacring the Empress and the Ananyan royal family, stripping away the magic that sustains Ananya’s empire, and leaving it exposed to invading neighbors and vengeful fey. Ketya, neglected daughter of Ananya’s most powerful official, wakes in the arms of the dead Empress. Along with her father she is rescued by Sperrin, a famous soldier whose post-traumatic stress disorder was “treated” by removing memories of his wife and daughter—memories which have returned with the destruction of Ananya’s magic. Ketya finds herself fleeing into the uncertain safety of the mountains where she and Sperrin hope to regroup with other survivors. Ketya’s father holds the answers to what happened and whether Ananya’s magic can be restored—but the disaster that happened on his watch has shattered his sanity, leaving his daughter and her rescuer to try and piece things together. Harried by creatures out of ancient history Ketya and Sperrin make their way toward a mountain stronghold where an Ananyan army still stands, besieged by fey who want to retake the mountains they lost in the Holy Wars. Amid a desperate battle they uncover the depths of betrayal that ravaged Ananya—a betrayal that can only be undone if they agree to escort the traitor to the land of the gods themselves. |
| daughters speech at father's funeral: If You Were My Daughter Marianne Richmond, 2025-03-18 From bestselling children's author Marianne Richmond comes a powerful memoir about overcoming a mother's emotional neglect and finding the courage to reclaim the story of your life. In her beautiful memoir, Richmond bravely finds her way through a legacy of emotional trauma, pulling us into her courageous, tender heart while bringing us closer to our own...a stunning story. -- Kelly McDaniel, LPC, author of Mother Hunger At nine years old, Marianne Richmond's life is upended when she collapses on her kitchen floor with full-body convulsions. Pinched nerve, says the ER doctor, a baffling explanation. But when one episode becomes many, it's clear something is wrong. Afraid to be at school, in her body and in her life, Marianne desperately hopes for help and healing. But her emotionally unavailable mother — still reeling from her own past trauma— refuses medication on Marianne's behalf, preferring to try prayer and homeopathy. At age 18, a full-body seizure in Marianne's dorm room leads her to a diagnosis, medication, and—at long last—neurological intervention. Physically, Marianne feels fixed, but emotional healing proves more elusive. In the years to come, Marianne becomes a parent herself, and writes a new story for her life. She authors children's books that touch millions of lives, each of them celebrating a mother's unconditional love for her children. A love her own heart still longs to know. When her mother becomes ill, Marianne has a choice to make: will she be present for the mother who rarely felt present to her? If You Were My Daughter is a story of learning to hear your own voice, of one daughter's return to wholeness, and ultimately, a story of accepting that, despite all hope and longing, a mother's best I could can still fall far too short. Most of all, Marianne Richmond illuminates how the stories we're born into shape the ones we tell about ourselves—and reminds us that we have the powerful permission to develop a new relationship with what is difficult in our lives, to fully choose and embody who we are meant to be. |
| daughters speech at father's funeral: Montezuma's Daughter Henry Rider Haggard, 1893 |
| daughters speech at father's funeral: Fathers and Daughters in Roman Society Judith P. Hallett, 2014-07-14 Judith Hallett illuminates a paradox of elite Roman society of the classical period: its members extolled female domesticity and imposed numerous formal constraints on women's public activity, but many women in Rome's leading families wielded substantial political and social influence. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| daughters speech at father's funeral: Montezuma's Daughter H. Rider Haggard, 2018-10-17 Montezuma's Daughter is a novel written by the Victorian adventure writer H. Rider Haggard. Narrated in the first person by Thomas Wingfield, an Englishman whose adventures include having his mother murdered, a brush with the Spanish Inquisition, shipwreck, and slavery. Eventually, Thomas unwillingly joins a Spanish expedition to New Spain, and the novel tells the fictionalized story of the first interactions between the natives and European explorers. This includes misunderstandings, prejudice on the part of the Spaniards, and ultimately open war. During the course of the story, Thomas meets and marries the daughter of the native king (from whom the novel takes its title) and settles into life in Mexico. The war destroys his native family, and eventually Thomas gets revenge on the antagonist and returns to England. |
| daughters speech at father's funeral: Mothers and Sons, Fathers and Daughters Michael Psellus, David Todd Jenkins, Stratis Papaioannou, 2006 Michael Psellos was the 'Cicero of Byzantium, ' except that his interests were more wide-ranging than those of his Roman predecessor. In addition to being a politician, poet, and writer of letters, speeches, and treatises on philosophy and rhetoric, he was an innovative historian and a practical educator who interested himself in all aspects of learning, from mathematics and medicine to theurgy. Before now, only his 'Chronographia' has been at all well known. Anthony Kaldellis has done a great service in making accessible a collection of texts bearing upon personal familial relationships, of which we know so little in Byzantium. His translations read well, are accurate, and reflect Psellos' literary subtlety. His commentaries are scholarly and give vital information for the better understanding of this facet of Byzantine society. --Antony R. Littlewood, University of Western Ontario Anthony Kaldellis is a skilled and gifted translator, one of the best I have ever encountered. I am very excited that we will have access to Psellos' two important encomia of his mother and daughter in an accurate and readable translation, so that more scholars and students will be able to read these works which offer such fascinating insights into family life in eleventh-century Byzantium. This book will be an excellent lead-off volume in the Psellos series, and make scholars anxious for the subsequent volumes to appear. --Alice-Mary Talbot, Director, Byzantine Studies, Dumbarton Oaks Mothers and Sons, Fathers and Daughters makes available for the first time complete English translations from the works of Michael Psellos (1018-1076?), a key philosopher of the Byzantine Empire. This book contains the works that Psellos wrote about his family, including a long funeral oration for his mother that features unique recollections from a childhood spent in Constantinople; a funeral oration for his young daughter Styliane, which includes a detailed description of her physical appearance and a moving account of her illness and death; a legal work pertaining to the engagement of his second, adopted, daughter; and various letters and other works that relate to the private life of this Byzantine family. |
| daughters speech at father's funeral: The Agamemnon of Aeschylus Aeschylus, David Raeburn, Oliver Thomas, 2011-11-17 This commentary on Aeschylus' Agamemnon offers the reader a thorough introduction, extensive notes, and separate sections which explore Aeschylus' use of theatrical resources, an analysis of his distinctive poetic style and use of imagery, and an outline of the transmission of the play from 458 BC to the first printed editions. |
| daughters speech at father's funeral: Wives and Daughters Elizabeth Cleghorn Gaskell, 2021-02-09 Originally published as a serial story, Wives and Daughters is told with an episodic narrative, following a young woman named Molly Gibson as she comes of age. Molly is the only child of a widowed doctor. Raised in an English provincial town, Molly’s childhood is filled with trips to aristocratic mansions and bonding experiences with her father. As she grows older however, men become more interested in her because of her attractive appearance. When Dr. Gibson discovers a creepy crush one of his apprentices has on his daughter, he sends her away to live with another family. Though she misses her father, Molly enjoys her life with the Hamley family. Treated as if she were their daughter, Molly grows very close with Mrs. Hamley and the youngest son, Roger. Meanwhile, as domestic drama unfolds at the Hamley’s, Dr. Gibson entertains the idea of remarrying. Thinking that another woman would have a good influence on Molly, Dr. Gibson decides to marry Miss Claire, who Molly had met once as a child. Though he had good intentions, Dr. Gibson was mistaken in his assumption that Molly and his new wife would get along. Already shy and a little awkward, Molly does her best to keep the peace, but feels that her stepmother is selfish and too social ambitious. Even though Molly misses living with the Hamley’s, she soon finds joy in her new homelife as she grows close to her stepsister, Cynthia, who has a nearly opposite personality compared to Molly. Despite their differences, Molly and Cynthia form a unique bond that they must nurture as they grow together, enduring the unfair social expectations of 19th century England. With secret proposals, family drama, abusive men, and hurtful gossip, Wives and Daughters is a thrilling account of life as a woman in 19th century England. While Gaskell provides fascinating insight on home life and societal expectations during this period, Wives and Daughters also features strong and intriguing characters that have captured the hearts of readers for centuries. Regarded as one of Elizabeth Cleghorn Gaskell’s most popular novels, this edition of Wives and Daughters features an eye-catching cover design and is printed in an easy-to-read font. With these accommodations, modern readers are able to experience this gripping classic with ease. |
| daughters speech at father's funeral: Wives and Daughters Elizabeth Gaskell, 2010-10-31 This tender story of parents, children and step-children, mistakes and secrets was Elizabeth Gaskell's last novel and is considered her masterpiece. Set in the watchful society of Hollingford, this is a warm tale of love and longing. Molly Gibson is the spirited, loyal daughter of the local doctor. Their peaceful close-knit home is turned upside down when Molly's father decides to remarry. Whilst Molly struggles to adjust to her snobbish stepmother, she forms a close relationship with her glamorous new stepsister Cynthia. The strength of this friendship is soon tested as their lives become entwined with Squire Hamley and his two sons. ‘Gaskell's work will always be one of the adornments of liberal Britain’ Guardian |
| daughters speech at father's funeral: Ancient Greek Laws Ilias Arnaoutoglou, 2008-02-21 In this comprehensive and accessible sourcebook, Ilias Arnaoutoglou presents a collection of ancient Greek laws, which are situated in their legal and historical contexts and are elucidated with relevant selections from Greek literature and epigraphical testimonies. A wide area of legislative activity in major and minor Greek city-states, ranging from Delphoi and Athens in mainland Greece, to Gortyn in Crete, Olbia in South Russia and Aegean cities including Ephesos, Samos and Thasos, is covered. Ilias Arnaoutoglou divides legislation into three main areas: * the household - marriage, divorce, inheritance, adoption, sexual offences and personal status * the market-place - trade, finance, sale, coinage and leases * the state - constitution, legislative process, public duties, colonies, building activities, naval forces, penal regulations, religion, politics and inter-state affairs. Dr Arnaoutoglou explores the significance of legislation in ancient Greece, the differences and similarities between ancient Greek legislation and legislators and their modern counterparts and also provides fresh translations of the legal documents themselves. |
| daughters speech at father's funeral: The History of British Women's Writing, 1830-1880 Lucy Hartley, 2018-09-22 This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century. |
| daughters speech at father's funeral: Life of Daniel Webster George Ticknor Curtis, 1870 |
| daughters speech at father's funeral: Life of Daniel Webster ... Fourth Edition. [With Portraits.] George Ticknor Curtis, 1870 |
| daughters speech at father's funeral: Life of Daniel Webster Curtis, 1893 |
| daughters speech at father's funeral: She Does Not Fit Liubov Litvinkova, 2023-03-20 She Does Not Fit By: Liubov Litvinkova About the Book Despite growing up in a world of societal unrest, poverty and nationalism, with the background of abuse and rejection by parental figures, Liubov Litvinkova, in her inspiring memoir, shares her ability to overcome any obstacle through her indomitable spirit and her love of life itself. Her life-long struggle to belong and find a home will resonate with anyone who has ever experienced pain of rejection and disapproval by loved ones and the injustice of the imperfect immigration laws. Litvinkova’s path through loneliness and heartbreak develops faith beyond oneself and gives hope for those who do not fit. |
| daughters speech at father's funeral: The Ringmaster's Daughter Jostein Gaarder, 2010-07-15 From the author of SOPHIE'S WORLD, 'A masterful mixture of fantasy and reality...a simply wonderful read' SHE. Panina Manina, a trapeze artist, falls and breaks her neck. As the ringmaster bends over her, he notices an amulet of amber around her neck, the same trinket he had given his own lost child, who was swept away in a torrent some sixteen years earlier. This tale is narrated by Petter, a precocious child and fantasist, and perhaps Jostein Gaarder's most intriguing character since Sophie. As an adult, Petter makes his living selling stories and ideas to professionals suffering from writer's block. But as Petter sits spinning his tales, he finds himself in a trap of his own making. |
| daughters speech at father's funeral: Don't Die with Your Music Still in You Serena J. Dyer, Dr. Wayne W. Dyer, 2014-06-16 In 2001, Dr. Wayne Dyer wrote a book called 10 Secrets for Success and Inner Peace, based on the most important principles he wanted his children to live by. Serena Dyer, one of those children, has contemplated these ideas throughout her life. Don’t die with your music still in you has been the most important principle for Serena: to her, it means that you don’t allow yourself to live any life other than the one you were born to live. In this book, Serena sets out to explain what it was like to grow up with spiritual parents. She touches upon all ten of her dad’s original secrets, imparting her own experiences with them and detailing how they have affected the way she approaches various situations in life. She shares stories, struggles, and triumphs—and Wayne, in turn, contributes his own perspective. This unique father-daughter collaboration will warm the hearts of all parents . . . and inspire anyone who is looking to find the music inside themselves. |
| daughters speech at father's funeral: Galleries of Literary Portraits George Gilfillan, 1856 |
| daughters speech at father's funeral: Wives & Daughters (Illustrated Edition) Elizabeth Gaskell, 2017-12-09 Molly Gibson is a young girl who has been raised by her widowed father. During a visit to the local aristocratic 'great house' of Lord and Lady Cumnor, she loses her way in the estate and falls asleep under a tree. When she wakes up, she gets distressed at the thought of spending the night at the mansion, but to her relief, her father arrives to collect her. Seven years later, Molly is an attractive and rather unworldly young woman, which arouses the interest of one of her father's apprentices. Mr. Gibson discovers the young man's secret affection and sends Molly to stay with the Hamleys of Hamley Hall. Molly falls in love with Roger, the younger son of Mrs. Hamley, but it appears that he is more interested in Cynthia, Molly's new stepsister from her father's second marriage. Elizabeth Gaskell (1810-1865) was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Some of Gaskell's best known novels are Cranford, North and South, and Wives and Daughters. |
| daughters speech at father's funeral: A Commentary on Selected Speeches of Isaios Brenda Griffith-Williams, 2013-09-30 In A Commentary on Selected Speeches of Isaios, Brenda Griffith-Williams offers a fresh insight, accessible to non-Greek readers, into four disputed inheritance cases from the Athenian courts in the 4th century B.C. The only comprehensive English language commentary on Isaios (Wyse, 1904) reflects a negative view of the Athenian legal system as one in which the judges, who had no legal training, could be easily outwitted by an unscrupulous speechwriter with no regard for the truth. By addressing the complex interplay of factual, legal, and rhetorical issues in the selected speeches, Brenda Griffith-Williams identifies the strengths and weaknesses of each speaker's case and presents a more balanced assessment of Isaios's work. |
| daughters speech at father's funeral: Wives and Daughters, an Every-day Story Elizabeth Cleghorn Gaskell, 1897 |
| daughters speech at father's funeral: Daughter of the Olive Trees Sumaya Farhat-Naser, 2014-07-01 Sumaya Farhat-Naser is well known as an ambassadress of the Palestinian cause and a witness to the bitter reality of occupation in her country. Daughter of the Olive Trees was written in a context of escalating violence and an increasing lack of prospects. It portrays the crushing experiences of the Palestinians in the shadow of the so-called peace process and provides insight into Palestinian society, its political and social structures and the problems of its leadership. It gives an insider's account of the work for peace undertaken by Palestinian and Israeli women, documents ambitious dialogues and conflictual discussions, and analyses myths of history and the perception of them on both sides. The author has thus painted a unique picture of the every-day efforts to achieve peace and justice, which the media overlook. These efforts create the tissue of relations upon which political and social communication and rapprochement will one day depend. |
| daughters speech at father's funeral: Notes on Grief Chimamanda Ngozi Adichie, 2021-05-11 From the internationally acclaimed, bestselling author of We Should All Be Feminists and Americanah, a profound reckoning with loss, written in the wake of her father’s death. During the brutal summer of 2020, Chimamanda Ngozi Adichie’s beloved father, a celebrated professor at the University of Nigeria and an irreplaceable figure in a close-knit family, succumbed unexpectedly to complications of kidney failure. Notes on Grief is Adichie’s tribute to him, and a moving meditation on loss. Here Adichie offers a candid snapshot of the shock, loneliness, and disillusionment that followed the news of her father’s death. Her family, unable to be together except for on video calls, struggles to go through the rites of mourning amid a global crisis of unimaginable scale. As Adichie wrestles with his passing, she recalls with vivid, poignant detail who her father was: a remarkable survivor of the Biafran war, a man of kindness and charm, and a fierce supporter of his youngest daughter. Here is a uniquely personal, profound work of remembrance and hope by one of today’s luminaries—a book to bring us together in a time when we need it most. |
| daughters speech at father's funeral: Contemporary Japanese Film Mark Schilling, 1999-11-01 This comprehensive look at Japanese cinema in the 1990s includes nearly four hundred reviews of individual films and a dozen interviews and profiles of leading directors and producers. Interpretive essays provide an overview of some of the key issues and themes of the decade, and provide background and context for the treatment of individual films and artists. In Mark Schilling's view, Japanese film is presently in a period of creative ferment, with a lively independent sector challenging the conventions of the industry mainstream. Younger filmmakers are rejecting the stale formulas that have long characterized major studio releases, reaching out to new influences from other media—television, comics, music videos, and even computer games—and from both the West and other Asian cultures. In the process they are creating fresh and exciting films that range from the meditative to the manic, offering hope that Japanese film will not only survive but thrive as it enters the new millennium. |
| daughters speech at father's funeral: Roman Shakespeare Coppélia Kahn, 2013-04-15 The first full-length study of Shakespeare's Roman plays offers fresh, detailed readings and identifies new sources which are analyzed from a historical feminist perspective. |
| daughters speech at father's funeral: Aids and Religious Practice in Africa Felicitas Becker, P. Wenzel Geissler, 2009 This volume explores how AIDS is understood, confronted and lived with through religious ideas and practices, and how these, in turn, are reinterpreted and changed by the experience of AIDS. Examining the social production, and productivity, of AIDS - linking bodily and spiritual experiences, and religious, medical, political and economic discourses - the papers counter simplified notions of causal effects of AIDS on religion (or vice versa). Instead, they display peoplea (TM)s resourcefulness in their struggle to move ahead in spite of adversity. This relativises the vision of doom widely associated with the African AIDS epidemic; and it allows to see AIDS, instead of a singular event, as the culmination of a century-long process of changing livelihoods, bodily well-being and spiritual imaginaries. |
| daughters speech at father's funeral: The Progresses, Pageants, and Entertainments of Queen Elizabeth I Jayne Elisabeth Archer, Elizabeth Goldring, Sarah Knight, 2007-03-29 More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court, Elizabeth toured southern England, the Midlands, and parts of the West Country, staying with private and civic hosts, and at the universities of Oxford and Cambridge. The progresses provided hosts with unique opportunities to impress and influence the Queen, and became occasions for magnificent and ingenious entertainments and pageants, drawing on the skills of architects, artists, and craftsmen, as well as dramatic performances, formal orations, poetic recitations, parades, masques, dances, and bear baiting. The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England. Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; the afterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumentalThe Progresses of Queen Elizabeth (1788-1823). |
| daughters speech at father's funeral: Death and the Ancestors Jack Goody, 2013-11-05 Deliberately considering relevant theories put forward by earlier writers and examining them in the light of the research for this particular book, the author spent over 100 days attending funeral ceremonies and he attended 25 burial services. First published in 1962. |
| daughters speech at father's funeral: Children in Greek Tragedy Emma M. Griffiths, 2020-02-20 Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies. The pathos created by threats to children is a notable feature of Greek tragedy, but does not in itself explain the broad range of situations in which the ancient playwrights chose to employ such threats. Rather than casting children in tragedy as simple figures of pathos, this volume proposes a new paradigm to understand their roles, emphasizing their dangerous potential as the future adults of myth. Although they are largely silent, passive figures on stage, children exert a dramatic force that transcends their limited physical presence, and are in fact theatrically complex creations who pose a danger to the major characters. Their multiple projected lives create dramatic palimpsests which are paradoxically more significant than their immediate emotional effects: children are never killed because of their immediate weakness, but because of their potential strength. This re-evaluation of the significance of child characters in Greek tragedy draws on a fresh examination of the evidence for child actors in fifth-century Athens, which concludes that the physical presence of children was a significant factor in their presentation. However, child roles can only be fully appreciated as theatrical phenomena, utilizing the inherent ambiguities of drama: as such, case studies of particular plays and playwrights are underpinned by detailed analysis of staging considerations, opening up new avenues for interpretation and challenging traditional models of children in tragedy. |
| daughters speech at father's funeral: Littell's Living Age Eliakim Littell, Robert S. Littell, 1871 |
| daughters speech at father's funeral: Without Goodbye Fleur Hols, 2016-11-14 After the sudden death of her husband, the author discovered the understanding that widows tend to receive; The Western world is not at all prepared to deal with something as certain as death. Our culture only prepares for life. Death and grief, on the other hand are completely ignored. No one has taught us how to treat a person who has suffered an important loss. Many well-intentioned but hurtful things are said this way, this is not because people dont care about your pain, but because most of them do not know how to behave around grief. When you first lose your spouse, you have no idea of what to expect either. Your whole life has turned around, sometimes without warning. Most likely, no one explained what you were about to encounter. This book tries to show you what to expect after the death of a spouse. It also pretends to be a reminder that grief doesnt need to involve negativity. But most of all, the author hopes her book will help you transform the thoughts that are keeping you anchored in the past. Why re-inventing yourself is so important. She hopes this book will give some much needed understanding to the widowed as well as to their family and friends. |
| daughters speech at father's funeral: Destiny; Or, the Chief's Daughter. By the Author of “Marriage,” and “The Inheritance” ... New Edition, Revised and Corrected by Miss Ferrier Susan Ferrier, 1873 |
Daughters (band) - Wikipedia
Daughters is an American rock band formed in 2002, in Providence, Rhode Island. The band's most recent lineup consisted of vocalist Alexis Marshall, guitarist Nick Sadler, drummer Jon …
Daughters (2024 film) - Wikipedia
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail. The film premiered at the …
Daughters (2024) - IMDb
Daughters: Directed by Angela Patton, Natalie Rae. With Chad Morris, Angela Patton, Aubrey Smith, Keith Sweptson. Four young girls prepare for a special Daddy/Daughter Dance with …
Daughters movie review & film summary (2024) - Roger Ebert
Aug 9, 2024 · “Daughters,” co-directed by Patton, is a documentary about the first of these dances in a Washington D.C. prison. In the film, she says that when she wrote the man in charge of …
Netflix’s ‘Daughters’: The Movie Every Father Needs to Watch
Aug 18, 2024 · Fathers shape their daughters’ relational lives —the foundation and maintenance of meaningful relationships, with family, with friends, with romantic partners, with …
'Daughters' review: A heart-wrenching father-daughter dance …
In the film, directed by Natalie Rae and Angela Patton, the imprisoned fathers at a Washington, D.C., correctional facility, are given a rare gift: a few hours to spend with their daughters, who …
Daughters
Daughters is a feature documentary co-directed by Natalie Rae and Angela Patton, with cinematography by Michael Cambio Fernandez, edit by Troy Lewis and Adelina Bichis and …
Daughters | Official Trailer | Netflix - YouTube
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C. jail. Daughters...
Daughters Cast, News, Videos and more - Netflix
Director Hwang Dong-hyuk promises another “thrill ride” for the final season. Check out everything you’ve ever wanted to know about Daughters. Get to know the cast, watch bonus videos and …
Netflix's Daughters: Where Are They Today? - The Cinemaholic
Aug 15, 2024 · With Netflix’s Angela Patton and Natalie Rae-directed ‘Daughters’ delving deep into how the healing power of love can transcend any issue, we get a documentary that is …
Daughters (band) - Wikipedia
Daughters is an American rock band formed in 2002, in Providence, Rhode Island. The band's most recent lineup consisted of vocalist Alexis Marshall, guitarist Nick Sadler, drummer Jon …
Daughters (2024 film) - Wikipedia
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail. The film premiered at the …
Daughters (2024) - IMDb
Daughters: Directed by Angela Patton, Natalie Rae. With Chad Morris, Angela Patton, Aubrey Smith, Keith Sweptson. Four young girls prepare for a special Daddy/Daughter Dance with …
Daughters movie review & film summary (2024) - Roger Ebert
Aug 9, 2024 · “Daughters,” co-directed by Patton, is a documentary about the first of these dances in a Washington D.C. prison. In the film, she says that when she wrote the man in charge of …
Netflix’s ‘Daughters’: The Movie Every Father Needs to Watch
Aug 18, 2024 · Fathers shape their daughters’ relational lives —the foundation and maintenance of meaningful relationships, with family, with friends, with romantic partners, with …
'Daughters' review: A heart-wrenching father-daughter dance …
In the film, directed by Natalie Rae and Angela Patton, the imprisoned fathers at a Washington, D.C., correctional facility, are given a rare gift: a few hours to spend with their daughters, who …
Daughters
Daughters is a feature documentary co-directed by Natalie Rae and Angela Patton, with cinematography by Michael Cambio Fernandez, edit by Troy Lewis and Adelina Bichis and …
Daughters | Official Trailer | Netflix - YouTube
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C. jail. Daughters...
Daughters Cast, News, Videos and more - Netflix
Director Hwang Dong-hyuk promises another “thrill ride” for the final season. Check out everything you’ve ever wanted to know about Daughters. Get to know the cast, watch bonus videos and …
Netflix's Daughters: Where Are They Today? - The Cinemaholic
Aug 15, 2024 · With Netflix’s Angela Patton and Natalie Rae-directed ‘Daughters’ delving deep into how the healing power of love can transcend any issue, we get a documentary that is …
