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| contemporary chicano literature: Chicano and Chicana Literature Charles M. Tatum, 2006-09-14 Exploring the work of Rudolfo Anaya, Sandra Cisneros, Luis Alberto Urrea, and many more, Charles Tatum examines the important social, historical, and cultural contexts in which the writing evolved, paying special attention to the Chicano Movement and the flourishing of literary texts during the 1960s and early 1970s. Chapters provide an overview of the most important theoretical and critical approaches employed by scholars over the past forty years and survey the major trends and themes in contemporary autobiography, fiction, poetry, and theater.--P. [4] of cover. |
| contemporary chicano literature: Understanding Contemporary Chicana Literature Deborah L. Madsen, 2000 Exploring the work of six notable authors, this text reveals characteristic themes, images and stylistic devices that make contemporary Chicana writing a vibrant and innovative part of a burgeoning Latina creativity. |
| contemporary chicano literature: Contemporary Chicana Poetry Marta E. Sanchez, 2023-04-28 In this first book-length study of the works of Chicano women writers, Marta Ester Sanchez introduces the reader to a group of Chicanas who in the 1970s began to reexamine and reevaluate their gender and cultural identity through poetic language. The term 'Chicana' refers here to women of Mexican heritage who live and write in the United States. The works of four contemporary Chicana poets---Alma Villanueva, Lorna Dee Cervantes, Lucha Corpi, and Bernice Zamora---are the focus of this volume. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986. In this first book-length study of the works of Chicano women writers, Marta Ester Sanchez introduces the reader to a group of Chicanas who in the 1970s began to reexamine and reevaluate their gender and cultural identity through poetic language. The term |
| contemporary chicano literature: Criticism in the Borderlands Héctor Calderón, José David Saldívar, 1991-05-30 This pathbreaking anthology of Chicano literary criticism, with essays on a remarkable range of texts—both old and new—draws on diverse perspectives in contemporary literary and cultural studies: from ethnographic to postmodernist, from Marxist to feminist, from cultural materialist to new historicist. The editors have organized essays around four board themes: the situation of Chicano literary studies within American literary history and debates about the “canon”; representations of the Chicana/o subject; genre, ideology, and history; and the aesthetics of Chicano literature. The volume as a whole aims at generating new ways of understanding what counts as culture and “theory” and who counts as a theorist. A selected and annotated bibliography of contemporary Chicano literary criticism is also included. By recovering neglected authors and texts and introducing readers to an emergent Chicano canon, by introducing new perspectives on American literary history, ethnicity, gender, culture, and the literary process itself, Criticism in the Borderlands is an agenda-setting collection that moves beyond previous scholarship to open up the field of Chicano literary studies and to define anew what is American literature. Contributors. Norma Alarcón, Héctor Calderón, Angie Chabram, Barbara Harlow, Rolando Hinojosa, Luis Leal, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Saldívar, Sonia Saldívar-Hull, Rosaura Sánchez, Roberto Trujillo |
| contemporary chicano literature: Bordering Fires Cristina García, 2006-10-10 As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. |
| contemporary chicano literature: A Bibliography of Criticism of Contemporary Chicano Literature Ernestina N. Eger, 1982 |
| contemporary chicano literature: Modern Chicano Writers Joseph Sommers, Tomás Ybarra-Frausto, 1979 Heirs to a cultural literacy rich in Mexican and American influences, modern Chicano writers combine an urgent sense of social protest with a vibrant literary style. Containing contributions from both recognized scholars such as Américo Paredes, Luis Leal, and Felipe Ortego and younger critics, including Yvonne Yabro-Bejarano, Ralph Grajeda and Marta Sánchez, Modern Chicano writers affirms the dynamic blending of continuity and change that characterizes the modern Chicano writer. Beginning with a series of five framing articles, the editors establish the literary history, folk culture, critical theory and sociolinguistics surrounding the Chicano people. Other critiques examine the narrative techniques of Tomás Rivera and his opposing themes of resignation and rebellion, the poet Alurista and his use of traditional mythology to convey contemporary social concerns, and the relationof popular art to the Chicano struggle for cultural identity in El Teatro Campesino. This volume presents a unique collection of critical commentaries that explore the development and future direction of modern Chicano literature. |
| contemporary chicano literature: Windows to Culture i a Reading Comprehension , |
| contemporary chicano literature: Colonial Legacies in Chicana/o Literature and Culture Vanessa Fonseca-Chávez, 2020-10-06 Colonial Legacies in Chicana/o Literature and Culture exposes the ways in which colonialism is expressed in the literary and cultural production of the U.S. Southwest, a region that has experienced at least two distinct colonial periods since the sixteenth century. Vanessa Fonseca-Chávez traces how Spanish colonial texts reflect the motivation for colonial domination. She argues that layers of U.S. colonialism complicate how Chicana/o literary scholars think about Chicana/o literary and cultural production. She brings into view the experiences of Chicana/o communities that have long-standing ties to the U.S. Southwest but whose cultural heritage is tied through colonialism to multiple nations, including Spain, Mexico, and the United States. While the legacies of Chicana/o literature simultaneously uphold and challenge colonial constructs, the metaphor of the kaleidoscope makes visible the rupturing of these colonial fragments via political and social urgencies. This book challenges readers to consider the possibilities of shifting our perspectives to reflect on stories told and untold and to advocate for the inclusion of fragmented and peripheral pieces within the kaleidoscope for more complex understandings of individual and collective subjectivities. This book is intended for readers interested in how colonial legacies are performed in the U.S. Southwest, particularly in the context of New Mexico, Texas, and Arizona. Readers will relate to the book’s personal narrative thread that provides a path to understanding fragmented identities. |
| contemporary chicano literature: Chicano Renaissance David R. Maciel, Isidro D. Ortiz, María Herrera-Sobek, 2022-08-23 Among the lasting legacies of the Chicano Movement is the cultural flowering that it inspired--one that has steadily grown from the 1960s to the present. It encompassed all of the arts and continues to earn acclaim both nationally and internationally. Although this Chicano artistic renaissance received extensive scholarly attention in its initial phase, the post-Movimiento years after the late 1970s have been largely overlooked. This book meets that need, demonstrating that, despite the changes that have taken place in all areas of Chicana/o arts, a commitment to community revitalization continues to underlie artistic expression. This collection examines changes across a broad range of cultural forms--art, literature, music, cinema and television, radio, and theater--with an emphasis on the last two decades. Original articles by both established and emerging scholars review such subjects as the growth of Tejano music and the rise of Selena, how films and television have affected the Chicana/o experience, the evolution of Chicana/o art over the last twenty years, and postmodern literary trends. In all of the essays, the contributors emphasize that, contrary to the popular notion that Chicanas/os have succumbed to a victim mentality, they continue to actively struggle to shape the conditions of their lives and to influence the direction of American society through their arts and social struggle. Despite decades usually associated with self-interest in the larger society, the spirit of commitment and empowerment has continued to infuse Chicana/o cultural expression and points toward a vibrant future. CONTENTS All Over the Map: La Onda Tejana and the Making of Selena, Roberto R. Calderón Outside Inside-The Immigrant Workers: Creating Popular Myths, Cultural Expressions, and Personal Politics in Borderlands Southern California, Juan Gómez-Quiñones Yo soy chicano: The Turbulent and Heroic Life of Chicanas/os in Cinema and Television, David R. Maciel and Susan Racho The Politics of Chicano Representation in the Media, Virginia Escalante Chicana/o and Latina/o Gazing: Audiences of the Mass Media, Diana I. Ríos An Historical Overview/Update on the State of Chicano Art, George Vargas Contemporary Chicano Theater, Arturo Ramírez Breaking the Silence: Developments in the Publication and Politics of Chicana Creative Writing, 1973-1998, Edwina Barvosa-Carter Trends and Themes in Chicana/o Writings in Postmodern Times, Francisco A. Lomelí, Teresa Márquez, and María Herrera-Sobek |
| contemporary chicano literature: Movements in Chicano Poetry Rafael Pèrez-Torres, 1995-01-27 Studies the central concerns addressed by recent Chicano poetry. |
| contemporary chicano literature: Permissible Narratives Christopher González, 2017 In Permissible Narratives: The Promise of Latino/a Literature, Christopher González explores the ways in which Latina/o authors dare to bend the possibilities of narrative form to their will, highlighting the double standard of narrative permissibility in U.S. literatures from within and outside of Latinidad. |
| contemporary chicano literature: Badmen, Bandits, and Folk Heroes Juan JosŽ Alonzo, 2009-09-15 Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of AmŽrico Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation. |
| contemporary chicano literature: Critical Essays on Chicano Studies Ramón Espejo, 2007 This book explores the most recent critical and theoretical approaches in the field of Chicano studies from an interdisciplinary perspective. The contributions go back to the 4th International Conference on Chicano Literature which took place in Sevilla in May 2004. They deal with a wide variety of topics and approach the subject from diverse viewpoints. Some examine specific literary texts by major Chicano authors from feminist, comparative and close-reading approaches, others discuss ideological and cultural issues like folklore, ethnicity, identity, sexuality or stereotypes, while yet others focus on artistic manifestations like films and murals. Furthermore, the volume also includes an interview with the Chicana writer Ana Castillo. The main goal of this collection is to find new cultural possibilities and strategies while exploring future dilemmas in the field of Chicano Studies. |
| contemporary chicano literature: Extinct Lands, Temporal Geographies Mary Pat Brady, 2002-11-15 A train station becomes a police station; lands held sacred by Apaches and Mexicanos are turned into commercial and residential zones; freeway construction hollows out a community; a rancho becomes a retirement community—these are the kinds of spatial transformations that concern Mary Pat Brady in Extinct Lands, Temporal Geographies, a book bringing together Chicana feminism, cultural geography, and literary theory to analyze an unusual mix of Chicana texts through the concept of space. Beginning with nineteenth-century short stories and essays and concluding with contemporary fiction, this book reveals how Chicana literature offers a valuable theoretics of space. The history of the American Southwest in large part entails the transformation of lived, embodied space into zones of police surveillance, warehouse districts, highway interchanges, and shopping malls—a movement that Chicana writers have contested from its inception. Brady examines this long-standing engagement with space, first in the work of early newspaper essayists and fiction writers who opposed Anglo characterizations of Northern Sonora that were highly detrimental to Mexican Americans, and then in the work of authors who explore border crossing. Through the writing of Sandra Cisneros, Cherríe Moraga, Terri de la Peña, Norma Cantú, Monserrat Fontes, Gloria Anzaldúa, and others, Brady shows how categories such as race, gender, and sexuality are spatially enacted and created—and made to appear natural and unyielding. In a spatial critique of the war on drugs, she reveals how scale—the process by which space is divided, organized, and categorized—has become a crucial tool in the management and policing of the narcotics economy. |
| contemporary chicano literature: Anything But Mexican Rodolfo F. Acuña, 2020-04-14 Mexicans and other Latinos comprise fifty percent of the population of Los Angeles and are the largest ethnic group in California. In this completely revised and updated edition of a classic political and social history, one of the foremost scholars of the Latino experience situates the US's largest immigrant community in a time of anti-immigrant fervor. Originally published in 1996, this edition analyses the rise and rule of LA's first-ever Mexican American mayor, Antonio Villaraigosa, as well as the harsh pressures facing Chicanos in an increasingly unequal and gentrifying city. |
| contemporary chicano literature: New Chicana/Chicano Writing , 1992 |
| contemporary chicano literature: Chicano Nations Marissa K. López, 2011-10 This book argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the ?new world? debated the national contours of the viceroyalties. This is where the author locates the origins of Chicano literature, which is now and always has been ?postnational,? encompassing the wealthy, the poor, the white, and the mestizo. |
| contemporary chicano literature: When We Arrive , 2003 Most readers and critics view Mexican American writing as a subset of American literatureÑor at best as a stream running parallel to the main literary current. JosŽ Aranda now reexamines American literary history from the perspective of Chicano/a studies to show that Mexican Americans have had a key role in the literary output of the United States for one hundred fifty years. In this bold new look at the American canon, Aranda weaves the threads of Mexican American literature into the broader tapestry of Anglo American writing, especially its Puritan origins, by pointing out common ties that bind the two traditions: narratives of persecution, of immigration, and of communal crises, alongside chronicles of the promise of America. Examining texts ranging from Mar’a Amparo Ruiz de Burton's 1872 critique of the Civil War, Who Would Have Thought It?, through the contemporary autobiographies of Richard Rodriguez and Cherr’e Moraga, he surveys Mexican American history, politics, and literature, locating his analyses within the context of Chicano/a cultural criticism of the last four decades. When We Arrive integrates Early American Studies and Chicano/a Studies into a comparative cultural framework by using the Puritan connection to shed new light on dominant images of Chicano/a narrative, such as Aztl‡n and the borderlands. Aranda explores the influence of a nationalized Puritan ethos on nineteenth- and twentieth-century writers of Mexican descent, particularly upon constructions of ethnic identity and aesthetic values. He then frames the rise of contemporary Chicano/a literature within a critical body of work produced from the 1930s through the 1950s, one that combines a Puritan myth of origins with a literary history in which American literature is heralded as the product and producer of social and political dissent. Aranda's work is a virtual sourcebook of historical figures, texts, and ideas that revitalizes both Chicano/a studies and American literary history. By showing how a comparative study of two genres can produce a more integrated literary history for the United States, When We Arrive enables critics and readers alike to see Mexican American literature as part of a broader tradition and establishes for its writers a more deserving place in the American literary imagination. |
| contemporary chicano literature: Barrio-Logos Raúl Homero Villa, 2009-03-06 Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raúl Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity. Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts. |
| contemporary chicano literature: Chicana/o and Latina/o Fiction Ylce Irizarry, 2016-02-15 In this new study, Ylce Irizarry moves beyond literature that prioritizes assimilation to examine how contemporary fiction depicts being Cuban, Dominican, Mexican, or Puerto Rican within Chicana/o and Latina/o America. Irizarry establishes four dominant categories of narrative--loss, reclamation, fracture, and new memory--that address immigration, gender and sexuality, cultural nationalisms, and neocolonialism. As she shows, narrative concerns have moved away from the weathered notions of arrival and assimilation. Contemporary Chicana/o and Latina/o literatures instead tell stories that have little, if anything, to do with integration into the Anglo-American world. The result is the creation of new memory. This reformulation of cultural membership unmasks the neocolonial story and charts the conscious engagement of cultural memory. It outlines the ways contemporary Chicana/o and Latina/o communities create belonging and memory of their ethnic origins. An engaging contribution to an important literary tradition, Chicana/o and Latina/o Fiction privileges the stories Chicanas/os and Latinas/os remember about themselves rather than the stories of those subjugating them. NACCS Book Award, National Association for Chicana and Chicano Studies, 2018; MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies, Modern Language Association, 2017 |
| contemporary chicano literature: Conversations with Contemporary Chicana and Chicano Writers Hector Avalos Torres, 2007 Interviews with major Chicana/o authors are the basis for this examination of the commonality of issues in the work of each of them. |
| contemporary chicano literature: Of Space and Mind Patrick L. Hamilton, 2012-05-15 Chicano/a fiction is often understood as a literature of resistance to the dominant U.S. Anglo culture and society. But reducing this rich literary production to a single, binary opposition distorts it in fundamental ways. It conflates literature with life, potentially substituting a literature of protest for social activism that could provoke real changes in society. And it overlooks the complex range of responses to Anglo society that actually animates Chicano/a fiction. In this paradigm-shifting book, Patrick L. Hamilton analyzes works by Rudolfo Anaya, Ana Castillo, Denise Chávez, Rolando Hinojosa, Arturo Islas, John Rechy, Alfredo Véa, and Helena María Viramontes to expand our understandings of the cultural interactions within the United States that are communicated by Chicano/a fiction. He argues that the narrative ethics of resistance within the Chicano/a canon is actually complemented by ethics of persistence and transformation that imagine cultural differences within the United States as participatory and irreducible to simple oppositions. To demonstrate these alternative ethics, Hamilton adapts the methodology of cognitive mapping; that is, he treats the chosen fictional texts as mental maps that are constructed around and communicative of the narrative's ethics. As he reads these cognitive maps, which envision Chicano/a culture as being part of U.S. society rather than as resistant and separate, Hamilton asserts that the authors' conception of cultural difference speaks more usefully to current sociopolitical debates, such as those about gay marriage and immigration reform, than does the traditional resistant paradigm. |
| contemporary chicano literature: Inter State José Vadi, 2021-09-14 A must read debut collection of poetic, linked essays investigating the past and present state of California, its conflicting histories and their impact on a writer's family and life (Los Angeles Times). California has been advertised as a destiny manifested for those ready to pull up their bootstraps and head west across to find wealth on the other side of the Sierra Nevada since the 19th century. Across the seven essays in the debut collection by José Vadi, we hear from the descendants of those not promised that prize. Inter State explores California through many lenses: an aging obsessed skateboarder; a self-appointed dive bar DJ; a laid-off San Francisco tech worker turned rehired contractor; a grandson of Mexican farmworkers pursuing the crops they tilled. Amidst wildfires, high speed rail, housing crises, unprecedented wealth and its underlying decay, Inter State excavates and roots itself inside those necessary stories and places lost in the ever-changing definitions of a selectively golden state. |
| contemporary chicano literature: Chicano and Chicana Literature Charles M. Tatum, 2022-07-26 The literary culture of the Spanish-speaking Southwest has its origins in a harsh frontier environment marked by episodes of intense cultural conflict, and much of the literature seeks to capture the epic experiences of conquest and settlement. The Chicano literary canon has evolved rapidly over four centuries to become one of the most dynamic, growing, and vital parts of what we know as contemporary U.S. literature. In this comprehensive examination of Chicano and Chicana literature, Charles M. Tatum brings a new and refreshing perspective to the ethnic identity of Mexican Americans. From the earliest sixteenth-century chronicles of the Spanish Period, to the poetry and narrative fiction of the second half of the nineteenth century and the first half of the twentieth century, and then to the flowering of all literary genres in the post–Chicano Movement years, Chicano/a literature amply reflects the hopes and aspirations as well as the frustrations and disillusionments of an often marginalized population. Exploring the work of Rudolfo Anaya, Sandra Cisneros, Luis Alberto Urrea, and many more, Tatum examines the important social, historical, and cultural contexts in which the writing evolved, paying special attention to the Chicano Movement and the flourishing of literary texts during the 1960s and early 1970s. Chapters provide an overview of the most important theoretical and critical approaches employed by scholars over the past forty years and survey the major trends and themes in contemporary autobiography, memoir, fiction, and poetry. The most complete and up-to-date introduction to Chicana/o literature available, this book will be an ideal reference for scholars of Hispanic and American literature. Discussion questions and suggested reading included at the end of each chapter are especially suited for classroom use. |
| contemporary chicano literature: Cuentos Chicanos Rudolfo A. Anaya, Antonio Márquez, 1984 A collection of twenty-one short stories in English and Spanish that demonstrate the changes and developments that have occured in the Chicano literary tradition over the last twenty years. |
| contemporary chicano literature: Contemporary Chicano Fiction Vernon E. Lattin, 1986 This work provides the most comprehensive critical coverage of Chicano fiction to date. The papers in this volume cover all the major figures in Chicano fiction of the 1960s and 1970s as well as the theory of the Chicano novel, New Mexican narratives, and the urban experience in Chicano fiction. Ernestina N. Eger has produced an extensive bibliography of criticism on Chicano fiction, an outstanding scholarly contribution. |
| contemporary chicano literature: Mean Myriam Gurba, 2017 Gurba grows up queer, chicana, and take no prisoners. Her story is a revelation, a delight, and an eye-opener. |
| contemporary chicano literature: Born of Resistance Scott L. Baugh, Victor A. Sorell, 2015-12-03 This collection of essays interrogates the most contested social, political, and aesthetic concept in Chicana/o cultural studies—resistance. If Chicana/o culture was born of resistance amid assimilation and nationalistic forces, how has it evolved into the twenty-first century? This groundbreaking volume redresses the central idea of resistance in Chicana/o visual cultural expression through nine clustered discussions, each coordinating scholarly, critical, curatorial, and historical contextualizations alongside artist statements and interviews. Landmark artistic works—illustrations, paintings, sculpture, photography, film, and television—anchor each section. Contributors include David Avalos, Mel Casas, Ester Hernández, Nicholas Herrera, Luis Jiménez, Ellen Landis, Yolanda López, Richard Lou, Delilah Montoya, Laura Pérez, Lourdes Portillo, Luis Tapia, Chuy Treviño, Willie Varela, Kathy Vargas, René Yañez, Yvonne Yarbro-Bejarano, and more. Cara a cara, face-to-face, encounters across the collection reveal the varied richness of resistant strategies, movidas, as they position crucial terms of debate surrounding resistance, including subversion, oppression, affirmation, and identification. The essays in the collection represent a wide array of perspectives on Chicana/o visual culture. Editors Scott L. Baugh and Víctor A. Sorell have curated a dialog among the many voices, creating an important new volume that redefines the role of resistance in Chicana/o visual arts and cultural expression. |
| contemporary chicano literature: Heart Like a Window, Mouth Like a Cliff Sara Borjas, 2019 Poetry. California Interest. Latinx Studies. HEART LIKE A WINDOW, MOUTH LIKE A CLIFF is a transgressive, yet surprisingly tender confrontation of what it means to want to flee the thing you need most. The speaker struggles through cultural assimilation and the pressure to act Mexican while dreaming of the privileges of whiteness. Borjas holds cultural traditions accountable for the gendered denial of Chicanas to individuate and love deeply without allowing one's love to consume the self. This is nothing new. This is colonization working through relationships within Chicanx families--how we learn love and perform it, how we filter it though alcohol abuse--how ultimately, we oppress the people we love most. This collection simultaneously reveres and destroys nostalgia, slips out of the story after a party where the reader can find God drunk and dreaming. Think golden oldiez meets the punk attitude of No Doubt. Think pochas sipping gin martinis in lowriders cruising down Who Gives a Fuck Boulevard. |
| contemporary chicano literature: Spiritual Mestizaje Theresa Delgadillo, 2011-08-08 Demonstrates the centrality of Gloria Anzald&úas concept of spiritual mestizaje to the queer feminist Chicana theorists life and thought, and its utility as a framework for interpreting contemporary Chicana narratives. |
| contemporary chicano literature: Handbook of Hispanic Cultures in the United States: Literature and Art Nicolàs Kanellos, Claudia Esteva-Fabregat, Francisco LomelÕ, 1993-01-01 Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States. |
| contemporary chicano literature: Chicano SPA Richard Vasquez, 2012-09-04 Este libro, que fue un bestseller la primera vez que fue publicado hace 35 años, cuenta la historia de la familia Sandoval, una familia que huye a los Estados Unidos en busca de una mejor vida. Héctor, el patriarca de los Sandoval trabaja en el campo y lucha por alimentar a su familia mientras se enfrenta a la discriminación y la injusticia que encuentra esta nueva sociedad. De sus hijos, sólo Pete logra alcanzar una existencia un tanto más cómoda, o por lo menos por un tiempo. Pero cuando Mariana, la hija de Pete se enamora de un estudiante americano llamado David, el choque cultural es inminente. Por temor a lo que digan sus amigos y su familia, David se rehúsa a casarse con Mariana que sin embargo está embarazada con su hijo. Las complicaciones de su relación y la complejidad de sus diferencias culturales reflejan la cambiante realidad de la política racial en la cultura americana contemporánea. En la introducción, el aclamado y reconocido periodista Rubén Martínez, autor de Crossing Over: A Mexican Family on the Migrant Trail y The New Americans analiza el impacto que tuvo la primera publicación de Chicano, lo que hizo por la carrera del autor y se pregunta cómo ha cambiado nuestra percepción del texto desde su primera aparición. |
| contemporary chicano literature: The House on Mango Street Sandra Cisneros, 2013-04-30 A TODAY SHOW #ReadWithJenna BOOK CLUB PICK NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting. Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from. |
| contemporary chicano literature: The Last Tortilla & Other Stories Sergio Troncoso, 1999-07 An anthology of stories on Mexican-Americans. One deals with the gulf between Anglo and Latin cultures, another is a romance between an older woman and a younger man, a third is on a boy's satisfaction with a job well done. |
| contemporary chicano literature: The Man who Could Fly and Other Stories Rudolfo A. Anaya, 2006 Spanning a period of thirty years, a collection of eighteen short stories includes Silence of the Llano,' In search of Epifano, and Children of the Desert. |
| contemporary chicano literature: Literatura Chicana, 1965-1995 David William Foster, Manuel de Jesus Hernandez-Gutierrez, 1997 |
| contemporary chicano literature: Chicano Literature Charles M. Tatum, 1982 |
| contemporary chicano literature: Ends of Assimilation John Alba Cutler, 2015 Ends of Assimilation examines how Chicano literature imagines the conditions and costs of cultural change, arguing that its thematic preoccupation with assimilation illuminates the function of literature. John Alba Cutler shows how mid-century sociologists advanced a model of assimilation that ignored the interlinking of race, gender, and sexuality and characterized American culture as homogeneous, stable, and exceptional. He demonstrates how Chicano literary works from the postwar period to the present understand culture as dynamic and self-consciously promote literature as a medium for influencing the direction of cultural change. With original analyses of works by canonical and noncanonical writers--from Am rico Paredes, Sandra Cisneros, and Jimmy Santiago Baca to Estela Portillo Trambley, Alfredo V a, and Patricia Santana--Ends of Assimilation demands that we reevaluate assimilation, literature, and the very language we use to talk about culture. |
| contemporary chicano literature: Chicana Sexuality and Gender Debra J. Blake, 2008-10-31 DIVA study of working class and elite intellectual Mexican and Mexican American women that focuses on their sexuality and identity, particularly their identification with four primary Mexican female cultural symbols: La Malinche, Aztec goddesses, the Virgin/div |
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然两 …
如何知道一个期刊是不是sci？ - 知乎
Master Journal List在这个网站能搜到的就是吗？我在web of knowledge 上能搜到文章的杂志就是sci吗？
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然两 …
如何剖析Alternative R&B , Contemporary R&B - 知乎
Contemporary rnb节奏感更强，鼓点抓耳，vocal上是比较明显的“黑人醇厚"嗓音； 而Alternative rnb会加入电子元素，歌手偏爱使用假音。 歌词方面，rnb本身表达的就是浪漫、情爱，不论当 …
R&B的定义和特点是什么，如何辨别哪些歌是R&B？ - 知乎
20世纪40年代，R&B大多指的基本上就是Jazz、Gospel、Blues所组合的音乐， 20世纪60年代，R&B出现了Motown R&B的分支（比如The Jacksons5的《I want you back》） 之后又出现 …
微单镜头入门推荐 ·索尼E卡口篇 | 2024版 - 知乎
Feb 27, 2024 · 腾龙推出了大量索尼e卡口镜头 二、aps-c微单镜头推荐 *适用于a6x00、a5x00、zv-e10等索尼aps-c画幅相机
参考文献为外文文献时应该采用什么格式啊? - 知乎
EndNote. 插入引文是它的杀手锏，特别适合做外文期刊引文格式。 步骤：首先在 EndNote 中选中要插入的文献选中位置，点击 Insert Citation，点击左上角的下拉三角形符号，点击 Insert …
stata异质性分析怎么做? - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然两 …
如何知道一个期刊是不是sci？ - 知乎
Master Journal List在这个网站能搜到的就是吗？我在web of knowledge 上能搜到文章的杂志就是sci吗？
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · 相对而言contemporary意义比modern广，可以用来表示过去同时代的事物，如contemporary of Picasso（毕加索同时期的人），这个例子中是不能用modern代替的。 当然两 …
如何剖析Alternative R&B , Contemporary R&B - 知乎
Contemporary rnb节奏感更强，鼓点抓耳，vocal上是比较明显的“黑人醇厚"嗓音； 而Alternative rnb会加入电子元素，歌手偏爱使用假音。 歌词方面，rnb本身表达的就是浪漫、情爱，不论当 …
R&B的定义和特点是什么，如何辨别哪些歌是R&B？ - 知乎
20世纪40年代，R&B大多指的基本上就是Jazz、Gospel、Blues所组合的音乐， 20世纪60年代，R&B出现了Motown R&B的分支（比如The Jacksons5的《I want you back》） 之后又出现 …
微单镜头入门推荐 ·索尼E卡口篇 | 2024版 - 知乎
Feb 27, 2024 · 腾龙推出了大量索尼e卡口镜头 二、aps-c微单镜头推荐 *适用于a6x00、a5x00、zv-e10等索尼aps-c画幅相机
参考文献为外文文献时应该采用什么格式啊? - 知乎
EndNote. 插入引文是它的杀手锏，特别适合做外文期刊引文格式。 步骤：首先在 EndNote 中选中要插入的文献选中位置，点击 Insert Citation，点击左上角的下拉三角形符号，点击 Insert …
stata异质性分析怎么做? - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
