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| chicano popular culture second edition: Chicano popular culture Charles M. Tatum, 2001 Reviewing a range of expressive arts, from traditional forms to electronic media, Tatum explains the differences and similarities between Chicano popular culture and that of other ethnic groups or of Anglo society and shows how Chicano arts reflect a people's traditions and heritage. Chicano Popular Culture invites readers to share the excitement of these vital arts and through them, to learn more about the uniqueness of America's fastest-growing minority.--BOOK JACKET. |
| chicano popular culture second edition: Chicano Popular Culture, Second Edition Charles M. Tatum, 2017-09-05 An updated and expanded edition of Tatum's Chicano Popular Culture (2001), touching upon major developments in popular culture since the book's original publication--Provided by publisher. |
| chicano popular culture second edition: Chicano popular culture Charles M. Tatum, 2001 Over the past several decades, Mexican Americans have made an indelible mark on American culture through the music of bands such as Santana and Los Lobos, films such as Zoot Suit, and a wide range of literature, such as Sandra Cisneros's The House on Mango Street. Now Charles Tatum introduces students to these and other forms of artistic expression in the first volume to provide a wide-ranging overview of Chicano popular culture. Tatum explores the broad and complex arena of popular culture among Americans of Mexican descent and explains what popular culture can tell them about themselves. Reviewing a range of expressive arts, from traditional forms to electronic media, he explains the differences and similarities between Chicano popular culture and that of other ethnic groups or of Anglo society and shows how Chicano arts reflect a people's traditions and heritage. The book's coverage focuses on five areas of popular culture. It explores - Mexican American and Chicano music from the sixteenth century to the present day; - cinema, focusing on Chicano films of the past three decades; - newspapers, radio, and television, explaining the interrelationship between these media; - literature, emphasizing fiction, theater, and poetry of the last thirty years; - and fiestas, celebrations, and art, including mural and graffiti art. Tatum provides a brief overview of Mexican American social history, paying particular attention to changing cultural perspectives over the past 150 years and the evolution of el movimiento chicano. He also introduces theories of popular culture and makes them accessible to students, enabling them to better understand the material covered in the text. No other book offers such a wide-ranging introduction to these cultural expressions of Mexican Americans today. Chicano Popular Culture invites readers to share the excitement of these vital arts and, through them, to learn more about the uniqueness of America's fastest-growing minority. Chicano Popular Culture and Mexican Americans and Health are the first volumes in the series The Mexican American Experience, a cluster of modular texts designed to provide greater flexibility in undergraduate education. Each book deals with a single topic concerning the Mexican American population. Instructors can create a semester-length course from any combination of volumes, or may choose to use one or two volumes to complement other texts. |
| chicano popular culture second edition: Chicano Folklore Rafaela Castro, 2001-11-15 Originally published under title: Dictionary of Chicano folklore. Santa Barbara, Calif.: ABC-CLIO, c2000. |
| chicano popular culture second edition: Chicana and Chicano Art Carlos Francisco Jackson, 2009-02-14 This is the first book solely dedicated to the history, development, and present-day flowering of Chicana and Chicano visual arts. It offers readers an opportunity to understand and appreciate Chicana/o art from its beginnings in the 1960s, its relationship to the Chicana/o Movement, and its leading artists, themes, current directions, and cultural impact. The visual arts have both reflected and created Chicano culture in the United States. For college students - and for all readers who want to learn more about this subject - this book is an ideal introduction to an art movement with a social conscience. --Book Jacket. |
| chicano popular culture second edition: Chicano Art Inside/Outside the Master’s House Alicia Gaspar de Alba, 2010-07-05 In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a subculture within the U.S. but as an alter-Native culture in opposition to the exclusionary and homogenizing practices of mainstream institutions. She also shows how the exhibit reflected the cultural and sexual politics of the Chicano Movement and how it serves as a model of Chicano/a popular culture more generally. Drawing insights from cultural studies, feminist theory, anthropology, and semiotics, this book constitutes a wide-ranging analysis of Chicano/a art, popular culture, and mainstream cultural politics. It will appeal to a diverse audience in all of these fields. |
| chicano popular culture second edition: Globalization and American Popular Culture Lane Crothers, 2009-08-16 A third edition of this book is now available. Now in a fully revised and updated edition, this concise and insightful book explores the ways American popular products such as movies, music, television programs, fast food, sports, and even clothing styles have molded and continue to influence modern globalization. Lane Crothers offers a thoughtful examination of both the appeal of American products worldwide and the fear and rejection they induce in many people and nations around the world. Concluding with a projection of the future impact of American popular culture, this book makes a powerful argument for its central role in shaping global politics and economic development. |
| chicano popular culture second edition: Popular Culture in the Age of White Flight Eric Avila, 2006-04 In Popular Culture in the Age of White Flight, Eric Avila offers a unique argument about the restructuring of urban space in the two decades following World War II and the role played by new suburban spaces in dramatically transforming the political culture of the United States. Avila's work helps us see how and why the postwar suburb produced the political culture of 'balanced budget conservatism' that is now the dominant force in politics, how the eclipse of the New Deal since the 1970s represents not only a change of views but also an alteration of spaces.—George Lipsitz, author of The Possessive Investment in Whiteness |
| chicano popular culture second edition: The Routledge Companion to Latina/o Popular Culture Frederick Luis Aldama, 2016-05-26 Latina/o popular culture has experienced major growth and change with the expanding demographic of Latina/os in mainstream media. In The Routledge Companion to Latina/o Pop Culture, contributors pay serious critical attention to all facets of Latina/o popular culture including TV, films, performance art, food, lowrider culture, theatre, photography, dance, pulp fiction, music, comic books, video games, news, web, and digital media, healing rituals, quinceñeras, and much more. Features include: consideration of differences between pop culture made by and about Latina/os; comprehensive and critical analyses of various pop cultural forms; concrete and detailed treatments of major primary works from children’s television to representations of dia de los muertos; new perspectives on the political, social, and historical dynamic of Latina/o pop culture; Chapters select, summarize, explain, contextualize and assess key critical interpretations, perspectives, developments and debates in Latina/o popular cultural studies. A vitally engaging and informative volume, this compliation of wide-ranging case studies in Latina/o pop culture phenomena encourages scholars and students to view Latina/o pop culture within the broader study of global popular culture. Contributors: Stacey Alex, Cecilia Aragon, Mary Beltrán, William A. Calvo-Quirós, Melissa Castillo-Garsow, Nicholas Centino, Ben Chappell, Fabio Chee, Osvaldo Cleger, David A. Colón, Marivel T. Danielson, Laura Fernández, Camilla Fojas, Kathryn M. Frank, Enrique García, Christopher González, Rachel González-Martin, Matthew David Goodwin, Ellie D. Hernandez, Jorge Iber, Guisela Latorre, Stephanie Lewthwaite, Richard Alexander Lou, Stacy I. Macías, Desirée Martin, Paloma Martínez-Cruz, Pancho McFarland, Cruz Medina, Isabel Millán, Amelia María de la Luz Montes, William Anthony Nericcio, William Orchard, Rocío Isabel Prado, Ryan Rashotte, Cristina Rivera, Gabriella Sanchez, Ilan Stavans Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English and University Distinguished Scholar at the Ohio State University where he is also founder and director of LASER and the Humanities & Cognitive Sciences High School Summer Institute. He is author, co-author, and editor of over 24 books, including the Routledge Concise History of Latino/a Literature and Latino/a Literature in the Classroom. |
| chicano popular culture second edition: Mestizaje Rafael Pérez-Torres, 2006 Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities. Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how the concept of mixed race has been used to engage issues of hybridity and voice and examines the dynamics that make mestizo and mestiza identities resistant to, as well as affirmative of, dominant forms of power. He also addresses the role that mestizaje has played in expressive culture, including the hip-hop music of Cypress Hill and the vibrancy of Chicano poster art. Turning to issues of mestizaje in literary creation, Pérez-Torres offers critical readings of the works of Emma Pérez, Gil Cuadros, and Sandra Cisneros, among others. This book concludes with a consideration of the role that the mestizo body plays as a site of elusive or displaced knowledge. Moving beyond the oppositions—nationalism versus assimilation, men versus women, Texans versus Californians—that have characterized much of Chicano studies, Mestizaje synthesizes and assesses twenty-five years of pathbreaking thinking to make a case for the core components, sensibilities, and concerns of the discipline. Rafael Pérez-Torres is professor of English at the University of California, Los Angeles. He is author of Movements in Chicano Poetry: Against Myths, Against Margins, coauthor of To Alcatraz, Death Row, and Back: Memories of an East LA Outlaw, and coeditor of The Chicano Studies Reader: An Anthology of Aztlán, 1970–2000. |
| chicano popular culture second edition: Popular Culture and the Civic Imagination Henry Jenkins, Gabriel Peters-Lazaro, Sangita Shresthova, 2020-02-04 How popular culture is engaged by activists to effect emancipatory political change One cannot change the world unless one can imagine what a better world might look like. Civic imagination is the capacity to conceptualize alternatives to current cultural, social, political, or economic conditions; it also requires the ability to see oneself as a civic agent capable of making change, as a participant in a larger democratic culture. Popular Culture and the Civic Imagination represents a call for greater clarity about what we’re fighting for—not just what we’re fighting against. Across more than thirty examples from social movements around the world, this casebook proposes “civic imagination” as a framework that can help us identify, support, and practice new kinds of communal participation. As the contributors demonstrate, young people, in particular, are turning to popular culture—from Beyoncé to Bollywood, from Smokey Bear to Hamilton, from comic books to VR—for the vernacular through which they can express their discontent with current conditions. A young activist uses YouTube to speak back against J. K. Rowling in the voice of Cho Chang in order to challenge the superficial representation of Asian Americans in children’s literature. Murals in Los Angeles are employed to construct a mythic imagination of Chicano identity. Twitter users have turned to #BlackGirlMagic to highlight the black radical imagination and construct new visions of female empowerment. In each instance, activists demonstrate what happens when the creative energies of fans are infused with deep political commitment, mobilizing new visions of what a better democracy might look like. |
| chicano popular culture second edition: Chicano Popular Culture, Second Edition Charles M. Tatum, 2017-09-05 Chicano Popular Culture, Second Edition provides a fascinating, timely, and accessible introduction to Chicano cultural expression and representation. New sections discuss music, with an emphasis on hip-hop and rap; cinema and filmmakers; media, including the contributions of Jorge Ramos and María Hinojosa; and celebrations and other popular traditions, including quinceañeras, cincuentañeras, and César Chávez Day. This edition features: Chicanas in the Chicano Movement and Chicanos since the Chicano Movement New material on popular authors such as Denise Chávez, Alfredo Vea, Luis Alberto Urrea, and Juan Felipe Herrera Suggested Readings to supplement each chapter Theoretical approaches to popular culture, including the perspectives of Norma Cantú, Alicia Gaspar de Alba, Pancho McFarland, Michelle Habell-Pallán, and Víctor Sorell With clear examples, an engaging writing style, and helpful discussion questions, Chicano Popular Culture, Second Edition invites readers to discover and enjoy Mexican American popular culture. |
| chicano popular culture second edition: Lowriders in Chicano Culture Charles M. Tatum, 2011-07-22 This informed and accessible book captures the art, energy, passion, and pageantry of over 60 years of lowrider culture—an absolutely iconic Chicano and American phenomenon. Much like rap music and ethnic foods, Chicano lowrider culture has become sufficiently widespread in recent decades to almost be considered mainstream. However, those outside of lowriding may not realize that this cultural phenomenon is not the result of a recent fad—it originated in the pre–World War II era, and has continued to grow and evolve since then. Lowriders in Chicano Culture: From Low to Slow to Show allows readers to see how this expressive culture fits within the broader context of Chicano culture and understand how lowriding reflects the social, artistic, and political dimensions of America's fastest-growing ethnic group. It includes chapters that explain the culture of pachucas/os and cholas/os; the unique aesthetics of lowrider vehicles; lowrider music, shows, and clubs; the mechanics of building a lowrider vehicle; and lowrider culture in the media including film, newspapers, and television. The book also traces how lowrider culture has recently expanded beyond the urban streets and into the massive exhibit halls of lowrider shows, exposing lowrider culture to even more enthusiasts. |
| chicano popular culture second edition: Contemporary Chicana and Chicano Art Gary D. Keller, 2002 Contemporary Chicana and Chicano Art brings into sharp focus the rich diversity of an art movement that is now achieving full recognition in the art community at large. These two volumes encapsulate the lives and careers of nearly two hundred artists -- from such established masters as Luise Jiménez and Yolanda López to emerging new talents Xóchitl Cristina Gil and Vincent Valdez -- and presents representative samples of their work, faithfully reproduced in color. The full range of visual arts is established here, iwth more than six hundred individual works -- paintings, sculptures, installation, serigraphs, lithographs, photographs, digital works; some works traditional, others boldly controversial. Separate commentary helps to evaluate the work of each artist and to place it in the context of the movement. Additional thematic sections are included, illustrating Chicana/Chicano artists' explorations of subjects from the barrio to the border, from lowriders to El Día de los Muertos. -- From publisher's description. |
| chicano popular culture second edition: American Dirt (Oprah's Book Club) Jeanine Cummins, 2022-02 También de este lado hay sueños. On this side, too, there are dreams. Lydia Quixano Perez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they'll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with four books he would like to buy--two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia's husband's tell-all profile of Javier is published, none of their lives will ever be the same. Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia--trains that make their way north toward the United States, which is the only place Javier's reach doesn't extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to? American Dirt will leave readers utterly changed when they finish reading it. A page-turner filled with poignancy, drama, and humanity on every page, it is a literary achievement.-- |
| chicano popular culture second edition: Chicano and Chicana Literature Charles M. Tatum, 2006-09-14 Exploring the work of Rudolfo Anaya, Sandra Cisneros, Luis Alberto Urrea, and many more, Charles Tatum examines the important social, historical, and cultural contexts in which the writing evolved, paying special attention to the Chicano Movement and the flourishing of literary texts during the 1960s and early 1970s. Chapters provide an overview of the most important theoretical and critical approaches employed by scholars over the past forty years and survey the major trends and themes in contemporary autobiography, fiction, poetry, and theater.--P. [4] of cover. |
| chicano popular culture second edition: From Indians to Chicanos James Diego Vigil, 2011-11-02 Anthropologist-historian James Diego Vigil distills an enormous amount of information to provide a perceptive ethnohistorical introduction to the Mexican-American experience in the United States. He uses brief, clear outlines of each stage of Mexican-American history, charting the culture change sequences in the Pre-Columbian, Spanish Colonial, Mexican Independence and Nationalism, and Anglo-American and Mexicanization periods. In a very understandable fashion, he analyzes events and the underlying conditions that affect them. Readers become fully engaged with the historical developments and the specific socioeconomic, sociocultural, and sociopsychological forces involved in the dynamics that shaped contemporary Chicano life. Considered a pioneering achievement when first published, From Indians to Chicanos continues to offer readers an informed and penetrating approach to the history of Chicano development. The richly illustrated Third Edition incorporates data from the latest literature. Moreover, a new chapter updates discussions of immigration, institutional discrimination, the Mexicanization of the Chicano population, and issues of gender, labor, and education. |
| chicano popular culture second edition: Living Up The Street Gary Soto, 2012-06-27 In a prose that is so beautiful it is poetry, we see the world of growing up and going somewhere through the dust and heat of Fresno's industrial side and beyond: It is a boy's coming of age in the barrio, parochial school, attending church, public summer school, and trying to fall out of love so he can join in a Little League baseball team. His is a clarity that rings constantly through the warmth and wry reality of these sometimes humorous, sometimes tragic, always human remembrances. |
| chicano popular culture second edition: The Oxford Handbook of Latino Studies Ilan Stavans, 2020-03-03 At the beginning of the third decade of the 21st century, the Latino minority, the biggest and fastest growing in the United States, is at a crossroads. Is assimilation taking place in comparable ways to previous immigrant groups? Are the links to the countries of origin being redefined in the age of contested globalism? How are Latinos changing America and how is America changing Latinos? The Oxford Handbook of Latino Studies reflects on these questions, offering a sweeping exploration of Latinas and Latinos' complex experiences in the United States. Edited by leading expert Ilan Stavans, the handbook traces the emergence of Latino studies as a vibrant and interdisciplinary field of research starting in the 1980s, assessing the current state of the discipline while suggesting new paths for exploration. With its twenty-three essays and a conversation by established and emerging scholars, the book discusses various aspects of Latino life and history, from literature, popular culture, and music, to religion, philosophy, and language identity. The articles present new interpretations of important themes such as the Chicano Movement, gender and race relations, the changes in demographics, the tension between rural and urban communities, immigration and the US/Mexico border, the legacy of colonialism, and the controversy surrounding Spanglish. The first handbook on Latino Studies, this collection offers a multifaceted and thought-provoking look at how Latinos are redefining the American identity. |
| chicano popular culture second edition: Next of Kin Richard T. Rodríguez, 2009-06-16 As both an idea and an institution, the family has been at the heart of Chicano/a cultural politics since the Mexican American civil rights movement emerged in the late 1960s. In Next of Kin, Richard T. Rodríguez explores the competing notions of la familia found in movement-inspired literature, film, video, music, painting, and other forms of cultural expression created by Chicano men. Drawing on cultural studies and feminist and queer theory, he examines representations of the family that reflect and support a patriarchal, heteronormative nationalism as well as those that reconfigure kinship to encompass alternative forms of belonging. Describing how la familia came to be adopted as an organizing strategy for communitarian politics, Rodríguez looks at foundational texts including Rodolfo Gonzales’s well-known poem “I Am Joaquín,” the Chicano Liberation Youth Conference’s manifesto El Plan Espiritual de Aztlán, and José Armas’s La Familia de La Raza. Rodríguez analyzes representations of the family in the films I Am Joaquín, Yo Soy Chicano, and Chicana; the Los Angeles public affairs television series ¡Ahora!; the experimental videos of the artist-activist Harry Gamboa Jr.; and the work of hip-hop artists such as Kid Frost and Chicano Brotherhood. He reflects on homophobia in Chicano nationalist thought, and examines how Chicano gay men have responded to it in works including Al Lujan’s video S&M in the Hood, the paintings of Eugene Rodríguez, and a poem by the late activist Rodrigo Reyes. Next of Kin is both a wide-ranging assessment of la familia’s symbolic power and a hopeful call for a more inclusive cultural politics. |
| chicano popular culture second edition: Reel Latinxs Frederick Luis Aldama, Christopher González, 2019-09-24 Latinx representation in the popular imagination has infuriated and befuddled the Latinx community for decades. These misrepresentations and stereotypes soon became as American as apple pie. But these cardboard cutouts and examples of lazy storytelling could never embody the rich traditions and histories of Latinx peoples. Not seeing real Latinxs on TV and film reels as kids inspired the authors to dive deep into the world of mainstream television and film to uncover examples of representation, good and bad. The result: a riveting ride through televisual and celluloid reels that make up mainstream culture. As pop culture experts Frederick Luis Aldama and Christopher González show, the way Latinx peoples have appeared and are still represented in mainstream TV and film narratives is as frustrating as it is illuminating. Stereotypes such as drug lords, petty criminals, buffoons, and sexed-up lovers have filled both small and silver screens—and the minds of the public. Aldama and González blaze new paths through Latinx cultural phenomena that disrupt stereotypes, breathing complexity into real Latinx subjectivities and experiences. In this grand sleuthing sweep of Latinx representation in mainstream TV and film that continues to shape the imagination of U.S. society, these two Latinx pop culture authorities call us all to scholarly action. |
| chicano popular culture second edition: American Cultural History Eric Avila, 2018-07-17 The iconic images of Uncle Sam and Marilyn Monroe, or the fireside chats of Franklin D. Roosevelt and the oratory of Martin Luther King, Jr.: these are the words, images, and sounds that populate American cultural history. From the Boston Tea Party to the Dodgers, from the blues to Andy Warhol, dime novels to Disneyland, the history of American culture tells us how previous generations of Americans have imagined themselves, their nation, and their relationship to the world and its peoples. This Very Short Introduction recounts the history of American culture and its creation by diverse social and ethnic groups. In doing so, it emphasizes the historic role of culture in relation to broader social, political, and economic developments. Across the lines of race, class, gender, and sexuality, as well as language, region, and religion, diverse Americans have forged a national culture with a global reach, inventing stories that have shaped a national identity and an American way of life. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| chicano popular culture second edition: Chicano Visions Cheech Marin, 2002-09-23 Originating in the early seventies, Chicano art long remained unrecognised by the art and gallery world. This text features the work of 26 Chicano artists and marks the transition of this unique and exciting movement into the critical fold of contemporary art. |
| chicano popular culture second edition: Crucible of Struggle Zaragosa Vargas, 2017 Latinos in the U.S. are a major political, economic, and cultural force that is changing the national identity of this country. In fact, statistics show that by the year 2100, half of the U.S. population may be Latino. And two out of three of America's Latinos are Mexican. Mexicans are theoldest settlers of the United States and the nation's largest group of recent immigrant arrivals. Their population is increasing faster than that of all other Latino groups combined. The growing importance of this minority group - which will be felt strongly in twenty-first-century America - callsfor a fresh assessment of Mexican American history.The second edition of Crucible of Struggle: A History of Mexican Americans from the Colonial Period to the Present Era includes a new final Chapter 12: Latinos and the Challenges of the 21st Century. This chapter examines such issues as increased anti-immigrant activity after 2006, the crucial roleof Latinos in the election of Barack Obama, increased border enforcement and deportation in the wake of the U.S. Senate's failure to pass amnesty legislation, Latinos and private detention centers, the role of individual states in immigration reform, the surge of unaccompanied children from CentralAmerica, and more. |
| chicano popular culture second edition: Decolonial Voices Arturo J. Aldama, Naomi Helena Quiñonez, 2002-04-04 Decolonial Voices brings together a body of theoretically rigorous interdisciplinary essays that articulate and expand the contours of Chicana and Chicano cultural studies. |
| chicano popular culture second edition: How to Pull Apart the Earth Karla Cordero, 2018-11-12 “Cordero guides us to the collective memory found in her own personal history, reminding us that we are rooted in the same familial tenderness.”—O, The Oprah Magazine HOW TO PULL APART THE EARTH is an homage to the intrinsic thread that weaves the culture of Mexico together with the United States, and the echo of colonization that works to erase it. Cordero skillfully exemplifies the complexity & beauty of growing up in a borderland, and the sacrifices paid for the dream. |
| chicano popular culture second edition: Sueñan, lloran, cantan Perry Higman, 1998 A bilingual collection of poems for children by twelve well-known Spanish and Latin American authors. |
| chicano popular culture second edition: The Art of Protest T. V. Reed, 2019-01-22 A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring. |
| chicano popular culture second edition: The House on Mango Street Sandra Cisneros, 2013-04-30 A TODAY SHOW #ReadWithJenna BOOK CLUB PICK NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting. Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from. |
| chicano popular culture second edition: The Woman in the Zoot Suit Catherine S. Ramírez, 2009-01-16 The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas. Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities. |
| chicano popular culture second edition: Popular Culture in American History Jim Cullen, 2000-10-19 Popular Culture in American History collects the most widely cited and important writings on three hundred years of American popular culture. Each of the ten essays serves as a case study of a particular moment, issue, or form of popular culture, from seventeenth-century chapbooks to hip hop. Pedagogical features include further reading lists, contextualizing editorial introductions, discussion questions and chronologies of key events. |
| chicano popular culture second edition: Barrio-Logos Raúl Homero Villa, 2009-03-06 Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raúl Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity. Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts. |
| chicano popular culture second edition: Decolonizing Latinx Masculinities Arturo J. Aldama, Frederick Luis Aldama, 2020-09-08 Latinx hypersexualized lovers or kingpin predators pulsate from our TVs, smartphones, and Hollywood movie screens. Tweets from the executive office brand Latinxs as bad-hombre hordes and marauding rapists and traffickers. A-list Anglo historical figures like Billy the Kid haunt us with their toxic masculinities. These are the themes creatively explored by the eighteen contributors in Decolonizing Latinx Masculinities. Together they explore how legacies of colonization and capitalist exploitation and oppression have created toxic forms of masculinity that continue to suffocate our existence as Latinxs. And while the authors seek to identify all cultural phenomena that collectively create reductive, destructive, and toxic constructions of masculinity that traffic in misogyny and homophobia, they also uncover the many spaces—such as Xicanx-Indígena languages, resistant food cultures, music performances, and queer Latinx rodeo practices—where Latinx communities can and do exhale healing masculinities. With unity of heart and mind, the creative and the scholarly, Decolonizing Latinx Masculinities opens wide its arms to all non-binary, decolonial masculinities today to grow a stronger, resilient, and more compassionate new generation of Latinxs tomorrow. Contributors Arturo J. Aldama Frederick Luis Aldama T. Jackie Cuevas Gabriel S. Estrada Wayne Freeman Jonathan D. Gomez Ellie D. Hernández Alberto Ledesma Jennie Luna Sergio A. Macías Laura Malaver Paloma Martinez-Cruz L. Pancho McFarland William Orchard Alejandra Benita Portillos John-Michael Rivera Francisco E. Robles Lisa Sánchez González Kristie Soares Nicholas Villanueva Jr. |
| chicano popular culture second edition: Our Sacred Maíz Is Our Mother Roberto Cintli Rodríguez, 2014-11-06 “If you want to know who you are and where you come from, follow the maíz.” That was the advice given to author Roberto Cintli Rodriguez when he was investigating the origins and migrations of Mexican peoples in the Four Corners region of the United States. Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture. Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge. |
| chicano popular culture second edition: Mexican American Religions Gastón Espinosa, Mario T. García, 2008-07-08 This collection presents a rich, multidisciplinary inquiry into the role of religion in the Mexican American community. Breaking new ground by analyzing the influence of religion on Mexican American literature, art, activism, and popular culture, it makes the case for the establishment of Mexican American religious studies as a distinct, recognized field of scholarly inquiry. Scholars of religion, Latin American, and Chicano/a studies as well as of sociology, anthropology, and literary and performance studies, address several broad themes. Taking on questions of history and interpretation, they examine the origins of Mexican American religious studies and Mario Barrera’s theory of internal colonialism. In discussions of the utopian community founded by the preacher and activist Reies López Tijerina, César Chávez’s faith-based activism, and the Los Angeles-based Católicos Por La Raza movement of the late 1960s, other contributors focus on mystics and prophets. Still others illuminate popular Catholicism by looking at Our Lady of Guadalupe, home altars, and Los Pastores dramas (nativity plays) as vehicles for personal, social, and political empowerment. Turning to literature, contributors consider Gloria Anzaldúa’s view of the borderlands as a mystic vision and the ways that Chicana writers invoke religious symbols and rhetoric to articulate a moral vision highlighting social injustice. They investigate the role of healing, looking at it in relation to both the Latino Pentecostal movement and the practice of the curanderismo tradition in East Los Angeles. Delving into to popular culture, they reflect on Luis Valdez’s video drama La Pastorela: “The Shepherds’ Play,” the spirituality of Chicana art, and the religious overtones of the reverence for the slain Tejana music star Selena. This volume signals the vibrancy and diversity of the practices, arts, traditions, and spiritualities that reflect and inform Mexican American religion. Contributors: Rudy V. Busto, Davíd Carrasco, Socorro Castañeda-Liles, Gastón Espinosa, Richard R. Flores, Mario T. García, María Herrera-Sobek, Luís D. León, Ellen McCracken, Stephen R. Lloyd-Moffett, Laura E. Pérez, Roberto Lint Saragena, Anthony M. Stevens-Arroyo, Kay Turner |
| chicano popular culture second edition: White on Black Jan Nederveen Pieterse, 1992-01-01 White on Black is a compelling visual history of the development of European and American stereotypes of black people over the last two hundred years. Its purpose is to show the pervasiveness of prejudice against blacks throughout the western world as expressed in stock-in-trade racist imagery and caricature. Reproducing a wide range of illustrations--from engravings and lithographs to advertisements, candy wrappings, biscuit tins, dolls, posters, and comic strips--the book challenges the hidden assumptions of even those who view themselves as unprejudiced. Jan Nederveen Pieterse sets Western images of Africa and blacks in a chronological framework, including representations from medieval times, from the colonial period with its explorers, settlers, and missionaries, from the era of slavery and abolition, and from the multicultural societies of the present day. Pieterse shows that blacks have been routinely depicted throughout the West as servants, entertainers, and athletes, and that particular countries have developed their own comforting black stereotypes about blacks: Sambo and Uncle Tom in the United States, Golliwog in Britain, Bamboula in France, and Black Peter in the Netherlands. Looking at conventional portrayals of blacks in the nursery, in sexual arenas, and in commerce and advertising, Pieterse analyzes the conceptual roots of the stereotypes about them. The images that he presents have a direct and dramatic impact, and they raise questions about the expression of power within popular culture and the force of caricature, humor, and parody as instruments of oppression. |
| chicano popular culture second edition: The Revolt of the Cockroach People Oscar Zeta Acosta, 2013-02-06 The further adventures of “Dr. Gonzo” as he defends the “cucarachas”— the Chicanos of East Los Angeles. One of The Atlantic’s Great American Novels of the Past 100 Years Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's Dr. Gonzo a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge. In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes us behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of chicken Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga. |
| chicano popular culture second edition: You Play The Girl Carina Chocano, 2017-08-08 We all know who The Girl is. She holds The Hero's hand as he runs through the Pyramids, chasing robots. Or she nags him, or foils him, plays the uptight straight man to his charming loser. She's idealised, degraded, dismissed, objectified and almost always dehumanised. How do we process these insidious portrayals, and how do they shape our sense of who we are and what we can become? Part memoir, part cultural commentary, part call to arms to women everywhere, You Play The Girl flips the perspective on the past thirty-five years in pop culture - from the progressive 70s, through the backlash 80s, the triumphalist 90s and the pornified 'bro culture' of the early twenty-first century - providing a firsthand chronicle of the experience of growing up inside this funhouse. Always incisive, Chocano brilliantly shows that our identities are more iterative than we think, and certainly more complex than anything we see on any kind of screen. |
| chicano popular culture second edition: Day of the Dead in the USA, Second Edition Regina M Marchi, 2022-08-12 Examines how Day of the Dead celebrations among America's Latino communities have changed throughout history, discussing how the traditional celebration has been influenced by mass media, consumer culture, and globalization. |
| chicano popular culture second edition: Confessions of a Radical Chicano Doo-Wop Singer Ruben Guevara, 2018-04-13 Prologue -- La Veinte: a Santa Monica barrio -- Rubén Ladrón de Guevara Sr., 1914-2006 -- 1742 22nd Street, Barrio La Veinte, Santa Monica -- Palm Springs / Cathedral City / Las Vegas -- Binnie -- La Gatita -- Las Vegas : breakup of the family -- Sue Dean -- Beverly -- Shindig! with Tina Turner and Bo Diddley, 1965 -- The Sunset Strip riots -- The southern belle -- LACC / The New Revelations Gospel Choir -- Miss Santa Barbara -- Frank Zappa / Ruben And The Jets / Rock 'n' Roll Angels / 1972-1974 -- Miss Pamela & the G.T.O.'s (Girls Together Outrageously) -- Miss Claremont -- Miss Chino -- The mutiny -- The movie star and Miss Blue Eyes -- We open for Zappa at Winterland, San Francisco, April, 1973 -- Con Safos the album -- Mexico / Hollywood / The Whisky / Eastside Revue / Zyanya Records -- La gypsy -- The Star Spangled Banner / America the Beautiful -- The Whisky / Con Safos the band, 1980 -- Miss Aztlán -- Gotcha -- Zyanya Records -- Cristina / Día de Los Muertos / Chicano Heaven -- Born in East L.A.--the movie -- HBO/Cinemax special -- Performance art : Mexico and France -- La quemada -- La rebel -- Jammin' with Johnny -- Arts 4 City Youth -- UCLA -- Journey to New Aztlán -- Miss San Francisco : the enchantress -- Miss Mongolia -- Metropolitan State Hospital -- Trinity Elementary School -- Teaching at UCLA -- Miss Tokyo -- Mexamérica the CD -- The Eastside Revue : a musical homage to Boyle Heights, 1922-2002 -- Boyle Heights, LA Times -- Collaborations with Josh Kun -- The Iraq war -- Collaborations with Nobuko Miyamoto / Great Leap / NCRR / MPAC -- Manzanar pilgrimage -- Yellow Pearl remix -- Minutemen protest in Baldwin Park -- Rock 'n' rights : rockin' for the mentally disabled -- Resistance & respect : Los Angeles muralism & graff art -- Miss Bogotá -- Word up! a performance and theater summit at the Ford, 2006 -- Meeting my Okanagan brothers from Westbank First Nation, B.C. Canada -- Epiphany at Joshua Tree -- Miss Altar in the sky -- Rubén Guevara & the Eastside Luvers -- The Tao of Funkahuatl -- The Tao of Funkahuatl the CD -- Mex/LA -- Opening for Los Lobos at the House of Dues -- Fifty years in show biz / The Madeleine Brand Show, NPR, 2011 -- Miss Beijing -- Miss Monterey Park -- End of ten year sex drought -- My 70th birthday party -- Platonic homegirls -- Joseph Trotter -- A Boyle Heights cultural treasure -- The new face of Boyle Heights -- ¡Angelin@s presente! -- Sara Guevara -- Confessions of a radical Chicano Doo Wop singer : the solo, multi-media theater piece -- The fall -- Reflections on L.A |
Chicano - Wikipedia
Chicano became widely adopted during the Chicano Movement. Chicano was widely reclaimed in the 1960s and 1970s during the Chicano Movement to assert a distinct ethnic, political, and …
"Hispanic" vs. "Mexican" vs. "Latino" vs. "Chicano ... - SpanishDict
Chicano. The term Chicano may be used to refer to someone of Mexican descent born in the United States.
Chicano | People, Language & Identity | Britannica
May 18, 2025 · Chicano, identifier for people of Mexican descent born in the United States. The term came into popular use by Mexican Americans as a symbol of pride during the Chicano …
How the Chicano Movement Championed Mexican-American …
Sep 18, 2020 · The Chicano Movement, aka El Movimiento, advocated social and political empowerment through a chicanismo or cultural nationalism.
What’s a Chicano? – Chicano History and Culture
Well, it’s complicated so let’s start with the term Chicano. This is an pre-columbian term from the Nahuatl language used by the Aztecs to describe their original homeland in what is currently …
Chicano Movement: Causes, Purpose, and Major Events
Jan 26, 2004 · The major events of the Chicano Movement began in the 60s with Chicano leaders like Cesar Chávez and Reies López Tijerina. The movement also gained widespread …
What Is Chicano Culture? - UNIDOS
Chicano culture is a vibrant and variegated expression of the Mexican-American experience, characterized by a rich history, diverse art forms, distinct language variations, and social …
What It Means to Be Chicano and Why This Identity Stands Out …
For some, the term “Chicano” also highlights their connection to Indigenous roots, setting them apart from broader labels like “Hispanic” or “Latino,” which often emphasize European …
The Etymology and Evolution of the Term Chicano - TSHA
Sep 19, 2019 · Explore the origins, historical significance, and cultural implications of the term 'Chicano' within Mexican-American communities, including its rise during the civil rights …
What Does "Chicano" Mean Today? | Departures - PBS SoCal
Apr 12, 2016 · Though the term Chicano was born during the civil rights movement of the 1960s and 70s, it has changed over the years, become more flexible and nuanced, as activism has …
Chicano - Wikipedia
Chicano became widely adopted during the Chicano Movement. Chicano was widely reclaimed in the 1960s and 1970s during the Chicano Movement to assert a distinct ethnic, political, and …
"Hispanic" vs. "Mexican" vs. "Latino" vs. "Chicano ... - SpanishDict
Chicano. The term Chicano may be used to refer to someone of Mexican descent born in the United States.
Chicano | People, Language & Identity | Britannica
May 18, 2025 · Chicano, identifier for people of Mexican descent born in the United States. The term came into popular use by Mexican Americans as a symbol of pride during the Chicano …
How the Chicano Movement Championed Mexican-American …
Sep 18, 2020 · The Chicano Movement, aka El Movimiento, advocated social and political empowerment through a chicanismo or cultural nationalism.
What’s a Chicano? – Chicano History and Culture
Well, it’s complicated so let’s start with the term Chicano. This is an pre-columbian term from the Nahuatl language used by the Aztecs to describe their original homeland in what is currently …
Chicano Movement: Causes, Purpose, and Major Events
Jan 26, 2004 · The major events of the Chicano Movement began in the 60s with Chicano leaders like Cesar Chávez and Reies López Tijerina. The movement also gained widespread …
What Is Chicano Culture? - UNIDOS
Chicano culture is a vibrant and variegated expression of the Mexican-American experience, characterized by a rich history, diverse art forms, distinct language variations, and social …
What It Means to Be Chicano and Why This Identity Stands Out …
For some, the term “Chicano” also highlights their connection to Indigenous roots, setting them apart from broader labels like “Hispanic” or “Latino,” which often emphasize European …
The Etymology and Evolution of the Term Chicano - TSHA
Sep 19, 2019 · Explore the origins, historical significance, and cultural implications of the term 'Chicano' within Mexican-American communities, including its rise during the civil rights …
What Does "Chicano" Mean Today? | Departures - PBS SoCal
Apr 12, 2016 · Though the term Chicano was born during the civil rights movement of the 1960s and 70s, it has changed over the years, become more flexible and nuanced, as activism has …
