Columbia Literary History Of The United States

  columbia literary history of the united states: The Columbia Literary History of the United States Emory Elliott, 1988-02-15 For the first time in four decades, there exists an authoritative and up-to-date survey of the literature of the United States, from prehistoric cave narratives to the radical movements of the sixties and the experimentation of the eighties. This comprehensive volume—one of the century's most important books in American studies—extensively treats Hawthorne, Melville, Dickinson, Hemingway, and other long-cherished writers, while also giving considerable attention to recently discovered writers such as Kate Chopin and to literary movements and forms of writing not studied amply in the past. Informed by the most current critical and theoretical ideas, it sets forth a generation's interpretation of the rise of American civilization and culture. The Columbia Literary History of the United States contains essays by today's foremost scholars and critics, overseen by a board of distinguished editors headed by Emory Elliott of Princeton University. These contributors reexamine in contemporary terms traditional subjects such as the importance of Puritanism, Romanticism, and frontier humor in American life and writing, but they also fully explore themes and materials that have only begun to receive deserved attention in the last two decades. Among these are the role of women as writers, readers, and literary subjects and the impact of writers from minority groups, both inside and outside the literary establishment.
  columbia literary history of the united states: A Short Literary History of the United States Mario Klarer, 2014-05-30 A Short Literary History of the United States offers an introduction to American Literature for students who want to acquaint themselves with the most important periods, authors, and works of American literary history. Comprehensive yet concise, it provides an essential overview of the different currents in American literature in an accessible, engaging style. This book features: the pre-colonial era to the present, including new media formats the evolution of literary traditions, themes, and aesthetics readings of individual texts, contextualized within American cultural history literary theory in the United States a core reading list in American Literature an extended glossary and study aid. This book is ideal as a companion to courses in American Literature and American Studies, or as a study aid for exams.
  columbia literary history of the united states: The Columbia History of the American Novel Emory Elliott, 1991 Designed as a companion to The Columbia Literary History of the United States, this compilation of 31 major essays covers the American novel from the 1700s to the present, although the majority deal with the 20th century. Within each era, themes, genres, and topics such as realism, gender, romance, and technology are discussed in depth, as well as modern Canadian, Caribbean, and Latin American fiction. Each essayist selects only the authors who best illustrate the topic, thus subtly skewing the view of the literary scene at that time. The volume also covers women, minorities, popular fiction, and the book marketplace. ISBN 0-231-07360-7: $59.95.
  columbia literary history of the united states: Columbia Literary History of the United States Emory Elliott, Martha Banta, Houston A. Baker, 1988-01 This comprehensive, up-to-date survey examines the literature of the United States, from prehistoric cave narratives to the radical movements of the sixties and the experimentation of the eighties
  columbia literary history of the united states: Columbia Literary History of the United States Emory Elliott (ed), Martha Banta (et al), 1988
  columbia literary history of the united states: Acts of Narrative Carol Jacobs, Henry Sussman, 2003 This outstanding collection brings together essays that reflect on the nature of narrative, literary criticism, and history from a variety of theoretical and disciplinary perspectives, ranging from deconstruction, psychoanalysis, and trauma theory, to narratology, technology, economics, and aesthetics. Acts of Narrative includes responses from renowned scholars across a wide range of disciplines: philosopher Jacques Derrida; the literary critic J. Hillis Miller; W. J. T. Mitchell, well-known for his reflections on the visual world; and Cathy Caruth, one of the founders of the field of trauma theory. These essays are brilliant in their readings of other texts, but are also striking in the manner in which each becomes itself a narrative performance. Moreover, what starts out as an exercise in theorizing and reading moves, more often than not, into a meditation on social and political issues crucial for our own sense of ourselves.
  columbia literary history of the united states: American Literature Before 1880 Robert Lawson-Peebles, 2003-11-13 American Literature Before 1880 attempts to place its subject in the broadest possible international perspective. It begins with Homer looking westward, and ends with Henry James crossing the Atlantic eastwards. In between, the book examines the projection of images of the East onto an as-yet unrecognised West; the cultural consequences of Viking, Colombian, and then English migration to America; the growth and independence of the British American colonies; the key writers of the new Republic; and the development of the culture of the United States before and after the Civil War. It is intended both as an introduction for undergraduates to the richness and variety of American Literature, and as a contribution to the debate about its distinctive nature. The book therefore begins with a lengthy survey of earlier histories of American Literature.
  columbia literary history of the united states: An Introduction to Literary Studies Mario Klarer, 2004 Systematically taking in literary theory, genre and history, the author provides easy to understand descriptions of a variety of approaches to texts, thus offering an accessible and clear general survey of literature.
  columbia literary history of the united states: America's Continuing Story Michael Lund, 1993 Literary History in America has been built around individual names, titles, and dates, such as the years in which significant works of fiction were published. Yet most of the fiction published from 1850 to 1900 first appeared in a number of installment formats. That books were first made available to the public in parts has been dismissed as an interesting but critically irrelevant fact of literary history, but now scholars recognize that modes of production shape literary meanings, not just for individual works, but in the larger culture as well. Lund explains how most American novels were published and read between 1850 and 1900, then provides the titles of several hundred serial works, their parts' divisions, and the dates of publication. Lund considers 69 authors and 285 titles, making America's Continuing Story the most complete study of its kind to date.
  columbia literary history of the united states: A History of American Literature Linda Wagner-Martin, 2015-07-20 A HISTORY OF AMERICAN LITERATURE 1950 TO THE PRESENT Featuring works from notable authors as varied as Salinger and the Beats to Vonnegut, Capote, Morrison, Rich, Walker, Eggers, and DeLillo, A History of American Literature: 1950 to the Present offers a comprehensive analysis of the wide range of literary works produced in the United States over the last six decades and a fascinating survey of the dramatic changes during America’s transition from the innocence of the fifties to the harsh realities of the first decade of the new millennium. Author Linda Wagner-Martin - a highly acclaimed authority on all facets of modern American literature - covers major works of drama, poetry, fiction, non- fiction, memoirs, and popular genres such as science fiction and detective novels. Viewing works produced during this fertile literary period from a wide-ranging perspective, Wagner-Martin considers literature in relation to such issues as the politics of civil rights, feminism, sexual preferences, and race- and gender-based marketing. She also places a special emphasis on works produced during the twenty-first century, and writings influenced by recent historic events such as the 9/11 terrorist attacks, Hurricane Katrina, and the global financial crisis. With its careful balance of scholarly precision and accessibility, A History of American Literature: 1950 to the Present provides readers of all levels with rich and revealing insights into the diversity of literary forms and influences that characterize postmodern America. “A monumental distillation of an enormous range of material, Wagner-Martin’s rich book should be required reading for anyone grappling with making sense of the prolific, broad-spectrum, and diverse writing in the US since 1950.” Thadious M. Davis, University of Pennsylvania “Linda Wagner-Martin’s history impressively and judiciously surveys all fields of American writing over the past sixty years, taking full account of significant cultural and historical contexts and the major critical commentaries that have helped shape our understanding of developments in the second half of the last century and the dozen years following the millennium. Balanced, informative, and always highly readable there is much here for general readers, students, and specialists alike.” Christopher MacGowan, the College of William and Mary
  columbia literary history of the united states: The Columbia History of Chinese Literature Victor H. Mair, 2010-02-22 Comprehensive yet portable, this account of the development of Chinese literature from the very beginning up to the present brings the riches of this august literary tradition into focus for the general reader. Organized chronologically with thematic chapters interspersed, the fifty-five original chapters by leading specialists cover all genres and periods of poetry, prose, fiction, and drama, with a special focus on such subjects as popular culture, the impact of religion upon literature, the role of women, and relationships with non-Sinitic languages and peoples.
  columbia literary history of the united states: The Cambridge Introduction to Early American Literature Emory Elliott, 2002-08-29 The Cambridge Introduction to Early American Literature offers students a literary history of American writing in English between 1492 and 1820, as well as providing a concise social and cultural history of these three centuries. Emory Elliott traces the impact of race, gender, and ethnic conflict on early American culture, and explores the centrality of American Puritanism in the formation of a distinctively American literature. This highly engaging and comprehensive study will be essential reading for students of the literature, history and culture of early America.
  columbia literary history of the united states: Writing Out of Place Judith Fetterley, Marjorie Pryse, 2003 In a series of sketches, regionalist writers such as Alice Cary, Mary E. Wilkins Freeman, Sarah Orne Jewett, Grace King, Alice Dunbar-Nelson, Sui Sin Far, and Mary Austin critique the approach to regional subjects characteristic of local color and present narrators who serve as cultural interpreters for persons often considered out of place by urban readers. In their approach to these writers, Fetterley and Pryse offer contemporary readers an alternative vantage point from which to consider questions of regions and regionalism in the global economy of our own time.--Jacket.
  columbia literary history of the united states: The Cambridge History of Literary Criticism: Volume 9, Twentieth-Century Historical, Philosophical and Psychological Perspectives Christa Knellwolf, Christopher Norris, 1989 This ninth volume in The Cambridge History of Literary Criticism presents a wide-ranging survey of developments in literary criticism and theory during the last century. Drawing on the combined expertise of a large team of specialist scholars, it offers an authoritative account of the various movements of thought that have made the late twentieth century such a richly productive period in the history of criticism. The aim has been to cover developments which have had greatest impact on the academic study of literature, along with background chapters that place those movements in a broader, intellectual, national and socio-cultural perspective. In comparison with Volumes Seven and Eight, also devoted to twentieth-century developments, there is marked emphasis on the rethinking of historical and philosophical approaches, which have emerged, especially during the past two decades, as among the most challenging areas of debate.
  columbia literary history of the united states: The Routledge Companion to Inter-American Studies Wilfried Raussert, 2017-01-06 An essential overview of this blossoming field, The Routledge Companion to Inter-American Studies is the first collection to draw together the diverse approaches and perspectives on the field, highlighting the importance of Inter-American Studies as it is practiced today. Including contributions from canonical figures in the field as well as a younger generation of scholars, reflecting the foundation and emergence of the field and establishing links between older and newer methodologies, this Companion covers: Theoretical reflections Colonial and historical perspectives Cultural and political intersections Border discourses Sites and mobilities Literary and linguistic perspectives Area studies, global studies, and postnational studies Phenomena of transfer, interconnectedness, power asymmetry, and transversality within the Americas.
  columbia literary history of the united states: A Reference Guide for English Studies Michael J. Marcuse, 2023-11-15
  columbia literary history of the united states: Walt Whitman Linda Wagner-Martin, 2021-09-06 Walt Whitman: A Literary Life highlights two major influences on Whitman’s poetry and life: the American Civil War and his economic condition. Linda Wagner-Martin performs a close reading of many of Whitman’s poems, particularly his Civil War work (in Drum-Taps) and those poems written during the last twenty years of his life. Wagner-Martin’s study also emphasizes the near-poverty that Whitman experienced. Starting with his early career as a printer and journalist, the book moves to the publication of Leaves of Grass, and his cultivation of the persona of the “working-class” writer. In addition to establishing Whitman’s attention to the Civil War through journalism and memoirs, the book takes the approach of following Whitman’s life through his poems. Utilizing contemporary perspectives on class, Wagner-Martin provides a new reading of Whitman’s economic situation. This is an accessibly written synthesis of Whitman’s publication history bringing attention to under-studied aspects of his writing.
  columbia literary history of the united states: Convergences and Interferences , 2016-09-12 How does one imagine plurality? How does one find new strategies for writing diversity and polyphony? How does one read the most challenging creative and critical works of the present time? This bi-lingual volume of twelve English and eight French papers proposes to breach linguistic critical frontiers by placing careful analysis of texts from different language traditions in a multi-lingual and multi-cultural dialogue. In this collection of theoretically and politically aware close readings of contemporary cultural production, the focus of analysis rests on the multiple and complex global convergences and interferences of cultural influences. The collection foregrounds the work of innovative writers who seek to express the ungraspable presence of cultural “newness” at the same time as situating themselves in the richness of detail of local lives. This volume, most particularly, finds a balance of critical approach between the everyday attempts at negotiation and survival, and the insight brought to the reader by postcolonial, syncretic and feminist theoretical analysis.
  columbia literary history of the united states: The Return of Thematic Criticism Werner Sollors, 1993 In the glory days of high modernist formalism it was anathema to speak about the content of a work of art. Those days are gone, and critical practice now is largely thematic practice. A focus on the themes of literature informs feminist, new historicist, ethnic, and even second-generation deconstructionist approaches. However, such practice is not always recognized. The specter of theoretically impoverished positivism still haunts thematic analysis, making it the approach to literature that dare not speak its name. This volume brings together for the first time an international group of writers, critics, and theoreticians who have thought deeply about this issue. How can we determine the theme of a given text? May the focus on form be the theme of a certain moment? Can the motif be understood as a formal category? What operations permit us to say that three or four texts constitute variants of the same theme? The contributors challenge the conventional dismissal of merely thematic approaches and offer the reader different ways of tackling the issue of what a piece of writing is about. The work here comes out of such diverse intellectual traditions as Russian film theory, French phenomenology, Foucault, narratology, the Frankfurt School, intellectual history (Geistesgeschichte), psychoanalytic criticism, linguistics, ideological criticism, Proppian folklore studies, and computerized plot summary models. In addition to a collection of aphorisms from Plato to Robert Coover and a group of general and theoretical essays, this volume contains examples of practical engagement with such topics as literary history, Shakespeare, autumn poetry, anti-Semitism, fading colors, bachelors, Richard Wagner, and the Mexican Revolution. No comparable volume exists.
  columbia literary history of the united states: Kiddie Lit Beverly Lyon Clark, 2005-01-02 Honor Book for the 2005 Book Award given by the Children's Literature Association The popularity of the Harry Potter books among adults and the critical acclaim these young adult fantasies have received may seem like a novel literary phenomenon. In the nineteenth century, however, readers considered both Tom Sawyer and Huckleberry Finn as works of literature equally for children and adults; only later was the former relegated to the category of boys' books while the latter, even as it was canonized, came frequently to be regarded as unsuitable for young readers. Adults—women and men—wept over Little Women. And America's most prestigious literary journals regularly reviewed books written for both children and their parents. This egalitarian approach to children's literature changed with the emergence of literary studies as a scholarly discipline at the turn of the twentieth century. Academics considered children's books an inferior literature and beneath serious consideration. In Kiddie Lit, Beverly Lyon Clark explores the marginalization of children's literature in America—and its recent possible reintegration—both within the academy and by the mainstream critical establishment. Tracing the reception of works by Mark Twain, Louisa May Alcott, Lewis Carroll, Frances Hodgson Burnett, L. Frank Baum, Walt Disney, and J. K. Rowling, Clark reveals fundamental shifts in the assessment of the literary worth of books beloved by both children and adults, whether written for boys or girls. While uncovering the institutional underpinnings of this transition, Clark also attributes it to changing American attitudes toward childhood itself, a cultural resistance to the intrinsic value of childhood expressed through sentimentality, condescension, and moralizing. Clark's engaging and enlightening study of the critical disregard for children's books since the end of the nineteenth century—which draws on recent scholarship in gender, cultural, and literary studies— offers provocative new insights into the history of both children's literature and American literature in general, and forcefully argues that the books our children read and love demand greater respect.
  columbia literary history of the united states: Understanding the USA Peter Funke, 1989
  columbia literary history of the united states: Narrative Innovation and Cultural Rewriting in the Cold War Era and After M. Cornis-Pope, 2016-04-30 Narrative Innovation and Cultural Rewriting undertakes a systematic study of postmodernism's responses to the polarized ideologies of the postwar period that have held cultures hostage to a confrontation between rival ideologies abroad and a clash between champions of uniformity and disruptive others at home. Considering a broad range of narrative projects and approaches (from polysystemic fiction to surfiction, postmodern feminism, and multicultural/postcolonial fiction), this book highlights their solutions to ontological division (real vs. imaginary, wordly and other-worldly), sociocultural oppositions (of race, class, gender) and narratological dualities (imitation vs. invention, realism vs. formalism). A thorough rereading of the best experimental work published in the US since the mid-1960s reveals the fact that innovative fiction has been from the beginning concerned with redefining the relationship between history and fiction, narrative and cultural articulation. Stepping back from traditional polarizations, innovative novelists have tried to envision an alternative history of irreducible particularities, excluded middles, and creative intercrossings.
  columbia literary history of the united states: Reading the American Novel 1865 - 1914 G. R. Thompson, 2011-10-17 An indispensable tool for teachers and students of American literature, Reading the American Novel 1865-1914 provides a comprehensive introduction to the American novel in the post-civil war period. Locates American novels and stories within a specific historical and literary context Offers fresh analyses of key selected literary works Addresses a wide audience of academics and non-academics in clear, accessible prose Demonstrates the changing mentality of 19th-century America entering the 20th century Explores the relationship between the intellectual and artistic output of the time and the turbulent socio-political context
  columbia literary history of the united states: Challenging Boundaries Joyce W. Warren, Margaret Dickie, 2012-03-15 What if the American literary canon were expanded to consistently represent women writers, who do not always fit easily into genres and periods established on the basis of men's writings? How would the study of American literature benefit from this long-needed revision? This timely collection of essays by fourteen women writers breaks new ground in American literary study. Not content to rediscover and awkwardly fit female writers into the white male scheme of anthologies and college courses, editors Margaret Dickie and Joyce W. Warren question the current boundaries of literary periods, advocating a revised literary canon. The essays consider a wide range of American women writers, including Mary Rowlandson, Margaret Fuller, Harriet Beecher Stowe, Emily Dickinson, Frances Harper, Edith Wharton, Gertrude Stein, Amy Lowell and Adrienne Rich, discussing how the present classification of these writers by periods affects our reading of their work. Beyond the focus of feminist challenges to American literary periodization, this volume also studies issues of a need for literary reforms considering differences in race, ethnicity, class, and sexuality. The essays are valuable and informative as individual critical studies of specific writers and their works. Challenging Boundaries presents intelligent, original, well-written, and practical arguments in support of long-awaited changes in American literary scholarship and is a milestone of feminist literary study.
  columbia literary history of the united states: The Latest Early American Literature R. C. De Prospo, 2016-01-21 The Latest Early American Literature, according to readers for the University of Delaware Press, is “a collection of polemics and manifestoes.” In it R. C. De Prospo bids to follow in the footsteps of the two, rare, early Americanist dissenters whom Philip F. Gura once distinguished as “prophets without honor in the field”: William Spengemann and Michael Colacurcio. The book contends that a supposedly retired nationalist/modernist “telos” continues to reign in most of the latest scholarship, and even more influentially in all of the current literary histories and anthologies, no matter how expansive in gender, ethnic, racial, and “hemispheric” inclusiveness they profess to be. Old teloi, in particular that old American exceptionalist one, can be cunning. Updating and expanding upon essays written over the past thirty years, De Prospo proposes not only negatively to critique how the latest scholarly receptions of early American literature differ insignificantly from the earlier ones, but positively to propose how a transnationalist concession—that as a neocolonial culture America’s lags behind that of Europe—might advance post-modern historiography by radically repositioning the past as no longer the present’s diachronic predecessor but, to quote Lyotard’s semiotics, its synchronic “differend.” Closer to earth, De Prospo tries at the same time to remain mindful of the pedagogical imperative that ultimately to save the texts of early American literature will require making them legible to average non-specialist, never-to-become specialist undergraduate general education students. To facilitate this he introduces in the concluding section of The Latest Early American Literature what will probably be taken as its most radical intervention: the redefinition of Edgar Allan Poe as an early American writer.
  columbia literary history of the united states: Together by Accident Stephanie C. Palmer, 2008-12-16 This fascinating account of the regional travel accident motif within American local color literature offers a reassessment of the cultural work done by authors writing during the Gilded Age. Stephanie C. Palmer shows how events like broken carriage wheels and missed trains were used by local color authors to bring together bourgeois and lower-class characters, thus giving readers the opportunity to see modernity coming into contact with both rural and urban life. Using the works of Sarah Orne Jewett, Bret Harte, William Dean Howells, Elizabeth Stuart Phelps, and others, Palmer traces the use of the regional travel accident motif and how local color writers employed it to give critiques on class, society, and modern life. Exploring the themes of regional identity, modernity, and interpersonal relationships, Together by Accident offers an intriguing evaluation of the innovations and inconveniences associated with life during the industrializing Gilded Age in America.
  columbia literary history of the united states: Constructing Postmodernism Brian McHale, 2012-11-12 Brian McHale provides a series of readings of a wide range of postmodernist fiction, from Eco's Foucault's Pendulum to the works of cyberpunk science-fiction, relating the works to aspects of postmodern popular culture.
  columbia literary history of the united states: Robert Cantwell and the Literary Left T. V. Reed, 2014-06-01 Robert Cantwell and the Literary Left is the first full critical study of novelist and critic Robert Cantwell, a Northwest-born writer with a strong sense of social justice who found himself at the center of the radical literary and cultural politics of 1930s New York. Regarded by F. Scott Fitzgerald and Ernest Hemingway as one of the finest young fiction writers to emerge from this era, Cantwell is best known for his superb novel, The Land of Plenty, set in western Washington. His literary legacy, however, was largely lost during the Red Scare of the McCarthy era, when he retreated to conservatism. Through meticulous research, an engaging writing style, and a deep commitment to the history of American social movements, T. V. Reed uncovers the story of a writer who brought his Pacific Northwest brand of justice to bear on the project of “reworking” American literature to include ordinary working people in its narratives. In tracing the flourishing of the American literary Left as it unfolded in New York, Reed reveals a rich progressive culture that can inform our own time.
  columbia literary history of the united states: Collaborative Humanities Research and Pedagogy Katherine Ellison, Susan M. Kim, 2022-10-10 This edited collection of essays brings together scholars across disciplines who consider the collaborative work of John Matthews Manly and Edith Rickert, philologists, medievalists and early modernists, cryptologists, and education reformers. These pioneers crafted interdisciplinary partnerships as they modeled and advocated for cooperative alliances at every level of their work and in all their academic relationships. Their extensive network of intellectual partnerships made possible groundbreaking projects, from the eight-volume Text of the Canterbury Tales (1940) to the deciphering of the Waberski Cipher, yet, except for their Chaucer work, their many other accomplishments have received little attention. Collaborative Humanities Research and Pedagogy not only surveys the rich range of their work but also emphasizes the transformative intellectual and pedagogical benefits of collaboration.
  columbia literary history of the united states: Asian American Studies Jean Yu-wen Shen Wu, Min Song, 2000 This anthology is the perfect introduction to Asian American studies, as it both defines the field across disciplines and illuminates the centrality of the experience of Americans of South Asian, East Asian, Southeast Asian, and Filipino ancestry to the study of American culture, history, politics, and society. The reader is organized into two parts: The Documented Past and Social Issues and Literature. Within these broad divisions, the subjects covered include Chinatown stories, nativist reactions, exclusionism, citizenship, immigration, community growth, Asia American ethnicities, racial discourse and the Civil Rights movement, transnationalism, gender, refugees, anti-Asian American violence, legal battles, class polarization, and many more. Among the contributors are such noted scholars as Gary Okihiro, Michael Omi, Yen Le Espiritu, Lisa Lowe, and Ronald Takaki; writers such as Sui Sin Far, Bienvenido Santos, Sigrid Nunez, and R. Zamora Linmark, as well as younger, emerging scholars in the field.
  columbia literary history of the united states: Literature and Journalism Mark Canada, 2013-04-03 The first of its kind, this collection will explore the ways that literature and journalism have intersected in the work of American writers. Covering the impact of the newspaper on Whitman's poetry, nineteenth-century reporters' fabrications, and Stephen Colbert's alternative journalism, this book will illuminate and inform.
  columbia literary history of the united states: The Rise and Fall of Modern Japanese Literature John Whittier Treat, 2018-04-03 The Rise and Fall of Modern Japanese Literature tells the story of Japanese literature from its start in the 1870s against the backdrop of a rapidly coalescing modern nation to the present. John Whittier Treat takes up both canonical and forgotten works, the non-literary as well as the literary, and pays special attention to the Japanese state’s hand in shaping literature throughout the country’s nineteenth-century industrialization, a half-century of empire and war, its post-1945 reconstruction, and the challenges of the twenty-first century to modern nationhood. Beginning with journalistic accounts of female criminals in the aftermath of the Meiji civil war, Treat moves on to explore how woman novelist Higuchi Ichiyo’s stories engaged with modern liberal economics, sex work, and marriage; credits Natsume Soseki’s satire I Am a Cat with the triumph of print over orality in the early twentieth century; and links narcissism in the visual arts with that of the Japanese I-novel on the eve of the country’s turn to militarism in the 1930s. From imperialism to Americanization and the new media of television and manga, from boogie-woogie music to Yoshimoto Banana and Murakami Haruki, Treat traces the stories Japanese audiences expected literature to tell and those they did not. The book concludes with a classic of Japanese science fiction a description of present-day crises writers face in a Japan hobbled by a changing economy and unprecedented natural and manmade catastrophes. The Rise and Fall of Japanese Literature reinterprets the “end of literature”—a phrase heard often in Japan—as a clarion call to understand how literary culture worldwide now teeters on a historic precipice, one at which Japan’s writers may have arrived just a moment before the rest of us.
  columbia literary history of the united states: The Oxford Handbook of Modern Chinese Literatures Carlos Rojas, Andrea Bachner, 2016-07-28 With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections--Structure, Taxonomy, and Methodology--the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China, Zhang Guangyu's Journey to the West in Cartoons, writings of Southeast Asian migrants in Taiwan, the Chinese Anglophone Novel, and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.
  columbia literary history of the united states: Cold War Literature ,
  columbia literary history of the united states: A Thousand Weddings Marvin Downing, 2025-03-21 Born at the dawn of the twentieth century, Hope Hart's life spanned a dynamic period in American history, particularly in the South. As the daughter of Sterling Hart, a traveling Methodist minister from Weakley County in northwest Tennessee, Hope's early years were shaped by her father's work preaching and performing wedding ceremonies across Tennessee, Kentucky, Mississippi, and Arkansas. Throughout her childhood, Hart witnessed the last days of the nineteenth-century Methodist circuit riders and the rapid evolution of the post–Civil War South. As an adult, Hart worked as a teacher and high school principal in northwest Tennessee before moving to Washington, DC, where she served as an administrative assistant to several US representatives over the course of her career. Completed in 1962 and published here for the first time, A Thousand Weddings offers a firsthand account of a rapidly changing West Tennessee and its surrounding regions during the early twentieth century. Hart paints a vivid picture of life during this time, including rich descriptions of clothing (especially wedding attire), food, transportation, and attitudes toward religion, race, education, and marriage. In presenting Hart’s story, editor Marvin Downing adds crucial context and commentary that situate the events of her life against the backdrop of significant moments in American history, including the Jackson Purchase, the growing influence of Jim Crow laws, and the First World War. With its blend of personal anecdotes and historical context, A Thousand Weddings is both a heartwarming and engaging read and a thought-provoking journey through many facets of Tennessee history.
  columbia literary history of the united states: American Literature and the Culture Wars Gregory S. Jay, 2018-09-05 Gregory S. Jay boldly challenges the future of American literary studies. Why pursue the study and teaching of a distinctly American literature? What is the appropriate purpose and scope of such pursuits? Is the notion of a traditional canon of great books out of date? Where does American literature leave off and Mexican or Caribbean or Canadian or postcolonial literature begin? Are today's campus conflicts fueled more by economics or ideology? Jay addresses these questions and others relating to American literary studies to explain why this once arcane academic discipline found itself so often in the news during the culture wars of the 1990s. While asking some skeptical questions about new directions and practices, Jay argues forcefully in favor of opening the borders of American literary and cultural analysis. He relates the struggle for representation in literary theory to a larger cultural clash over the meaning and justice of representation, then shows how this struggle might expand both the contents and the teaching of American literature. In an account of the vexed legacy of the Declaration of Independence, he provides a historical context for the current quarrels over literature and politics. Prominent among these debates are those over multiculturalism, which Jay takes up in an essay on the impasses of identity politics. In closing, he considers how the field of comparative American cultural studies might be constructed.
  columbia literary history of the united states: American Naturalistic and Realistic Novelists Edd C. Applegate, 2001-11-30 Realistic writers seek to render accurate representations of the world, and their novels contain authentic details and descriptions of their characters and settings. Like Realistic authors, Naturalistic ones similarly try to portray the world accurately, but they tend to depict the darker side of life. Realism was born in Europe in the nineteenth century and soon became popular in the United States, while Naturalism became prominent at the beginning of the twentieth century. Both traditions have continued in one form or another to the present day, and Realistic and Naturalistic novelists include some of America's most significant authors, such as Sherwood Anderson, Saul Bellow, Ambrose Bierce, Willa Cather, Theodore Dreiser, Ralph Ellison, and Jack London. This reference includes biographical and critical entries for more than 120 American Naturalistic and Realistic novelists. An introductory essay discusses the history of the Realistic and Naturalistic traditions, points to the difficulty of defining them, and surveys the many authors who have been associated with the two movements. The entries that follow are arranged alphabetically to facilitate use. Each includes basic biographical information and a narrative overview of the writer's educational background, professional career, and published works. The writer's works are briefly discussed in relation to the Realistic and Naturalistic traditions. Entries include primary and secondary bibliographies, and the volume closes with a list of works for further reading.
  columbia literary history of the united states: Early American Literature and Culture Kathryn Zabelle Derounian-Stodola, 1992 Early American Literature and Culture: Essays Honoring Harrison T. Meserole, a timely collection that reflects changing conceptions of the field, contains studies by leading scholars and celebrates the achievements of Harrison T. Meserole--colonialist, bibliographer, and Shakespeare scholar extraordinaire. These dynamic essays deal with areas at the forefront of current research, such as popular culture, minority and non-Anglo writings, recanonization, genre studies, and Anglo-American links. All the contributors were Meserole's students sometime during the twenty-eight years he taught at The Pennsylvania State University, and all have established their own scholarly reputations since then. Timothy K. Conley examines the institutionalization of American literature. Donald P. Wharton considers the influence of the English Renaissance on Colonial sea literature. Paul J. Lindholdt provides an overview of a vast popular genre, the colonial promotion tract. Raymond F. Dolle uncovers the satire against Sir Walter Raleigh, the romantic treasure-seeker, by his more hard-nosed contemporary, John Smith. Reiner Smolinski's revisionist essay argues that New England's leading divines did not--as many still believe--justify their Errand eschatologically. Ada Van Gastel discusses the main text of the early Dutch colonists, by Adriaen van der Donck. Kathryn Zabelle Derounian-Stodola analyzes Sarah Kemble Knight's travel journal as an unusual example of a Puritan picaresque. Jeffrey Walker probes eighteenth-century undergraduate commonplace books revealing the seamy side of Harvard undergraduate life. Stephen R. Yarbrough examines Jonathan Edwards's conceptions of time in the last work he saw to press before he died. Robert D. Arner introduces and annotates two unpublished poems by the Samuel Pepys of eighteenth-century Virginia, Robert Bolling. Robert D. Habich explores Franklin's rhetorical method as rooted in contemporary empirical science. Cheryl Z. Oreovicz shows how Mercy Warren's tragedies contained stern messages for the post-Revolutionary Lost generation. Jayne K. Kribbs looks at the popular novelist John Davis as a candidate for recanonization, and Paul Sorrentino shows that Mason Lock Weems's so-called children's classic, The Life of Washington, is a complex, artistic work for adults.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
  columbia literary history of the united states: American Literature from 1600 Through the 1850s Adam Augustyn Assistant Manager and Assistant Editor, Literature, 2010-08-15 Traces the progress of the written word as America was evolving as a nation.
  columbia literary history of the united states: To be Suddenly White Steven J. Belluscio, 2006 To Be Suddenly White explores the troubled relationship between literary passing and literary realism, the dominant aesthetic motivation behind the late-nineteenth and early-twentieth-century ethnic texts considered in this study. Steven J. Belluscio uses the passing narrative to provide insight into how the representation of ethnic and racial subjectivity served, in part, to counter dominant narratives of difference. To Be Suddenly White offers new readings of traditional passing narratives from the African American literary tradition, such as James Weldon Johnson's The Autobiography of an Ex-Coloured Man, Nella Larsen's Passing, and George Schuyler's Black No More. It is also the first full-length work to consider a number of Jewish American and Italian American prose texts, such as Mary Antin's The Promised Land, Anzia Yezierska's Bread Givers, and Guido d'Agostino's Olives on the Apple Tree, as racial passing narratives in their own right. Belluscio also demonstrates the contradictions that result from the passing narrative's exploration of racial subjectivity, racial difference, and race itself. When they are seen in comparison, ideological differences begin to emerge between African American passing narratives and white ethnic (Jewish American and Italian American) passing narratives. According to Belluscio, the former are more likely to engage in a direct critique of ideas of race, while the latter have a tendency to become more simplistic acculturation narratives in which a character moves from a position of ethnic difference to one of full American identity. The desire to be suddenly white serves as a continual point of reference for Belluscio, enabling him to analyze how writers, even when overtly aware of the problematic nature of race (especially African American writers), are also aware of the conditions it creates, the transformations it provokes, and the consequences of both. Byexamining the content and context of these works, Belluscio elucidates their engagement with discourses of racial and ethnic differences, assimilation, passing, and identity, an approach that has profound implications for the understanding of American literary history.
Columbia Glacier Retreating - Geophysical Institute
May 22, 2025 · Columbia Glacier, located about 40 kilometers (25 miles) west of Valdez near the epicenter of the great 1964 earthquake, is rapidly losing its battle for survival. It is the last of …

The Columbia Glacier - Geophysical Institute
May 22, 2025 · The Columbia Glacier is one of Alaska's better known tidewater glaciers, both from the standpoint of tourist attraction and the model it provides for scientific investigation. In …

The majesty and mystery of Alaska yellow cedar
Jul 23, 2021 · These trees, which can live longer than 1,000 years, grow on the rainy coast from the Oregon/California border through British Columbia and as far north as Prince William …

The Alaska-Canada Boundary - Geophysical Institute
The Alaska-Canada boundary was originally established in February 1825 by Russia (then owner of Alaska) and Great Britain (then owner of Canada).

Alaska glaciers help drive rise in sea level
Jan 12, 2011 · Many glaciers smaller than about five square kilometers — like those in the European Alps, New Zealand, Scandinavia and Glacier National Park in Montana — will …

Alaska Glaciers Show Dramatic Melting - Geophysical Institute
Dec 12, 2001 · Columbia Glacier in Prince William Sound and Bering Glacier in the St. Elias Mountains are two glaciers losing ice at an alarming rate: during the past decade, Columbia …

The Shuttle Red Aurora - Geophysical Institute
Apr 12, 1981 · Records taken at Fairbanks indicate that this unusual aurora actually began the night before the launching of the shuttle Columbia. An unusually large magnetic storm, the type …

Ranking Rivers - Geophysical Institute
Mar 13, 2025 · In both average discharge at mouth (225,000 cubic feet of water a second) and drainage area (328,000 square miles), the Yukon River ranks fifth nationally. For comparison, …

The Unknown Legacy of Alaska's Atomic Tests
Jan 18, 2001 · The big daddy came in 1971. Project Cannikin was a 5-megaton explosion that inspired the formation of the group Greenpeace, a group of environmentalists from British …

Messages in a Raven Rattle - Geophysical Institute
May 22, 2025 · Note the face with recurved beak on the raven's stomach (Raven Rattle No. A2467, University of British Columbia Museum of Anthropology). × The first raven rattle …

Columbia Glacier Retreating - Geophysical Institute
May 22, 2025 · Columbia Glacier, located about 40 kilometers (25 miles) west of Valdez near the epicenter of the great 1964 earthquake, is rapidly losing its battle for survival. It is the last of …

The Columbia Glacier - Geophysical Institute
May 22, 2025 · The Columbia Glacier is one of Alaska's better known tidewater glaciers, both from the standpoint of tourist attraction and the model it provides for scientific investigation. …

The majesty and mystery of Alaska yellow cedar
Jul 23, 2021 · These trees, which can live longer than 1,000 years, grow on the rainy coast from the Oregon/California border through British Columbia and as far north as Prince William Sound. …

The Alaska-Canada Boundary - Geophysical Institute
The Alaska-Canada boundary was originally established in February 1825 by Russia (then owner of Alaska) and …

Alaska glaciers help drive rise in sea level
Jan 12, 2011 · Many glaciers smaller than about five square kilometers — like those in the European Alps, New Zealand, Scandinavia and Glacier National Park in Montana — will …