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| contemporary south african short stories: The Heinemann Book of Contemporary African Short Stories Chinua Achebe, Catherine Lynette Innes, 1992 A collection of 20 stories written between 1980-1991 which deal with themes relevant to various regions of Africa. |
| contemporary south african short stories: Modern South African Stories Stephen Gray, 2002 |
| contemporary south african short stories: The Short Story in South Africa Rebecca Fasselt, Corinne Sandwith, 2022-03-24 This book considers the key critical interventions on short story writing in South Africa written in English since the year 2000. The short story genre, whilst often marginalised in national literary canons, has been central to the trajectory of literary history in South Africa. In recent years, the short story has undergone a significant renaissance, with new collections and young writers making a significant impact on the contemporary literary scene, and subgenres such as speculative fiction, erotic fiction, flash fiction and queer fiction expanding rapidly in popularity. This book examines the role of the short story genre in reflecting or championing new developments in South African writing and the ways in which traditional boundaries and definitions of the short story in South Africa have been reimagined in the present. Drawing together a range of critical interventions, including scholarly articles, interviews and personal reflective pieces, the volume traces some of the aesthetic and thematic continuities and discontinuities in the genre and sheds new light on questions of literary form. Finally, the book considers the place of the short story in twenty-first century writing and interrogates the ways in which the short story form may contribute to, or recast ideas of, the post-apartheid or post-transitional. The perfect guide to contemporary short story writing in South Africa, this book will be essential reading for researchers of African literature. |
| contemporary south african short stories: African Short Stories: Vol 2 Ce, Chin, 2015-09-04 Bequeathing an enduring tenet for the creative enterprise, African Short Stories vol 2 boldly seeks to upturn the status quo by the art of narration. Whether they are stories of the whistle blower estranged and yet sounding the warning for heaven and earth to hear, or a ragtag army fleeing in the wake of a monstrous reptilian onslaught upon her peace, there pervades a sense of ultimate victory in this collection. We can feel the gentle kick of a baby in the womb of a maiden in desperation, or we can muse at the two adolescent genii on the trail of their dreams from the sunset of mutual deceit into the daylight of true becoming. Victory is laid out in that awesome kindness of a total stranger which affirms the divinity latent in even our most harrowing existence. With thirty five stories in two parts these literary experiments compel attention to the courageous hearts and minds that brighten the African universe of narration. Their vibrant notes coming from all corners of north, west, east and south fill us with encouragement and optimism for the contemporary short fiction in Africa. |
| contemporary south african short stories: “The Park” by James Matthews. Short stories by South African authors in the classroom Joan-Ivonne Bake, 2010-10-22 Seminar paper from the year 2003 in the subject Didactics for the subject English - Literature, Works, grade: keine, University of Duisburg-Essen, language: English, abstract: The seminar “Language and Literature in the New South Africa” familiarized students with a range of contemporary and antecedent short stories by South African authors in context of the highly problematic terms of apartheid and post-apartheid especially with regard to South African culture. A major aspect of the seminar was the question of identity and culture as it is recognizable in language and literature. Community should be achieved as an important role in South Africa. To implicate the usability for (short) stories in the English language classroom, the fact that they in general meet a basic human need and a plurality of methodological approaches especially for young people in order to understand the “other” are to be emphasised. |
| contemporary south african short stories: Modern African Stories Ellis Ayitey Komey, Ezekiel Mphahlele, 1966 |
| contemporary south african short stories: The Heinemann Book of South African Short Stories Denis Hirson, Martin Trump, 1994 All by writers who spent their formative years in South Africa, this diverse range of short stories spans from the end of World War II when the National Party was on the upsurge, to the early 1990s when the legal framework of apartheid was abolished, the ANC was legalized and Mandela was released. |
| contemporary south african short stories: The South African Short Story in English, 1920-2010 Marta Fossati, 2024-09-12 Through detailed close readings alongside investigations into the history of print culture, Marta Fossati traces the development of the South African short story in English from the late 1920s to the first decade of the twenty-first century. She examines a selection of short stories by important Black South African writers (Rolfes and Herbert Dhlomo, Peter Abrahams, Can Themba, Alex La Guma, Mtutuzeli Matshoba, Ahmed Essop, and Zoë Wicomb) with an alertness to the dialogue between ethics and aesthetics performed by these texts. This new history of Black short fiction problematises and interrogates the often-polarised readings of Black literature in South Africa that can be torn between notions of literariness, protest, and journalism. Due to material constraints, short fiction in South Africa circulated first and foremost through local print media, which Fossati analyses in detail to show the cross-fertilisation between journalism and the short story. While rooted in the South African context, the short stories considered also hold a translocal dimension, allowing us to explore the ethical and aesthetic practice of intertextuality. These are writings that complicate the aesthetics/ethics binary, generic classifications, and the categories of the literary and the political. Theoretically eclectic in its approach, although largely underpinned by a narratological analysis, The South African Short Story in English, 1920-2010: When Aesthetics Meets Ethics offers a fresh perspective on the South African short story in English, spotlighting several hitherto marginalised figures in South African literary studies. |
| contemporary south african short stories: The Granta Book of the African Short Story Helon Habila, 2011-09-01 Presenting a diverse and dazzling collection from all over the continent, from Morocco to Zimbabwe, Uganda to Kenya. Helon Habila focuses on younger, newer writers - contrasted with some of their older, more established peers - to give a fascinating picture of a new and more liberated Africa. These writers are characterized by their engagement with the wider world and the opportunities offered by the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: 'If you're a writer for a specific nation or specific race, then f*** you. These are the stories of a new Africa, punchy, self-confident and defiant. Includes stories by: Fatou Diome; Aminatta Forna; Manuel Rui; Patrice Nganang; Leila Aboulela; Zo Wicomb; Alaa Al Aswany; Doreen Baingana; E.C. Osondu. |
| contemporary south african short stories: The Short Story after Apartheid Graham K. Riach, 2023-10-15 Honourable Mention in the 2023 British Association for Contemporary Literary Studies Monograph Prize The Short Story after Apartheid offers the first major study of the anglophone short story in South Africa since apartheid’s end. By focusing on the short story this book complicates models of South African literature dominated by the novel and contributes to a much-needed generic and formalist turn in postcolonial studies. Literary texts are sites of productive struggle between formal and extra-formal concerns, and these brief, fragmentary, elliptical, formally innovative stories offer perspectives that reframe or revise important concerns of post-apartheid literature: the aesthetics of engaged writing, the politics of the past, class and race, the legacies of violence, and the struggle over the land. Through an analysis of key texts from the period by Nadine Gordimer, Ivan Vladislavić, Zoë Wicomb, Phaswane Mpe, and Henrietta Rose-Innes, this book assesses the place of the short story in post-apartheid writing and develops a fuller model of how artworks allow and disallow forms of social thought. |
| contemporary south african short stories: Dinaane Maggie Davey, 2013-03-01 The African writer, Yvonne Vera, used to recall that, as a young girl in the cotton fields, the urge to write was so strong that with no pen and paper available she picked up a twig and started to scratch words onto her skin. Stories in South Africa kept the dream of freedom alive during the colonial and apartheid years; and the tradition of the people and elders of a village meeting under the shade of a tree is based on telling stories as a way of arriving at an understanding. This rich tradition is brought to life here, by women who write of and from the landscape and its people. Part of a series showcasing contemporary women writers from around the world. |
| contemporary south african short stories: Contemporary South African Short Stories Horst Zander, 1994-01 |
| contemporary south african short stories: The Penguin Book of Contemporary South African Short Stories Stephen Gray, 1993 |
| contemporary south african short stories: The Oral-Style South African Short Story in English Craig MacKenzie, 2021-11-15 This study deals with a particular kind of short story in South African English literature - a kind of story variously called the fireside tale, tall tale, skaz narrative or (the term used here) the 'oral-style' story. Most famously exemplified in the Oom Schalk Lourens narratives of Herman Charles Bosman, the oral-style story has its roots in the hunting tale and camp-fire yarn of the nineteenth century and has dozens of exponents in South African literature, most of them long forgotten. Here this neglect has been addressed. A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre. In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story. The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele. |
| contemporary south african short stories: Telling Stories , 2021-11-15 The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Another important feature is that it deals not only with exclusive practitioners of the genre (Mansfield, Munro), but also with well-known novelists (Achebe, Armah, Atwood, Carey, Rushdie), so that stimulating comparisons are suggested between shorter and longer works by the same authors. In addition, the volume is of interest for the study of aspects of orality (dialect, dance rhythms, circularity and trickster figure for instance) and of the more or less conflictual relationships between the individual (character or implied author) and the community. Furthermore, the marginalized status of women emerges as another major theme, both as regards the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. The reader will also have the rare pleasure of discovering Janice Kulik Keefer's “Fox,” her version of what she calls in her commentary “displaced autobiography’” or “creative non-fiction.” Lastly, an extensive bibliography on the postcolonial short story opens up further possibilities for research. |
| contemporary south african short stories: The Companion to African Literatures G. D. Killam, Ruth Rowe, 2000 Refreshing... -- African Sudies Review The entries are knowledgeable, thorough, and clearly written.... Highly recommended... --Choice ...an ambitious reference guide to works on African literature. - African Studies Review This comprehensive compendium will be a handy companion for anyone working on African literatures. The entries are authoritative and up-to-date, providing reliable information on the hundreds of authors and texts that have contributed to a whole continent's literary flowering. --Bernth Lindfors A comprehensive introduction and guide to African-authored works, with over 1,000 cross-referenced entries covering classics in African writing, literary genres and movements, biographical details of authors, and wider themes linking African, Afro-Caribbean and Afro-American literatures. |
| contemporary south african short stories: Encyclopedia of African Literature Simon Gikandi, 2003-09-02 The most comprehensive reference work on African literature to date, this book covers all the key historical and cultural issues in the field. The Encyclopedia contains over 600 entries covering criticism and theory, African literature's development as a field of scholarship, and studies of established and lesser-known writers and their texts. While the greatest proportion of literary work in Africa has been a product of the twentieth century, the Encyclopedia also covers the literature back to the earliest eras of story-telling and oral transmission, making this a unique and valuable resource for those studying social sciences as well as humanities. This work includes cross-references, suggestions for further reading, and a comprehensive index. |
| contemporary south african short stories: Writing South Africa Derek Attridge, Rosemary Jolly, 1998-01-22 During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's relation to politics and ethics. Writing South Africa offers a window on the literary activity of this extraordinary period that conveys its range (going well beyond a handful of world-renowned names) and its significance for anyone interested in the impact of decolonisation and democratisation on the cultural sphere. It brings together for the first time discussions by some of the most distinguished South African novelists, poets, and dramatists, with those of leading commentators based in South Africa, Britain and North America. |
| contemporary south african short stories: Flashback Hotel Ivan Vladislavic, 2019-04-16 Collects two volumes of short stories by one of contemporary South Africa's most acclaimed novelists. With a tender wit, Vladislavić cuts through the ordinary, the profound, and the truly perplexing to reveal absurdities and truisms alike. From a man who forms a strong emotional attachment to his neighbor's wall to the etymology-obsessed inventor of the Omniscope, Vladislavic's characters are as well-constructed as his sentences and as playful as his prose. Flashback Hotel collects two volumes of short stories by one of contemporary South Africa's most acclaimed novelists. |
| contemporary south african short stories: The Methuen Drama Guide to Contemporary South African Theatre Martin Middeke, Peter Paul Schnierer, 2015-11-19 South Africa has a uniquely rich and diverse theatre tradition which has responded energetically to the country's remarkable transition, helping to define the challenges and contradictions of this young democracy. This volume considers the variety of theatre forms, and the work of the major playwrights and theatre makers producing work in democratic South Africa. It offers an overview of theatre pioneers and theatre forms in Part One, before concentrating on the work of individual playwrights in Part Two. Through its wide-ranging survey of indigenous drama written predominantly in the English language and the analysis of more than 100 plays, a detailed account is provided of post-apartheid South African theatre and its engagement with the country's recent history. Part One offers six overview chapters on South African theatre pioneers and theatre forms. These include consideration of the work of artists such as Barney Simon, Mbongeni Ngema, Phyllis Klotz; the collaborations of William Kentridge and the Handspring Puppet Company; the work of Magnet Theatre, and of physical and popular community theatre forms. Part Two features chapters on twelve major playwrights, including Athol Fugard, Reza de Wet, Lara Foot, Zakes Mda, Yaël Farber, Mpumelelo Paul Grootboom, Mike van Graan and Brett Bailey. It includes a survey of emerging playwrights and significant plays, and the book closes with an interview with Aubrey Sekhabi, the Artistic Director of the South African State Theatre in Pretoria. Written by a team of over twenty leading international scholars, The Methuen Drama Guide to Contemporary South African Theatre is a unique resource that will be invaluable to students and scholars from a range of different disciplines, as well as theatre practitioners. |
| contemporary south african short stories: The Columbia Guide to South African Literature in English Since 1945 Gareth Cornwell, Dirk Klopper, Craig Mackenzie, 2010-04-13 From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to rediscover the ordinary. The result has been a kaleidoscope of texts in which evolving cultural forms and modes of identity are rearticulated and explored. An invaluable guide for general readers as well as scholars of African literary history, this comprehensive text celebrates the multiple traditions and exciting future of the South African voice. Although the South African Constitution of 1994 recognizes no fewer than eleven official languages, English has remained the country's literary lingua franca. This book offers a narrative overview of South African literary production in English from 1945 to the postapartheid present. An introduction identifies the most interesting and noteworthy writing from the period. Alphabetical entries provide accurate and objective information on genres and writers. An appendix lists essential authors published before 1945. |
| contemporary south african short stories: African Short Stories Chinua Achebe, C. L. Innes, 1985 |
| contemporary south african short stories: Under African Skies Charles Larson, 1998-08-05 Spanning a wide geographical range, this collection features many of the now prominent first generation of African writers and draws attention to a new generation of writers. Powerful, intriguing and essentially non-Western, these stories will be welcome by an audience truly ready for multicultural voices. |
| contemporary south african short stories: Welcome to Our Hillbrow Phaswane Mpe, 2011-03-08 Welcome to Our Hillbrow is an exhilarating and disturbing ride through the chaotic and hyper-real zone of Hillbrow—microcosm of all that is contradictory, alluring, and painful in the postapartheid South African psyche. Everything is there: the shattered dreams of youth, sexuality and its unpredictable costs, AIDS, xenophobia, suicide, the omnipotent violence that often cuts short the promise of young people’s lives, and the Africanist understanding of the life continuum that does not end with death but flows on into an ancestral realm. Infused with the rhythms of the inner-city pulsebeat, this courageous novel is compelling in its honesty and its broad vision, which links Hillbrow, rural Tiragalong, and Oxford. It spills out the guts of Hillbrow—living with the same energy and intimate knowledge with which the Drum writers wrote Sophiatown into being. |
| contemporary south african short stories: Encyclopedia of Post-Colonial Literatures in English Eugene Benson, L.W. Conolly, 2004-11-30 ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide. |
| contemporary south african short stories: The Postcolonial Short Story Maggie Awadalla, Paul March-Russell, 2012-10-23 This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today – the period in which critical theory came to determine postcolonial studies – it argues for a sophisticated critique exemplified by the ambiguity of the form. |
| contemporary south african short stories: Write Short Stories and Get Them Published Zoe Fairbairns, 2012-01-01 LEARN HOW TO WRITE WONDERFUL AND VARIED SHORT STORIES AND SHARE THEM WITH THE WORLD. Written by one of the country's leading experts on the short story, this book is ideal if you want to write creatively in a genre that is increasingly attracting attention from publishers, and which offers plenty of competition and festival opportunities for you to showcase your work. This new edition includes uptodate material on web resources and outlets and provides new information on self-publishing. In addition it discusses genres such as micro-fiction, and throughout is fully updated with new resources, events, slams and competitions. It will help unlock your imagination and creativity, and to discover stories you didn't know you had. It will help you to observe the world around you more sharply, as well as to structure, shape and polish your story. It is full of practical exercises that will both inspire imagination and refine skills, and confidence-building suggestions and hints. |
| contemporary south african short stories: The Prophetess Njabulo Simakahle Ndebele, 1992 |
| contemporary south african short stories: The Mistress’s Dog David Medalie, 2010-05-01 The Mistress’s Dog is an engaging collection of twelve short stories by David Medalie, including two award winners – ‘Recognition’ and ‘The Mistress’s Dog’ – and a Foreword and afterword by Michael Titlestad. Deft, subtle and nuanced, Medalie’s stories show an accomplished and mature writer at his best. Their focus is the lived experience of people: ostensibly uneventful lives into which the unexpected erupts. These stories find significance in the reversals, ironies and coincidences of existence. They bring the characters – and the reader – to the brink of recognition. The Mistress's Dog was short-listed in 2011 for the University of Johannesburg Literary Award and was awarded the Thomas Pringle Award by the English Academy of Southern Africa in 2008. It was also short-listed in 2011 for the Caine Prize for African Writing and was selected as one of the best twenty short stories of the post-apartheid period and was published in 2014, along with the other nineteen stories, in a collection entitled Twenty in 20. |
| contemporary south african short stories: A Land Apart André Philippus Brink, J. M. Coetzee, 1987 |
| contemporary south african short stories: Return in Post-Colonial Writing , 2021-11-15 For writers and academics prominent in the field of the New Literatures in English today, the notion of return explodes into rich semantic difference to reveal the diversity of preoccupations underlying the use of the common tongue. From the Caribbean to Australia, Guyana to South Africa, India to Great Britain, literary, political and personal history collaborate in the poetic metamorphosis of an otherwise everyday experience. Now a state of being, now a reading rich with cross-cultural age, return draws from the collective memory, invokes revenants, digs up forgotten history, quests for roots. Just as it creates a dialogue with the past, textual or real, it negotiates turning points and perpetuates reversals. It reclaims territory, tradition and language in its yearning for home. Fraught with the tensions arising from awareness of the impossibility of return, from the exhilarations of imaginary, fictional return - even from the glimmering hope of a possible return - its contemplation can also lead to appreciation of the infinite re-turn, re-newal and re-creation that is the beauty of human experience. Discussion ranges from revenant supernaturalism in West Indian literature and the exploration of return in Australian, African and Indo-Anglian fiction to Caribbean poetry, South African praise poets, and West African drama. Writers treated include Ama Ata Aidoo, Edward Kamau Brathwaite, Jean D'Costa, Bessie Head, Matsemela Manaka, Salman Rushdie, Derek Walcott, and Patrick White. The personal, biographical dimension of physical return is encompassed via the examination of the life and works of such writers as Es'kia Mphahlele and Wole Soyinka, and through autobiographical reflections. The essays, stories and poetry in this collection challenge patterns of conditioned reading and call for a multilayered polylogue with reality. |
| contemporary south african short stories: Feast, Famine and Potluck Karen Jennings, 2014-06-14 A dazzling collection from across the African continent and diaspora here SHORT STORY DAY AFRICA has assembled the best nineteen stories from their 2013 competition. Food is at the centre of stories from authors emerging and established, blending the secular, the supernatural, the old and the new in a spectacular celebration of short fiction. Civil wars, evictions, vacations, feasts and romances the stories we bring to our tables that bring us together and tear us apart. |
| contemporary south african short stories: The Value of Shame Elisabeth Vanderheiden, Claude-Hélène Mayer, 2017-04-06 This volume combines empirical research-based and theoretical perspectives on shame in cultural contexts and from socio-culturally different perspectives, providing new insights and a more comprehensive cultural base for contemporary research and practice in the context of shame. It examines shame from a positive psychology perspective, from the angle of defining the concept as a psychological and cultural construct, and with regard to practical perspectives on shame across cultures. The volume provides sound foundations for researchers and practitioners to develop new models, therapies and counseling practices to redefine and re-frame shame in a way that leads to strength, resilience and empowerment of the individual. |
| contemporary south african short stories: We Are Not Such Things Justine van der Leun, 2016-06-28 Justine van der Leun reopens the murder of a young American woman in South Africa, an iconic case that calls into question our understanding of truth and reconciliation, loyalty, justice, race, and class—a gripping investigation in the vein of the podcast Serial “Timely . . . gripping, explosive . . . the kind of obsessive forensic investigation—of the clues, and into the soul of society—that is the legacy of highbrow sleuths from Truman Capote to Janet Malcolm.”—The New York Times Book Review The story of Amy Biehl is well known in South Africa: The twenty-six-year-old white American Fulbright scholar was brutally murdered on August 25, 1993, during the final, fiery days of apartheid by a mob of young black men in a township outside Cape Town. Her parents’ forgiveness of two of her killers became a symbol of the Truth and Reconciliation process in South Africa. Justine van der Leun decided to introduce the story to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled upon another brutal crime committed on the same day, in the very same area. The true story of Amy Biehl’s death, it turned out, was not only a story of forgiveness but a reflection of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four-year investigation into this strange, knotted tale of injustice, violence, and compassion. The bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and in the decades that followed—come together in an unsparing account of life in South Africa today. Van der Leun immerses herself in the lives of her subjects and paints a stark, moving portrait of a township and its residents. We come to understand that the issues at the heart of her investigation are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson as relevant to America today as to a South Africa still struggling with the long shadow of its history. “A masterpiece of reported nonfiction . . . Justine van der Leun’s account of a South African murder is destined to be a classic.”—Newsday |
| contemporary south african short stories: The Plague Years Michael Titlestad, Karl van Wyk, Grace A. Musila, 2022-08-15 The Plague Years collects scholarly and essayistic reflections on literary, visual, and sonic representations of the COVID-19 and other pandemics. These are placed alongside poetry and short fiction written in the first two years of quarantine or isolation. This range expresses the intellectual and imaginative struggle and ingenuity entailed in coming to terms with the rampant spread of disease and its emotional, cultural, and political consequences. The contributions are from diverse contexts: Africa (from Egypt to South Africa), China, Japan, the US, and Scandinavia. They consider some of the array of contemporary engagements: poems translated from Mandarin about the traumas of the frontline, Chinese calligraphic poetry printed on cartons of PPE, comments on the literary history of representing epidemics and pandemics, political analyses of the post-truth present, and the role of life-writing and gaming in an interrupted world. Given the generative and creative obliquity of many of its parts, this collection shifts how one thinks about the diseased present and the archival pasts on which it draws. The chapters in this book were originally published as a special issue of English Studies in Africa. |
| contemporary south african short stories: Student Encyclopedia of African Literature Douglas Killam, Alicia L. Kerfoot, 2007-12-30 African literature is a vast subject of growing output and interest. Written especially for students, this book selectively surveys the topic in a clear and accessible way. Included are roughly 600 alphabetically arranged entries on writers, genres, and major works. Many entries cite works for further reading, and the volume closes with a selected, general bibliography. Africa is a land of contrasts and of diverse cultures and traditions. It is also a land of conflict and creativity. The literature of the continent draws upon a fascinating body of oral traditions and lore and also reflects the political turmoil of the modern world. With the increased interest in cultural diversity and the growing centrality of Africa in world politics, African literature is figuring more and more prominently in the curriculum. This book helps students learn about the African literary achievement. Written expressly for students, this book is far more accessible than other reference works on the subject. Included are nearly 600 alphabetically arranged entries on authors, such as Chinua Achebe, Athol Fugard, Buchi Emecheta, Nadine Gordimer, and Wole Soyinka; major works, such as Things Fall Apart and Petals of Blood; and individual genres, such as the novel, drama, and poetry. Many entries cite works for further reading, and the volume closes with a selected, general bibliography. |
| contemporary south african short stories: Opening Spaces Yvonne Vera, 1999 In this anthology the award-winning author Yvonne Vera brings together the stories of many talented writers from different parts of Africa. |
| contemporary south african short stories: South African Gothic Rebecca Duncan, 2018-06-15 The term ‘Gothic’ has rarely been brought to bear on contemporary South African fictions, appearing too fanciful for the often overtly political writing of apartheid and post-apartheid South Africa. As the first book-length exploration of Gothic impulses in South African literature, this volume accounts for the Gothic currents that run through South African imaginaries from the late-nineteenth century onwards. South African Gothic identifies an intensification in Gothic production that begins with the nascent decline of the apartheid state, and relates this to real anxieties that arise with the unfolding of social and political change. In the context of a South Africa unmaking and reshaping itself, Gothic emerges as a language for long-suppressed histories of violence, and for ongoing experiences at odds with utopian images of the new democracy. Its function is interrogative and ultimately creative: South African Gothic challenges narrow conceptions of the status quo to drive at alternative, less exclusionary visions. |
| contemporary south african short stories: African Literature in the Twentieth Century O. R. Dathorne, 1975 Explores intellectual currents in African prose and verse from sung or chanted lines to modern writings |
| contemporary south african short stories: Teach Like A Writer: Expert tips on teaching students to write in different forms Jennifer Webb, 2020-04-10 Jennifer Webb collaborates with six expert writers to offer practical teaching strategies for the English classroom. With advice for primary to sixth form, it helps in the teaching of writing skills of distinct and specific forms, including: play-writing, novels, spoken poetry, written poetry, journalism and speech-writing. |
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然两 …
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在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
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参考文献为外文文献时应该采用什么格式啊? - 知乎
EndNote. 插入引文是它的杀手锏，特别适合做外文期刊引文格式。 步骤：首先在 EndNote 中选中要插入的文献选中位置，点击 Insert Citation，点击左上角的下拉三角形符号，点击 Insert …
stata异质性分析怎么做? - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然两 …
如何知道一个期刊是不是sci？ - 知乎
Master Journal List在这个网站能搜到的就是吗？我在web of knowledge 上能搜到文章的杂志就是sci吗？
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然两 …
如何剖析Alternative R&B , Contemporary R&B - 知乎
Contemporary rnb节奏感更强，鼓点抓耳，vocal上是比较明显的“黑人醇厚"嗓音； 而Alternative rnb会加入电子元素，歌手偏爱使用假音。 歌词方面，rnb本身表达的就是浪漫、情爱，不论当 …
R&B的定义和特点是什么，如何辨别哪些歌是R&B？ - 知乎
20世纪40年代，R&B大多指的基本上就是Jazz、Gospel、Blues所组合的音乐， 20世纪60年代，R&B出现了Motown R&B的分支（比如The Jacksons5的《I want you back》） 之后又出现 …
微单镜头入门推荐 ·索尼E卡口篇 | 2024版 - 知乎
Feb 27, 2024 · 腾龙推出了大量索尼e卡口镜头 二、aps-c微单镜头推荐 *适用于a6x00、a5x00、zv-e10等索尼aps-c画幅相机
参考文献为外文文献时应该采用什么格式啊? - 知乎
EndNote. 插入引文是它的杀手锏，特别适合做外文期刊引文格式。 步骤：首先在 EndNote 中选中要插入的文献选中位置，点击 Insert Citation，点击左上角的下拉三角形符号，点击 Insert …
stata异质性分析怎么做? - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
