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| cmt 250 cyklop: Paper Sales Year Book , 1987 |
| cmt 250 cyklop: ABC3D Marion Bataille, 2008-10-14 Easily the most innovative alpabet book of the year, if not the decade... Beyond clever.—The Washington Post Prepare to be amazed. From the lenticular cover that changes with the angle of your hands all the way to the Z, ABC3D is as much a work of art as it is a pop-up book. Each of the 26 three-dimensional letters move and change before your eyes. C turns into D with a snap. M stands at attention. X becomes Y with a flick of the wrist. And then there's U...Boldly conceived and brilliantly executed with a striking black, red, and white palette, this is a book that readers and art lovers of all ages will treasure for years to come. ABC3D is a 2009 Bank Street - Best Children's Book of the Year. |
| cmt 250 cyklop: Victorian Display Alphabets Dan X. Solo, Solotype Typographers, 1976 This is a collection of 100 unusual and authentic Victorian type fonts for artists, designers and craftsmen. Selected from Solotype Typographers Catalog, these complete alphabets amply display the Victorian fascination with varieties of type. As copyright-free material, much of which does not appear in other typographer's catalogs, this is an excellent sourcebook for use in all graphics work calling for old-fashioned Victorian flavor. Included are both plain and decorative alphabets, some ornamented with streamers, fans, ribbons, bars, filigrees, vine leaves, harp strings, and more. Some fonts such as Calliope, Buffalo Bill, Shaded Barnum, Fargo, Jackpot, and Burlesque have a carnival or Wild WEst atmosphere. Others like Tangier and Cabalistic, are rather exotic. You will also find heavy-duty fonts, Bohemia and Broadside, along with such delicate ones as Aeolian Open and Arboret. Many of the alphabets include lower as well as upper case letters, and many also include a complete set of numbers. Several Victorian printer's ornaments have also been included.--back cover. |
| cmt 250 cyklop: Cold War Modern David Crowley, Jane Pavitt, 2008 Modern life after 1945 seemed to promise both utopia and catastrophe. Both could, it seemed, be achieved at the 'push of a button'. Published to accompany a major V & A exhibition, 'Cold War Modern: Design 1945-1970', this book explores how the politics of the Cold War shaped architecture and design. Reassessing 'classic' designs and introducing many little-known objects. |
| cmt 250 cyklop: Elegant Display Alphabets Dan X. Solo, 1992-01-01 Type fonts selected to add formal elegance, precision and grace to graphic projects that require a more reserved and thoughtful approach. Most of the fonts include both upper- and lowercase alphabets, numbers, punctuation marks and typographical ornaments. |
| cmt 250 cyklop: Información comercial española , 1984 |
| cmt 250 cyklop: Calligraphy Magic Cari Buziak, 2011-06-02 Transform ordinary handwritten pieces into unique, artistic keepsakes, Calligraphy Magic makes the art of decorative lettering fun and achievable—even if you're a beginner. Take it one simple pen-stroke at a time. Following Cari Buziak's clear visual instruction, you'll learn how to embellish every project with beautifully hand-lettered words, logos and decorative illustrations. Detailed demonstrations include: A precise list of the tools and materials you'll need Colorful illustrations that show how to form every stroke 15 complete alphabets—from basic to fancy—such as Italic, Gothic and Versal Step-by-step instruction for adding exciting decorative touches such as Celtic knotwork, gold leafing and eye-popping colors 12 step-by-step projects that show how to create gorgeous calligraphic treatments for wedding invitations, greeting cards, thank you notes, awards, certificates and much more Plus, a full chapter that walks you through using a computer to create your own calligraphy fonts There are even pre-printed practice pages you can photocopy to help you perfect every stroke. It's all here in Calligraphy Magic. Take your decorative lettering to new heights to precision and beauty, and create timeless pieces for family and friends to treasure and admire. |
| cmt 250 cyklop: American Specimen Book of Type Styles American Type Founders Company, 1912 |
| cmt 250 cyklop: American Wood Type, 1828-1900 Rob Roy Kelly, 1977-01-01 |
| cmt 250 cyklop: Gutenberg and the Impact of Printing Stephan Füssel, 2020-01-29 From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the 'black art' right across Europe in a mere 40 years. Stephan Füssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution. In separate chapters Füssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally Stephan Füssel traces the modern resonances of Gutenberg's invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as Füssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated. |
| cmt 250 cyklop: A Specimen of Printing Types William Caslon, 1786 |
| cmt 250 cyklop: The Book Christopher De Hamel, 2005-03-08 The Book tells the story of the Bible as a book, tracing its publication inendless forms and numerous languages from its origins to the present day. |
| cmt 250 cyklop: The Gutenberg Revolution John Man, 2010-10-31 In 1450, all Europe's books were handcopied and amounted to only a few thousand. By 1500 they were printed, and numbered in their millions. The invention of one man - Johann Gutenberg - had caused a revolution. Printing by movable type was a discovery waiting to happen. Born in 1400 in Mainz, Germany, Gutenberg struggled against a background of plague and religious upheaval to bring his remarkable invention to light. His story is full of paradox: his ambition was to reunite all Christendom, but his invention shattered it; he aimed to make a fortune, but was cruelly denied the fruits of his life's work. Yet history remembers him as a visionary; his discovery marks the beginning of the modern world. |
| cmt 250 cyklop: The Oxford Handbook of Latin Palaeography Frank T. Coulson, Robert Gary Babcock, 2020 The Oxford Handbook of Latin Palaeography provides a comprehensive overview of the development of Latin script from Antiquity to the Renaissance, codicology, and the cultural setting of the medieval manuscript. It will be an indispensable tool for all those interested in medieval book production. |
| cmt 250 cyklop: An essay on typography Eric Gill, 1941 |
| cmt 250 cyklop: The Kelmscott Chaucer Geoffrey Chaucer, 2011-09 The Kelmscott Chaucer is the most memorable and beautiful edition of the complete works of the first great English poet. Next to The Gutenberg Bible, it is considered the outstanding typographic achievement of all time. There are 87 full-page illustrations by Sir Edward Burne-Jones, and the borders, decorations and initials are drawn byWilliam Morris himself. Only 425 copies of this magnificent work were produced in 1896, and this beautiful monochrome facsimile, slightly smaller than the original, makes this glorious book available to all. A fascinating Introduction by Nicholas Barker places the book and its importance in context. The main text is followed by a black and white facsimile of ANoteby William Morris on his Aims in Founding the Kelmscott Press, together with a Short History of the Press by S C Cockerell. |
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