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| corinna da fonseca wollheim biography: A Natural History of the Piano Stuart Isacoff, 2012-11-20 A fascinating celebration of the piano, including tales of its masters from Mozart and Beethoven to Oscar Peterson and Jerry Lee Lewis, told with the expertise of composer and author of Temperament, Stuart Isacoff. This history takes us back to the piano's humble genesis as a simple keyboard, and shows how everyone from Ferdinando de’ Medici to Herbie Hancock affected its evolution of sound and influence in popular music. Presenting the instrument that has been at the core of musical development over the centuries in all its beauty and complexity, this explores the piano’s capabilities and the range of emotional expression it conveys in different artists’ hands. A Natural History of the Piano is fast-paced and intriguing, with beautiful illustrations and photos, a must-read for music lovers and pianists of every level. |
| corinna da fonseca wollheim biography: A History Of The Gordons Kenn Gordon, 2020-12-22 This book will take an academic look at those who are of the Gordon name and clan. There are already quite a few books about the Gordons but they either skip over the lineage or romanticise battles and positions held. There are defining traits within the Gordon DNA that much is true, however that does not always make us ‘good people’. We strive to be the absolute best, in our chosen fields. That could be taking the fore in battles or being the best musician, you can be. There are amazing acts of bravery that have been carried out by the Gordons along with substantial acts of cowardice. If that sounds like an oxymoron then you would be right, as we occupy both ends of the moral and social scales. The Gordons have fought for and against the Papacy. We fought on both sides of the Jacobite rebellion. We stood for and against England. The Gordons even as individuals have fought on both sides in World War 1 and 2. There were Gordons on either side of communism. We have been great scientists and doctors. I have one son who is a great Chef, and the other is a Quantum Physicist, whilst I am a Musician and Writer. So, we all do have a personal choice, but it is what and how you act upon us that will mark our places in the history of the Gordon name. I wrote this book in the year 2020 when the world was facing a global pandemic. Not only were our doctors and nurses fighting an invisible enemy (Covid 19) but worse was happening on the streets around the world. Racism seems to raise its ugly head when mankind is at its lowest ebb. ‘Black Lives Matter’ was a new movement. To an old problem. I feel that ‘ALL’ Lives matter. There are Gordons who are African, Indian, European, Australian, Asian, North American and South American. Those Gordons have every shade of skin colour that comes within the human range. We also follow every faith and no faith at all. If you go back far enough in any clan or race you will find some element of slavery. We Gordons have also been on both sides of that evil. We have been Slaves, Slave Owners and even Slave Traders. Slaves would normally keep their own first name but would also adopt the surname of the slave owner, hence not all Gordons are Celtic. Being involved in slavery is not a matter of pride to most Gordons, it is just a matter of historical fact. Tearing down statues or defacing buildings that bear the name of historical people, to me is pointless. It would be like tearing down the Auschwitz Museum. There was a holocaust and Auschwitz is testament to that horror and by it being there, it tells us not to forget. When people tried to tear down the statue of William Wallace saying that he was a racist. His statue is there because he fought for Scotland and its people. There were 12 presidents of the USA that owned slaves., Thomas Jefferson, James Madison, James Monroe, Andrew Jackson, Martin Van Buren, William Henry Harrison, John Tyler, James K. Polk, Zachary Taylor, Andrew Johnson, and Ulysses S Grant. You would have to tear down America and start building all over again, starting with Washington DC and the White House. We remember our history, the good along with the bad in order to learn from our mistakes. Consequently, in this book you will find all the great moments in the Gordon history since 66BC all the way up to 2020. You will also find the truth and the facts that point to unspeakable acts carried out sometimes in the name of the Gordon families, other times just out of coincidence to them bearing the name of Gordon. One such example would be the Highland clearances carried out by the Duke of Sutherland whose wife was Countess Elizabeth Gordon. He committed an act of ethnic cleansing in the north of Scotland. This is not something that gives me pride, it is though part of my history and if you are a Gordon then it is part of your history, especially if you can trace your roots back, to that period in America, Canada, Newfoundland and Australia. These were the predominant areas that the crofters from the north of Scotland were forced to flee too. Gordons fought on both sides of the American Civil War. The Gordons fought during the crusades, it is even said that it was a Gordon that was responsible for the death of Richard The Lionheart. This book is not a romanticised novel where facts are cherry picked. I have written this as a non-fiction, work and as a starting point for any genealogical work you wish to embark upon. I have taken information for many sources in order to complete this and I give thanks to the Encyclopaedia Britannica, Wikipedia, Ancestry online, The Gordon Highlanders, UK Census, as well as reading many books on Scottish History and land ownership. Long and Short of this book is that it is written by a Gordon, for all, Gordons. |
| corinna da fonseca wollheim biography: The History of the Jews in Early Modern Italy Marina Caffiero, 2022-05-05 Challenging traditional historiographical approaches, this book offers a new history of Italian Jews in the early modern age. The fortunes of the Jewish communities of Italy in their various aspects – demographic, social, economic, cultural, and religious – can only be understood if these communities are integrated into the picture of a broader European, or better still, global system of Jewish communities and populations; and, that this history should be analyzed from within the dense web of relationships with the non-Jewish surroundings that enveloped the Italian communities. The book presents new approaches on such essential issues as ghettoization, antisemitism, the Inquisition, the history of conversion, and Jewish-Christian relations. It sheds light on the autonomous culture of the Jews in Italy, focusing on case studies of intellectual and cultural life using a micro-historical perspective. This book was first published in Italy in 2014 by one of the leading scholars on Italian Jewish history. This book will appeal to students and scholars alike studying and researching Jewish history, early modern Italy, early modern Jewish and Italian culture, and early modern society. |
| corinna da fonseca wollheim biography: Introduction to the Music Industry Catherine Fitterman Radbill, 2016-09-01 Introduction to the Music Industry: An Entrepreneurial Approach, Second Edition is an introductory textbook that offers a fresh perspective in one of the fastest-changing businesses in the world today. It engages students with creative problem-solving activities, collaborative projects and case studies as they explore the inner workings of the music business, while encouraging them to think like entrepreneurs on a path toward their own successful careers in the industry. This new edition includes a revised chapter organization, with chapters streamlined to focus on topics most important to music business students, while also maintaining its user-friendly chapter approach. Supported by an updated companion website, this book equips music business students and performance majors with the knowledge and tools to adopt and integrate entrepreneurial thinking successfully into practice and shape the future of the industry. |
| corinna da fonseca wollheim biography: The Worth of Women Moderata Fonte, 2007-11-01 Gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well, as evidenced by the publication in 1600 of The Worth of Women by Moderata Fonte. Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered masculine—the chivalric romance and the literary dialogue. This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women's experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men's curious hostility toward women and possible cures for it. Through this witty and ambitious work, Fonte seeks to elevate women's status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts. A fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition. |
| corinna da fonseca wollheim biography: The Real Ambassadors Keith Hatschek, 2022-02-04 Winner of the 2023 ASCAP Foundation Deems Taylor/Virgil Thomson Book Award Recipient of a 2023 Certificate of Merit for Best Historical Research in Recorded Jazz from the Association for Recorded Sound Collections Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical’s journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colorful characters, from Broadway impresarios to gang-connected managers, surface in the compelling storyline. During the Cold War, the US State Department enlisted some of America’s greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called “free society.” Honored as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humor and pathos to share perspectives on American values. On September 23, 1962, The Real Ambassadors’s stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members’ bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2013 by the Detroit Jazz Festival and in 2014 by Jazz at Lincoln Center. This reaffirmed the musical’s place as an integral part of America’s jazz history and served as an important reminder of how artists’ voices are a powerful force for social change. |
| corinna da fonseca wollheim biography: Black Opera Naomi Andre, 2018-05-04 From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship. |
| corinna da fonseca wollheim biography: Masterful Stories John V Pavlik, 2017-02-24 The early eras of radio storytelling have entered and continue to enter the public domain in large quantities, offering unprecedented access to the Golden Age of Radio. Author and Professor John Pavlik mines the best this age of radio has to offer in Masterful Stories, an examination of the masterpieces of audio storytelling. This book provides a chronological history of the best of the best from radio’s Golden Age, outlining a core set of principles and techniques that made these radio plays enduring examples of storytelling. It suggests that, by using these techniques, stories can engage audiences emotionally and intellectually. Grounded in a historical and theoretical understanding of radio drama, this volume illuminates the foundational works that proceeded popular modern shows such as Radiolab, The Moth, and Serial. Masterful Stories will be a powerful resource in both media history courses and courses teaching audio storytelling for modern radio and other audio formats, such as podcasting. It will appeal to audio fans looking to learn about and understand the early days of radio drama. |
| corinna da fonseca wollheim biography: Indigenous America in the Spanish Language Classroom Anne Fountain, 2023-06-01 A critical resource for inclusive teaching in the Spanish classroom Although Indigenous peoples are active citizens of the Americas, many Spanish language teachers lack the knowledge and understanding of their history, culture, and languages that is needed to present the Spanish language in context. By presenting a more complete picture of the Spanish speaking world, Indigenous America in the Spanish Language Classroom invites teachers to adjust their curricula to create a more inclusive classroom. Anne Fountain provides teachers with key historical and cultural information about Indigenous peoples throughout the Americas and explains how to incorporate relevant resources into their curricula using a social justice lens. This book begins with an overview of the Iberian impact on Indigenous Americans and connects it to language teaching, giving practical ideas that are tied to language learning standards. Each chapter finishes with a list for further reading, inviting teachers to dig deeper. The book ends with a set of ten conclusions and an extensive list of resources organized by topic to help teachers find accurate information about Indigenous America to enrich their teaching. Fountain includes illustrations that relate directly to teaching ideas. Hard-to-find resources and concrete teaching ideas arranged by level as well as a glossary of important terms make this book an essential resource for all Spanish language teachers. |
| corinna da fonseca wollheim biography: Approaching Architecture Miguel Guitart, 2022-09-30 The study of the architectural discipline suffers from an increasing disconnect between its teaching and its professional practice. In this edited collection, 18 architectural voices address this disconnect by reflecting on the ways in which they exercise the architectural discipline in three ways: research, teaching, and practice. This book argues that the totality of activities encompassed by the architectural profession can be best fulfilled when reconsidering the critical interactions between these three fields in the everyday exercise of the profession. Split into three parts, Architecture as Research, Architecture as Pedagogy, and Architecture as Practice, each section focuses on one of these three dimensions while establishing continuity with the other two. In doing so, the book not only favors a more fulfilling interaction between academia and the profession but also reinforces the implementation of design theory and research in everyday teaching and practice. The contributions come from 18 teams of architects operating from geographically diverse locations, including Pezo von Ellrichshausen in Chile, Kengo Kuma & Associates in Japan, Barclay & Crousse in Peru, Shift in Iran, Heinrich Wolff in South Africa, and People’s Architecture Office in China, opening the design conversation to larger contexts and framing continuity and inclusion in time. Written for students, instructors, and practitioners alike, the inspiring reflections in this volume encourage readers to grow as architects and play an instrumental role in transforming the built environment. |
| corinna da fonseca wollheim biography: Silences So Deep John Luther Adams, 2020-09-22 [An] illuminating memoir. —Corinna da Fonseca-Wollheim, The New York Times The story of a composer's life in the Alaskan wilderness and a meditation on making art in a landscape acutely threatened by climate change In the summer of 1975, the composer John Luther Adams, then a twenty-two-year-old graduate of CalArts, boarded a flight to Alaska. So began a journey into the mountains, forests, and tundra of the far north—and across distinctive mental and aural terrain—that would last for the next forty years. Silences So Deep is Adams’s account of these formative decades—and of what it’s like to live alone in the frozen woods, composing music by day and spending one’s evenings with a raucous crew of poets, philosophers, and fishermen. From adolescent loves—Edgard Varèse and Frank Zappa—to mature preoccupations with the natural world that inform such works as The Wind in High Places, Adams details the influences that have allowed him to emerge as one of the most celebrated and recognizable composers of our time. Silences So Deep is also a memoir of solitude enriched by friendships with the likes of the conductor Gordon Wright and the poet John Haines, both of whom had a singular impact on Adams’s life. Whether describing the travails of environmental activism in the midst of an oil boom or midwinter conversations in a communal sauna, Adams writes with a voice both playful and meditative, one that evokes the particular beauty of the Alaskan landscape and the people who call it home. Ultimately, this book is also the story of Adams’s difficult decision to leave a rapidly warming Alaska and to strike out for new topographies and sources of inspiration. In its attentiveness to the challenges of life in the wilderness, to the demands of making art in an age of climate crisis, and to the pleasures of intellectual fellowship, Silences So Deep is a singularly rich account of a creative life. |
| corinna da fonseca wollheim biography: Phenomenological Investigations of Sonic Environments Martin Nitsche, Ivan Gutierrez, Jiří Zelenka, Vít Pokorný, 2024-08-12 Phenomenological approaches to sounds, noises, voices, and music traditionally privilege methods that center visual perception. This book aims not only to phenomenologically describe sonic environments, but also to develop an audition-centered phenomenological methodology to enable this task. Sonic environment is this book's term for the acoustic shape of human life-environment, which is multisensory and does not exclude visual, tactile, olfactory, and gustatory sensations connected with sounds or their sources. Sonic environments (in so far as they are lived) are not composed of separate sounds, but created by “sonic phenomena” – i.e., lived (real or imagined) experiences with sounds, noises, voices, and music. Just as phenomenology traditionally privileges the visual over the audio, phenomenology thematically prefers listening to a voice or a music over less articulated sonic experiences (i.e., sounds without an obvious meaning, melody, or rhythm).In this respect, the book not only provides missing phenomenological descriptions of sonic environments, but also redefines phenomenological methodology with respect to acoustic perception. |
| corinna da fonseca wollheim biography: Inside the Lost Museum Steven D. Lubar, 2017-08-07 Museum lovers know that energy and mystery run through every exhibition. Steven Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples, especially the lost but reimagined Jenks Museum at Brown University. |
| corinna da fonseca wollheim biography: Liner Notes for the Revolution Daphne A. Brooks, 2021-02-23 Liner Notes for the Revolution offers a startling new perspective on Black women musicians from Bessie Smith to Beyoncé. Informed by the overlooked contributions of women who wrote about the blues, rock, and pop, Daphne A. Brooks argues that acclaimed entertainers have also been radical intellectuals, challenging the culture industry to catch up. |
| corinna da fonseca wollheim biography: When Time Stopped Ariana Neumann, 2020-02-04 In this astonishing story that “reads like a thriller and is so, so timely” (BuzzFeed) Ariana Neumann dives into the secrets of her father’s past: “Like Anne Frank’s diary, it offers a story that needs to be told and heard” (Booklist, starred review). In 1941, the first Neumann family member was taken by the Nazis, arrested in German-occupied Czechoslovakia for bathing in a stretch of river forbidden to Jews. He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book. Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One of the survivors was Hans Neumann, who, to escape the German death net, traveled to Berlin and hid in plain sight under the Gestapo’s eyes. What Hans experienced was so unspeakable that, when he built an industrial empire in Venezuela, he couldn’t bring himself to talk about it. All his daughter Ariana knew was that something terrible had happened. When Hans died, he left Ariana a small box filled with letters, diary entries, and other memorabilia. Ten years later Ariana finally summoned the courage to have the letters translated, and she began reading. What she discovered launched her on a worldwide search that would deliver indelible portraits of a family loving, finding meaning, and trying to survive amid the worst that can be imagined. A “beautifully told story of personal discovery” (John le Carré), When Time Stopped is an unputdownable detective story and an epic family memoir, spanning nearly ninety years and crossing oceans. Neumann brings each relative to vivid life, and this “gripping, expertly researched narrative will inspire those looking to uncover their own family histories” (Publishers Weekly). |
| corinna da fonseca wollheim biography: Music's Making Michael Cherlin, 2024-07-01 A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology. As a work of musical theory, or meta-theory, Music's Making draws extensively on work done in philosophy and literary criticism in addition to the scholarship of musicologists and music theorists. Music's Making is divided into two large parts. The first half develops global attitudes toward music: emergence out of self and hearing through (drawing on Kabbalah and other sources), middle-voice (as discussed in philosophical phenomenology), liminal space (as discussed in literary theory), an ethics of intersubjectivity (drawing on Levinas), and character, canon, and metaleptic transformations (drawing chiefly on Harold Bloom). The second half embodies a search for metaphors, figurative language toward understanding music's endlessly variegated shaping of time-space. The musicians and scholars who inform this part of the book include Pierre Boulez, Gilles Deleuze, Anton Webern, Morton Feldman, and James Dillon. The book closes with an extended inquiry into the metaphors of horizontal and vertical experience and the spiritual qualities of musical experience expressed through those metaphors. |
| corinna da fonseca wollheim biography: Black Culture in Bloom Richard Worth, 2020-07-15 The Harlem Renaissance was like a magnificent fireworks display; it was colorful, brilliant, and in a few moments, it was over. This was the first time African Americans had led a cultural movement and the first time that white Americans had paid attention to their achievements. Through striking images and fascinating details, this book examines the origins of the Harlem Renaissance, especially the key roles played by W.E.B. Du Bois and other prominent figures such as Langston Hughes, Louis Armstrong, and Josephine Baker. Students will gain a deeper understanding of the literature, music, dance, and art that depicted the triumphs and sorrows of black Americans during the age of speakeasies and rent parties. |
| corinna da fonseca wollheim biography: The War on Music John Mauceri, 2022-04-26 A prominent conductor explores how aesthetic criteria masked the political goals of countries during the three great wars of the past century This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. Probing why so few works have been added to the canon since 1930, Mauceri examines the trajectories of great composers who, following World War I, created voices that were unique and versatile, but superficially simpler. He contends that the fate of composers during World War II is inextricably linked to the political goals of their respective governments, resulting in the silencing of experimental music in Germany, Italy, and Russia; the exodus of composers to America; and the sudden return of experimental music—what he calls “the institutional avant-garde”—as the lingua franca of classical music in the West during the Cold War. |
| corinna da fonseca wollheim biography: Messy Tim Harford, 2016-10-04 “Utterly fascinating. Tim Harford shows that if you want to be creative and resilient, you need a little more disorder in your world.” —Adam Grant, New York Times-bestselling author of Originals and Give and Take “Engrossing.” —New York Times From the award-winning columnist and author of the national bestseller The Undercover Economist comes a provocative big idea book about the genuine benefits of being messy: at home, at work, in the classroom, and beyond. Look out for Tim's next book, The Data Detective. Messy: The Power of Disorder to Transform Our Lives celebrates the benefits that messiness has in our lives: why it’s important, why we resist it, and why we should embrace it instead. Using research from neuroscience, psychology, social science, as well as captivating examples of real people doing extraordinary things, Tim Harford explains that the human qualities we value – creativity, responsiveness, resilience – are integral to the disorder, confusion, and disarray that produce them. From the music studio of Brian Eno to the Lincoln Memorial with Martin Luther King, Jr., from the board room to the classroom, messiness lies at the core of how we innovate, how we achieve, how we reach each other – in short, how we succeed. In Messy, you’ll learn about the unexpected connections between creativity and mess; understand why unexpected changes of plans, unfamiliar people, and unforeseen events can help generate new ideas and opportunities as they make you anxious and angry; and come to appreciate that the human inclination for tidiness – in our personal and professional lives, online, even in children’s play – can mask deep and debilitating fragility that keep us from innovation. Stimulating and readable as it points exciting ways forward, Messy is an insightful exploration of the real advantages of mess in our lives. |
| corinna da fonseca wollheim biography: Improvisation in Music and Philosophical Hermeneutics Sam McAuliffe, 2023-02-23 In the first book to examine the overlooked relationship between musical improvisation and philosophical hermeneutics, Sam McAuliffe asks: what exactly is improvisation? And how does it relate to our being-in-the-world? Improvisation in Music and Philosophical Hermeneutics answers these questions by investigating the underlying structure of improvisation. McAuliffe argues that improvising is best understood as attending and responding to the situation in which one find itself and, as such, is essential to how we engage with the world. Working within the hermeneutic philosophical tradition – drawing primarily on the work of Martin Heidegger, Hans-Georg Gadamer, and Jeff Malpas – this book provides a rich and detailed account of the ways in which we are all already experienced improvisers. Given the dominance of music in discussions of improvisation, Part I of this book uses improvised musical performance as a case study to uncover the ontological structure of improvisation: a structure that McAuliffe demonstrates is identical to the structure of hermeneutic engagement. Exploring this relationship between improvisation and hermeneutics, Part II offers a new reading of Gadamer's philosophical hermeneutics, examining the way in which Gadamer's accounts of truth and understanding, language, and ethics each possess an essentially improvisational character. Working between philosophy and music theory, Improvisation in Music and Philosophical Hermeneutics unveils the hermeneutic character of musical performance, the musicality of hermeneutic engagement, and the universality of improvisation. |
| corinna da fonseca wollheim biography: Innovation in the Italian Counter-Reformation Shannon McHugh, Anna Wainwright, 2020-09-18 The enduring black legend of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. As a result, the decades following Trent have been mostly overlooked in Italian literary studies, in particular. The thirteen essays of Innovation in the Italian Counter-Reformation present a radical reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume’s contributors weave literary analysis together with religion, theater, art, music, science, and gender to demonstrate that the literature of this period not only merits study but is positively innovative. Contributors include such renowned critics as Virginia Cox and Amadeo Quondam, two of the leading scholars on the Italian Counter-Reformation. Distributed for UNIVERSITY OF DELAWARE PRESS |
| corinna da fonseca wollheim biography: Every Citizen a Statesman David Allen, 2023-01-10 The surprising story of the movement to create a truly democratic foreign policy by engaging ordinary Americans in world affairs. No major arena of US governance is more elitist than foreign policy. International relations barely surface in election campaigns, and policymakers take little input from Congress. But not all Americans set out to build a cloistered foreign policy “establishment.” For much of the twentieth century, officials, activists, and academics worked to foster an informed public that would embrace participation in foreign policy as a civic duty. The first comprehensive history of the movement for “citizen education in world affairs,” Every Citizen a Statesman recounts an abandoned effort to create a democratic foreign policy. Taking the lead alongside the State Department were philanthropic institutions like the Ford and Rockefeller foundations and the Foreign Policy Association, a nonprofit founded in 1918. One of the first international relations think tanks, the association backed local World Affairs Councils, which organized popular discussion groups under the slogan “World Affairs Are Your Affairs.” In cities across the country, hundreds of thousands of Americans gathered in homes and libraries to learn and talk about pressing global issues. But by the 1960s, officials were convinced that strategy in a nuclear world was beyond ordinary people, and foundation support for outreach withered. The local councils increasingly focused on those who were already engaged in political debate and otherwise decried supposed public apathy, becoming a force for the very elitism they set out to combat. The result, David Allen argues, was a chasm between policymakers and the public that has persisted since the Vietnam War, insulating a critical area of decisionmaking from the will of the people. |
| corinna da fonseca wollheim biography: Fryderyk Chopin Dr. Alan Walker, 2025-12-23 A New York Times Book Review Editors' Choice. The Sunday Times (U.K.) Classical Music Book of 2018 and one of The Economist's Best Books of 2018. A magisterial portrait. --Corinna da Fonseca-Wollheim, The New York Times Book Review A landmark biography of the Polish composer by a leading authority on Chopin and his time Based on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker’s monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker’s work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin’s childhood and youth in Poland, which are brought into line with the latest scholarly findings, and Chopin’s romantic life with George Sand, with whom he lived for nine years. Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century’s most confounding, beloved, and legendary artists. |
| corinna da fonseca wollheim biography: Ways of Hearing Scott Burnham, Marna Seltzer, Dorothea von Moltke, 2023-04-04 An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and work Contributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Brian Seibert ● Arnold Steinhardt ● Susan Stewart ● Abigail Washburn ● Carrie Mae Weems ● Susan Wheeler ● C. K. Williams ● Wu Fei What happens when extraordinary creative spirits—musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice—are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary. This expansive volume spans styles and subjects, including Pico Iyer’s meditations on Handel, Arnold Steinhardt’s thoughts on Beethoven’s Grosse Fuge, and Laurie Anderson and Edgar Choueiri’s manifesto for spatial music. Richard Powers discusses the one thing about music he’s never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives. |
| corinna da fonseca wollheim biography: Women and Jewish Marriage Negotiations in Early Modern Italy Howard Tzvi Adelman, 2017-12-15 This book examines the role of women in Jewish family negotiations, using the setting of Italy from the end of the Renaissance to the Baroque. In ghettos at night and under the scrutiny of inquisitions, Jews flourished. Life and learning were enriched by Jews from the Iberian Peninsula, the Ottoman Empire, transalpine Europe, west and east, and Catholic neighbors. Rabbinic discourse represented conflicting customs in family formation and dissolution, especially at moments of crisis for women: forced betrothal; physical, mental and financial abuse; polygamy, and abandonment. In this book, case studies illustrate the ambiguity, drama, and danger to which women were exposed, as well as opportunities to make their voices heard and to extricate themselves from situations by forcing a divorce, collecting or seizing assets, and going to Catholic notaries to bequeath their assets outside traditional inheritance, often to other women. Despite intrusion by rabbis, their ability for coercion was limited, and their threats of punishments reflected the rhetoric of weakness rather than realistic options for implementation. The focus of this text is not what the law says, but rather how it enabled individual Jews, especially women, to speak and to act. |
| corinna da fonseca wollheim biography: Awkword Moments Ross Petras, Kathryn Petras, 2020-03-10 A compendium of 100 words and phrases smart people use--even if they only kinda sorta (secretly don't) know what they mean--with pithy definitions and fascinating etymologies to solidify their meanings. Your boss makes a joke about Schrodinger's cat--which is something you've heard of but you're a little vague about what exactly happened (or didn't happen) with that cat. Or you're reading a New Yorker article that explains that Solecism slipped into solipsism into full-blown narcissistic project. An excellent point . . . if you're sure what solecism means . . . or, for that matter, solipsism. Language gurus Ross Petras and Kathryn Petras to the rescue! In the breezy and entertaining yet informative style of their New York Times bestseller You're Saying It Wrong, they give you a brief rundown on words smart people should know--from the worlds of science and the arts to philosophy, and from broader topics like quantum physics and ontology to more specific ones like Plato's cave and trompe l'oeil. They cover the Latin phrases we hear and read (prima facie, sui generis, and the like) as well as those that have entered our vocabularies from other languages (bildungsroman, sturm und drang). These are the words that, if you were asked directly, What does this mean? you might hem and haw and try to change the subject. After reading this book, you won't have to. |
| corinna da fonseca wollheim biography: Artemisia Gentileschi and the Business of Art Christopher R. Marshall, 2024-06-11 A examination of one of the key artists of the early-modern era from the point of view of the business considerations that informed her life, art, career, and legacy-- |
| corinna da fonseca wollheim biography: The Wall Street Journal , 2009 |
| corinna da fonseca wollheim biography: The Alexander Scriabin Companion Lincoln Ballard, Matthew Bengtson, 2017-06-27 This unique collaboration between a musicologist and two pianists – all experts in Russian music – takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabin’s death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabin’s solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabin’s reception: the myths generated by Scriabin’s biographers, his claims to synaesthesia or “color-hearing,” his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabin’s challenging scores at the keyboard. Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer. |
| corinna da fonseca wollheim biography: Teaching the Reformations Christopher Metress, 2018-07-05 This book is a printed edition of the Special Issue Teaching the Reformations that was published in Religions |
| corinna da fonseca wollheim biography: Encyclopedia of Women in the Renaissance Anne R. Larsen, Diana Robin, Carole Levin, 2007-03-01 This work is a revealing combination of biographies and topical essays that describe the outstanding and often-overlooked contributions of women to the science, politics, and culture of the Renaissance. Encyclopedia of Women in the Renaissance: Italy, France, and England is the first first comprehensive reference devoted exclusively to the contributions of women to European culture in the period between 1350 and 1700. Focusing principally on early modern women in England, France, and Italy, it offers over 135 biographies of the extraordinary women of those times. Encyclopedia of Women in the Renaissance provides vivid portraits of well known women such as Catherine of Siena, Joan of Arc, Mary Queen of Scots, and Christine de Pizan. Also included are less familiar but equally important women like Elena Lucrezia Cornaro, the first woman in Europe to earn a doctorate; the renowned Renaissance painter Artemisia Gentileschi; and the acclaimed author of medical textbooks and midwife to a French queen, Louise Boursier. Based on the latest research and enhanced with thematic essays, this groundbreaking work casts our understanding of women's lives and roles in Renaissance history and culture in a provocative new light. |
| corinna da fonseca wollheim biography: Ways of Hearing Scott Burnham, Marna Seltzer, Dorothea von Moltke, 2021-09-28 An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and work Contributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Brian Seibert ● Arnold Steinhardt ● Susan Stewart ● Abigail Washburn ● Carrie Mae Weems ● Susan Wheeler ● C. K. Williams ● Wu Fei What happens when extraordinary creative spirits—musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice—are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary. This expansive volume spans styles and subjects, including Pico Iyer’s meditations on Handel, Arnold Steinhardt’s thoughts on Beethoven’s Grosse Fuge, and Laurie Anderson and Edgar Choueiri’s manifesto for spatial music. Richard Powers discusses the one thing about music he’s never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives. |
| corinna da fonseca wollheim biography: Programs University of Michigan. School of Music, Theatre & Dance, 2016 |
| corinna da fonseca wollheim biography: Pat Metheny Mervyn Cooke, 2017 The guitarist and composer Pat Metheny ranks among the most popular and innovative jazz musicians of all time. In Pat Metheny: The ECM Years, 1975-1984, Mervyn Cooke offers the first in-depth account of Metheny's early creative period, during which he recorded eleven stunningly varied albums for the pioneering European record label ECM (Edition of Contemporary Music). This impressive body of recordings encompasses both straight-ahead jazz playing with virtuosic small ensembles and the increasingly complex textures and structures of the Pat Metheny Group, a hugely successful band also notable for its creative exploration of advanced music technologies which were state-of-the-art at the time. Metheny's music in all its shapes and forms broke major new ground in its refusal to subscribe to either of the stylistic poles of bebop and jazz-rock fusion which prevailed in the late 1970s. Through a series of detailed analyses based on a substantial body of new transcriptions from the recordings, this study reveals the close interrelationship of improvisation and pre-composition which lies at the very heart of the music. Furthermore, these analyses vividly demonstrate how Metheny's music is often conditioned by a strongly linear narrative model: both its story-telling characteristics and atmospheric suggestiveness have sometimes been compared to those of film music, a genre in which the guitarist also became active during this early period. The melodic memorability for which Metheny's compositions and improvisations have long been world-renowned is shown to be just one important element in an unusually rich and flexible musical language that embraces influences as diverse as bebop, free jazz, rock, pop, country & western, Brazilian music, classical music, minimalism, and the avant-garde. These elements are melded into a uniquely distinctive soundworld which, above all, directly reflects Metheny's passionate belief in the need to refashion jazz in ways which can allow it to speak powerfully to each new generation of youthful listeners. |
| corinna da fonseca wollheim biography: Easy Listening and Film Scoring 1948-78 Jack Curtis Dubowsky, 2021-05-27 Composers, arrangers, conductors, session musicians, and executives worked in easy listening and scoring, complicating an academic focus that lionizes film music while ignoring or deriding easy listening. This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature. Fueled by the rise of the LP and home entertainment, easy listening became the largest midcentury commercial music market, generating more actual income for the record business than 7- inch singles. Easy listening roped in subgenres including classical, baroque, jazz, Latin, Polynesian, exotica, rock, Broadway, and R&B, appropriated and reinterpreted just as they were for cinema. Easy listening provided opportunities in orchestral music for conservatory- trained composers. Major film composers such as Henry Mancini and Michel Legrand had a prodigious output of easy listening albums. Critics fault easy listening for structural racisms, overlooking its evolution and practitioners. Easy listening helped destabilize a tripartite record business that categorized product as race records, old time records, or general popular music. Charlie Parker’s with Strings records altered the direction of jazz, profoundly influencing other performers, encouraging bold crosspollinations, and making money. The influence of technology and historical contexts of music for work and leisure are explored. Original interviews and primary sources will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music. |
| corinna da fonseca wollheim biography: Storia naturale del pianoforte. Lo strumento, la musica, i musicisti da Mozart al modern jazz, e oltre Stuart Isacoff, 2012 |
| corinna da fonseca wollheim biography: Caos Criativo Tim Harford, 2019-10-31 Há uma certa magia na bagunça. Apesar do nosso ímpeto de lidar com um mundo ordenado, sistematizado, planejado e cuidadosamente estruturado em categorias, é importante se agarrar à bagunça. Ela nos dá aquele cutucão que pode incitar a criatividade, nutrir a resiliência e extrair o melhor de cada um de nós. Muitas vezes sucumbimos à tentação de uma abordagem voltada para a arrumação, quando na verdade estaríamos melhor adotando um certo grau de desordem. Como o escritor que é, por um feliz acaso, inspirado por uma distração qualquer. Muitas vezes, as metas quantificadas criam incentivos perversos; os trabalhadores no escritório organizado se sentem indefesos e desmotivados ou um intruso desestabilizador irrita a equipe, mas traz um insight novo em folha. Apoiado às mais recentes pesquisas em neurociência, psicologia e ciência social – com exemplos cativantes de pessoas bem-sucedidas que fizeram coisas extraordinárias – Tim Harford nos prova que as qualidades que nós valorizamos são, na verdade, produzidas pela desordem, pela confusão e pelo desarranjo das coisas. É um livro muito, muito bom, cheio de sábias contraintuições e insights inteligentes. Brian Eno Um livro carismático. Poucos escritores são mais qualificados para defender a desordem e a particularidade. The Times Uma galopada profundamente estimulante pelos motivos que deveriam permitir a todos nós termos um pouco de bagunça – mas não caos – nas nossas vidas, nas nossas mesas de trabalho e nas nossas mentes. Uma poderosa expansão da excelente obra anterior de Harford, de um ponto de vista fascinante e contrastante. David Halpern Percorrendo com habilidade os negócios, a política e a arte, Tim Harford faz uma defesa convincente dos benefícios criativos da desorganização, da improvisação e da confusão. Sua mensagem libertadora é: você terá mais sucesso se parar de se debater tanto para planejar ou controlar o seu sucesso. Messy é uma aventura, fruto de profunda pesquisa, infinitamente esclarecedora sobre a magia transformadora de deixar as coisas desarrumadas. Oliver Burkeman |
| corinna da fonseca wollheim biography: Musical Revolutions Stuart Isacoff, 2022-06-07 From the critically acclaimed author of Temperament, a narrative account of the most defining moments in musical history—classical and jazz—all of which forever altered Western culture A fascinating journey that begins with the origins of musical notation and travels through the centuries reaching all the way to our time.”—Semyon Bychkov, chief conductor and music director of the Czech Philharmonic The invention of music notation by a skittish Italian monk in the eleventh century. The introduction of multilayered hymns in the Middle Ages. The birth of opera in a Venice rebelling against the church’s pious restraints. Baroque, Romantic, and atonal music; bebop and cool jazz; Bach and Liszt; Miles Davis and John Coltrane. In telling the exciting story of Western music’s evolution, Stuart Isacoff explains how music became entangled in politics, culture, and economics, giving rise to new eruptions at every turn, from the early church’s attempts to bind its followers by teaching them to sing in unison to the global spread of American jazz through the Black platoons of the First World War. The author investigates questions like: When does noise become music? How do musical tones reflect the natural laws of the universe? Why did discord become the primary sound of modernity? Musical Revolutions is a book replete with the stories of our most renowned musical artists, including notable achievements of people of color and women, whose paths to success were the most difficult. |
| corinna da fonseca wollheim biography: True West Robert Greenfield, 2023-04-11 NEW YORK TIMES EDITORS’ CHOICE • A revelatory biography of the world-famous playwright and actor Sam Shepard, whose work was matched by his equally dramatic life, including collaborations with the Rolling Stones and Bob Dylan as well as tumultuous relationships with Patti Smith, Joni Mitchell, and Jessica Lange “What [True West] achieves in its finest pages is placing the artist in his time. . . . I was filled with excitement, envy and reverence for the New York City that embraced the young Shepard in the 1960s and early ’70s.”—Ethan Hawke, The Washington Post True West: Sam Shepard’s Life, Work, and Times is the story of an American icon, a lasting portrait of Sam Shepard as he really was, revealed by those who knew him best. This sweeping biography charts Shepard’s long and complicated journey from a small town in Southern California to become an internationally known playwright and movie star. The only son of an alcoholic father, Shepard crafted a public persona as an authentic American archetype: the loner, the cowboy, the drifter, the stranger in a strange land. Despite his great critical and financial success, he seemed, like so many of his characters, to remain perpetually dispossessed. Much like Robert Greenfield’s biographies of Jerry Garcia and Timothy Leary, this book delves deeply into Shepard’s life as well as the ways in which his work illuminates it. True West takes readers through the world of downtown theater in Lower Manhattan in the early sixties; the jazz scene at New York’s Village Gate; fringe theater in London in the seventies; Bob Dylan’s legendary Rolling Thunder tour; the making of classic films like Zabriskie Point, Days of Heaven, and The Right Stuff; and Broadway productions of Buried Child, True West, and Fool for Love. For this definitive biography, Greenfield interviewed dozens of people who knew Shepard well, many of whom had never before spoken on the record about him. While exploring his relationships with Patti Smith, Bob Dylan, Joni Mitchell, and Jessica Lange across the long arc of his brilliant career, Greenfield makes the case for Shepard as not just a great American writer but a unique figure who first brought the sensibility of rock ’n’ roll to theater. |
| corinna da fonseca wollheim biography: Decomposition Andrew Durkin, 2014-11-18 Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen. |
Corinna - Wikipedia
Corinna or Korinna (Ancient Greek: Κόριννα, romanized: Korinna) was an ancient Greek lyric poet from Tanagra in Boeotia. Although ancient sources portray her as a contemporary of Pindar …
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it's been a long 5 months but i'm back! I got some of the Vlog Squad to come over to react to my new place! I can't wait to take you on this journey with me and i'll be doing more videos on my...
Who Is Corinna Kopf? Everything You Need About The Influencer
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Corinna Kopf is a popular social media personality best known for her Instagram presence, where she shares glimpses of her daily life. Known online as “Pouty Girl,” she began posting on …
Corinna Kopf Age, Height, Career, Personal Life and Net Worth
Nov 9, 2024 · Corinna Kopf is a dynamic figure in the world of social media, known for her captivating content and engaging personality. She rose to fame as a key member of the Vlog …
Corinna Kopf - Age, Family, Bio | Famous Birthdays
Corinna Kopf: her birthday, what she did before fame, her family life, fun trivia facts, popularity rankings, and more.
Corinna - Wikipedia
Corinna or Korinna (Ancient Greek: Κόριννα, romanized: Korinna) was an ancient Greek lyric poet from Tanagra in Boeotia. Although ancient sources portray her as a contemporary of Pindar …
Twitter. It’s what’s happening / Twitter
The latest tweets from @corinnakopf
corinna kopf (@corinnakopf) • Instagram photos and videos
6M Followers, 94 Following, 777 Posts - corinna kopf (@corinnakopf) on Instagram: " ️🔥🤭"
Corinna Kopf - YouTube
it's been a long 5 months but i'm back! I got some of the Vlog Squad to come over to react to my new place! I can't wait to take you on this journey with me and i'll be doing more videos on my...
Who Is Corinna Kopf? Everything You Need About The Influencer
Sep 30, 2023 · Explore Corinna Kopf's rise as a digital influencer, her challenges on Twitch, financial success, and enduring impact in the online world.
corinnakopf (@corinnakopf) Official - TikTok
corinnakopf (@corinnakopf) on TikTok | 23.3M Likes. 4.6M Followers. IG/SNAP @corinnakopf 🤍.Watch the latest video from corinnakopf (@corinnakopf).
Corrina Kopf: Wiki, Bio, Age, Family, Career, Net Worth ...
Nov 19, 2021 · Corrina is a famous American supermodel, social media influencer, Instagram star, Youtuber, content creator, and entrepreneur from Palatine, Illinois, United States. She is very …
Corinna Kopf – Bio, Facts, Family Life of Instagram Model ...
Corinna Kopf is a popular social media personality best known for her Instagram presence, where she shares glimpses of her daily life. Known online as “Pouty Girl,” she began posting on …
Corinna Kopf Age, Height, Career, Personal Life and Net Worth
Nov 9, 2024 · Corinna Kopf is a dynamic figure in the world of social media, known for her captivating content and engaging personality. She rose to fame as a key member of the Vlog …
Corinna Kopf - Age, Family, Bio | Famous Birthdays
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