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| chord ngamen 1: Made in Nusantara Adil Johan, Mayco A. Santaella, 2021-03-17 Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries. Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music. |
| chord ngamen 1: Ethnomusicology Timothy Rice, 2013-12-27 Ethnomusicologists believe that all humans, not just those we call musicians, are musical, and that musicality is one of the essential touchstones of the human experience. This insight raises big questions about the nature of music and the nature of humankind, and ethnomusicologists argue that to properly address these questions, we must study music in all its geographical and historical diversity. In this Very Short Introduction, one of the foremost ethnomusicologists, Timothy Rice, offers a compact and illuminating account of this growing discipline, showing how modern researchers go about studying music from around the world, looking for insights into both music and humanity. The reader discovers that ethnomusicologists today not only examine traditional forms of music-such as Japanese gagaku, Bulgarian folk music, Javanese gamelan, or Native American drumming and singing-but also explore more contemporary musical forms, from rap and reggae to Tex-Mex, Serbian turbofolk, and even the piped-in music at the Mall of America. To investigate these diverse musical forms, Rice shows, ethnomusicologists typically live in a community, participate in and observe and record musical events, interview the musicians, their patrons, and the audience, and learn to sing, play, and dance. It's important to establish rapport with musicians and community members, and obtain the permission of those they will work with closely over the course of many months and years. We see how the researcher analyzes the data to understand how a particular musical tradition works, what is distinctive about it, and how it bears the personal, social, and cultural meanings attributed to it. Rice also discusses how researchers may apply theories from anthropology and other social sciences, to shed further light on the nature of music as a human behavior and cultural practice. About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable. |
| chord ngamen 1: Nigeria Today Ayodele Awojobi, 1980 |
| chord ngamen 1: Dangdut Stories Andrew N. Weintraub, 2010-09-21 A keen critic of culture in modern Indonesia, Andrew N. Weintraub shows how a genre of Indonesian music called dangdut evolved from a debased form of urban popular music to a prominent role in Indonesian cultural politics and the commercial music industry. Dangdut Stories is a social and musical history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post-independence Indonesia (1945-present). |
| chord ngamen 1: Global Pop, Local Language Harris M. Berger, Michael Thomas Carroll, 2003 Cultural Studies -- Ethnomusicology Why would a punk band popular only in Indonesia cut songs in no other language than English? If you're rapping in Tanzania and Malawi, where hip hop has a growing audience, what do you rhyme in? Swahili? Chichewa? English? Some combination of these? Global Pop, Local Language examines how performers and audiences from a wide range of cultures deal with the issue of language choice and dialect in popular music. Related issues confront performers of Latin music in the U.S., drum and bass MCs in Toronto, and rappers, rockers, and traditional folk singers from England and Ireland to France, Germany, Belarus, Nepal, China, New Zealand, Hawaii, and beyond. For pop musicians, this issue brings up a number of complex questions. Which languages or dialects will best express my ideas? Which will get me a record contract or a bigger audience? What does it mean to sing or listen to music in a colonial language? A foreign language? A regional dialect? A native language? Examining popular music from a range of world cultures, the authors explore these questions and use them to address a number of broader issues, including the globalization of the music industry, the problem of authenticity in popular culture, the politics of identity, multiculturalism, and the emergence of English as a dominant world language. The chapters are written in a highly accessible style by scholars from a variety of fields, including ethnomusicology, popular music studies, anthropology, culture studies, literary studies, folklore, and linguistics. Harris M. Berger is associate professor of music at Texas A&M University. He is the author of Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience (1999). Michael Thomas Carroll is professor of English at New Mexico Highlands University. He is the author of Popular Modernity in America: Experience, Technology, Mythohistory (2000) and co-editor, with Eddie Tafoya, of Phenomenological Approaches to Popular Culture (2000). |
| chord ngamen 1: Repository of Scales and Melodic Patterns Yusef Lateef, |
| chord ngamen 1: Kotak Waktu Pudjangga Lama, 2019-11-11 Taka punya lima orang sahabat semasa SMA: Gugun, Elsa, Dewi, dan Keela. Kelimanya melewati masa sekolah dengan begitu indah. Sebagai pengingat persahabatan, kelimanya berinisiatif menulis surat untuk diri mereka sendiri sepuluh tahun kemudian. Sayangnya, waktu berjalan maju dan berbagai peristiwa yang tidak pernah mereka duga terjadi. Suatu hari saat Taka sedang bersantap di restoran, ia melihat sosok gitaris di atas panggung benar-benar persis dengan Gugun. Ia bergegas menyapa, tetapi gitaris itu tidak mengenalinya meskipun benar bernama Gugun. Taka merasa ada yang aneh. Sejak pertemuan itu, ia berusaha berhubungan kembali dengan keempat sahabatnya. Dari keempat sahabatnya, hanya Elsa yang mengingat sosok Taka. Apakah Taka berhalusinasi? Atau teman-temannya memang tidak mau bertemu dengannya lagi? |
| chord ngamen 1: Consuming Sport Garry Crawford, 2004-06-03 Consuming Sport offers a detailed consideration of how sport is experienced and engaged with in the everyday lives, social networks and consumer patterns of its followers. It examines the processes of becoming a sport fan, and the social and moral career that supporters follow as their involvement develops over a life-course. The book argues that while for many people sport matters, for many more, it does not. Though for some sport is significant in shaping their social and cultural identity, it is often consumed and experienced by others in quite mundane and everyday ways, through the media images that surround us, conversations overheard and in the clothing of people we pass by. As well as developing a new theory of sport fandom the book links this discussion to wider debates on audiences, fan cultures and consumer practices. The text argues that for far too long consideration of sport fans has focused on exceptional forms of support ignoring the myriad of ways in which sport can be experienced and consumed in everyday life. |
| chord ngamen 1: Studying Popular Music Culture Tim Wall, 2013-02-28 That rare thing, an academic study of music that seeks to tie together the strands of the musical text, the industry that produces it, and the audience that gives it meaning... A vital read for anyone interested in the changing nature of popular music production and consumption - Dr Nathan Wiseman-Trowse, The University of Northampton Popular music entertains, inspires and even empowers, but where did it come from, how is it made, what does it mean, and how does it eventually reach our ears? Tim Wall guides students through the many ways we can analyse music and the music industries, highlighting crucial skills and useful research tips. Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work. Written with clarity, flair and enthusiasm, it covers: Histories of popular music, their traditions and cultural, social, economic and technical factors Industries and institutions, production, new technology, and the entertainment media Musical form, meaning and representation Audiences and consumption. Students′ learning is consolidated through a set of insightful case studies, engaging activities and helpful suggestions for further reading. |
| chord ngamen 1: Recording the Beatles Kevin Ryan, Brian Kehew, 2006 A detailed look at every piece of studio gear used, full explanations of effects and recording processes, and an inside look at how specific songs were recorded. |
| chord ngamen 1: UNESCO on the Ground Michael Dylan Foster, Lisa Gilman, 2015-10-12 For nearly 70 years, the United Nations Educational, Scientific and Cultural Organization (UNESCO) has played a crucial role in developing policies and recommendations for dealing with intangible cultural heritage. What has been the effect of such sweeping global policies on those actually affected by them? How connected is UNESCO with what is happening every day, on the ground, in local communities? Drawing upon six communities ranging across three continents—from India, South Korea, Malawi, Japan, Macedonia and China—and focusing on festival, ritual, and dance, this volume illuminates the complexities and challenges faced by those who find themselves drawn, in different ways, into UNESCO's orbit. Some struggle to incorporate UNESCO recognition into their own local understanding of tradition; others cope with the fallout of a failed intangible cultural heritage nomination. By exploring locally, by looking outward from the inside, the essays show how a normative policy such as UNESCO's intangible cultural heritage policy can take on specific associations and inflections. A number of the key questions and themes emerge across the case studies and three accompanying commentaries: issues of terminology; power struggles between local, national and international stakeholders; the value of international recognition; and what forces shape selection processes. With examples from around the world, and a balance of local experiences with broader perspectives, this volume provides a unique comparative approach to timely questions of tradition and change in a rapidly globalizing world. |
| chord ngamen 1: Droppin' Science William Eric Perkins, 1996 Rap and hip hop, the music and culture rooted in African American urban life, bloomed in the late 1970s on the streets and in the playgrounds of New York City. This critical collection serves as a historical guide to rap and hip hop from its beginnings to the evolution of its many forms and frequent controversies, including violence and misogyny. These wide-ranging essays discuss white crossover, women in rap, gangsta rap, message rap, raunch rap, Latino rap, black nationalism, and other elements of rap and hip hop culture like dance and fashion. An extensive bibliography and pictorial profiles by Ernie Pannicolli enhance this collection that brings together the foremost experts on the pop culture explosion of rap and hip hop. Author note: William Eric Perkins is a Faculty Fellow at the W.E.B. DuBois House at the University of Pennsylvania, and an Adjunct Professor of Communications at Hunter College, City University of New York. |
| chord ngamen 1: State and Civil Society Emil Brix, 2008 |
| chord ngamen 1: Women Watching Television Andrea L. Press, 1991-03 Women's inclinations to identify with television characters varies with their assessment of the realism of these characters and their social world. |
| chord ngamen 1: Understanding Media Semiotics Marcel Danesi, 2017-03-23 Media semiotics is a valuable method of focusing on the hidden meanings within media texts. This book offers students an in-depth guide to help them investigate and understand the media using semiotic theory. It assumes little previous knowledge of the field, avoiding jargon and explaining the issues step by step. The two basic features of the methods used are the historical study of media and their genre and the analysis of the meaning structures that such genres encode. Semiotic analysis is sometimes seen as complicated and difficult to understand; Marcel Danesi shows that on the contrary it can be readily understood and can greatly enrich students' understanding of media texts, from print media right through to the internet. |
| chord ngamen 1: The Adoring Audience Lisa A. Lewis, 2002-09-11 With stories of hysterical teenagers and obsessive fans killing for their heroes, fans and fandom get a bad press. The Adoring Audience looks deeper into fan culture, particularly as it relates to identity, sexuality and textual production. |
| chord ngamen 1: Club Cultures Sarah Thornton, 2013-08-23 This is an innovative contribution to the study of popular culture, focusing on the youth cultures that revolve around dance clubs and raves. |
| chord ngamen 1: Interpreting Indonesian Politics Benedict R O'g Anderson, Audrey Kahin, 2009-12 Over the past two decades there has been a continuing debate among Western scholars concerning the nature of Indonesian politics and the best approaches for understanding them. Several of the most important contributions to this debate were never published and others have gone out of print. Thus, it has been difficult for a new generation of students of Indonesia to be aware of the range of opinions and discussion in Western academic circles concerning the character of postrevolutionary Indonesian politics. For this reason, it appeared to us useful to bring together a series of articles that can provide a framework for understanding the evolution of these perspectives. Clearly, we could not include all the important contributions to the debate, and this selection has been made on the basis of the best representation of differing views over time. In general the pieces appear in chronological sequence in order to delineate more clearly the evolution of the debate. To maintain this chronological development we have also made no changes in the arguments as originally presented, nor, with one exception, permitted the authors to do so, even when they have altered their opinions since originally writing the essays. Passages, however, have occasionally been cut from published articles where they are too repetitive, or where they are not relevant to the major themes being presented here. All such omissions are indicated by a series of dots (...). Because of the continuing nature of the debate, the collection is being published as an Interim Report which we hope will stimulate further reactions and analyses. |
| chord ngamen 1: Women and the Priesthood Sheri L. Dew, 2013 |
| chord ngamen 1: The History of Java Sir Thomas Stamford Raffles, 1830 |
| chord ngamen 1: On the Subject of "Java" John Pemberton, 2018-08-06 What are the limits of cultural critique? What are the horizons? What are the political implications? John Pemberton explores these questions in this far-reaching ethnographic and historical interpretation of cultural discourse in Indonesia since 1965. Pemberton considers in particular how the appearance of order under Soeharto's repressive New Order regime is an effect of an enigmatic politics founded upon routine appeals to cultural values. Through a richly textured ethnographic account of events ranging from national elections to weddings, Pemberton simultaneously elucidates and disturbs the contours of the New Order cultural imaginary. He pursues the fugitive signs of circumstances that might resist the powers of New Order rule through unexpected village practices, among graveyard spirits, and within ascetic refuges. Key to this study is a reexamination of the historical conditions under which a discourse of culture emerges. Providing a close reading of a number of Central Javanese manuscripts from the late eighteenth century on, Pemberton outlines the conditions of knowledge formation in Indonesia since the beginning of Dutch colonial control. As he overturns common assumptions concerning colonial encounters, he discloses the gradual emergence in these texts of a discursive figure inscribed in contrast to the increasingly invasive presence of the Dutch: a figuration of difference that came to be called Java. |
| chord ngamen 1: The Subcultures Reader Ken Gelder, Sarah Thornton, 1997 The only collected work of its kind in the field, The Subcultures Readerbrings together the most valuable and stimulating writings on subcultures from the Chicago School to the present day. All the articles have been specially selected and edited for inclusion in the Readerand are grouped in sections, each with an editor's introduction. There is also a general introduction to the collection, which maps out the field of subcultural studies. Providing an essential guide to the subject, it enables students and teachers to understand how subcultural studies developed, the range of work it encompasses, and provides potential future directions of study throughout the field. |
| chord ngamen 1: Assessing 21st Century Skills Laura M. Greenstein, 2012-07-23 Go beyond traditional paper-and-pencil tests! How can you measure student mastery of 21st century skills like creativity, problem solving, and use of technology? Laura Greenstein provides a framework and practical ideas for using authentic learning experiences and rigorous assessment strategies to engage today’s students. With numerous rubrics and checklists, a step-by-step model for developing your own classroom assessments, a lesson planning template, and sample completed lesson plans, this book discusses how to teach and assess: Thinking skills: critical thinking, problem solving, creativity, and metacognition Actions: communication, collaboration, digital and technological literacy Living skills: citizenship, global understanding, leadership, college and career readiness |
| chord ngamen 1: The Beatles: Paperback Writer Mike Evans, 2014-07-01 The Beatles: Paperback Writer is a unique volume containing over 40 years of interviews, articles, reviews and essays, on subjects ranging from the Fab Four's Liverpudlian origins, to their influence on the counterculture of the late 1960s, and beyond to the post-Beatle paths followed by John Lennon, Paul McCartney, George Harrison, and Ringo Starr. This collection is a compelling and utterly essential guide to the Beatles' story |
| chord ngamen 1: State and Civil Society in Indonesia Arief Budiman, 1990 Due to its popularity, this collection of conference papers has been reprinted. The text's title was also the focus of the conference which was held in 1988 at the Monash University in Australia. The articles collected in this book are quite heterogeneous, although they share the same concern, namely democratization process in Indonesia. |
| chord ngamen 1: Global Culture Mike Featherstone, 1990-07-03 In this book leading social scientists from many countries analyze the extent to which we are seeing a globalization of culture. Is a unified world culture emerging? And if so, how does this relate to existing cultural divisions and to the autonomy of the nation state? Differing explanations are offered for trends towards global unification and their relation to an economic world-system. Will the intensification of global contact produce increasing tolerance of other cultures? Or will an integrating culture produce sharper reactions in the form of fundamentalist and nationalist movements? The contributors explore the emergence of `third cultures', such as international law, the financial markets and media conglomerates, as |
| chord ngamen 1: Sociology is a Martial Art Pierre Bourdieu, 2010 Table of Contents Introduction Gisèle Sapiro ix Part I On Journalism and Television 1 Journalism and Politics 3 On Television 11 The Olympics-an Agenda for Analysis 62 The Power of Journalism 65 From Miscellany to a Matter of State 75 Questions of Words 78 Part II Acts of Resistance: Against the Tyranny of the Market 83 To the Reader 85 The Left Hand and the Right Hand of the State 86 Sollers tel quel 94 The Status of Foreigners: A Shibboleth 97 Abuse of Power by the Advocates of Reason 100 The Train Driver's Remark 102 Against the Destruction of a Civilization 104 The Myth of Globalization and the European Welfare State 108 The Thoughts of Chairman Tietmeyer 121 Social Scientists, Economic Science, and the Social Movement 127 For a New Internationalism 133 Return to Television 141 The Government Finds the People Irresponsible 147 Job Insecurity Is Everywhere Now 149 The Protest Movement of the Unemployed, a Social Miracle 155 The Negative Intellectual 158 Neoliberalism, the Utopia (Becoming a Reality) of Unlimited Exploitation 160 Part III Firing Back: Against the Tyranny of the Market 2 171 Letter to the American Reader 173 Preface 175 For a Scholarship with Commitment 179 The Imposition of the American Model and Its Effects 186 The Invisible Hand of the Powerful 191 Against the Policy of Depoliticization 200 For a European Social Movement 212 Grains of Sand 220 Culture Is in Danger 222 Unite and Rule 234 Part IV Interviews and New Acts of Resistance 245 For a Real Mobilization of Organized Forces 247 For a Permanent Organization of Resistance to the New World Order 251 The Intellectual Is Not Ethically Neutral 255 A Sociologist in the World 261 Epilogue: Remembering Pierre Bourdieu Craig Calhoun 279 Priscilla Parkhurst Ferguson's Translator's Note: On Television 288 References 291 Notes 295 Permissions 309 |
| chord ngamen 1: Shadows of Empire Laurie Jo Sears, 1996 Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds of years, our knowledge of its history, performance practice, and role in Javanese society only begins with Dutch documentation and interpretation in the nineteenth century. Analyzing the Mahabharata and Ramayana tales in relation to court poetry, Islamic faith, Dutch scholarship, and nationalist journals, Sears shows how the shadow theater as we know it today must be understood as a hybrid of Javanese and Dutch ideas and interests, inseparable from a particular colonial moment. In doing so, she contributes to a re-envisioning of European histories that acknowledges the influence of Asian, African, and New World cultures on European thought--and to a rewriting of colonial and postcolonial Javanese histories that questions the boundaries and content of history and story, myth and allegory, colonialism and culture. Shadows of Empire will appeal not only to specialists in Javanese culture and historians of Indonesia, but also to a wide range of scholars in the areas of performance and literature, anthropology, Southeast Asian studies, and postcolonial studies. |
| chord ngamen 1: The Press in "new Order" Indonesia David T. Hill, 1991 |
| chord ngamen 1: The Field of Cultural Production Pierre Bourdieu, 1993 Analysis of art, literature and aesthetics |
| chord ngamen 1: Child Development Elizabeth Bergner Hurlock, 1978 |
| chord ngamen 1: The Buddha in the Attic Julie Otsuka, 2012-01-26 'An understated masterpiece' San Francisco Chronicle 'Her wisdom is staggeringly beautiful, implicating each of us' Irish Times After the First World War, a group of young women is brought by boat from Japan to San Francisco. They are picture brides, promised the American Dream, clutching photographs of the husbands they have yet to meet, imagining uncertain futures on unknown shores. Struggling to master a new language and culture, they experience tremulous first nights as new wives, backbreaking work in the fields and in the homes of white women, and, later, the raising of children who will ultimately reject their heritage and their history. And then war arrives once more. Julie Otsuka tells their extraordinary, heartbreaking story in this spellbinding and poetic account of strangers lost and alone in a new and deeply foreign land. 'A tender, nuanced, empathetic exploration of the sorrows and consolations of a whole generation of women' Daily Telegraph WINNER OF THE PEN FAULKNER AWARD FOR FICTION 2012 SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2011 SHORTLISTED FOR THE LOS ANGELES TIMES BOOK PRIZE 2011 |
| chord ngamen 1: Indonesian Cinema Krishna Sen, 1994 |
| chord ngamen 1: Theory of Literature Rene Wellek, Austin Warren, 2024-04-02 Theory of Literature was born from the collaboration of Ren Wellek, a Vienna-born student of Prague School linguistics, and Austin Warren, an independently minded old New Critic. Unlike many other textbooks of its era, however, this classic kowtows to no dogma and toes no party line. Wellek and Warren looked at literature as both a social product--influenced by politics, economics, etc.--as well as a self-contained system of formal structures. Incorporating examples from Aristotle to Coleridge, written in clear, uncondescending prose, Theory of Literature is a work which, especially in its suspicion of simplistic explanations and its distrust of received wisdom, remains extremely relevant to the study of literature today. |
| chord ngamen 1: The Twilight Years 有吉佐和子, 1984 The problems of working families trying to care for aging parents is not just a phenomenon of the modern U.S.A. This is the novel of a Japanese family and the struggle, under sometimes unbearable pressures, to care for the husband's father through his decline and death. |
| chord ngamen 1: Tambera Utuy Tatang Sontani, 2018-12 It is 1600 and Dutch merchants are welcomed to the Banda islands. But, in the space of three years, Bandanese society changes as its people succumb to the temptations of Western materialism--a process that leads inevitably to social dissension and, finally, to rebellion. Written during the dying days of the Netherlands East Indies, Tambera is Utuy Tatang Sontani's most seminal work. In looking back to the beginnings of colonialism in the Indies, Sontani anticipates many of the philosophical and moral challenges that still confronted the nascent republic of Indonesia, three hundred and fifty years later. |
| chord ngamen 1: Picking Winners Donald Bradleyk, 1954 |
| chord ngamen 1: The Ultimate Guitar Chord Series: First Chords Don Latarski, 1999-10-01 First Chords is the ultimate basic guitar chord book. Containing over 1500 guitar chords (36 fingerings for each of the 12 keys!), this book organizes chords of each key into categories such as common, easy, alternate, barre, and moveable forms 1 and 2, making it easy for you to find the perfect chord for your needs. This is the ideal chord book, and thanks to its layout and depth, this may be the only chord book you'll ever need. |
| chord ngamen 1: Dictionary of Guitar chords , |
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Music archive with over 1 million guitar chords, guitar tabs, ukulele chords, bass tabs, guitar lessons, video lessons and more.
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ULTIMATE GUITAR TABS - 1M+ songs catalog with free Chords, …
Your #1 source for chords, guitar tabs, bass tabs, ukulele chords, guitar pro and power tabs. Comprehensive tabs archive with over 2M+ tabs! Tabs search engine, guitar lessons, gear …
Learn and play all your favorite songs - Chordify
Chordify helps you play your favorite songs effortlessly on guitar, ukulele, piano and mandolin. Join the biggest music community today! We've unlocked Premium features like loop, capo …
ChordU - chords for any song
Get piano, ukulele & guitar chords with variations for any song you love, play along with chords, change transpose and many more.
Chord (music) - Wikipedia
Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to …
E-CHORDS.COM | The best site for chords and tabs
Music archive with over 1 million guitar chords, guitar tabs, ukulele chords, bass tabs, guitar lessons, video lessons and more.
Guitar Chords
More than 2,700 guitar chords with finger placements and audio samples.
Guitar Chords - Songs, Charts & More | ChordsBase.com
Whether you're looking for a chord chart or seeking the chords to popular guitar songs, our site has everything you need to start playing today. Explore our visual chord diagrams and …
Home - Chords Easy - The world most popular guitar community.
Strumming Pattern is D-DU. If you have problems with the B chord, switch the scale to -2 (Dm) for easier chords. Remember to put Capo on 2nd, if you use the easier chords
Chord finder - search music by chord progressions and guitar notes
Find songs and music, that feature chord progression you need. Search tabs by chords, find chords for songs in any genre, by instrument or difficulty.
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850+ enhanced chord charts: All for free. My chord charts are enhanced with lots of helpful details so you can play with confidence. Most online chord charts are super simple and super sloppy. …
