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| crucible genre: Arthur Miller's The Crucible Harold Bloom, 2008 A collection of critical essays that examines Arthur Miller's classic drama, The Crucible; and contains an historical overview of the play, chronology of the life and works of the author, and introduction by Harold Bloom. |
| crucible genre: The Perfect Genre. Drama and Painting in Renaissance Italy Kristin Phillips-Court, 2016-12-05 Proposing an original and important re-conceptualization of Italian Renaissance drama, Kristin Phillips-Court here explores how the intertextuality of major works of Italian dramatic literature is not only poetic but also figurative. She argues that not only did the painterly gaze, so prevalent in fifteenth- and sixteenth-century devotional art, portraiture, and visual allegory, inform humanistic theories, practices and themes, it also led prominent Italian intellectuals to write visually evocative works of dramatic literature whose topical plots and structures provide only a fraction of their cultural significance. Through a combination of interpretive literary criticism, art historical analysis and cultural and intellectual historiography, Phillips-Court offers detailed readings of individual plays juxtaposed with specific developments and achievements in the realm of painting. Revealing more than historical connections between artists and poets such as Tasso and Giorgione, Mantegna and Trissino, Michelangelo and Caro, or Bruno and Caravaggio, the author locates the history of Renaissance art and drama securely within the history of ideas. She provides us with a story about the emergence and eventual disintegration of Italian Renaissance drama as a rigorously philosophical and empirical form. Considering rhetorical, philosophical, ethical, religious, political-ideological, and aesthetic dimensions of each of the plays she treats, Kristin Phillips-Court draws our attention to the intermedial conversation between the theater and painting in a culture famously dominated by art. Her integrated analysis of visual and dramatic works brings to light how the lines and verses of the text reveal an ongoing dialogue with visual art that was far richer and more intellectually engaged than we might reconstruct from stage diagrams and painted backdrops. |
| crucible genre: Aspects of Genre of and Type in Pre-Modern Literary Cultures Bert Roest, Fernand de Varennes, 2021-02-01 This collection of studies is the result of a series of seminars organised by COMERS in 1996. The theme of generic problems has led to a variety of disciplines (Ancient Oriental, Classical, Medieval, Arabic, Middle Dutch...), of textual types (fables, historiography, comedies, Canon law...) and a variety of approaches (case studies, theoretical studies, confrontations between 'native' and 'critical' schemes...). This collection may be useful for comparative purposes, but also as an incentive for further studies on generic problems, theoretical as well as topical. |
| crucible genre: The Television Studies Reader Robert Clyde Allen, Annette Hill, 2004 The Television Studies Reader brings together key writings in the expanding field of television studies, providing an overview of the discipline and addressing issues of industry, genre, audiences, production and ownership, and representation. The Reader charts the ways in which television and television studies are being redefined by new and 'alternative' ways of producing, broadcasting and watching TV, such as cable, satellite and digital broadcasting, home video, internet broadcasting, and interactive TV, as well as exploring the recent boom in genres such as reality TV and docusoaps. It brings together articles from leading international scholars to provide perspectives on television programmes and practices from around the world, acknowledging both television's status as a global medium and the many and varied local contexts of its production and reception. Articles are grouped in seven themed sections, each with an introduction by the editors: Institutions of Television Spaces of Television Modes of Television Making Television Social Representation on Television Watching Television Transforming Television |
| crucible genre: Cast Under an Alien Sun Olan Thorensen, 2016-12-02 Joe Colsco boarded a flight from San Francisco to Chicago to attend a national chemistry meeting. He would never set foot on Earth again.On planet Anyar, Joe is found naked and unconscious on a beach of a large island inhabited by humans with a level of technology similar to Earth circa 1700. He wakes amid strangers speaking an unintelligible language, and struggles to accept losing his previous life, finding his way in a society with different customs, and not knowing a single soul. He makes a place among the people there when he applies his knowledge of chemistry-as long as he is circumspect in introducing new knowledge not too far in advance of the planet's technology and being labeled a demon.Joe discovers he has been dropped into a developing clash between the people who cared for him, and for whom he develops an affinity, and a military power from elsewhere on the planet, a power with designs on conquest. Unaware, Joseph Colsco has been poured into a crucible, where time and trials will transform him in ways he could never have imagined. |
| crucible genre: THE CRUCIBLE ARTHUR MILLER, 1971 |
| crucible genre: AP® English Literature & Composition Crash Course, For the New 2020 Exam, Book + Online Dawn Hogue, 2019-09-06 REA: the test prep AP teachers recommend. |
| crucible genre: TL;DR Literature SparkNotes, 2022-12-20 A compilation of brief summaries of approximately thirteen contemporary novels, illustrated with infographics for easy consumption, and bearing Spark’s TL;DR (Too Long; Didn’t Read) brand. Chapters in this volume consist of six-page summaries of well-known contemporary novels illustrated with four-color infographics and organized in thematic groupings: “If This Goes On” (e.g., Fahrenheit 451, The Handmaid’s Tale); “Made in America” (e.g., The Great Gatsby, Of Mice and Men); “Race and Identity” (e.g., Their Eyes Were Watching God, Things Fall Apart); and “Boys Will Be Boys” (Lord of the Flies, The Catcher in the Rye). |
| crucible genre: AP English Literature & Composition Crash Course, Book + Online Dawn Hogue, 2024-12-20 1 Full-Length Online Practice Exam for AP® English Literature & Composition You may purchase this online practice test separately or get it for free when you buy the print edition of AP® English Literature & Composition Crash Course. Need some last-minute practice before you take the Advanced Placement® English Literature & Composition exam? Our AP® English Literature & Composition online practice exam includes every topic and type of question you can expect to see on the exam. It features timed testing conditions, automatic scoring, detailed answer explanations, and a diagnostic report that pinpoints where you're strongest and where you need to focus your study. Note: After you purchase this online practice test, you will receive two emails. The first will be an order confirmation, and the second will contain the access code that unlocks your practice test at the REA Study Center. These will be emailed to you within a few minutes of your purchase. |
| crucible genre: The Shadow Crucible T. M. Lakomy, 2017-04-25 In a world where angels, demons, and gods fight over the possession of mortal souls, two conflicted pawns are ensnared in a cruel game. The enigmatic seer Estella finds herself thrown together with Count Mikhail, a dogmatic Templar dedicated to subjugating her kind. But when a corrupted cardinal and puppet king begin a systematic genocide of her people, the two become unlikely allies. Taking humanity back to their primordial beliefs and fears, Estella confronts Mikhail’s faith by revealing the true horror of the lucrative trade in human souls. All organized religions are shops orchestrated to consume mankind. Every deity, religion, and spiritual guide has been corrupted, and each claims to have the monopoly on truth and salvation. In a perilous game where the truth is distorted and meddling ancient deities converge to partake of the unseen battle, Estella unwittingly finds herself hunted by Lucifer. Traversing the edge of hell’s precipice, Estella and Mikhail are reduced to mere instruments. Their only means to overcome is through courting the Threefold Death, the ancient ritual of apotheosis—of man becoming God. The Shadow Crucible is a gripping epic set in medieval England where the struggle for redemption is crushed by the powers of evil. Tamara Lakomy is a new and compelling voice in the world of dark fantasy. |
| crucible genre: Hollywood Planet Scott Robert Olson, 1999-06 An examination of US media's success around the world, advancing a theory behind the popularity of American culture and the strategy for obtaining this advantage. For scholars and students in mass media & society, and international/intercultural studies. |
| crucible genre: Indian Genre Fiction Bodhisattva Chattopadhyay, Aakriti Mandhwani, Anwesha Maity, 2018-07-06 This volume maps the breadth and domain of genre literature in India across seven languages (Tamil, Urdu, Bangla, Hindi, Odia, Marathi and English) and nine genres for the first time. Over the last few decades, detective/crime fiction and especially science fiction/fantasy have slowly made their way into university curricula and consideration by literary critics in India and the West. However, there has been no substantial study of genre fiction in the Indian languages, least of all from a comparative perspective. This volume, with contributions from leading national and international scholars, addresses this lacuna in critical scholarship and provides an overview of diverse genre fictions. Using methods from literary analysis, book history and Indian aesthetic theories, the volume throws light on the variety of contexts in which genre literature is read, activated and used, from political debates surrounding national and regional identities to caste and class conflicts. It shows that Indian genre fiction (including pulp fiction, comics and graphic novels) transmutes across languages, time periods, in translation and through publication processes. While the book focuses on contemporary postcolonial genre literature production, it also draws connections to individual, centuries-long literary traditions of genre literature in the Indian subcontinent. Further, it traces contested hierarchies within these languages as well as current trends in genre fiction criticism. Lucid and comprehensive, this book will be of great interest to academics, students, practitioners, literary critics and historians in the fields of postcolonialism, genre studies, global genre fiction, media and popular culture, South Asian literature, Indian literature, detective fiction, science fiction, romance, crime fiction, horror, mythology, graphic novels, comparative literature and South Asian studies. It will also appeal to the informed general reader. |
| crucible genre: Challenging Genres Paul L. Thomas, 2010-01-01 Comic books achieved almost immediate popularity and profitability when they were first introduced in the U. S. throughout the late 1930s and early 1940s. But comic books soon suffered attacks concerning the quality of this new genre/medium combining text and artwork. With the rise of graphic novels in the mid-1980s and the adaptation of comics to films in the twenty-first century, comics and graphic novels have gained more respect as craft and text—called sequential art by foundational legend Will Eisner—but the genre/medium remains marginalized by educators, parents, and the public. Challenging Genres: Comic Books and Graphic Novels offers educators, students, parents, and comic book readers and collectors a comprehensive exploration of comics/graphic novels as a challenging genre/medium. This volume presents a history of comic books/graphic novels, an argument for valuing the genre/medium, and several chapters devoted to examining all subgenres of comics/graphic novels. Readers will discover key comics, graphic novels, and film adaptations suitable for the classroom—and for anyone serious about high quality texts. Further, this volume places comics/graphic novels within our growing understanding of multiliteracies and critical literacy. |
| crucible genre: Hollywood: Formal-aesthetic dimensions: authorship, genre and stardom Thomas Schatz, 2004 'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity. |
| crucible genre: Parody as Film Genre Wes D. Gehring, 1999-09-30 Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography. |
| crucible genre: Reel Character Education William B. Russell, Stewart Waters, 2010-10-01 Values, attitudes, and beliefs have been depicted in movies since the beginning of the film industry. Educators will find this book to be a valuable resource for helping explore character education with film. This book includes an overview of the history of character education, a discussion of how to effectively teach with film, and a discussion about analyzing film for educational value. This book offers educators an effective and relevant method for exploring character education with today’s digital and media savvy students. This book details how film can be utilized to explore character education and discusses relevant legal issues surrounding the use of film in the classroom. Included in this book is a filmography of two hundred films pertaining to character education. The filmography is divided into four chapters. Each chapter details fifty films for a specific educational level (elementary, middle, high school, and postsecondary). Complete bibliographic information, summary, and applicable character lesson topics are detailed for each film. This book is clearly organized and expertly written for educators and scholars at the elementary, middle, high school, and postsecondary levels. |
| crucible genre: Film Genre Barry Keith Grant, 2019-07-25 This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding the idea of genre; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse. |
| crucible genre: New Postcolonial British Genres Sarah Ilott, 2015-09-01 This study analyses four new genres of literature and film that have evolved to accommodate and negotiate the changing face of postcolonial Britain since 1990: British Muslim Bildungsromane, gothic tales of postcolonial England, the subcultural urban novel and multicultural British comedy. |
| crucible genre: Hybrid Genres / L'Hybridité des genres , 2018-02-12 The essays collected in this volume explore the ways in which hybridity functions in a wide variety of visual, musical, and written texts from France, the Francophone world, and beyond. Hybridity is defined here as an unexpected interaction or combination between two or more forms--whether literary, filmic, ethnic, generic or gendered. The volume covers works ranging from the 16th to the 20th centuries, from Pierre de Ronsard to Woody Allen. The essays demonstrate that rather than being a uniquely postmodern or postcolonial phenomenon, hybridity may be integral to creativity itself, leading to the conclusion that hybrid forms tend to challenge authority by proposing alternatives to existing power structures or questioning conventional ways of thinking and viewing the world. |
| crucible genre: Crucible of Faith Philip Jenkins, 2017-09-19 One of America's foremost scholars of religion examines the tumultuous era that gave birth to the modern Judeo-Christian tradition In The Crucible of Faith, Philip Jenkins argues that much of the Judeo-Christian tradition we know today was born between 250-50 BCE, during a turbulent Crucible Era. It was during these years that Judaism grappled with Hellenizing forces and produced new religious ideas that reflected and responded to their changing world. By the time of the fall of the Temple in 70 CE, concepts that might once have seemed bizarre became normalized-and thus passed on to Christianity and later Islam. Drawing widely on contemporary sources from outside the canonical Old and New Testaments, Jenkins reveals an era of political violence and social upheaval that ultimately gave birth to entirely new ideas about religion, the afterlife, Creation and the Fall, and the nature of God and Satan. |
| crucible genre: The Field John B. Keane, 1991-01-01 The Field is John B. Keane's fierce and tender study of the love a man can have for land and the ruthless lengths he will go to in order to obtain the object of his desire. It is dominated by Bull McCabe, one of the most famous characters in Irish writing today. An Oscar-nominated adaptation of The Field proved highly successful and popular worldwide, and starred Richard Harris, John Hurt, Brenda Fricker and Tom Berenger. |
| crucible genre: Demonstrating Student Mastery with Digital Badges and Portfolios David Niguidula, 2019-01-14 In Demonstrating Student Mastery with Digital Badges and Portfolios, David Niguidula shows how students can meet standards and express their individuality through digital badges and portfolios. Building off an essential question—What do schools want their students to know and be able to do?—he then shows how schools can implement a proficiency-based approach to student learning that has been successfully field-tested in districts across the United States. In manageable steps, readers are guided through the implementation process. Niguidula shows readers how to Connect standards to badges. Create portfolio-worthy tasks. Develop common rubrics and a common understanding of what work is considered good enough. Guide students in curating the elements of their portfolios. Promote authentic student reflection on their work. Replete with real-life examples, this book is essential reading for principals who want to take their schools to the next level, and for teachers who want a refreshing and sensible approach to assessment. |
| crucible genre: A Crucible of Souls Mitchell Hogan, 2015-09-22 Mitchell Hogan, an imaginative new talent, makes his debut with the acclaimed first installment in the epic Sorcery Ascendant Sequence, A Crucible of Souls, a mesmerizing tale of high fantasy that combines magic, malevolence, and mystery. When young Caldan’s parents are brutally slain, the boy is raised by monks who initiate him into the arcane mysteries of sorcery. Growing up plagued by questions about his past, Caldan vows to discover who his parents were, and why they were violently killed. The search will take him beyond the walls of the monastery, into the unfamiliar and dangerous chaos of city life. With nothing to his name but a pair of mysterious heirlooms and a handful of coins, he must prove his talent to become apprenticed to a guild of sorcerers. But the world outside the monastery is a darker place than he ever imagined, and his treasured sorcery has disturbing depths he does not fully understand. As a shadowed evil manipulates the unwary and forbidden powers are unleashed, Caldan is plunged into an age-old conflict that will bring the world to the edge of destruction. Soon, he must choose a side, and face the true cost of uncovering his past. This is the author's definitive edition. |
| crucible genre: Latinx Revolutionary Horizons Renee Hudson, 2024-05-07 A necessary reconceptualization of Latinx identity, literature, and politics In Latinx Revolutionary Horizons, Renee Hudson theorizes a liberatory latinidad that is not yet here and conceptualizes a hemispheric project in which contemporary Latinx authors return to earlier moments of revolution. Rather than viewing Latinx as solely a category of identification, she argues for an expansive, historicized sense of the term that illuminates its political potential. Claiming the “x” in Latinx as marking the suspension and tension between how Latin American descended people identify and the future politics the “x” points us toward, Hudson contends that latinidad can signal a politics grounded in shared struggles and histories rather than merely a mode of identification. In this way, Latinx Revolutionary Horizons reads against current calls for cancelling latinidad based on its presumed anti-Black and anti-Indigenous framework. Instead, she examines the not-yet-here of latinidad to investigate the connection between the revolutionary history of the Americas and the creation of new genres in the hemisphere, from conversion narratives and dictator novels to neoslave narratives and testimonios. By comparing colonialisms, she charts a revolutionary genealogy across a range of movements such as the Mexican Revolution, the Filipino People Power Revolution, resistance to Trujillo in the Dominican Republic, and the Cuban Revolution. In pairing nineteenth-century authors alongside contemporary Latinx ones, Hudson examines a longer genealogy of Latinx resistance while expanding its literary canon, from the works of José Rizal and Martin Delany to those of Julia Alvarez, Jessica Hagedorn, and Leslie Marmon Silko. In imagining a truly transnational latinidad, Latinx Revolutionary Horizons thus rewrites our understanding of the nationalist formations that continue to characterize Latinx Studies. |
| crucible genre: Generic Histories of German Cinema Jaimey Fisher, 2013 Offers a fresh approach to German film studies by tracing key genres -- including horror, the thriller, Heimat films, and war films -- over the course of German cinema history |
| crucible genre: Genre , 1995 |
| crucible genre: Beyond the Burning Time Kathryn Lasky, 1996 When in the winter of 1692, accusations of witchcraft surface in her small New England village, twelve-year-old Mary Chase fights to save her mother from execution. |
| crucible genre: Speaking in Queer Tongues William Leap, Tom Boellstorff, 2004 Language is a fundamental tool for shaping identity and community, including the expression (or repression) of sexual desire. Speaking in Queer Tongues investigates the tensions and adaptations that occur when processes of globalization bring one system of gay or lesbian language into contact with another. Western constructions of gay culture are now circulating widely beyond the boundaries of Western nations due to influences as diverse as Internet communication, global dissemination of entertainment and other media, increased travel and tourism, migration, displacement, and transnational citizenship. The authority claimed by these constructions, and by the linguistic codes embedded in them, is causing them to have a profound impact on public and private expressions of homosexuality in locations as diverse as sub-Saharan Africa, New Zealand, Indonesia and Israel. Examining a wide range of global cultures, Speaking in Queer Tongues presents essays on topics that include old versus new sexual vocabularies, the rhetoric of gay-oriented magazines and news media, verbal and nonverbalized sexual imagery in poetry and popular culture, and the linguistic consequences of the globalized gay rights movement. |
| crucible genre: DEFA at the Crossroads of East German and International Film Culture Marc Silberman, Henning Wrage, 2014-05-21 Motion picture production, distribution, exhibition and reception has always been a transnational phenomenon, yet East Germany, situated at the edge of the post-war Iron Curtain, separated by a boundary that became materialized in the Berlin Wall in 1961, resembles nothing if not an island, a protected space where film production developed under the protection of government subsidy and ideological purity. This volume proposes on the contrary that the GDR cinema was never just a monologue. Rather, its media landscape was characterized by constant dialogue, if not competition, with both the capitalist West and socialist East. These thirteen essays reshape DEFA cinema studies by exploring international networks, identifying lines of influence beyond national boundaries and recognizing genre qualities that surpass the temporal and spatial confines. The international team of film specialists present detailed analyses of over fifty films, including fiction features, adaptations of literary classics, children's films, documentaries, and examples from genres such as music, sci-fi, Westerns and crime films. With contributions by Seán Allan, Hunter Bivens, Benita Blessing, Barton Byg, Jaimey Fisher, Sabine Hake, Nick Hodgin, Manuel Köppen, Anke Pinkert, Larson Powell, Brad Prager, Marc Silberman, Stefan Soldovieri, and Henning Wrage. |
| crucible genre: Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments Rachel N. Becker, 2024-03-29 This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today. |
| crucible genre: Peasant Scenes and Landscapes Larry Silver, 2012-01-31 Modern viewers take for granted the pictorial conventions present in easel paintings and engraved prints of such subjects as landscapes or peasants. These generic subjects and their representational conventions, however, have their own origins and early histories. In sixteenth-century Antwerp, painting and the emerging new medium of engraving began to depart from traditional visual culture, which had been defined primarily by wall paintings, altarpieces, and portraits of the elite. New genres and new media arose simultaneously in this volatile commercial and financial capital of Europe, home to the first open art market near the city Bourse. The new pictorial subjects emerged first as hybrid images, dominated by religious themes but also including elements that later became pictorial categories in their own right: landscapes, food markets, peasants at work and play, and still-life compositions. In addition to being the place of the origin and evolution of these genres, the Antwerp art market gave rise to the concept of artistic identity, in which favorite forms and favorite themes by an individual artist gained consumer recognition. In Peasant Scenes and Landscapes, Larry Silver examines the emergence of pictorial kinds—scenes of taverns and markets, landscapes and peasants—and charts their evolution as genres from initial hybrids to more conventionalized artistic formulas. The relationship of these new genres and their favorite themes reflect a burgeoning urbanism and capitalism in Antwerp, and Silver analyzes how pictorial genres and the Antwerp marketplace fostered the development of what has come to be known as signature artistic style. By examining Bosch and Bruegel, together with their imitators, he focuses on pictorial innovation as well as the marketing of individual styles, attending particularly to the growing practice of artists signing their works. In addition, he argues that consumer interest in the style of individual artists reinforced another phenomenon of the later sixteenth century: art collecting. While today we take such typical artistic formulas as commonplace, along with their frequent use of identifying signatures (a Rothko, a Pollock), Peasant Scenes and Landscapes shows how these developed simultaneously in the commercial world of early modern Antwerp. |
| crucible genre: Science Fiction and Speculative Fiction P. L. Thomas, 2013-09-03 Why did Kurt Vonnegut shun being labeled a writer of science fiction (SF)? How did Margaret Atwood and Ursula K. Le Guin find themselves in a public argument about the nature of SF? This volume explores the broad category of SF as a genre, as one that challenges readers, viewers, teachers, and scholars, and then as one that is often itself challenged (as the authors in the collection do). SF, this volume acknowledges, is an enduring argument. The collected chapters include work from teachers, scholars, artists, and a wide range of SF fans, offering a powerful and unique blend of voices to scholarship about SF as well as examinations of the place for SF in the classroom. Among the chapters, discussions focus on SF within debates for and against SF, the history of SF, the tensions related to SF and other genres, the relationship between SF and science, SF novels, SF short fiction, SF film and visual forms (including TV), SF young adult fiction, SF comic books and graphic novels, and the place of SF in contemporary public discourse. The unifying thread running through the volume, as with the series, is the role of critical literacy and pedagogy, and how SF informs both as essential elements of liberatory and democratic education. |
| crucible genre: Novel & Short Story Writer's Market 2016 Rachel Randall, 2015-08-11 THE BEST RESOURCE FOR GETTING YOUR FICTION PUBLISHED Novel & Short Story Writer's Market 2016 is the only resource you need to get your short stories, novellas, and novels published. As with past editions, Novel & Short Story Writer's Market offers hundreds of listings for book publishers, literary agents, fiction publications, contests, and more. Each listing includes contact information, submission guidelines, and other essential tips. This edition includes articles and interviews on all aspects of the writing life: • Learn how to unlock character motivations to drive your story forward. • Imbue your fiction with a distinct, memorable voice. • Revise and polish your novels and short stories for successful submission. • Gain insight from best-selling authors Chris Bohjalian, John Sandford, Lisa Scottoline, and more. You'll also gain access to a one-year subscription to WritersMarket.com's searchable online database of fiction publishers,* as well as a free digital download of Writer's Yearbook, featuring the 100 Best Markets: WritersDigest.com/WritersDigest-Yearbook-15. + Includes exclusive access to the webinar The Three Missing Pieces of Stunning Story Structure by writing instructor and best-selling author K.M. Weiland *Please note: The e-book version of this title does not include a one-year subscription to WritersMarket.com. After you've written 50,000 words, there seem to be 50,000 different things you need to know to publish your novel. Novel and Short Story Writer's Market helps clarify options so you can find the best publishing home for your work. --Grant Faulkner, executive director of National Novel Writing Month I've published more than 200 short stories, and Novel & Short Story Writer's Market has been an essential tool in my success. It's a literary bible for anyone seriously interested in marketing fiction. --Jacob M. Appel, winner of the Dundee International Book Award and the Hudson Prize |
| crucible genre: Translating Southwestern Landscapes Audrey Goodman, 2016-02 Examines how the Southwest emerged as a symbolic cultural space for Anglos, from 1880 through the early decades of the twentieth century, particularly in the works of amateur ethnographer Charles Lummis, pulp novelist Zane Grey, translator of Indian songs Mary Austin, and modernist author Willa Cather. |
| crucible genre: The Holocaust and the Postmodern Robert Eaglestone, 2004-12-09 Robert Eaglestone argues that postmodernism is a response to the Holocaust. He offers a range of new perspectives, including new ways of looking at testimony and at and recent Holocaust fiction; explores controversies in Holocaust history; looks at the importance of the Holocaust for recent philosophy; and asks what the Holocaust means for reason, ethics, and for being human |
| crucible genre: The Oxford Handbook of the Georgian Theatre 1737-1832 Julia Swindells, David Francis Taylor, 2014-01-16 The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms -- not just tragedy and comedy, but the likes of melodrama and pantomime -- as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender. |
| crucible genre: Kathryn Bigelow Peter Keough, 2013-08-01 With her gripping film The Hurt Locker, Kathryn Bigelow (b. 1951) made history in 2010 by becoming the first woman to win an Oscar for Best Director. Since then she has also filmed history with her movie, Zero Dark Thirty, which is about the mission to kill Osama Bin Laden. She is one of Hollywood’s brightest stars, but her roots go back four decades to the very non-Hollywood, avant-garde art world of New York City in the 1970s. Her first feature The Loveless reflected those academic origins, but such subsequent films such as the vampire-Western Near Dark, the female vigilante movie Blue Steel, and the surfer-crime thriller Point Break demonstrated her determination to apply her aesthetic sensibilities to popular, genre filmmaking. The first volume of Bigelow’s interviews ever published, Peter Keough’s collection covers her early success with Near Dark; the frustrations and disappointments she endured with films such as Strange Days and K-19: The Widowmaker; and her triumph with The Hurt Locker. In conversations ranging from the casual to the analytical, Bigelow explains how her evolving ambitions and aesthetics sprang from her earliest aspirations to be a painter and conceptual artist in New York in the 1970s and then expanded to embrace Hollywood filmmaking when she was exposed to such renowned directors as John Ford, Howard Hawks, Don Siegel, Sam Peckinpah, and George Roy Hill. |
| crucible genre: Encyclopedia of Contemporary Literary Theory Irene Rima Makaryk, 1993-01-01 The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture. |
| crucible genre: Musical Theatre Education and Training in the 21st Century Jessica O'Bryan, Scott D. Harrison, 2024-09-17 Musical Theatre Education and Training in the 21st Century presents a wide range of viewpoints on the musical theatre profession. It brings together research from the UK, US, Australia, and beyond, providing an essential resource for educators, students, and all those involved in training for musical theatre. The research draws on best practice from creatives, producers, practising artists, and the academy to reveal a multiplicity of approaches and educational pathways for consideration by performers, educators, institutions, and the profession. The book goes beyond the key elements of performance training in singing, dancing, and acting to explore adjacent creative and business skills, along with some of the more recent and challenging aspects of the profession such as diversity of representation both on and off stage, building safe working environments, and managing mental and physical health and wellbeing. The authors incorporate information from over 100 interviews with everyone from emerging performers to leading professionals, and explore the practicalities of pre-professional training, skills development, and curricular design, alongside the broader attributes required in preparation for the profession. This book offers vital insights into how musical theatre practitioners can best be prepared to make their way in the field now and in the future. |
| crucible genre: Critique of Fantasy, Vol. 2 Laurence A. Rickels, 2020-11-24 In the Introduction; or, How Star Wars Became Our Oldest Cultural Memory of the first volume of Critique of Fantasy, the gambit of a contest between science fiction and fantasy was already sketched out. J.R.R. Tolkien and C.S. Lewis aimed to separate the fantasy from the techno-science foregrounded in works by H.G. Wells, for example, and raise the fantasy or fairy-story to the power of an alternate adult literary genre. My study of the contest between the B-genres for ownership of the evolution of the social relation of art out of the condemned site of day dreaming required in the first place a reading apparatus, which the first volume derived from psychoanalytic theories of daydreaming's relationship to conscious thought, the unconscious, and artistic production as well as from their prehistory, the philosophies of dreams, ghosts, willing and wishing. |
Significance of "The Crucible" Title - eNotes.com
Oct 8, 2024 · Why is The Crucible named so? A crucible is a piece of laboratory equipment used to heat chemical compounds and melt bits of metal. As one can imagine, the temperatures …
The Crucible Summary - eNotes.com
The Crucible Summary. T he Crucible is a 1953 play by Arthur Miller about the Salem witch trials of 1692.. Reverend Parris finds some girls dancing naked in the forest who claim they were ...
The Crucible Themes: Power - eNotes.com
The theme of power in The Crucible is central to the play's exploration of authority, control, and influence within the Salem community. The characters' struggles for power reveal the …
The conclusion of The Crucible and the end of the witch trials
Oct 8, 2024 · Summary: The conclusion of The Crucible sees John Proctor choosing to maintain his integrity by refusing to falsely confess to witchcraft, leading to his execution. This act …
The Crucible Style, Form, and Literary Elements - eNotes.com
In Act 4 of The Crucible, significant changes in Salem are evident.Reverend Hale has been barred from court but later tries to persuade the accused to confess. Reverend Parris, once confident, …
The Crucible Themes: Religion - eNotes.com
In The Crucible, religion is a central theme that influences the actions and beliefs of the characters. The play is set in Salem, a Puritan community where religion and state are …
What occurred in the woods the night before The Crucible's Act 1 …
Oct 8, 2024 · Quick answer: The night before Act 1, Abigail, Tituba, and other girls were dancing around a fire in the woods, casting spells. While most spells were harmless, Abigail drank a …
The Crucible Characters - eNotes.com
The Crucible Characters. T he main characters in The Crucible are John Proctor, Elizabeth Proctor, Abigail Williams, Reverend Parris, and Tituba.. John Proctor is an innocent man …
The Crucible Act IV, Scene 1 - eNotes.com
In "The Crucible," Reverend Parris refers to "this sort" as upstanding community members like John Proctor and Rebecca Nurse. He fears for his safety because their execution could incite …
In The Crucible, why is Rebecca Nurse in jail? - eNotes.com
Oct 8, 2024 · In "The Crucible," the Putnams suspect supernatural causes for their misfortune, having lost seven children in childbirth, while Rebecca Nurse has never lost a child. This …
Significance of "The Crucible" Title - eNotes.com
Oct 8, 2024 · Why is The Crucible named so? A crucible is a piece of laboratory equipment used to heat chemical compounds and melt bits of metal. As one can imagine, the temperatures …
The Crucible Summary - eNotes.com
The Crucible Summary. T he Crucible is a 1953 play by Arthur Miller about the Salem witch trials of 1692.. Reverend Parris finds some girls dancing naked in the forest who claim they were ...
The Crucible Themes: Power - eNotes.com
The theme of power in The Crucible is central to the play's exploration of authority, control, and influence within the Salem community. The characters' struggles for power reveal the …
The conclusion of The Crucible and the end of the witch trials
Oct 8, 2024 · Summary: The conclusion of The Crucible sees John Proctor choosing to maintain his integrity by refusing to falsely confess to witchcraft, leading to his execution. This act …
The Crucible Style, Form, and Literary Elements - eNotes.com
In Act 4 of The Crucible, significant changes in Salem are evident.Reverend Hale has been barred from court but later tries to persuade the accused to confess. Reverend Parris, once confident, …
The Crucible Themes: Religion - eNotes.com
In The Crucible, religion is a central theme that influences the actions and beliefs of the characters. The play is set in Salem, a Puritan community where religion and state are …
What occurred in the woods the night before The Crucible's Act 1 …
Oct 8, 2024 · Quick answer: The night before Act 1, Abigail, Tituba, and other girls were dancing around a fire in the woods, casting spells. While most spells were harmless, Abigail drank a …
The Crucible Characters - eNotes.com
The Crucible Characters. T he main characters in The Crucible are John Proctor, Elizabeth Proctor, Abigail Williams, Reverend Parris, and Tituba.. John Proctor is an innocent man …
The Crucible Act IV, Scene 1 - eNotes.com
In "The Crucible," Reverend Parris refers to "this sort" as upstanding community members like John Proctor and Rebecca Nurse. He fears for his safety because their execution could incite …
In The Crucible, why is Rebecca Nurse in jail? - eNotes.com
Oct 8, 2024 · In "The Crucible," the Putnams suspect supernatural causes for their misfortune, having lost seven children in childbirth, while Rebecca Nurse has never lost a child. This …
