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| clark rockefeller art collection: The Man in the Rockefeller Suit Mark Seal, 2011-06-02 A real-life Talented Mr. Ripley, the unbelievable thirty-year run of a shape-shifting con man. The story of Clark Rockefeller is a stranger-than-fiction twist on the classic American success story of the self-made man-because Clark Rockefeller was totally made up. The career con man who convincingly passed himself off as Rockefeller was born in a small village in Germany. At seventeen, obsessed with getting to America, he flew into the country on dubious student visa documents and his journey of deception began. Over the next thirty years, boldly assuming a series of false identities, he moved up the social ladder through exclusive enclaves on both coasts-culminating in a stunning twelve-year marriage to a rising star businesswoman with a Harvard MBA who believed she'd wed a Rockefeller. The imposter charmed his way into exclusive clubs and financial institutions-working on Wall Street, showing off an extraordinary art collection-until his marriage ended and he was arrested for kidnapping his daughter, which exposed his past of astounding deceptions as well as a connection to the bizarre disappearance of a California couple in the mid-1980s. The story of The Man in the Rockefeller Suit is a probing and cinematic exploration of an audacious imposer-and a man determined to live the American dream by any means necessary. |
| clark rockefeller art collection: Becoming Clark Rockerfeller Frank C. Girardot, 2023-12-01 BECOMING CLARK ROCKEFELLER: Murder, Love, Deception, and the Conman Behind It All delves into the life of a young immigrant entangled in a multi-generational murder investigation ensnaring some of the wealthiest Americans. Posing as bogus aristocrat Clark Rockefeller, he duped the affluent, leaving a trail of deception and national headlines in his wake. Yet the story would grow even more sinister. In 1985, Linda Sohus, a talented, outgoing artist, and her husband John, a computer geek with dreams of space, mysteriously vanished from their quiet San Marino, California life. But why? Were they on a secret government mission, chasing elusive dreams, or had something terrible happened to them? The police investigated while the public and media speculated. But all leads came to a dead end, and eventually, the mystery faded into the shadows. Then, in 1994, a shocking backyard discovery reignited the case. Bones were unearthed, revealing a convoluted tale of murder, lust, and trickery. At its center, the same audacious grifter, whose real name was Christian Gerhartsreiter, who had conned his way into high society as Clark Rockefeller. In this thrilling true crime masterpiece, tenacious investigative journalist and bestselling author Frank C. Girardot unveils this transcontinental, decades-long mystery with interviews from witnesses, court documents, and exclusive insights from the con man himself. |
| clark rockefeller art collection: The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas Alisa LaGamma, Joanne Pillsbury, Eric Kjellgren, Yaëlle Biro, 2014-08-01 This Bulletin and the exhibition it accompanies, The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas, reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic. |
| clark rockefeller art collection: Catalog of the Avery Memorial Architectural Library of Columbia University. 2d Ed., Enl Avery Library, 1968 |
| clark rockefeller art collection: A Companion to Modern Art Pam Meecham, 2018-02-13 A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more |
| clark rockefeller art collection: Catalog of the Robert Goldwater Library, the Metropolitan Museum of Art Robert Goldwater Library, 1982 |
| clark rockefeller art collection: In the Land of Living Dangerously Jay Cowan, 2012-05-01 With “In the Land of Living Dangerously”, an adventure travelogue set in Indonesia, author Jay Cowan explores myriad issues experienced during his travels in the Indonesian archipelago from culture and history to politics and anthropology, from exotic endemic wildlife and huge environmental challenges to one-on-one encounters with volcanic eruptions, earthquakes and tsunamis, the natural disasters that keep the region in the news. Cowan and his wife climbed 13,500-foot Mount Kinabalu, took river trips deep into the interior of Borneo, were on-site for the huge eruptions of Mount Merapi volcano in Java, got a close-up view of Indonesia’s infamous corruption in Bali and witnessed radical Islamic terrorist activities that have rocked the region — all while trying to avoid getting bird flu, dengue fever, malaria, Bali belly and a variety of other brutal tropical diseases that run rampant in the area and are now focal points for battles over who controls the viruses and their potential vaccines. As well as getting up close and personal with Indonesia’s famous Komodo dragons, the author tracked down other seriously endangered species in their native habitats including orangutans, pygmy elephants, tarsiers, giant yellow-lipped clams, proboscis monkeys, mouse deer and several dozen more imperiled species of animals and birds. This exciting and informative travelogue also includes discussions of US President Obama’s childhood in Java, US Secretary of State Hillary Clinton’s visits to the area, a plane ride with Indonesia’s then-Vice-President Jusuf Kalla, and an interview by the author with the Foreign Minister of China on a beach in Bali. |
| clark rockefeller art collection: The Passionate Collector Roy R. Neuberger, 2003-05-13 Few living persons have served the Metropolitan Museum of Art-indeed, the entire world of art and art museums-longer, or with more distinction, than Roy Neuberger. A man of taste, passion, persistence, and generosity, he has shared much of his great private collection with the public, and for generations has supported activities that bring people to museums, and motivate them to return again and again. Now, this giant of a man has recorded eighty years of his life-and the result is entertaining, illuminating, and, like the tireless gentleman himself, inspiring. -Philippe de Montebello, Director, The Metropolitan Museum of Art Equal to his passion for investing is Roy Neuberger's love for art-which he has collected and encouraged for eight decades. In The Passionate Collector: Eighty Years in the World of Art, you'll follow this fascinating financial figure and great patron of the arts from the streets of 1920s Paris to the museums of New York as he develops the eye of a connoisseur and begins to collect great contemporary art. Vivid detail puts you in the center of the action as Neuberger collects the brilliant artists of his time-Milton Avery, Jackson Pollock, Ben Shahn, Edward Hopper; works with legendary art dealers Paul Rosenberg, Betty Parsons, Sidney Janis, and Leo Castelli; and befriends avid collectors, including the incomparable Duncan Phillips. You'll follow Neuberger as he strives to further the cause of contemporary American artists by exhibiting, lending, and donating from his growing collection, and becoming an activist for the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney. You'll also see how the Neuberger Museum of Art was created at the urging of Governor Nelson Rockefeller, and how it continues to fascinate art enthusiasts today. Part personal memoir, part history of art, The Passionate Collector offers a unique view of twentieth-century American art from a man who has lived it. |
| clark rockefeller art collection: A Date with Death Michele R. McPhee, 2010-05-19 In a luxury Boston hotel on April 14, 2009, police discovered the body of a beautiful young woman—her head battered, a bullet through her heart. Within hours, the story exploded, making headlines across the nation. The victim, a masseuse named Julissa Brisman, had advertised her erotic services on popular classified ads Web site Craigslist. A twenty-two-year-old medical student named Philip Markoff was her last-known client... The Boston Police Homicide Unit followed a digital trail that led to Markoff's home, where investigators found a gun, prepaid cell phones, plastic handcuffs, and other evidence linking Markoff to Brisman. They also uncovered a stash of women's undergarments, raising even more questions about their suspect: How many other women did Markoff meet before Brisman? And what happened to them? This is the true story of one woman's DATE WITH DEATH. |
| clark rockefeller art collection: The Art of Africa Christa Clarke, Rebecca Arkenberg, 2006 By focusing on forty works from the Metropolitan's collection, this educator's resource kit presents the rich and diverse artistic heritage of sub-Saharan Africa. Included are a brief introduction and history of the continent, an explanation of the role of visual expression in Africa, descriptions of the form and function of the works, lesson plans, class activities, map, bibliography, and glossary. |
| clark rockefeller art collection: Explaining Traditions Simon Bronner, 2011-08-26 Why do humans hold onto traditions? Many pundits predicted that modernization and the rise of a mass culture would displace traditions, especially in America, but cultural practices still bear out the importance of rituals and customs in the development of identity, heritage, and community. In Explaining Traditions: Folk Behavior in Modern Culture, Simon J. Bronner discusses the underlying reasons for the continuing significance of traditions, delving into their social and psychological roles in everyday life, from old-time crafts to folk creativity on the Internet. Challenging prevailing notions of tradition as a relic of the past, Explaining Traditions provides deep insight into the nuances and purposes of living traditions in relation to modernity. Bronner’s work forces readers to examine their own traditions and imparts a better understanding of raging controversies over the sustainability of traditions in the modern world. |
| clark rockefeller art collection: Art of the Western World Bruce Cole, Adelheid M. Gealt, 1991-12-15 With fresh insight into what the great works meant when they were created and why they appeal to us now, here is a vivid tour of painting, sculpture, and architecture, past and present. Illuminating . . . a notable accomplishment.--The New York Times. Illustrated. |
| clark rockefeller art collection: The Grove Encyclopedia of American Art Joan M. Marter, 2011 Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries. |
| clark rockefeller art collection: The Red and the White: A Family Saga of the American West Andrew R. Graybill, 2013-10-07 Winner of the Labriola Center American Indian National Book Award. One of the American West’s bloodiest—and least-known—massacres is searingly re-created in this generation-spanning history of native-white intermarriage. At dawn on January 23, 1870, four hundred men of the Second U.S. Cavalry attacked and butchered a Piegan camp near the Marias River in Montana in one of the worst slaughters of Indians by American military forces in U.S. history. Coming to avenge the murder of their father—a former fur-trader named Malcolm Clarke who had been killed four months earlier by their Piegan mother’s cousin—Clarke ’s own two sons joined the cavalry in a slaughter of many of their own relatives. In this groundbreaking work of American history, Andrew R. Graybill places the Marias Massacre within a larger, three-generation saga of the Clarke family, particularly illuminating the complex history of native-white intermarriage in the American Northwest. |
| clark rockefeller art collection: ARTnews , 1955 |
| clark rockefeller art collection: Discipline-Based Art Education Kay Alexander, Michael Day, 1991-01-01 This sampler was designed for art specialists and art museum educators with a basic understanding of teaching discipline-based art education content. The introduction offers a brief history of the Sampler and explains its intended purpose and use. Then 8 unit models with differing methodologies for relating art objectives to the four disciplines: aesthetics, art criticism, art history, and art production, are presented. The sampler consists of two elementary units, two units for middle school, two units intended for required high school art, one high school studio ceramic unit, and a brief unit for art teachers and art museum educators that focuses on visits to art museums. Learning activities, resource material, and learning strategies are given for the units along with a sequence of lessons organized on a theme. |
| clark rockefeller art collection: Arts Digest , 1937 |
| clark rockefeller art collection: Encyclopedia of American Folk Art Gerard C. Wertkin, 2004-08-02 For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history. |
| clark rockefeller art collection: The Thinking Past Adrian Cole, Stephen Ortega, 2014-08-26 This book takes an analytical approach to world history. Instead of proceeding through history descriptively, it looks at several major questions and ideas, such as the role of technology, the development of universal religions, global trade, or participatory politics. If this sounds thematic, it is. But it also progresses chronologically, analyzing these themes as they apply in certain eras. We use both primary sources in-text, and the latest scholarship as secondary source. These we use frequently in each chapter both to employ the voices of scholars where they say things better than we could, and footnote them for students' reference. We also hope to convey the sense that all this content is part of an ongoing debate amongst historians--and scholars from different disciplines. Finally we attempt to keep the text accessible by focusing on narrative elements of history, and keeping in mind that the readers are undergraduates, often with little exposure to the subject matter. However, the level of ideas remains high--Provided by publisher. |
| clark rockefeller art collection: Collecting Prints, Posters, and Ephemera Ruth E. Iskin, Britany Salsbury, 2019-12-12 Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world. |
| clark rockefeller art collection: Africa DK, 2024-04-02 Immerse yourself in the vast and intricate story of Africa and discover Africa's true place in world history. Spanning more than 200,000 years, from the emergence of the first humans to the rise of megacities, Africa explores the history and cultures of the world's second-largest continent in vivid detail. It brings to life the stories that shaped Africa and the world around it, from powerful and influential empires and kingdoms such as Mali and Benin, through the struggle against colonization and the fight for independence, to Africa's place on the global stage today. You will meet some of Africa's most important political and military leaders, including Hannibal, Mansa Moussa, Oba Ewuare, Shaka Zulu, Kwame Nkrumah, Nelson Mandela, and Ellen Sirleaf. Lavish photography showcases the great art and architecture that African civilizations have created, while engaging text written by experts of African heritage covers every facet of African cultures, from music and literature to religions, mythology, and languages. Exclusive CGI illustrations recreate iconic buildings and life in lost cities such as Timbuktu and Great Zimbabwe. Beautifully illustrated and unparalleled in scope, Africa is the perfect book for anyone who is looking to deepen their understanding of Africa's vital and inspiring history. |
| clark rockefeller art collection: An Anxious Peace Hans Mark, 2019-04-23 By any measure, Hans Mark was a warrior of the Cold War. Born in Mannheim, Germany, in 1929, he spent his early childhood in Vienna before escaping the Nazi Anschluss in 1938 and eventually emigrating to the United States, settling in New York. He graduated from high school in 1947, went west to attend the University of California, Berkeley, and later earned a PhD in physics from MIT. His work in nuclear engineering soon set him on a path that would be shaped by aeronautics, space exploration, and national defense. It was through advanced technology that Mark believed the United States could win the Cold War. In An Anxious Peace, Mark recounts in detail his life as a twentieth-century “rocket man.” Here is the inside story of one who—in a career spanning more than six decades—was on the technological front line, from long-range bombers to the space shuttle. Along the way, Mark reveals many never-before-told stories from life at NASA and more. Readers will revel in learning the background behind the decision to place a plaque on Pioneer 10, a space probe that the NASA Ames Research Center designed to fly past the asteroid belt, Jupiter, and Saturn to collect data and images. Mark tells how he, Carl Sagan, and NASA insider John Naugle kept secret the addition of the now iconic 6x9-inch aluminum “message from humanity” until the probe had been launched. To this day Mark is pushing for a manned mission to Mars. One thing is sure: Hans Mark has left a major impact on academic and scientific communities that will be felt for decades to come. |
| clark rockefeller art collection: The Art Museum as Educator Council on Museums and Education in the Visual Arts, Barbara Y. Newsom, Adele Z. Silver, 1978 |
| clark rockefeller art collection: Congressional Record United States. Congress, 1979 The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873) |
| clark rockefeller art collection: Focus On: 100 Most Popular 20Th-century American Politicians Wikipedia contributors, |
| clark rockefeller art collection: The House the Rockefellers Built Robert F. Dalzell, Lee Baldwin Dalzell, 2013-08-13 What it was like to be as rich as Rockefeller: How a house gave shape and meaning to three generations of an iconic American family One hundred years ago America's richest man established a dynastic seat, the granite-clad Kykuit, high above the Hudson River. Though George Vanderbilt's 255-room Biltmore had recently put the American country house on the money map, John D. Rockefeller, who detested ostentation, had something simple in mind—at least until his son John Jr. and his charming wife, Abby, injected a spirit of noblesse oblige into the equation. Built to honor the senior Rockefeller, the house would also become the place above all others that anchored the family's memories. There could never be a better picture of the Rockefellers and their ambitions for the enormous fortune Senior had settled upon them. The authors take us inside the house and the family to observe a century of building and rebuilding—the ebb and flow of events and family feelings, the architecture and furnishings, the art and the gardens. A complex saga, The House the Rockefellers Built is alive with surprising twists and turns that reveal the tastes of a large family often sharply at odds with one another about the fortune the house symbolized. |
| clark rockefeller art collection: Primitivism in Modern Art Robert Goldwater, 1986 This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition. |
| clark rockefeller art collection: Exalting Jesus in 1 & 2 Chronicles Adam B. Dooley, 2024-10-15 Exalting Jesus in 1 & 2 Chronicles is part of the Christ-Centered Exposition Commentary series. Edited by David Platt, Daniel L. Akin, and Tony Merida, this commentary series takes a Christ-centered approach to expositing each book of the Bible. Each chapter explains and applies key passages, providing helpful outlines for study and teaching. This practical and easy-to-read commentary is designed to help the reader see Christ in 1 & 2 Chronicles. More devotional than academic, the expositions are presented as sermons and divided into chapters that conclude with a “Reflect & Discuss” section, making this series ideal for small group study, personal devotion, and even sermon preparation. The CCE series will include 47 volumes when complete; this volume is written by Adam B. Dooley. |
| clark rockefeller art collection: Edith Halpert, the Downtown Gallery, and the Rise of American Art Rebecca Shaykin, 2019-10-11 This book presents the fascinating untold story of art-world tastemaker Edith Halpert, who sold, promoted, and effectively defined American art in the 20th century. |
| clark rockefeller art collection: Artistic Heritage in a Changing Pacific Philip J. C. Dark, Roger G. Rose, 1993-09-01 “The great value of [this work] is the uniformly high quality of papers and their revelation of contemporary trends in Oceanic art research.” —Ethnoarts |
| clark rockefeller art collection: Adult Catalog: Authors Los Angeles County Public Library, 1970 |
| clark rockefeller art collection: American Folklore Jan Harold Brunvand, 2006-05-24 Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority |
| clark rockefeller art collection: A History of Ghosts, Spirits and the Supernatural DK, 2024-09-10 Discover the spine-chilling history of ghosts and the supernatural across the world in this illustrated guide. A History of Ghosts, Spirits and the Supernatural charts the extraordinary narrative of one of the most fascinating and controversial subjects in the world, covering everything from Neolithic ancestor worship and ancient necromancy to modern-day ghost-hunting and creepypasta tales and from the Japanese onryo to the La Llorona of Latin America. The perfect introduction to the subject, this spellbinding volume details the numerous ways in which spirits and the spirit world have been depicted in myth and religion, folklore, art, and literature. In this ghostly novel, you will find: Recounts of infamous tales of haunted houses and ghost ships, séances and mediumships, poltergeists, possessions, and demonic encounters. Feature profiles for other ghostly or undead beings, such as vampires and werewolves. The numerous reasons that ghost stories and tales of the uncanny are a common feature of cultures the world over. A serious but reader-friendly overview of a fascinating and controversial subject that explores the supernatural across the world and throughout history. The most holistic history of the subject available, A History of Ghosts, Spirits, and the Supernatural will shock and delight you in equal measure - whether you are a believer or a skeptic. |
| clark rockefeller art collection: The Great Chinese Art Transfer Michael St. Clair, 2016-04-01 This is the story of the great outflows of art from China into the collections and museums of the West. Western collectors and international dealers gathered paintings, ceramics, and other art objects from 1860 into the early years of the twentieth century, resulting in a reverse flow as Chinese collectors purchase back their treasures. |
| clark rockefeller art collection: Self-Taught, Outsider and Folk Art Betty-Carol Sellen, 2016-02-09 Much has changed in the world of self-taught art since the millennium. Many of the recognized masters have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city. |
| clark rockefeller art collection: The Nelson A. Rockefeller Collection William Slattery Lieberman, 1981 |
| clark rockefeller art collection: On Line Cornelia H. Butler, M. Catherine de Zegher, 2010 On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance. |
| clark rockefeller art collection: The Museum of Modern Art in this Century Glenn D. Lowry, 2009 In the eighty years since The Museum of Modern Art was founded, contemporary art has been completely transformed, from a movement appreciated by a few to a cosmopolitan, globe-spanning, multidisciplinary undertaking that permeates every corner of culture. In The Museum of Modern Art in This Century, MoMA Director Glenn D. Lowry explores that Museum as a place instrumental in that revolution - a place where art history is constantly revisited and the new is examined and embraced. --Book Jacket. |
| clark rockefeller art collection: How to Read Oceanic Art Metropolitan Museum of Art (New York, N.Y.), Eric Kjellgren, 2014-09-02 An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture |
| clark rockefeller art collection: Modern in the Making Austin Porter, Sandra Zalman, 2020-10-29 Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production. |
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