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| color struck: Color Struck Lori Latrice Martin, Hayward Derrick Horton, Cedric Herring, Verna M. Keith, Melvin Thomas, 2017-08-25 Skin color and skin tone has historically played a significant role in determining the life chances of African Americans and other people of color. It has also been important to our understanding of race and the processes of racialization. But what does the relationship between skin tone and stratification outcomes mean? Is skin tone correlated with stratification outcomes because people with darker complexions experience more discrimination than those of the same race with lighter complexions? Is skin tone differentiation a process that operates external to communities of color and is then imposed on people of color? Or, is skin tone discrimination an internally driven process that is actively aided and abetted by members of communities of color themselves? Color Struck provides answers to these questions. In addition, it addresses issues such as the relationship between skin tone and wealth inequality, anti-black sentiment and whiteness, Twitter culture, marriage outcomes and attitudes, gender, racial identity, civic engagement and politics at predominately White Institutions. Color Struck can be used as required reading for courses on race, ethnicity, religious studies, history, political science, education, mass communications, African and African American Studies, social work, and sociology. |
| color struck: Zora Neale Hurston Zora Neale Hurston, 2008-06-03 Collected plays of the African-American writer Zora Neale Hurston (1891-1960). |
| color struck: Color Struck Pamela & Joel Tuck, 2010-06-15 A deathbed shouldn't be the peacemaker in this family. Fifteen-year-old Renee Steele never understood what PaPa's words meant, until she's caught in the middle of a growing battle between her two older cousins. Their clashing attitudes regarding skin tone, trigger a sensitive nerve in their Grandma Bell. As tension mounts between the three girls, Grandma Bell detects trouble returning from the grave. She’s determined to stop it, and takes the girls on a quest back in time to do it. Her narrative begins with her secret courtship and eloping with Pa-Pa, “Buck Steele”, because their fathers are archenemies. Due to a lack of money, the newlyweds are forced to live with Buck’s parents, Silas and Emma. Grandma Bell's newlywed dreams turn into her worst nightmare, as she begins her married life as the despised dark-skinned daughter-in-law. Her presence does more than anger her in-laws…it haunts them! |
| color struck: Colorstruck Benita Porter, 1990 First person narrative by white-looking black author who chronicles lives of white looking black fraternal twins Chloe/Solomon Bechet who escape from New Orleans KKK to Harlem, NY. Both enter 1920's show business, she as a black dancer/actress, he as a white stuntman/director. Behind the scene fiction expose on passing for white, inter/intraracial conflicts, skin color stereotypes, Harlem renaissance, Hollywood, New Orleans, Jazz music, black/indians in entertainment 1900-1936. |
| color struck: ColorSTRUCK Uzoma Uponi, 2021-11-24 Afam Izuwa didn’t expect that taking care of three orphaned children would be easy. And it isn’t, especially since one of them is an albino. Depending on who you ask in this African society, albinos can be a blessing or a curse to a family. The three siblings are aware of the danger their albino sibling faces. They also know they have no choice but to entrust their safety to the care of their new uncle and to fully embrace their new life with him. ***** Awele Martins is in the final weeks of her youth service when she overhears a midnight conversation that sets her on a collision course with evil. Her actions would catapult her into the lives of Afam Izuwa and his dependants and result in a clear demonstration of how hopeless situations can be turned around by divine intervention. Set in Nigeria, ColorSTRUCK explores discrimination against persons with albinism in Africa Brian Greenawalt | Brian Greenawalt | Uzoma Uponi |
| color struck: Critical Companion to Zora Neale Hurston Sharon Lynette Jones, 2009 Zora Neale Hurston, one the first great African-American novelists, was a major figure in the Harlem Renaissance and an inspiration for future generations of writers. Widely studied in high school literature courses, her novels are admired for their depiction of Southern black culture and their strong female characters. Critical Companion to Zora Neale Hurston is a reliable and up-to-date resource for high school and college-level students, providing reliable information on Hurston's life and work. This new volume covers all her writings, including Their Eyes Were Watching God; her landmark works of folklore and anthropology, such as Mules and Men; and shorter works, such as her story The Gilded Six-Bits. |
| color struck: Troubling Vision Nicole R. Fleetwood, 2011-01-30 Nicole R. Fleetwood explores how blackness is seen as a troubling presence in the field of vision and the black body is persistently seen as a problem. She examines a wide range of materials from visual and media art, documentary photography theatre, performance and more. |
| color struck: Zora Neale Hurston Zora Neale Hurston, 2008-06-03 Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore. Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction. Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life. |
| color struck: Zora Neale Hurston Carla Kaplan, Ph.D., 2007-12-18 “ I mean to live and die by my own mind,” Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity. Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one of the most influential American writers of the 20th century, the true nature of her personality has proven elusive. Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book. Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston’s life and work, as well as an annotated glossary of the organizations and personalities that were important to it. From her enrollment at Baltimore’s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston’s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent. |
| color struck: The Assertive Woman in Zora Neale Hurston's Fiction, Folklore, and Drama Pearlie Mae Fisher Peters, 2015-12-22 Hurston was renowned for her portrayal of assertive women in her fiction, folklore, and drama. This book explores her development as an assertive woman and outspoken writer, emphasizing the impact of the African American oral traditions and vernacular speech patterns of Harlem, Polk County, and her hometown of Eatonville, Florida on the development of her personal and artistic voice. The study traces the development of her assertive women characters, the emphasis upon verbal performance and verbal empowerment, the significance of down home Southern humor, and the importance of an ideology of assertive individualism in Hurston's writings and analyzes changes in Hurston's personal style. Hurston articulated an assertive spirit and voice that had a profound influence on the development of her professional reputation and on the course of African American literature, folklore, and culture of the 1920s, 1930s, and 1940s. This study combines literary criticism and biography in tracing her often controversial career. This wide-ranging book focuses upon links between Hurston's fiction and nonfiction, and includes analysis of her plays, which have often been neglected in studies of her writing.(Ph.D. dissertation, State University of New York-Buffalo, 1989; revised with new introduction) |
| color struck: The New Partridge Dictionary of Slang and Unconventional English Tom Dalzell, Terry Victor, 2015-06-26 Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language. |
| color struck: Reading Contemporary African American Drama Trudier Harris, 2007 Textbook |
| color struck: The African American Theatrical Body Soyica Diggs Colbert, 2011-10-06 Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath. |
| color struck: Central City's Joy and Pain Jerome E. Morris, 2024-01-15 With Central City’s Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968–91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents’ experiences. As Morris’s experiential and authoritative narrative voice unfolds in the pages of Central City’s Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author’s personal experience of growing up there—and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement. |
| color struck: The Routledge Dictionary of Modern American Slang and Unconventional English Tom Dalzell, 2018-05-11 The Routledge Dictionary of Modern American Slang offers the ultimate record of modern, post WW2 American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. In terms of content, the cultural transformations since 1945 are astounding. Television, computers, drugs, music, unpopular wars, youth movements, changing racial sensitivities and attitudes towards sex and sexuality are all substantial factors that have shaped culture and language. This new edition includes over 500 new headwords collected with citations from the last five years, a period of immense change in the English language, as well as revised existing entries with new dating and citations. No term is excluded on the grounds that it might be considered offensive as a racial, ethnic, religious, sexual or any kind of slur. This dictionary contains many entries and citations that will, and should, offend. Rich, scholarly and informative, The Routledge Dictionary of Modern American Slang and Unconventional English is an indispensable resource for language researchers, lexicographers and translators. |
| color struck: The Canon EOS Digital Rebel T1i/500D Companion Ben Long, 2009-07-14 Through easy-to-follow lessons, this handy book offers a complete class on digital photography, tailored specifically for people who use the Canon EOS Digital Rebel T1i/500D. This is not your typical camera guide: rather than just show you what all the buttons do, it teaches you how to use the Digital Rebel's features to make great photographs -- including professional-looking images of people, landscapes, action shots, close-ups, night shots, HD video, and more. With Ben Long's creative tips and technical advice, you have the perfect, camera-bag-friendly reference that will help you capture stunning pictures anywhere, anytime. The Canon EOS Digital Rebel T1i/500D Companion will show you how to: Take creative control and go beyond automatic settings Learn the basic rules of composition Capture decisive moments, including fast-moving objects Discover ways to use a flash indoors and outdoors Learn about different lenses, and the best time to use them Understand the options for shooting RAW, and whether it's right for you Use the Digital Rebel's ability to shoot high definition video |
| color struck: Devotion Garrett Bradley, 2024-02-27 A beautifully illustrated book-length publication on the contemporary artist and Academy Award–nominated filmmaker Garrett Bradley, whose quietly devastating work blurs the space between fact and fiction. Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley’s work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present. Adopting archival material alongside newly shot footage, Bradley’s films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life—its joys, pleasures, and pains—are lyrically and intimately rendered on screen. |
| color struck: Community Boundaries and Border Crossings Kristen Lillvis, Robert Miltner, Molly Fuller, 2016-12-21 Through the overarching interconnected themes of community boundaries and border crossings, this collection explores issues of diaspora, trans-nationality, cultural hybridity, home, and identity that are central to ethnic women writers. |
| color struck: The Dialect of Modernism Michael North, 1998-01-22 The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language, and literature written in it, modernists, such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language. At the same time, however, another movement, identified with Harlem, was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other. |
| color struck: Understanding Zora Neale Hurston's Their Eyes Were Watching God Neal Lester, 1999-10-30 Zora Neale Hurston's Their Eyes Were Watching God highlights the vitality of African American culture. This casebook demonstrates how African Americans fashioned themselves individually and collectively to combat racism, classism, and sexism. With provocative documents that contextualize the complex issues of the novel, Lester provides an excellent resource for students and teachers first approaching the excitement and cultural flavor that define Hurston's novels. The casebook is an encyclopedia of African American folk culture that simultaneously presents historical, political, and social commentary on the relationships between men and women and between blacks and whites in America. Documents include interviews with people living in the South at the time of the novel's publication, poetry, rap, folktales, and sermons. Also included are original materials on ebonics, minstrel songs, the blues tradition, the novel in theatrical and dance performance, and materials on Hurston's hometown of Eatonville, Florida. |
| color struck: #349 Heritage Numismatic Auctions Inc, Long Beach Auction Catalog Ivy Press, 2004-04 |
| color struck: A Beautiful Pageant D. Krasner, 2016-09-27 The Harlem Renaissance was an unprecedented period of vitality in the American Arts. Defined as the years between 1910 and 1927, it was the time when Harlem came alive with theater, drama, sports, dance and politics. Looking at events as diverse as the prizefight between Jack Johnson and Jim 'White Hope' Jeffries, the choreography of Aida Walker and Ethel Waters, the writing of Zora Neale Hurston and the musicals of the period, Krasner paints a vibrant portrait of those years. This was the time when the residents of northern Manhattan were leading their downtown counterparts at the vanguard of artistic ferment while at the same time playing a pivotal role in the evolution of Black nationalism. This is a thrilling piece of work by an author who has been working towards this major opus for years now. It will become a classic that will stay on the American history and theater shelves for years to come. |
| color struck: The New Partridge Dictionary of Slang and Unconventional English: A-I Eric Partridge, 2006 Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com). |
| color struck: The Nikon D90 Companion Ben Long, 2009-03-18 Through easy-to-follow lessons, this handy book offers a complete class on digital photography, tailored specifically for people who use the Nikon D90. This is not your typical camera guide: rather than just show you what all the buttons do, it teaches you how to use the D90's features to make great photographs-including professional-looking images of people, landscapes, action shots, close-ups, night shots, HD video, and more. With Ben Long's creative tips and technical advice, you have the perfect, camera-bag-friendly reference that will help you capture stunning pictures anywhere, anytime. The Nikon D90 Companion will show you how to: Take creative control and go beyond automatic settings Learn the basic rules of composition Capture decisive moments, including fast-moving objects Discover ways to use a flash indoors and outdoors Learn about different lenses, and the best time to use them Understand the options for shooting RAW, and whether it's right for you Use the D90's ability to shoot high definition video |
| color struck: Black Metropolis St. Clair Drake, Horace R. Cayton, 2015-11-10 Ground-breaking when first published in 1945, Black Metropolis remains a landmark study of race and urban life. Few studies since have been able to match its scope and magnitude, offering one of the most comprehensive looks at black life in America. Based on research conducted by Works Progress Administration field workers, it is a sweeping historical and sociological account of the people of Chicago's South Side from the 1840s through the 1930s. Its findings offer a comprehensive analysis of black migration, settlement, community structure, and black-white race relations in the first half of the twentieth century. It offers a dizzying and dynamic world filled with captivating people and startling revelations. A new foreword from sociologist Mary Pattillo places the study in modern context, updating the story with the current state of black communities in Chicago and the larger United States and exploring what this means for the future. As the country continues to struggle with race and our treatment of black lives, Black Metropolis continues to be a powerful contribution to the conversation. |
| color struck: Ethnic Modernisms D. Konzett, 2002-11-08 This study explores a new understanding of modernism and ethnicity as put forward in the transnational and diasporic writings of Anzia Yezierska, Zora Neale Hurston, and Jean Rhys. In its selection of three modernists from apparently different cultural backgrounds, it is meant to make us rethink the role of modernism in terms of ethnicity and displacement. Konzett critiques the traditional understanding of the monocultural 'ethnic identity' often highlighted in the studies of these writers and argues that all three writers are better understood as ironic narrators of diaspora and movement and as avant-garde modernists. As a result, they offer an alternative aesthetics of modernism which is centered around the innovative narration of displacement. Her analysis of the complexities of language and form and impact of the complex and ambiguous formal styles of the three writers on the history of their reception is a model of the effective integration of formalist, historicist, and theoretical perspectives in literary criticism. |
| color struck: Racechanges Susan Gubar, 2000-04-20 When the actor Ted Danson appeared in blackface at a 1993 Friars Club roast, he ignited a firestorm of protest that landed him on the front pages of the newspapers, rebuked by everyone from talk show host Montel Williams to New York City's then mayor, David Dinkins. Danson's use of blackface was shocking, but was the furious pitch of the response a triumphant indication of how far society has progressed since the days when blackface performers were the toast of vaudeville, or was it also an uncomfortable reminder of how deep the chasm still is separating black and white America? In Racechanges: White Skin, Black Face in American Culture, Susan Gubar, who fundamentally changed the way we think about women's literature as co-author of the acclaimed The Madwoman in the Attic, turns her attention to the incendiary issue of race. Through a far-reaching exploration of the long overlooked legacy of minstrelsy--cross-racial impersonations or racechanges--throughout modern American film, fiction, poetry, painting, photography, and journalism, she documents the indebtedness of mainstream artists to African-American culture, and explores the deeply conflicted psychology of white guilt. The fascinating racechanges Gubar discusses include whites posing as blacks and blacks passing for white; blackface on white actors in The Jazz Singer, Birth of a Nation, and other movies, as well as on the faces of black stage entertainers; African-American deployment of racechange imagery during the Harlem Renaissance, including the poetry of Anne Spencer, the black-and-white prints of Richard Bruce Nugent, and the early work of Zora Neale Hurston; white poets and novelists from Vachel Lindsay and Gertrude Stein to John Berryman and William Faulkner writing as if they were black; white artists and writers fascinated by hypersexualized stereotypes of black men; and nightmares and visions of the racechanged baby. Gubar shows that unlike African-Americans, who often are forced to adopt white masks to gain their rights, white people have chosen racial masquerades, which range from mockery and mimicry to an evolving emphasis on inter-racial mutuality and mutability. Drawing on a stunning array of illustrations, including paintings, film stills, computer graphics, and even magazine morphings, Racechanges sheds new light on the persistent pervasiveness of racism and exciting aesthetic possibilities for lessening the distance between blacks and whites. |
| color struck: Records and Briefs of the United States Supreme Court , 1832 |
| color struck: Zora Neale Hurston Cheryl R. Hopson, 2024-08-04 The life, work, and legacy of one of the twentieth century’s most published African American women. This book explores the life and legacy of Zora Neale Hurston (1891–1960), the most-published African American woman of the first half of the twentieth century. Famous today as the author of Their Eyes Were Watching God, Hurston was also an anthropologist and a folklorist. In this new biography, Cheryl Hopson casts Hurston as a modern woman on the move, particularly as a collector of stories in and around the Jim Crow South. Hopson details her rejection by the Harlem Renaissance as well as her recovery by Black feminists such as Alice Walker years after her death. The result is an accessible and fresh account of the celebrated writer’s life and work. |
| color struck: No Man's Land Sandra M. Gilbert, Susan Gubar, 1996-02-21 How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of woman, man, family, and society? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the future shock associated with profound changes in the roles and rules governing sexuality. Divided into two parts, Letters from the Front is chronological in organization, with the first section focusing on such writers of the modernist period as Virginia Woolf, Zora Neale Hurston, Edna St. Vincent Millay, Marianne Moore, and H.D., and the second devoted to authors who came to prominence after the Second World War, including Gwendolyn Brooks, Sylvia Plath, Margaret Atwood, Toni Morrison, and A.S. Byatt. Embroiled in the sex antagonism that Gilbert and Gubar traced in The War of the Words and in the sexual experimentations that they studied in Sexchanges, all these artists struggled to envision the inscription of hitherto untold stories on what H.D. called the blank pages/of the unwritten volume of the new. Through the works of the first group, Gilbert and Gubar focus in particular on the demise of any single normative definition of the feminine and the rise of masquerades of femininity amounting to female female impersonation. In the writings of the second group, the critics pay special attention to proliferating revisions of the family romance--revisions significantly inflected by differences in race, class, and ethnicity--and to the rise of masquerades of masculinity, or male male impersonation. Throughout, Gilbert and Gubar discuss the impact on literature of such crucial historical events as the Harlem Renaissance, the Second World War, and the sexual revolution of the sixties. What kind of future might such a past engender? Their book concludes with a fantasia on The Further Adventures of Snow White in which their bravura retellings of the Grimm fairy tale illustrate ways in which future writing about gender might develop. |
| color struck: Zora Neale Hurston Cynthia Davis, Verner D. Mitchell, 2013-05-09 Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. |
| color struck: Children of the Waters Carleen Brice, 2009-06-23 Still reeling from divorce and feeling estranged from her teenage son, Trish Taylor is in the midst of salvaging the remnants of her life when she uncovers a shocking secret: her sister is alive. For years Trish believed that her mother and infant sister had died in a car accident. But the truth is that her mother fatally overdosed and that Trish’s grandparents put the baby girl up for adoption because her father was black. After years of drawing on the strength of her black ancestors, Billie Cousins is shocked to discover that she was adopted. Just as surprising, after finally overcoming a series of health struggles, she is pregnant–a dream come true for Billie but a nightmare for her sweetie, Nick, and for her mother, both determined to protect Billie from anything that may disrupt her well-being. |
| color struck: Encyclopedia of the Harlem Renaissance: A-J Cary D. Wintz, Paul Finkelman, 2004 From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website. |
| color struck: The Canon EOS Digital Rebel XS/1000D Companion Ben Long, 2008-11-04 Through several easy-to-follow lessons, this handy book offers a complete class on digital photography, tailored specifically for people who use the Canon EOS Digital Rebel XS/1000D. This is not your typical camera guide: rather than just show you what all the buttons do, this book teaches you how to use various Digital Rebel XS/1000D features to make great photographs -- including professional-looking images of people, landscapes, action shots, close-ups, night shots, and more. The Canon EOS Digital Rebel XS/1000D Companion is the perfect reference for your camera bag. Written by professional photographer Ben Long, it's packed with creative tips and technical advice to help you capture stunning pictures anywhere, anytime. With this book, you'll learn how to: Take creative control and go beyond automatic settings Learn the basic rules of composition Capture decisive moments, including fast-moving objects Discover ways to use a flash indoors and outdoors Learn about different lenses, and the best time to use them Understand the options for shooting RAW, and whether it's right for you There are plenty of photography books, but only this one teaches you how to take high-quality digital photos using the exact camera model you own. Plenty of full-color examples show you what's possible once you graduate from snapshots and focus on the pictures you really want to take. |
| color struck: Contemporary African American Women Playwrights Philip C. Kolin, 2007-11-07 In the last 50 years, American and World theatre have been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrights is the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas. |
| color struck: The Facts on File Companion to American Drama Jackson R. Bryer, Mary C. Hartig, 2010 Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers. |
| color struck: Double-take Venetria K. Patton, Maureen Honey, 2001 Brings together a comprehensive selection of texts from the Harlem Renaissance-a key period in the literary and cultural history of the United States. Offers a unique, balanced collection of writers--men and women, gay and straight, familiar and obscure. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essayists, poets, dramatists, and artists. Contains works from a wide variety of genres--poetry, short stories, drama, and essays, as well as biographical sketches of the authors. Includes most pieces in their entirety. Also includes artwork and illustrations, many of which are from original journals and have never before been reprinted, and song lyrics to illustrate the interrelation of various art forms. |
| color struck: The Routledge Reader in Gender and Performance Lizbeth Goodman, Jane de Gay, 2002-01-31 The first reader in this field Contributions from many of the top academics in the field Extremely broad in its coverage Organized with the beginning student in mind |
| color struck: Against Theatre A. Ackerman, M. Puchner, 2016-01-18 Against Theatre shows that the most prominent writers of modern drama shared a radical rejection of the theatre as they knew it. Together with designers, composers and film makers, they plotted to destroy all existing theatres. But from their destruction emerged the most astonishing innovations of modernist theatre. |
| color struck: The Cambridge Companion to African American Theatre Harvey Young, 2013 With contributions from the leading scholars in the field, this Companion provides a comprehensive and accessible overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community. |
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A HTML color code is an identifier used to represent a color on the web and within other digital assets. Common color codes are in the forms of: a keyword name, a hexadecimal value, a …
FDA Approves Three Food Colors from Natural Sources
The color additive petitions approved today are for: Galdieria extract blue, a blue color derived from the unicellular red algae Galdieria sulphuraria. The FDA has approved the color additive …
List of Colors: 550 Color Names and Hex Codes
Here is a useful list of colors with color names and hex codes – the color dictionary! They are divided by color categories and listed alphabetically for quick navigation. Click the links below …
Coolors - The super fast color palettes generator!
Generate palettes with more than 5 colors automatically or with color theory rules; Save unlimited palettes, colors and gradients, and organize them in projects and collections; Explore more …
ColRD: Color Creator
Online color picker, choose your color in by HSL (Hue/Saturation/Luminance), RGB (Red/Green/Blue), and HEX code!
Color Palette Inspiration - ColorKit
Find hand-picked color palettes designed to inspire. Our collection offers a diverse range of hues perfect for any design project.
Color Hex - ColorHexa.com
ColorHexa.com is a free color tool providing information about any color and generating matching color palettes for your designs (such as complementary, analogous, triadic, tetradic or …
Color Picker — HTML Color Codes
Finding that perfect color is easier than you think. Use our color picker to discover beautiful colors and harmonies with Hex color codes and RGB values.
Color Picker - Coolors
Get useful color information like conversion, combinations, blindness simulation and more. View this color variations of shades, tints, tones, hues and temperatures. A shade is created by …
Color Wheel Tool Online - RapidTables.com
Get color codes and color schemes: Interactive color wheel generator & chart online.
HTML Color Codes
A HTML color code is an identifier used to represent a color on the web and within other digital assets. Common color codes are in the forms of: a keyword name, a hexadecimal value, a …
FDA Approves Three Food Colors from Natural Sources
The color additive petitions approved today are for: Galdieria extract blue, a blue color derived from the unicellular red algae Galdieria sulphuraria. The FDA has approved the color additive …
List of Colors: 550 Color Names and Hex Codes
Here is a useful list of colors with color names and hex codes – the color dictionary! They are divided by color categories and listed alphabetically for quick navigation. Click the links below …
Coolors - The super fast color palettes generator!
Generate palettes with more than 5 colors automatically or with color theory rules; Save unlimited palettes, colors and gradients, and organize them in projects and collections; Explore more …
ColRD: Color Creator
Online color picker, choose your color in by HSL (Hue/Saturation/Luminance), RGB (Red/Green/Blue), and HEX code!
Color Palette Inspiration - ColorKit
Find hand-picked color palettes designed to inspire. Our collection offers a diverse range of hues perfect for any design project.
Color Hex - ColorHexa.com
ColorHexa.com is a free color tool providing information about any color and generating matching color palettes for your designs (such as complementary, analogous, triadic, tetradic or …
Color Picker — HTML Color Codes
Finding that perfect color is easier than you think. Use our color picker to discover beautiful colors and harmonies with Hex color codes and RGB values.
Color Picker - Coolors
Get useful color information like conversion, combinations, blindness simulation and more. View this color variations of shades, tints, tones, hues and temperatures. A shade is created by …
