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| charandas chor movie: The Desai Trio and the Movie Industry of India Nilu N. Gavankar, 2011 This book explores the careers of three creative men whose artistic and technical work was essential to the success of leading films of the day in India. It tells the moving stories of three family members: Vasant Desai (1912 - 1975); Sadanand Desai (1916 - 1985); and Mangesh Desai (1923 - 1985). In addition to documenting the historic contributions of the Desai Trio to the Indian film industry, Nilu Gavankar provides details about their professional lives that highlight their multifaceted talents. The personal approach of this book makes two especially significant contributions to the historical understand of the history of North Indian film. First, it describes the contributions of three immensely important participants in the film industry. Second, it presents background information that sheds light on the conditions that facilitated the extraordinary upsurge of creative productivity among Indian filmmakers in the mid twentieth century. By Prof. Michael H. Hoffheimer University of Mississippi School of Law Oxford, Mississippi, USA |
| charandas chor movie: Indian Films , 1975 |
| charandas chor movie: The Rough Guide to Film Rough Guides, 2008-05-01 Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need. |
| charandas chor movie: Conscience of The Race BIBEKANANDA RAY, The book is a detailed and wonderful study on the Offbeat cinema in India. The author through the title says that the offbeat genre, more than the mainstream, truly reflects the conscience of the Indian people. |
| charandas chor movie: Bollywood Through Ages Sumit Joshi, Bollywood is one of the biggest industry in the world , the objective of the industry is to entertain people by all means , since 1900’s many people contributed to Bollywood ,from silent films to voice films , from black and white to colored but only few people know about those pioneer of the Indian cinema , this book throw the light on life of those people’s .As time moved more superstars came and gave strength to the industry, at present time also many superstars are making their name on the globe , this book provides information about the life and achievements of famous personalities of Indian cinema , like Shah Rukh Khan , Anil Kapoor ,Amitabh Bachchan, Priyanka Chopra , Aishwarya Rai Bachchan, Varun Dhawan and many more .This is the time to know more about Bollywood This is the first book about Bollywood that contains , the links to interesting videos and movies and biographies , first of the kind . More than that the Book also contains high resolution photos , and the information about Bollywood is up-to the date , and is cross checked before publishing . The contents are easy to Navigate , with different section for each Biography . |
| charandas chor movie: Filmography of Sixty Eminent Indian Movie-makers, Along with Their Short Biographical Notes Rajata Rāẏa, 1983 |
| charandas chor movie: Collections, First Indian Film & Video Guide , 1991 |
| charandas chor movie: Directory of Indian Film-makers and Films Sanjit Narwekar, 1994 |
| charandas chor movie: The International Film Index, 1895-1990: Film titles Alan Goble, 1991 |
| charandas chor movie: Encyclopaedia of Indian Cinema Ashish Rajadhyaksha, Paul Willemen, 1994 Drawing on the work of a large team of specialists, this book contains 500 entries on all the leading directors, stars, studios and genres in Indian cinema. In addition to comprehensive filmographies, it also features 1450 entries on key films from all periods and regions, with cast and credits as well as concise critical evaluations. A chronicle of film history, together with basic production statistics and an index, complete the volume. |
| charandas chor movie: World Film Directors: 1945-1985 John Wakeman, 1987 A two-volume biographical/critical dictionary of major, filmmakers from all countries, covering the entire history of the medium from 1890 to the present. Each director is treated in a separate essay that includes a detailed, chronological account of the subject's life and work and a summary of critical opinion. Includes filmography and a selective bibliography of books and articles. |
| charandas chor movie: International Dictionary of Films and Filmmakers Tom Pendergast, Sara Pendergast, 2000 Contains over two thousand entries, arranged alphabetically within four volumes, that provide information about significant films, actors and actresses, directors, and writers and production artists in North American, British, and West European cinematic history. Includes photographs and indexes. |
| charandas chor movie: International Dictionary of Films and Filmmakers Laurie Collier Hillstrom, 1997 |
| charandas chor movie: Bollywood Babylon Shyam Benegal, 2006 Publisher description |
| charandas chor movie: Collections , 1991 |
| charandas chor movie: 41st London Film Festival London Film Festival Staff, 1997 A souvenir programme from the 41st London film Festival, providing a guide for cinema-goers. The programme contains full details of every film screened during the festival, together with full credits, sales and distribution details, filmographies and bibliographical notes. |
| charandas chor movie: Bombay , 1989 |
| charandas chor movie: International Dictionary of Films and Filmmakers: Directors Nicholas Thomas, James Vinson, Samantha Cook, 1990 Each entry contains information, lists of cast and crew, a select bibliography and an essay by a specialist in the field. Many include a still shot. |
| charandas chor movie: Charandas Chor Habib Tanvir, 2018 A towering figure in twentieth-century theatre in India, Habib Tanvir was an actor, director and playwright, working in Hindi and Urdu. He founded Naya Theatre in 1959, through which he created remarkable works, drawing on the history and traditions of the tribal folk of Chhattisgarh. This book brings together four of his most significant plays. Agra Bazar (1954), set amid the bustle of a colourful street market, is woven together by the wonderfully human voice of the poet Nazir, and examines important cultural and socioeconomic issues of the period. Charandas Chor (1975), Tanvir's most famous work, is about a folk hero who robs the rich and evades the law until he comes up against one wall he cannot scale--his own commitment to the truth. In Bahadur the Wine-Seller (1978), Tanvir reinvents a nearly forgotten Chhattisgarh folk tale about a mother-son relationship in which he finds a echoes of Oedipus, while in The Living Tale of Hirma (1985), he dramatizes a historical event in which a headstrong ruler of an Indian tribe clashes with a population who want to replace the tribal way of life with newfound ideals of democracy. Enriched by introductory texts and an intensive interview with Tanvir that covers the milestones of his illustrious career, the book will be the perfect introduction to Tanvir's work for English-language theatre fans and scholars--back cover. |
| charandas chor movie: Directors and Their Films Brooks Bushnell, 1993 This is the most comprehensive reference work available anywhere, ever, to (1) films and their directors, and (2) directors and their films. Part one is by director. Each entry lists films, years of release, alternate titles, and, when appropriate, the director's pseudonym. Part two is a listing of over 108,000 films (from A, directed by Jan Lenica, to Zyte, from Rene Leprince), giving a director for each. |
| charandas chor movie: Smita Patil Maithili Rao, 2015-10-15 In the three decades since Smita Patil died-at the impossibly young age of thirty-one-she has unwaveringly been one of Indian cinema's biggest icons. That is unusual enough for a 'parallel cinema' actor, rendered more remarkable in a career that spanned a mere ten years. Patil, one of the leading lights of the New Indian Cinema of the mid-1970s, has a body of work that would make veterans proud. Smita Patil: A Brief Incandescence tells her remarkable story, tracing it from her childhood to stardom, controversial marriage and untimely death. Her close friends remember 'Smi' as outspoken and bindaas, not beyond hurling abuses or taking off on bikes for impromptu joyrides. Film-makers like Shyam Benegal and Jabbar Patel, and co-stars Om Puri and Shabana Azmi talk about Patil's dedication to her craft and her intuitive pursuit of that perfect take. From the difficult equation she shared with her mother to her propensity for 'wrong' relationships, about which she was always open unlike other stars of the time, this is a complex and honest exploration of Patil's life. The book also includes a sharp critique of the films that defined her. They read like a roster of the best of New Indian Cinema: Bhumika, Mandi, Manthan, Umbartha, Bhavni Bhavai, Akaler Sandhane, Chakra, Chidambaram and Mirch Masala among them. Maithili Rao also examines Patil's many unfortunate forays into mainstream commercial cinema. Incisive and insightful, Smita Patil: A Brief Incandescence is an invaluable addition to film studies in India, bringing alive an entire era when cinema in India was truly different. It is also the definitive biography of a rare talent and a haunting life. |
| charandas chor movie: Habib Tanvir Anjum Katyal, 2012-10-18 Anjum Katyal's work is the first comprehensive study on the life and contribution of Habib Tanvir to Indian theatre history. A playwright, director, actor, journalist and critic, Tanvir is perhaps best known for the play Charandas Chor. However, his real significance in the history of post-Independence Indian theatre is that he signposted an important path for the development of modern theatre. His productions with Naya Theatre using Chhattisgarhi folk actors established how one could do modern theatre integrated with age-old-yet equally contemporary-folk culture on a basis of equality. Habib Tanvir: Towards an Inclusive Theatre explores various important aspects of Tanvir's theatre philosophy and practice as he experimented with both content and form. Starting with his early life and work, Katyal charts his professional trajectory from Agra Bazaar to Gaon Ka Naam Sasural, when he was searching for his true form, to Charandas Chor, which portrayed the eventual maturing of his style, and beyond, to cover his entire oeuvre. |
| charandas chor movie: The Inheritance of Loss Kiran Desai, 2015-01-31 In a crumbling, isolated house at the foot of Mount Kanchenjunga in the Himalayas lives an embittered judge who wants only to retire in peace, when his orphaned granddaughter, Sai, arrives on his doorstep. The judge’s cook watches over her distractedly, for his thoughts are often on his son, Biju, who is hopscotching from one gritty New York restaurant to another. Kiran Desai’s brilliant novel, published to huge acclaim, is a story of joy and despair. Her characters face numerous choices that majestically illuminate the consequences of colonialism as it collides with the modern world. |
| charandas chor movie: Agra Bazaar Habība Tanavīra, 2006 Based on the life of Nazir Akbarabadi, 1740-1830, Urdu poet. |
| charandas chor movie: Quarterly Journal National Centre for the Performing Arts (India), 1986 |
| charandas chor movie: Benegal on Ray Shyam Benegal, Alaknanda Datta, 1988 In this unusual book, Satyajit Ray, the internationally renowned filmmaker, is seen on the sets and at home through the lens of contemporary film director Shyam Benegal. In conversation with a fellow artist for whom he has considerable respect, Ray opens up in a manner rarely seen, reminiscing about his childhood and growing years, discussing his oeuvre, responding to questions on his craft and exploring memories immortalized in his films. The result is a discovery of the private person as much as a look at his work a close up of a major figure in world cinema. Conceived around Shyam Benegal s two-hour long film on Satyajit Ray, this volume brings together the script of the film, selections from Benegal s extensive interviews with Ray, and a rare selection of visual material documenting Ray as designer, illustrator, film director and scriptwriter. |
| charandas chor movie: The Children's Film Noel Brown, 2017-05-16 Films for children and young people are a constant in the history of cinema, from its beginnings to the present day. This book serves as a comprehensive introduction to the children's film, examining its recurrent themes and ideologies, and common narrative and stylistic principles. Opening with a thorough consideration of how the genre may be defined, this volume goes on to explore how children's cinema has developed across its broad historical and geographic span, with particular reference to films from the United States, Britain, France, Denmark, Russia, India, and China. Analyzing changes and continuities in how children's film has been conceived, it argues for a fundamental distinction between commercial productions intended primarily to entertain, and non-commercial films made under pedagogical principles, and produced for purposes of moral and behavioral instruction. In elaborating these different forms, this book outlines a history of children's cinema from the early days of commercial cinema to the present, explores key critical issues, and provides case studies of major children's films from around the world. |
| charandas chor movie: Indian Cinema in the Time of Celluloid Ashish Rajadhyaksha, 2009 |
| charandas chor movie: The Making of Goddess Durga in Bengal: Art, Heritage and the Public Samir Kumar Das, Bishnupriya Basak, 2021-05-21 This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular. |
| charandas chor movie: Three Plays Badal Sarkar, Kumar Pushkar Singh, 1985 |
| charandas chor movie: Anthems of Resistance: A Celebration of Progressive Urdu Poetry Ali Husain Mir, Raza Mir, 2006-01-01 Let a thousand verses bloom. Anthems of Resistance is about the iconoclastic tradition of poetry nurtured by Ali Sardar Jafri, Faiz Ahmad Faiz, Javed Akhtar, Fehmida Riyaz and all those who have been part of the progressive writers' movement in the Indian subcontinent. It documents the rise of the Progressive Writers' Association, its period of ascendancy, its crucial role in the struggle for independence, and its unflagging spirit of resistance against injustice. In the process, the book highlights various aspects of the PWA's aesthetics and politics such as its internationalist ethos, its romance with modernity, its engagement with feminism, its relationship to Hindi cinema and film lyrics, and the vision of a radically new world which its members articulated with passion. Part history, part literary analysis, part poetic translation, and part unabashed celebration of the PWA era, this book is truly a unique resource. This is a lucidly written account of a glorious chapter in the history of Indian literature. The powerful verses of the PWA poets are wonderfully translated and, along with the highly accessible transliteration, offer the general reader a rare opportunity to appreciate the writings that helped shape a nation. Anthems of Resistance is truly an inspiring and pleasurable read. - Professor Mushirul Hasan, Vice Chancellor, Jamia Millia Islamia, New Delhi Such a gift from the Brothers Mir! Lyrical and thoughtful, this introduction to the vast swathe of progressive Urdu poetry belongs on all our shelves, and in all our hearts. It is a companion worthy of the poetry itself. A singular achievement. - Professor Vijay Prashad, Director of International Studies, Trinity College, Connecticut, US Like the many poets they celebrate, the authors write with passion and conviction ... Their book makes for a joyous and exhilarating read. -Professor C.M. Naim, Professor Emeritus, University of Chicago |
| charandas chor movie: New Life Vijayadānna Dethā, 2008-01-01 The Daughter Was Too Young And Innocent To Understand Either Her Adolescence Or Her Destiny. Having Been Brought Up As A Son For Years, She Now Considered Herself A Man . . . She Believed That She Would Grow A Moustache When She Got Married.&Rsquo; Folktales Are The Collective Memories Of People, Handed Down From One Generation To Another. But Often, This Process Of Handing Down Stops The Evolution Of These Folktales. Vijai Dan Detha, One Of India&Rsquo;S Most Iconic And Iconoclastic Writers, Not Only Puts These Mostly Oral Stories Into Words, He Also Weaves Contemporary Issues Into Them And Gives Them Renewed Relevance. His Stories Speak Of Alternative Ways Of Life And, Sometimes, They Speak Out For The Most Common Victims Of Feudal Societies&Mdash;Women. In &Lsquo;A New Life&Rsquo;, Two Women, Teeja And Beeja, Are Married To Each Other To Satisfy The Whim Of An Unbending Father. They Realize The Mistake That They Have Been Inadvertently Forced Into, But They Also Understand That This Is The Ideal Union For Them And, With The Help Of The Ghost Chieftain, Build A New Life For Themselves. In &Lsquo;The Crow&Rsquo;S Way&Rsquo; The Selfishness Of A Husband, In-Laws And Other Benefactors Convinces A Young Wife That The Only True Human Relationship Is The One Between A Prostitute And Her Customer. &Lsquo;Discretion&Rsquo; Is The Story Of A She-Jackal Who Is More Virtuous Than Sita But Unwittingly Cheats On Her Husband With The Sun And The Moon. The Stories In New Life, Many Of Them Path-Breaking In Indian Writing, Are Refreshingly Free Of Stereotypes. Detha&Rsquo;S Deep Understanding Of Human Relationships And His Matter-Of-Fact Engagement With Unconventional Themes Makes This An Unforgettable Collection.&Nbsp; |
| charandas chor movie: Mahadevbhai, 1892-1942 Ramu Ramanathan, 2006 |
| charandas chor movie: Bhupen Hazarika Kalpana Lajmi, Sunanda Shyamal Mitra, 2018 |
| charandas chor movie: Grounds for Play Kathryn Hansen, 2023-12-22 The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play, Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives. Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media—records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange. The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In “/DIV |
| charandas chor movie: Kirwant Premānanda Gajvī, 2005 Premanand Gajvee tells the story of a little-known sect of brahmans known as kirwants whose religious duty is to perform the last rites at cremations. Marginalized by the entire community in general, and the brahmans in particular, kirwants are treated like polluting outcastes. Based on personal experience that occurred as recently as the 1980s, this play, which deals savagely with a subject carefully kept under wraps, is a severe indictment of an inhuman social system. Kirwant created a sensation in Marathi theatre scene when it was first produced. One of the greatest actors of our theatre, Sreeram Lagoo, taking up the cudgels for a relatively unknown playwright, offered to perform the lead role of the kirwant Siddheshwarshastri. The text is supplemented with a preface by the playwright and a director s note by Shreeram Lagoo. Award-winning playwright, Premanand Gajvee is one of the younger playwrights writing in Marathi today. Several of his plays have been included as texts in undergraduate and postgraduate literature courses in various universities of Maharashtra. M. D. Hatkanangalekar, who has translated and introduced this play, is a leading literary critic and translator, who has taught English at Willingdon College, Sangli. |
| charandas chor movie: Bollywood's Top 20 Bhaichand Patel, 2016-01-15 A spectacular collection that celebrates Bollywood’s most enduring superstars Hindi cinema has wielded a hypnotic charm over viewers for close to a century, with its melodious music, colourful drama and lively plotlines. But at the heart of its mystique is the galaxy of stars who continue to mesmerize audiences. Bollywood’s Top 20 is a definitive collection of original essays, paying tribute to the biggest stars of all time—from Ashok Kumar, Dilip Kumar, Dev Anand, Raj Kapoor, Nargis and Madhubala to Rajesh Khanna, Amitabh Bachchan, Aamir Khan, Shah Rukh Khan, Kajol and Kareena Kapoor. Each piece offers unique insights into the struggles and triumphs, downfalls and scandals, and the inscrutable X factor of these talented actors that turned them into demigods and divas. |
| charandas chor movie: Theatre of Roots Erin B. Mee, 2008 After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies. |
| charandas chor movie: Chouboli and Other Stories Vijayadānna Dethā, 2010 |
| charandas chor movie: Encyclopedia of Indian Cinema Ashish Rajadhyaksha, 1999 |
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