Advertisement
| charles olson poems online: The White Stones J. H. Prynne, 2016-04-19 J. H. Prynne is Britain’s leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne’s career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master. |
| charles olson poems online: Poetry and Truth Charles Olson, 1971 |
| charles olson poems online: The Maximus Poems Charles Olson, 1983 The Maximus Poems is one of the high achievements of twentieth-century American letters and an essential poem in the postmodern canon. It stands out, in Hayden Carruth's words, as a huge and truly angelic effort, matching the dimensions of its hero's name and returning poetry to its Homeric and Hesiodic scope. This complete edition of The Maximus Poems brings together the three volumes of Charles Olson's long poem (originally published in 1960, 1968, and 1975, and long out of print) in an authoritative version edited according to the highest standards of textual criticism. Errors in the previous editions have been corrected, twenty-nine new poems added, and the sequence of the final poems modified in the light of the editor's research among the poet's papers. --University of California Press. |
| charles olson poems online: Maximus to Gloucester Charles Olson, 1992 |
| charles olson poems online: A Guide to the Maximus Poems of Charles Olson George F. Butterick, 1980-01-01 00 Praised by his contemporaries and emulated by his successors, Charles Olson (1910-1970) was declared by William Carlos Williams to be a major poet with a sweep of understanding of the world, a feeling for other men that staggers me. This complete edition brings together the three volumes of Olson's long poem (originally published in 1960, 1968, and 1975) in an authoritative version. Praised by his contemporaries and emulated by his successors, Charles Olson (1910-1970) was declared by William Carlos Williams to be a major poet with a sweep of understanding of the world, a feeling for other men that staggers me. This complete edition brings together the three volumes of Olson's long poem (originally published in 1960, 1968, and 1975) in an authoritative version. |
| charles olson poems online: The Collected Letters of Charles Olson and J. H. Prynne Ryan Dobran, 2017-06 Front Cover -- Recencies Series Page -- Title Page -- Copyright -- Contents -- Introduction -- Chapter 1: 1961 -- Chapter 2: 1962 -- Chapter 3: 1963 -- Chapter 4: 1964 -- Chapter 5: 1965 -- Chapter 6: 1966 -- Chapter 7: 1967-1970 -- Bibliography -- Index |
| charles olson poems online: Proensa George Economou, 2017-01-10 It was out of medieval Provence—Proensa—that the ethos of courtly love emerged, and it was in the poetry of the Provençal troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical. The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.” |
| charles olson poems online: Call Me Ishmael Charles Olson, 2018-12-05 First published in 1947, this acknowledged classic of American literary criticism explores the influences—especially Shakespearean ones—on Melville’s writing of Moby-Dick. One of the first Melvilleans to advance what has since become known as the “theory of the two Moby-Dicks,” Olson argues that there were two versions of Moby-Dick, and that Melville’s reading King Lear for the first time in between the first and second versions of the book had a profound impact on his conception of the saga: “the first book did not contain Ahab,” writes Olson, and “it may not, except incidentally, have contained Moby-Dick.” If literary critics and reviewers at the time responded with varying degrees of skepticism to the “theory of the two Moby-Dicks,” it was the experimental style and organization of the book that generated the most controversy. Passionate in his poetry, Olson was no less passionate in his reading of Melville. Impatient with what he regarded as traditional forms of literary criticism, Olson engaged his own creativity to write a book as robust, original, and compelling as Melville’s masterpiece. “Not only important, but apocalyptic.”—New York Herald Tribune “One of the most stimulating essays ever written on Moby-Dick, and for that matter on any piece of literature, and the forces behind it.”—San Francisco Chronicle “Olson has been a tireless student of Melville and every Melville lover owes him a debt for his Scotland Yard pertinacity in getting on the trail of Melville’s dispersed library.”—Lewis Mumford, New York Times “Records, often brilliantly, one way of taking the most extraordinary of American books.”—W. E. Bezanson, New England Quarterly “The most important contribution to Melville criticism since Raymond Weaver’s pioneering contribution in 1921.”—George Mayberry, New Republic |
| charles olson poems online: Staying Open: Charles Olson’s Sources and Influences Joshua S. Hoeynck, 2019-05-03 “Staying Open, Charles Olson’s Sources and Influences” investigates the inter-disciplinary influences on the work of the mid-Century American poet, Charles Olson. This edited collection of essays covers Olson’s diverse non-literary interests, including his engagement with the music of John Cage and Pierre Boulez, his interests in abstract expressionism, and his readings of philosopher Alfred North Whitehead. The essays also examine Olson’s pedagogy, which he developed in the experimental environment at Black Mountain College, as well as his six-month archeological journey through the Yucatan Peninsula in 1950 to explore the culture of the Maya. This book will, therefore, be a strong research aid to scholars working in diverse fields – music, archeology, pedagogy, philosophy, art, and psychology – as it outlines methods for close inter-disciplinary work that can uncover the mechanics of Olson’s creative, literary processes. Building on the straightforward scholarship of George Butterick, whose Guide to the Maximus Poems remains indispensable for readers of Olson’s work, the essays in this volume will also guide readers through the thick allusions within The Maximus Poems itself. New interest in the wide-ranging and non-literary nature of Olson’s thought in several recent academic works makes this book both timely and necessary. Physics Envy: American Poetry and Science in the Cold War and After by Peter Middleton as well as Contemporary Olson edited by David Herd have started the process of uncovering the extent to which Olson’s inter-disciplinary interests inflected his poetic compositions. “Staying Open” extends the preliminary investigations of Olson’s non-literary sources in those volumes by bringing together a community of scholars working across disciplines and within a wide variety of humanistic concerns. |
| charles olson poems online: Dogtown Elyssa East, 2009-12 The area known as Dogtown -- an isolated colonial ruin and surrounding 3,000-acre woodland in storied seaside Gloucester, Massachusetts -- has long exerted a powerful influence over artists, writers, eccentrics, and nature lovers. But its history is also woven through with tales of witches, supernatural sightings, pirates, former slaves, drifters, and the many dogs Revolutionary War widows kept for protection and for which the area was named. In 1984, a brutal murder took place there: a mentally disturbed local outcast crushed the skull of a beloved schoolteacher as she walked in the woods. Dogtown's peculiar atmosphere -- it is strewn with giant boulders and has been compared to Stonehenge -- and eerie past deepened the pall of this horrific event that continues to haunt Gloucester even today. In alternating chapters, Elyssa East interlaces the story of this grisly murder with the strange, dark history of this wilderness ghost town and explores the possibility that certain landscapes wield their own unique power. East knew nothing of Dogtown's bizarre past when she first became interested in the area. As an art student in the early 1990s, she fell in love with the celebrated Modernist painter Marsden Hartley's stark and arresting Dogtown landscapes. She also learned that in the 1930s, Dogtown saved Hartley from a paralyzing depression. Years later, struggling in her own life, East set out to find the mysterious setting that had changed Hartley's life, hoping that she too would find solace and renewal in Dogtown's odd beauty. Instead, she discovered a landscape steeped in intrigue and a community deeply ambivalent about the place: while many residents declare their passion for this profoundly affecting landscape, others avoid it out of a sense of foreboding. Throughout this richly braided first-person narrative, East brings Dogtown's enigmatic past to life. Losses sustained during the American Revolution dealt this once thriving community its final blow. Destitute war widows and former slaves took up shelter in its decaying homes until 1839, when the last inhabitant was taken to the poorhouse. He died seven days later. Dogtown has remained abandoned ever since, but continues to occupy many people's imaginations. In addition to Marsden Hartley, it inspired a Bible-thumping millionaire who carved the region's rocks with words to live by; the innovative and influential postmodernist poet Charles Olson, who based much of his epic Maximus Poems on Dogtown; an idiosyncratic octogenarian who vigilantly patrols the land to this day; and a murderer who claimed that the spirit of the woods called out to him. In luminous, insightful prose, Dogtown takes the reader into an unforgettable place brimming with tragedy, eccentricity, and fascinating lore, and examines the idea that some places can inspire both good and evil, poetry and murder. |
| charles olson poems online: The Black Mountain Book Fielding Dawson, 1991 |
| charles olson poems online: Amiri Baraka and Edward Dorn Amiri Baraka, Edward Dorn, 2013-12 The letters of Amiri Baraka and Edward Dorn offer a vivid picture of American lives connecting around poetry during a tumultuous time of change and immense creativity. |
| charles olson poems online: Close Listening Charles Bernstein, 1998-04-30 Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings to new imaginations of prosody, the entries gathered here investigate a compelling range of topics for anyone interested in poetry. Taken together, these essays encourage new forms of close listenings--not only to the printed text of poems but also to tapes, performances, and other expressions of the sounded and visualized word. The time is right for such a volume: with readings, spoken word events, and the Web gaining an increasing audience for poetry, Close Listening opens a number of new avenues for the critical discussion of the sound and performance of poetry. |
| charles olson poems online: A Companion to American Literature Susan Belasco, Theresa Strouth Gaul, Linck Johnson, Michael Soto, 2020-04-02 A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods. |
| charles olson poems online: Gilgamesh Michael Schmidt, 2019-09-24 Reflections on a lost poem and its rediscovery by contemporary poets Gilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today. Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing. In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers. |
| charles olson poems online: Letters for Olson Benjamin Hollander, 2016 Letters addressed to Charles Olson, author of The Maximus Poems |
| charles olson poems online: Icon Tact Victor Coleman, 2006 All the sections of ICON TACT were conceived as book-length single texts or serial poems; some of them were published as such in limited editions either by the author (as The Eternal Network) or by other micro presses. This book reflects a tradition Coleman has followed since Coach House released CORRECTIONS in 1985. ICON TACT represents the end of what Coleman considers to be his ?conventional? poetry cycle, during which only AMERICA reflects his current concerns with Oulipian constraints and poetry as a kind of word sculpture. LETTER DROP (2000) and MI SING (BookThug, 2005) represent one half of a four book set of which the third (based on Mallarms prose) is currently in progress. The fourth book will be concerned with the writing and the lives of the Troubadours. |
| charles olson poems online: Cat Poems New Directions, 2018 A gorgeous gift edition, dedicated to the mystery, grace, and charm of the cat |
| charles olson poems online: A Charles Olson Reader Charles Olson, 2005 Charles Olson (1910-70) believed that poetry exists in an 'open field' through which the poet transmits energy to the receptive reader. Olson's influence on the development of British and American poetry through his writing and teaching is immense. His work encompasses myth, history, scholarship and politics, grand theories and delight in the particular variousness of life, all marked by the curiosity and openness to experience that he asked of his readers. Olson grew up and returned to live in the seafaring town of Gloucester, Massachusetts, and it was from the life and language of its citizens that his poetry drew its strengths. The Reader includes extracts from the full range of Olson's poetry and prose, including letters, interviews and the full text of the key essay 'Projective Verse'. Ralph Maud, a colleague of Olson's from 1963-5 and the editor of Olson's letters, has supplied an introduction, supporting illustrations, notes and bibliography .. |
| charles olson poems online: Reading with Earth Anne Elvey, 2022-08-25 Winner of the 2023 ANZATS Award for the Best Monograph by an Established Scholar Applying a re-envisioned, ecological, feminist hermeneutics, this book builds on two important responses to twentieth- and twenty-first-century situations of ecological trauma, especially the complex contexts of climate change and cross-species relations: first, ecological feminism; second, ecological hermeneutics in the Earth Bible tradition. By way of readings of selected biblical texts, this book suggests that an ecological feminist aesthetic, bringing present situation and biblical text into conversation through engagement with activism and literature, principally poetry, is helpful in decolonizing ethics. Such an approach is both informed by and speaks back to the new materialism in ecological criticism. |
| charles olson poems online: Cardinal Tyree Daye, 2020-10-06 Tyree Daye’s Cardinal is a generous atlas that serves as a poetic “Green Book”— the travel-cum-survival guide for black motorists negotiating racist America in the mid-twentieth century. Interspersed with images of Daye’s family and upbringing, which have been deliberately blurred, it also serves as an imperfect family album. Cardinal traces the South’s burdened interiors and the interiors of a black male protagonist attempting to navigate his many departures and returns home —a place that could both lovingly rear him and coolly annihilate him. With the language of elegy and praise, intoning regional dialect and a deliberately disruptive cadence, Daye carries the voices of ancestors and blues poets, while stretching the established zones of the black American vernacular. In tones at once laden and magically transforming, he self-consciously plots his own Great Migration: “if you see me dancing a twos step/I’m sending a starless code/we’re escaping everywhere.” These are poems to be read aloud. |
| charles olson poems online: All the Whiskey in Heaven Charles Bernstein, 2012 All the Whiskey in Heaven brings together Charles Bernstein’s best work from the past thirty years, an astonishing assortment of different types of poems. Yet despite the distinctive differences from poem to poem, Bernstein’s characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry’s sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America’s most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer. |
| charles olson poems online: Projective Verse Charles Olson, 1959 Charles Olson's influential manifesto, Projective Verse, was first published as a pamphlet. Olson's essay introduces his ides of composition by field through open or projective verse. Composition by field challenges the traditional method of poetic writing. |
| charles olson poems online: For Love Robert Creeley, 1962 FOR LOVE: POEMS 1950-1960 At its concentrated best, the sting of this poetry is indelible. Formally the poems are miniatures.....but there is nothing of the miniature in the power that they release.......Theirs is the compression of the lyric epicgram, taut, hard, constrained, graven upon the page. Dudley Fitts, Saturday Review. THE ISLAND: 'Few writers have shown so consistent a dedication to their work....as has Robert Creeley over the years. His influence on contemporary American poetry has probably been more deeply felt than that of any writer of his generation. So it is with considerable expectation (and anxiety0 that one turns to his first novel: and it is a pleasue to find he has succeeded miraculosly, where most poets fail even to begin.-Terry Southern, N.Y Times Book Review.-Publisher |
| charles olson poems online: Edward Dorn, Charles Olson, and the American West Paul Varner, 2020-03-12 This book examines the poetics of the 20th-century American West depicted by Edward Dorn through the influence and inspiration of his Black Mountain College mentor and fellow poet Charles Olson. It considers some of the most important and challenging poetic representations of the 20th-century American West to come out of the Beat Movement and avant-garde literary scene. |
| charles olson poems online: Yūgen Amiri Baraka, Hettie Jones, 1959 |
| charles olson poems online: Spring and All William Carlos Williams, 2021-08-03 Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world. With a beautifully designed cover and professionally typeset manuscript, this edition of William Carlos Williams’ Spring and All is a classic of American literature reimagined for modern readers. |
| charles olson poems online: Evaluations of US Poetry Since 1950, Volume 1 Robert von Hallberg, Robert Faggen, 2021-12 The essays collected in both volumes of Evaluations of US Poetry since 1950 move away from esoteric literary criticism toward a more evaluative and speculative inquiry that will serve as the basis from which poets will be discussed and taught over the next half-century and beyond. |
| charles olson poems online: Finding Nothing Gregory Betts, 2021-07-30 Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the intermedia experimentation and the related destruction of the line between art and society pushed art to the frontlines of a broad socio-political battle of the collective imagination of Vancouver. Finding Nothing traces the rise of the radical avant-garde in Vancouver, from the initial salvos of the Tish group, through Blewointment’s spatial experiments, to radical Surrealisms and new feminisms. Incorporating images, original texts, and interviews, Gregory Betts shows how the VanGardes signalled a remarkable consciousness of the globalized forces at play in the city, impacting communities, orientations, races, and nations. |
| charles olson poems online: Liquidities Daphne Marlatt, 2013 In her re-vision of Vancouver Poems, originally published in 1972, Daphne Marlatt's additional lyrics trace countless transformations of a West Coast port city. In Vancouver's fast-moving, realty-driven reality, global business is conducted over liquid lunches and in the midst of mounting social crises, including poverty, addiction, and homelessness. Daphne Marlatt began her writing career at the center of the West Coast poetry movement of the 1960s, studying with many of Donald Allen's New American Poets, most notably Robert Creeley. Much of her postmodernist writing is attuned to the adjustments, struggles, and accomplishments of immigrants. |
| charles olson poems online: A Companion to Contemporary British and Irish Poetry, 1960 - 2015 Wolfgang Gortschacher, David Malcolm, 2020-12-21 A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors. |
| charles olson poems online: A Thousand Times You Lose Your Treasure Hoa Nguyen, 2021-04-06 2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Hoa Nguyen’s latest collection is a poetic meditation on historical, personal, and cultural pressures pre- and post-“Fall-of-Saigon” and comprises a verse biography on her mother, Diep Anh Nguyen, a stunt motorcyclist in an all-woman Vietnamese circus troupe. Multilayered, plaintive, and provocative, the poems in A Thousand Times You Lose Your Treasure are alive with archive and inhabit histories. In turns lyrical and unsettling, her poetry sings of language and loss; dialogues with time, myth and place; and communes with past and future ghosts. |
| charles olson poems online: In Danger Pier Paolo Pasolini, 2010-08-01 In Danger reveals the literary life of internationally renowned filmmaker Pier Paolo Pasolini |
| charles olson poems online: Topsy-Turvy Charles Bernstein, 2021-04-30 In his most expansive and unruly collection to date, the acclaimed poet Charles Bernstein gathers poems, both tiny and grand, that speak to a world turned upside down. Our time of “covidity,” as Bernstein calls it in one of the book’s most poignantly disarming works, is characterized in equal measure by the turbulence of both the body politic and the individual. Likewise, in Topsy-Turvy, novel and traditional forms jostle against one another: horoscopes, shanties, and elegies rub up against gags, pastorals, and feints; translations, songs, screenplays, and slapstick tangle deftly with commentaries, conundrums, psalms, and prayers. Though Bernstein’s poems play with form, they incorporate a melancholy, even tragic, sensibility. This “cognitive dissidence,” as Bernstein calls it, is reflected in a lyrically explosive mix of pathos, comedy, and wit, though the reader is kept guessing which is which at almost every turn. Topsy-Turvy includes an ode to the New York City subway and a memorial for Harpers Ferry hero Shields Green, along with collaborations with artists Amy Sillman and Richard Tuttle. This collection is also full of other voices: Pessoa, Geeshie Wiley, Friedrich Rückert, and Rimbaud; Carlos Drummond, Virgil, and Brian Ferneyhough; and even Caudio Amberian, an imaginary first-century aphorist. Bernstein didn’t set out to write a book about the pandemic, but these poems, performances, and translations are oddly prescient, marking a path through dark times with a politically engaged form of aesthetic resistance: We must “Continue / on, as / before, as / after.” The audio version of Topsy-Turvy is performed by the author. |
| charles olson poems online: My Poets Maureen N. McLane, 2014-07-01 A thrillingly original exploration of a life lived under poetry's uniquely seductive spell Oh! there are spirits of the air, wrote Percy Bysshe Shelley. In this stunningly original book Maureen N. McLane channels the spirits and voices that make up the music in one poet's mind. Weaving criticism and memoir, My Poets explores a life reading and a life read. McLane invokes in My Poets not necessarily the best poets, nor the most important poets (whoever these might be), but those writers who, in possessing her, made her. I am marking here what most marked me, she writes. Ranging from Chaucer to H.D. to William Carlos Williams to Louise Glück to Shelley (among others), McLane tracks the growth of a poet's mind, as Wordsworth put it in The Prelude. In a poetical prose both probing and incantatory, McLane has written a radical book of experimental criticism. Susan Sontag called for an erotics of interpretation: this is it. Part Bildung, part dithyramb, part exegesis, My Poets extends an implicit invitation to you, dear reader, to consider who your my poets, or my novelists, or my filmmakers, or my pop stars, might be. |
| charles olson poems online: Contemporary Poetry Nerys Williams, 2011-04-06 Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, Nerys Williams guides students through the key ideas and movements in the study of poetry today. |
| charles olson poems online: Poetry & the Dictionary Andrew Blades, Piers Pennington, 2020-03-26 |
| charles olson poems online: Selected Writings of Charles Olson Charles Olson, 1966 Charles Olson (1910-1970), described by William Carlos Williams as a major poet with a sweep of understanding of the world and who, as Joel Oppenheimer once wrote, brought two generations to life, stood as a bridge between the first leaders of the modern movement, such as Pound and Stein, and some of the most important later innovators (Denise Levertov acclaimed his work magnificent). This landmark collection, first published in 1967 and edited by his long-time friend Robert Creeley, includes poems from Olson's superlative book, The Distances, as well as from his epic Maximus Poems. Also included are the entirety of the Mayan Letters, written to Creeley while Olson was in the Yucatan studying Mayan hieroglyphs; Appolonius of Tyana, a background script for an original dance play; and his ground-breaking manifesto on Projective Verse as well as other essential essays. |
| charles olson poems online: Make It the Same Jacob Edmond, 2019-07-30 The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change. |
| charles olson poems online: Poetry & Listening Zoë Skoulding, 2020-11-04 Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry & Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry’s acoustic contexts, moving beyond traditional analysis of poetic form to consider the social, political and ecological dimensions of a poem's sounds and silences. Through lucid engagement with a range of richly innovative English-language poetry from the UK and USA, it argues for the centrality of listening to a form of composition in which language not only represents sonic experience but is part of it. With reference to Jean-Luc Nancy’s distinction between hearing and listening, alongside other key theorists of sound and noise, it shows how poetry offers insights into sensory perception, and how it charts acoustic relationships between language and the environment. |
Login | Charles Schwab
The Charles Schwab Corporation provides a full range of brokerage, banking and financial advisory services through its operating subsidiaries. …
Charles Web Debugging Proxy • HTTP Monitor / HTTP Proxy ...
Charles is an HTTP proxy / HTTP monitor / Reverse Proxy that enables a developer to view all of the HTTP and SSL / HTTPS traffic between their …
Charles III - Wikipedia
Charles was born at Buckingham Palace during the reign of his maternal grandfather, King George VI, and became heir apparent when his …
CHARLES by Shirley Jackson - neenahlibrary.org
“Charles had to stay after school today,” I told my husband. “Everyone stayed with him.” “What does this Charles look like?” my husband …
King Charles posts family photos on Father's Day 2025 …
1 day ago · King Charles III celebrated Father’s Day as he remains estranged from Prince Harry. The monarch, 76, marked the holiday on Sunday with …
Login | Charles Schwab
The Charles Schwab Corporation provides a full range of brokerage, banking and financial advisory services through its operating subsidiaries. Its broker-dealer subsidiary, Charles …
Charles Web Debugging Proxy • HTTP Monitor / HTTP Proxy ...
Charles is an HTTP proxy / HTTP monitor / Reverse Proxy that enables a developer to view all of the HTTP and SSL / HTTPS traffic between their machine and the Internet. This includes …
Charles III - Wikipedia
Charles was born at Buckingham Palace during the reign of his maternal grandfather, King George VI, and became heir apparent when his mother, Queen Elizabeth II, acceded to the …
CHARLES by Shirley Jackson - neenahlibrary.org
“Charles had to stay after school today,” I told my husband. “Everyone stayed with him.” “What does this Charles look like?” my husband asked Laurie. “What’s his other name?” “He’s bigger …
King Charles posts family photos on Father's Day 2025 amid ...
1 day ago · King Charles III celebrated Father’s Day as he remains estranged from Prince Harry. The monarch, 76, marked the holiday on Sunday with throwback photos shared to his and his …
King Charles Father’s Day Post Amid Prince Harry Estrangement
2 days ago · King Charles III and Queen Camilla are remembering their late dads on Father’s Day amid their continued estrangement from the monarch’s youngest son, Prince Harry. “To all …
Download a Free Trial of Charles • Charles Web Debugging Proxy
Download Charles The latest version of Charles is 5.0.1. Charles 5 features an updated UI that looks more modern on all platforms, enhanced UX—inline search for requests and responses, …
