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| colour vision evan thompson: Colour Vision Evan Thompson, 1995 Colour fascinates all of us, and scientists and philosophers have sought to understand the true nature of colour vision for many years. In recent times, investigations into colour vision have been one of the main success stories of cognitive science, for each discipline within the field - neuroscience, psychology, linguistics, computer science and artificial intelligence, and philosophy - has contributed significantly to our understanding of colour. Evan Thompson's book is a major contribution to this interdisciplinary project. Colour Vision provides an accessible review of the current scientific and philosophical discussions of colour vision. Thompson steers a course between the subjective and objective positions on colour, arguing for a relational account. This account develops a novel `ecological' approach to colour vision in cognitive science and the philosophy of perception. It is vital reading for all cognitive scientists and philosophers whose interests touch upon this central area. |
| colour vision evan thompson: Colour Vision Evan Thompson, 1995 Thompson provides an accessible review of the current scientific and philosophical discussions of colour vision and is vital reading for all cognitive scientists and philosophers whose interests touch upon this central area. |
| colour vision evan thompson: Dying: What Happens When We Die? Evan Thompson, 2014-09-02 In the ancient Indian epic, Mahabharata, the Lord of Death asks, What is the most wondrous thing in the world?, and his son answers, It is that all around us people can be dying and we don't believe it can happen to us. This refusal to face the inevitability of death is especially prevalent in modern Western societies. We look to science to tell us how things are but biomedicine and neuroscience divest death of any personal significance by presenting it as just the breakdown of the body and the cessation of consciousness. The Tibetan Buddhist perspective stands in sharp contrast to this modern scientific notion of death. This tradition conceives dying not as the mere termination of living processes within the body, but as a rite of passage and transformation of consciousness. Physical death, in this tradition, initiates a transition from one of the six bardos (in-between states) of consciousness to an opportunity for total enlightenment. In Dying: What Happens When We Die?, Evan Thompson establishes a middle ground between the depersonalized, scientific account of death and the highly ritualized notion of death found in Tibetan Buddhism. Thompson's depiction of death and dying offers an insightful neurobiological analysis while also delving into the phenomenology of death, examining the psychological and spiritual effects of dying on human consciousness. In a trenchant critique of the near-death experience literature, he shows that these experiences do not provide evidence for the continuation of consciousness after death, but also that they must be understood phenomenologically and not in purely neuroscience terms. We must learn to tolerate the ultimate ungraspability of death by bearing witness to dying and death instead of turning away from them. We can learn to face the experience of dying through meditative practice, and to view the final moments of life not as a frightening inevitability to be shunned or ignored, but as a deeply personal experience to be accepted and even embraced. |
| colour vision evan thompson: Waking, Dreaming, Being Evan Thompson, 2014-11-18 A renowned philosopher of the mind, also known for his groundbreaking work on Buddhism and cognitive science, Evan Thompson combines the latest neuroscience research on sleep, dreaming, and meditation with Indian and Western philosophy of mind, casting new light on the self and its relation to the brain. Thompson shows how the self is a changing process, not a static thing. When we are awake we identify with our body, but if we let our mind wander or daydream, we project a mentally imagined self into the remembered past or anticipated future. As we fall asleep, the impression of being a bounded self distinct from the world dissolves, but the self reappears in the dream state. If we have a lucid dream, we no longer identify only with the self within the dream. Our sense of self now includes our dreaming self, the I as dreamer. Finally, as we meditate—either in the waking state or in a lucid dream—we can observe whatever images or thoughts arise and how we tend to identify with them as me. We can also experience sheer awareness itself, distinct from the changing contents that make up our image of the self. Contemplative traditions say that we can learn to let go of the self, so that when we die we can witness its dissolution with equanimity. Thompson weaves together neuroscience, philosophy, and personal narrative to depict these transformations, adding uncommon depth to life's profound questions. Contemplative experience comes to illuminate scientific findings, and scientific evidence enriches the vast knowledge acquired by contemplatives. |
| colour vision evan thompson: Self, No Self? Mark Siderits, Evan Thompson, Dan Zahavi, 2013-01-31 The nature and reality of self is a subject of increasing prominence among Western philosophers of mind and cognitive scientists. It has also been central to Indian and Tibetan philosophical traditions for over two thousand years. It is time to bring the rich resources of these traditions into the contemporary debate about the nature of self. This volume is the first of its kind. Leading philosophical scholars of the Indian and Tibetan traditions join with leading Western philosophers of mind and phenomenologists to explore issues about consciousness and selfhood from these multiple perspectives. Self, No Self? is not a collection of historical or comparative essays. It takes problem-solving and conceptual and phenomenological analysis as central to philosophy. The essays mobilize the argumentative resources of diverse philosophical traditions to address issues about the self in the context of contemporary philosophy and cognitive science. Self, No Self? will be essential reading for philosophers and cognitive scientists interested in the nature of the self and consciousness, and will offer a valuable way into the subject for students. |
| colour vision evan thompson: Vision and Mind Alva Noë, Evan Thompson, 2002-10-25 The philosophy of perception is a microcosm of the metaphysics of mind. Its central problems—What is perception? What is the nature of perceptual consciousness? How can one fit an account of perceptual experience into a broader account of the nature of the mind and the world?—are at the heart of metaphysics. Rather than try to cover all of the many strands in the philosophy of perception, this book focuses on a particular orthodoxy about the nature of visual perception. The central problem for visual science has been to explain how the brain bridges the gap between what is given to the visual system and what is actually experienced by the perceiver. The orthodox view of perception is that it is a process whereby the brain, or a dedicated subsystem of the brain, builds up representations of relevant figures of the environment on the basis of information encoded by the sensory receptors. Most adherents of the orthodox view also believe that for every conscious perceptual state of the subject, there is a particular set of neurons whose activities are sufficient for the occurrence of that state. Some of the essays in this book defend the orthodoxy; most criticize it; and some propose alternatives to it. Many of the essays are classics. Contributors G.E.M. Anscombe, Dana Ballard, Daniel Dennett, Fred Dretske, Jerry Fodor, H.P. Grice, David Marr, Maurice Merleau-Ponty, Zenon Pylyshyn, Paul Snowdon, and P.F. Strawson |
| colour vision evan thompson: Mind in Life Evan Thompson, 2010-09-30 Thompson explores the “explanatory gap” between biological life and consciousness, drawing on sources as diverse as molecular biology, evolutionary theory, artificial life, complex systems theory, neuroscience, psychology, Continental Phenomenology, and analytic philosophy to show that mind and life are more continuous than previously accepted. |
| colour vision evan thompson: Why I Am Not a Buddhist Evan Thompson, 2020-01-28 A provocative essay challenging the idea of Buddhist exceptionalism, from one of the world’s most widely respected philosophers and writers on Buddhism and science Buddhism has become a uniquely favored religion in our modern age. A burgeoning number of books extol the scientifically proven benefits of meditation and mindfulness for everything ranging from business to romance. There are conferences, courses, and celebrities promoting the notion that Buddhism is spirituality for the rational; compatible with cutting-edge science; indeed, “a science of the mind.” In this provocative book, Evan Thompson argues that this representation of Buddhism is false. In lucid and entertaining prose, Thompson dives deep into both Western and Buddhist philosophy to explain how the goals of science and religion are fundamentally different. Efforts to seek their unification are wrongheaded and promote mistaken ideas of both. He suggests cosmopolitanism instead, a worldview with deep roots in both Eastern and Western traditions. Smart, sympathetic, and intellectually ambitious, this book is a must-read for anyone interested in Buddhism’s place in our world today. |
| colour vision evan thompson: Phenomenology of Perception Maurice Merleau-Ponty, 1996 Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and |
| colour vision evan thompson: Active Inference Thomas Parr, Giovanni Pezzulo, Karl J. Friston, 2022-03-29 The first comprehensive treatment of active inference, an integrative perspective on brain, cognition, and behavior used across multiple disciplines. Active inference is a way of understanding sentient behavior—a theory that characterizes perception, planning, and action in terms of probabilistic inference. Developed by theoretical neuroscientist Karl Friston over years of groundbreaking research, active inference provides an integrated perspective on brain, cognition, and behavior that is increasingly used across multiple disciplines including neuroscience, psychology, and philosophy. Active inference puts the action into perception. This book offers the first comprehensive treatment of active inference, covering theory, applications, and cognitive domains. Active inference is a “first principles” approach to understanding behavior and the brain, framed in terms of a single imperative to minimize free energy. The book emphasizes the implications of the free energy principle for understanding how the brain works. It first introduces active inference both conceptually and formally, contextualizing it within current theories of cognition. It then provides specific examples of computational models that use active inference to explain such cognitive phenomena as perception, attention, memory, and planning. |
| colour vision evan thompson: Handbook of Color Psychology Andrew J. Elliot, Mark D. Fairchild, Anna Franklin, 2018-04-26 We perceive color everywhere and on everything that we encounter in daily life. Color science has progressed to the point where a great deal is known about the mechanics, evolution, and development of color vision, but less is known about the relation between color vision and psychology. However, color psychology is now a burgeoning, exciting area and this Handbook provides comprehensive coverage of emerging theory and research. Top scholars in the field provide rigorous overviews of work on color categorization, color symbolism and association, color preference, reciprocal relations between color perception and psychological functioning, and variations and deficiencies in color perception. The Handbook of Color Psychology seeks to facilitate cross-fertilization among researchers, both within and across disciplines and areas of research, and is an essential resource for anyone interested in color psychology in both theoretical and applied areas of study. |
| colour vision evan thompson: The Cambridge Companion to Bertrand Russell Nicholas Griffin, 2003-06-23 Mathematics in and behind Russell's logicism, and its reception / I. Grattan-Guinness -- Russell's philosophical background / Nicholas Griffin -- Russell and Moore, 1898-1905 / Richard L. Cartwright -- Russell and Frege / Michael Beaney -- Bertrand Russell's logicism / Martin Godwyn and Andrew D. Irvine -- The theory of descriptions / Peter Hylton -- Russell's substitutional theory / Gregory Landini -- The theory of types / Alasdair Urquhart -- Russell's method of analysis / Paul Hager -- Russell's neutral monism / R.E. Tully -- The metaphysics of logical atomism / Bernard Linksy -- Russell's structuralism and the absolute description of the world / William Demopoulos -- From knowledge by acquaintance to knowledge by causation / Thomas Baldwin -- Russell, experience, and the roots of science / A.C. Grayling -- Bertrand Russell: moral philosopher or unphilosophical moralist? / Charles R. Pidgen. |
| colour vision evan thompson: Out of This World Peter Hallward, 2006-08-17 A controversial critique of an iconic philosopher. |
| colour vision evan thompson: Ostension Chad Engelland, 2014-11-07 An examination of the role of ostension—the bodily manifestation of intention—-in word learning, and an investigation of the philosophical puzzles it poses. Ostension is bodily movement that manifests our engagement with things, whether we wish it to or not. Gestures, glances, facial expressions: all betray our interest in something. Ostension enables our first word learning, providing infants with a prelinguistic way to grasp the meaning of words. Ostension is philosophically puzzling; it cuts across domains seemingly unbridgeable—public–private, inner–outer, mind–body. In this book, Chad Engelland offers a philosophical investigation of ostension and its role in word learning by infants. Engelland discusses ostension (distinguishing it from ostensive definition) in contemporary philosophy, examining accounts by Quine, Davidson, and Gadamer, and he explores relevant empirical findings in psychology, evolutionary anthropology, and neuroscience. He offers original studies of four representative historical thinkers whose work enriches the understanding of ostension: Wittgenstein, Merleau-Ponty, Augustine, and Aristotle. And, building on these philosophical and empirical foundations, Engelland offers a meticulous analysis of the philosophical issues raised by ostension. He examines the phenomenological problem of whether embodied intentions are manifest or inferred; the problem of what concept of mind allows ostensive cues to be intersubjectively available; the epistemological problem of how ostensive cues, notoriously ambiguous, can be correctly understood; and the metaphysical problem of the ultimate status of the key terms in his argument: animate movement, language, and mind. Finally, he argues for the centrality of manifestation in philosophy. Taking ostension seriously, he proposes, has far-reaching implications for thinking about language and the practice of philosophy. |
| colour vision evan thompson: Color and Color Perception David R. Hilbert, 1987-11-01 Colour has often been supposed to be a subjective property, a property to be analysed orretly in terms of the phenomenological aspects of human expereince. In contrast with subjectivism, an objectivist analysis of color takes color to be a property objects possess in themselves, independently of the character of human perceptual expereince. David Hilbert defends a form of objectivism that identifies color with a physical property of surfaces - their spectral reflectance. This analysis of color is shown to provide a more adequate account of the features of human color vision than its subjectivist rivals. The author's account of colro also recognises that the human perceptual system provides a limited and idiosyncratic picture of the world. These limitations are shown to be consistent with a realist account of colour and to provide the necessary tools for giving an analysis of common sense knowledge of color phenomena. |
| colour vision evan thompson: The Sense of Space David Morris, 2004-08-24 The Sense of Space brings together space and body to show that space is a plastic environment, charged with meaning, that reflects the distinctive character of human embodiment in the full range of its moving, perceptual, emotional, expressive, developmental, and social capacities. Drawing on the philosophies of Merleau-Ponty and Bergon, as well as contemporary psychology to develop a renewed account of the moving, perceiving body, the book suggests that our sense of space ultimately reflects our ethical relations to other people and to the place we inhabit. I like the combination of sober scholarship with imaginative thought and writing. David Morris is fully at home in phenomenology, while being quite knowledgeable of existing and pertinent scientific literature. Having mastered both, he creates a dynamic tension between them, showing how each can fructify the other, albeit in very different ways. The result is truly impressive. |
| colour vision evan thompson: Colour Vision Evan Thompson, 2003-10-04 Colour fascinates all of us, and scientists and philosophers have sought to understand the true nature of colour vision for many years. In recent times, investigations into colour vision have been one of the main success stories of cognitive science, for each discipline within the field - neuroscience, psychology, linguistics, computer science and artificial intelligence, and philosophy - has contributed significantly to our understanding of colour. Evan Thompson's book is a major contribution to this interdisciplinary project. Colour Vision provides an accessible review of the current scientific and philosophical discussions of colour vision. Thompson steers a course between the subjective and objective positions on colour, arguing for a relational account. This account develops a novel `ecological' approach to colour vision in cognitive science and the philosophy of perception. It is vital reading for all cognitive scientists and philosophers whose interests touch upon this central area. |
| colour vision evan thompson: Current Controversies in Philosophy of Cognitive Science Adam J Lerner, Simon Cullen, Sarah-Jane Leslie, 2023-05-31 In this volume, leading researchers debate five core questions in the philosophy of cognitive science. For each topic, the volume provides two essays, each advocating for an opposing approach. |
| colour vision evan thompson: Is the Visual World a Grand Illusion? Alva Noë, 2002 There is a scepticism about whether the world out there really is as we perceive it. A new breed of hyper-sceptics now challenge whether we even have the perceptual experience we think we have. This title presents a collection of essays which explore the reliability of visual perception. |
| colour vision evan thompson: Colour and Meaning in Ancient Rome Mark Bradley, 2011-06-09 The study of colour has become familiar territory in anthropology, linguistics, art history and archaeology. Classicists, however, have traditionally subordinated the study of colour to form. By drawing together evidence from contemporary philosophers, elegists, epic writers, historians and satirists, Mark Bradley reinstates colour as an essential informative unit for the classification and evaluation of the Roman world. He also demonstrates that the questions of what colour was and how it functioned - as well as how it could be misused and misunderstood - were topics of intellectual debate in early imperial Rome. Suggesting strategies for interpreting Roman expressions of colour in Latin texts, Dr Bradley offers alternative approaches to understanding the relationship between perception and knowledge in Roman elite thought. In doing so, he highlights the fundamental role that colour performed in the realms of communication and information, and its intellectual contribution to contemporary discussions of society, politics and morality. |
| colour vision evan thompson: Salmon Cooking Sections, Cooking Sections (Group), 2020-10 SALMON: A RED HERRING traces the construction of salmon: the colour of a wild fish, which is neither wild, nor fish (nor even salmon). In this highly original work, Cooking Sections show that disregarding colour as a mere feature of matter risks taking life on Earth for granted. Colour is a vector that composes forms, entwines species, and signals environmental changes. This book accounts for how we ended up in a deceptive world where sparrows moult pink, dogs turn blue, and honey glows maraschino red; where pharaohs tint paint, laptops flavour fog, and farms feed colour. |
| colour vision evan thompson: Minimal Selfhood and the Origins of Consciousness Rupert Glasgow, 2018-07-10 In Minimal Selfhood and the Origins of Consciousness, R.D.V. Glasgow seeks to ground the logical roots of consciousness in what he has previously called the 'minimal self'. The idea is that elementary forms of consciousness are logically dependent not, as is commonly assumed, on ownership of an anatomical brain or nervous system, but on the intrinsic reflexivity that defines minimal selfhood. The aim of the book is to trace the logical pathway by which minimal selfhood gives rise to the possible appearance of consciousness. It is argued that in specific circumstances it thus makes sense to ascribe elementary consciousness to certain predatory single-celled organisms such as amoebae and dinoflagellates as well as to some of the simpler animals. Such an argument involves establishing exactly what those specific circumstances are and determining how elementary consciousness differs in nature and scope from its more complex manifestations. |
| colour vision evan thompson: Rediscovering Colors M. Watkins, 2012-12-06 In Rediscovering Colors: A Study in Pollyanna Realism, Michael Watkins endorses the Moorean view that colors are simple, non-reducible, properties of objects. Consequently, Watkins breaks from what has become the received view that either colors are reducible to certain properties of interest to science, or else nothing is really colored. What is novel about the work is that Watkins, unlike other Mooreans, takes seriously the metaphysics of colors. Consequently, Watkins provides an account of what colors are, how they are related to the physical properties on which they supervene, and how colors can be causally efficacious without the threat of causal overdetermination. Along the way, he provides novel accounts of normal conditions and non-human color properties. The book will be of interest to any metaphysician and philosopher of mind interested in colors and color perception. |
| colour vision evan thompson: A Cultural History of Color in the Modern Age Anders Steinvall, Sarah Street, 2022-08-31 A Cultural History of Color in the Modern Age covers the period 1920 to the present, a time of extraordinary developments in colour science, philosophy, art, design and technologies. The expansion of products produced with synthetic dyes was accelerated by mass consumerism as artists, designers, architects, writers, theater and filmmakers made us a 'color conscious' society. This influenced what we wore, how we chose to furnish and decorate our homes, and how we responded to the vibrancy and chromatic eclecticism of contemporary visual cultures.The volume brings together research on how philosophers, scientists, linguists and artists debated color's polyvalence, its meaning to different cultures, and how it could be measured, manufactured, manipulated and enjoyed. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Anders Steinvall is Senior Lecturer in English Linguistics at Umeå University, Sweden. Sarah Street is Professor of Film at the University of Bristol, UK. Volume 6 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf |
| colour vision evan thompson: Legendborn Tracy Deonn, 2022-02 Includes a short story from Selwyn Kane's point of view. |
| colour vision evan thompson: Adolescent Brain Cognitive Development Neurocognitive Prediction Kilian M. Pohl, Wesley K. Thompson, Ehsan Adeli, Marius George Linguraru, 2019-10-09 This book constitutes the refereed proceedings of the First Challenge in Adolescent Brain Cognitive Development Neurocognitive Prediction, ABCD-NP 2019, held in conjunction with MICCAI 2019, in Shenzhen, China, in October 2019. 29 submissions were carefully reviewed and 24 of them were accepted. Some of the 24 submissions were merged and resulted in the 21 papers that are presented in this book. The papers explore methods for predicting fluid intelligence from T1-weighed MRI of 8669 children (age 9-10 years) recruited by the Adolescent Brain Cognitive Development Study (ABCD) study; the largest long-term study of brain development and child health in the United States to date. |
| colour vision evan thompson: Naming the Rainbow D. Dedrick, 2013-03-09 Is there a universal biolinguistic disposition for the development of `basic' colour words? This question has been a subject of debate since Brent Berlin and Paul Kay's Basic Color Terms: Their Universality and Evolution was published in 1969. Naming the Rainbow is the first extended study of this debate. The author describes and criticizes empirically and conceptually unified models of colour naming that relate basic colour terms directly to perceptual and ultimately to physiological facts, arguing that this strategy has overlooked the cognitive dimension of colour naming. He proposes a psychosemantics for basic colour terms which is sensitive to cultural difference and to the nature and structure of non-linguistic experience. Audience: Contemporary colour naming research is radically interdisciplinary and Naming the Rainbow will be of interest to philosophers, psychologists, anthropologists, and cognitive scientists concerned with: biological constraints on cognition and categorization; problems inherent in cross-cultural and in interdisciplinary science; the nature and extent of cultural relativism. |
| colour vision evan thompson: Motorcycles & Sweetgrass Drew Hayden Taylor, 2010-03-09 A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand. |
| colour vision evan thompson: Colours in the development of Wittgenstein’s Philosophy Marcos Silva, 2017-08-01 This book presents and discusses the varying and seminal role which colour plays in the development of Wittgenstein’s philosophy. Having once said that “Colours spur us to philosophize”, the theme of colour was one to which Wittgenstein returned constantly throughout his career. Ranging from his Notebooks, 1914-1916 and the Tractatus Logico-Philosophicus to the posthumously published Remarks on Colours and On Certainty, this book explores how both his view of philosophical problems generally and his view on colours specifically changed considerably over time. Paying particular attention to his so-called intermediary period, it takes a case-based approach to the presentation of colour in texts from this period, from Some Remarks on Logical Form and Philosophical Remarks to his Big Typescript. |
| colour vision evan thompson: The Logic of Affect Paul Redding, 2019-04-15 Most attempts to trace the roots of current scientific approaches to the mind have ignored the contributions of post-Kantian German idealism. Paul Redding here shows the relevance of this philosophical tradition to an understanding of the mind and its embodiment as well as the relation of feeling to cognition. Redding observes how Fichte, Schelling, and Hegel struggled with the problem of reconciling Kant's normative approach to experience and thought with the naturalistic stance of the emerging medical sciences. A century later William James, Freud, and Jung also addressed the interconnection of thought and feeling, reaching views similar to those of the post-Kantian idealists. In particular, Redding argues, the idealists conceived of a'logic of affect'that reemerged in Freud's concept of the primary process and in modern evolutionary ideas of subcortical processing. This innovative book demonstrates how new insights can be brought to the study of mentality and consciousness by considering previously overlooked interpretations. Redding shows that these early theorists of the unconscious can bring scholars to a better appreciation not only of classical thinkers like James and Freud but also of contemporary debates about the mind and emotions. |
| colour vision evan thompson: The Aesthetics of Necropolitics Natasha Lushetich, 2018-12-11 The collection comprises contributions from leading artist-theorists in the fields of necropolitics and tactical media, and from increasingly influential scholars of biomediality and urban performativity |
| colour vision evan thompson: Colour Studies Wendy Anderson, Carole P. Biggam, Carole Hough, Christian Kay, 2014-11-15 This volume presents some of the latest research in colour studies by specialists across a wide range of academic disciplines. Many are represented here, including anthropology, archaeology, the fine arts, linguistics, onomastics, philosophy, psychology and vision science. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS12) conference held at the University of Glasgow. Papers from the earlier PICS04 and PICS08 conferences were published by John Benjamins as Progress in Colour Studies, 2 volumes, 2006 and New Directions in Colour Studies, 2011, respectively. The opening chapter of this new volume stems from the conference keynote talk on prehistoric colour semantics by Carole P. Biggam. The remaining chapters are grouped into three sections: colour and linguistics; colour categorization, naming and preference; and colour and the world. Each section is preceded by a short preface drawing together the themes of the chapters within it. There are thirty-one colour illustrations. |
| colour vision evan thompson: Cognitive Biology Gennaro Auletta, 2011-07-14 Providing a new conceptual scaffold for further research in biology and cognition, this book introduces the new field of Cognitive Biology: a systems biology approach showing that further progress in this field will depend on a deep recognition of developmental processes, as well as on the consideration of the developed organism as an agent able to modify and control its surrounding environment. The role of cognition, the means through which the organism is able to cope with its environment, cannot be underestimated. In particular, it is shown that this activity is grounded on a theory of information based on Bayesian probabilities. The organism is considered as a cybernetic system able to integrate a processor as a source of variety (the genetic system), a regulator of its own homeostasis (the metabolic system), and a selecting system separating the self from the non-self (the membrane in unicellular organisms). Any organism is a complex system that can survive only if it is able to maintain its internal order against the spontaneous tendency towards disruption. Therefore, it is forced to monitor and control its environment and so to establish feedback circuits resulting in co-adaptation. Cognitive and biological processes are shown to be inseparable. |
| colour vision evan thompson: Strange Beauty A. Siewers, 2009-09-14 Strange Beauty provides a new perspective on early Celtic stories of the Otherworld and their relevance to today's ecological concerns, arguing for a contemporary re-reading of the Otherworld trope in relation to physical experience. |
| colour vision evan thompson: The Gigantic Beard That Was Evil Stephen Collins, 2013-08-01 The job of the skin is to keep things in... On the buttoned-down island of Here, all is well. By which we mean: orderly, neat, contained and, moreover, beardless. Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable...monster*! Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave? The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards. (*We mean a gigantic beard, basically.) |
| colour vision evan thompson: The Oxford Handbook of Philosophy of Perception Mohan Matthen, 2015-07-02 The Oxford Handbook of Philosophy of Perception is a survey by leading philosophical thinkers of contemporary issues and new thinking in philosophy of perception. It includes sections on the history of the subject, introductions to contemporary issues in the epistemology, ontology and aesthetics of perception, treatments of the individual sense modalities and of the things we perceive by means of them, and a consideration of how perceptual information is integrated and consolidated. New analytic tools and applications to other areas of philosophy are discussed in depth. Each of the forty-five entries is written by a leading expert, some collaborating with younger figures; each seeks to introduce the reader to a broad range of issues. All contain new ideas on the topics covered; together they demonstrate the vigour and innovative zeal of a young field. The book is accessible to anybody who has an intellectual interest in issues concerning perception. |
| colour vision evan thompson: Color for Philosophers C. L. Hardin, 1988-01-01 Awarded the 1986 Johnsonian Prize in Philosophy. This work on colour features a chapter, 'Further Thoughts: 1993', in which the author revisits the dispute between colour objectivists and subjectivists from the perspective of the ecology, genetics, and evolution of colour vision. |
| colour vision evan thompson: Readings on Color, Volume 2 Alex Byrne, David R. Hilbert, 1997-05-15 Color is an endlessly fascinating subject to philosophers, scientists, and laypersons, as well an an instructive microcosm of cognitive science. In these two anthologies, Alex Byrne and David Hilbert present a survey of the important recent philosophical and scientific writings on color. The introduction to volume 1 provides a philosophical background and links the philosophical issues to the empirical work covered in volume 2. The bibliography in volume 1 is an extensive resource for those doing philosophical work on color. The scientific selections in volume 2 present work in color science that is relevant to philosophical thinking about color; the material is comprehensive and sophisticated enough to be useful to the scientific reader. The introduction to volume 2 is an overview of color science; the volume also contains suggestions for further reading. Bradford Books Imprint |
| colour vision evan thompson: Theories of Consciousness William Seager, 2016-02-12 Despite recent strides in neuroscience and psychology that have deepened understanding of the brain, consciousness remains one of the greatest philosophical and scientific puzzles. The second edition of Theories of Consciousness: An Introduction and Assessment provides a fresh and up-to-date introduction to a variety of approaches to consciousness, and contributes to the current lively debate about the nature of consciousness and whether a scientific understanding of it is possible. After an initial overview of the status and prospects of physicalism in the face of the problem of consciousness, William Seager explores key themes from Descartes - the founder of the modern problem of consciousness. He then turns to the most important theories of consciousness: identity theories and the generation problem higher-order thought theories of consciousness self-representational theories of consciousness Daniel Dennett’s theory of consciousness attention-based theories of consciousness representational theories of consciousness conscious intentionality panpsychism neutral monism. Thoroughly revised and expanded throughout, this second edition includes new chapters on animal consciousness, reflexive consciousness, combinatorial forms of panpsychism and neutral monism, as well as a significant new chapter on physicalism, emergence and consciousness. The book’s broad scope, depth of coverage and focus on key philosophical positions and arguments make it an indispensable text for those teaching or studying philosophy of mind and psychology. It is also an excellent resource for those working in related fields such as cognitive science and the neuroscience of consciousness. |
| colour vision evan thompson: The Red and the Real Jonathan Cohen, 2009-06-25 The Red and the Real offers a new approach to longstanding philosophical puzzles about what colors are and how they fit into the natural world. Jonathan Cohen argues for a role-functionalist treatment of color - a view according to which colors are identical to certain functional roles involving perceptual effects on subjects. Cohen first argues (on broadly empirical grounds) for the more general relationalist view that colors are constituted in terms of relations between objects, perceivers, and viewing conditions. He responds to semantic, ontological, and phenomenological objections against this thesis, and argues that relationalism offers the best hope of respecting both empirical results and ordinary belief about color. He then defends the more specific role functionalist-account by contending that the latter is the most plausible form of color relationalism. |
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Create beautiful palettes with Adobe Color
Adobe Color gives you the power to extract a beautiful gradient from any image you choose. Create on trend gradients with up to 16 different colors. Create your logos, social posts and …
Color or Colour: What’s the Difference? - Writing Explained
Is it color or colour? Color and colour are alternative spellings of the same word. As a noun, the word refers to the various shades of visible light reflected back to the eye from a surface. As a …
Color Theory 101: A Complete Color Guide - Colors Explained
Jan 20, 2023 · Color theory is the art and science of using color. It explains how humans perceive color (both physically and psychologically) and how colors mix, match, and contrast with one …
Color Hex - ColorHexa.com
ColorHexa.com is a free color tool providing information about any color and generating matching color palettes for your designs (such as complementary, analogous, triadic, tetradic or …
Coolors - The super fast color palettes generator!
Create the perfect palette or get inspired by thousands of beautiful color schemes. Start the generator! Explore trending palettes. Create, browse and save palettes on the go. Thousands …
Color | Definition, Perception, Types, & Facts | Britannica
Apr 23, 2025 · colour, the aspect of any object that may be described in terms of hue, lightness, and saturation. In physics, colour is associated specifically with electromagnetic radiation of a …
Color vs. Colour—Which Spelling Is Correct? - Grammarly
Jan 23, 2025 · Both color and colour refer to the visual perception of light in different wavelengths, such as red, blue, or green. The word is used to describe hues, pigments, and shades. As a …
Color - Wikipedia
Color (or colour in Commonwealth English; see spelling differences) is the visual perception based on the electromagnetic spectrum. Though color is not an inherent property of matter, …
COLOUR | English meaning - Cambridge Dictionary
COLOUR definition: 1. red, blue, green, yellow, etc.: 2. the pleasant effect of a bright colour or of a lot of…. Learn more.
HTML Color Codes
What is a HTML color code? A HTML color code is an identifier used to represent a color on the web and within other digital assets. Common color codes are in the forms of: a keyword name, …
Create beautiful palettes with Adobe Color
Adobe Color gives you the power to extract a beautiful gradient from any image you choose. Create on trend gradients with up to 16 different colors. Create your logos, social posts and …
Color or Colour: What’s the Difference? - Writing Explained
Is it color or colour? Color and colour are alternative spellings of the same word. As a noun, the word refers to the various shades of visible light reflected back to the eye from a surface. As a …
Color Theory 101: A Complete Color Guide - Colors Explained
Jan 20, 2023 · Color theory is the art and science of using color. It explains how humans perceive color (both physically and psychologically) and how colors mix, match, and contrast with one …
Color Hex - ColorHexa.com
ColorHexa.com is a free color tool providing information about any color and generating matching color palettes for your designs (such as complementary, analogous, triadic, tetradic or …
