Cioran

  cioran: On the Heights of Despair E. M. Cioran, 1996-10 Born of a terrible insomnia wchich E. M. Cioran called a dizzying lucidity which would turn even paradise into hell, this book presents the youthful Cioran, a self-described Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights. On the Heights of Despair shows Cioran's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the lyrical virtues that alone lead to metaphysical revelations. An exorcism of despair, this book offers insights into the ironic anguish of Cioran's philosophic mind while providing fascinating information on his early development as a writer and thinker.
  cioran: Beckett and Cioran Steven Matthews, 2024-05-08 This Element discusses the association between Samuel Beckett, and the Romanian-born philosopher, E. M. Cioran. It draws upon the known biographical detail, but, more substantially, upon the terms of Beckett's engagement with Cioran's writings, from the 1950s to the 1970s. Certain of Cioran's key conceptualisations, such as that of the 'meteque', and his version of philosophical scepticism, resonate with aspects of Beckett's writing as it evolved beyond the 'siege in the room'. More particularly, aspects of Cioran's conclusion about the formal nature that philosophy must assume chime with some of the formal decisions taken by Beckett in the mid-late prose. Through close reading of some of Beckett's key works such as Texts for Nothing and How It Is, and through consideration of Beckett's choices when translating between English and French, the issues of identity and understanding shared by these two settlers in Paris are mutually illuminated.
  cioran: The Temptation to Exist E. M. Cioran, 2011-11-21 This collection of eleven essays originally appeared in France thirty years ago and created a literary whirlwind on the Left Bank. Cioran writes incisively about Western civilizations, the writer, the novel, mystics, apostles, and philosophers. The Temptation to Exist first introduced this brilliant European thinker twenty years ago to American readers, in a superb translation by Richard Howard. This literary mystique around Cioran continues to grow, and The Temptation to Exist has become an underground classic. In this work Cioran writes about Western civilizations, the writer, the novel, about mystics, apostles, philosophers. For those to whom the very word philosophy brings visions of arduous reading, be assured: Cioran is crystal-clear, his style quotable and aphoristic. “A sort of final philosopher of the Western world. His statements have the compression of poetry and the audacity of cosmic clowning”—The Washington Post
  cioran: All Gall Is Divided E. M. Cioran, 2012-05-01 Now in paperback, an antidote to a world gone mad for bedside affirmation (Washington Post). E. M. Cioran has been called the last worthy disciple of Nietzsche and a sort of final philosopher of the Western world who combines the compassion of poetry and the audacity of cosmic clowning (Washington Post). All Gall Is Divided is the second book Cioran published in French after moving from his native Romania and establishing himself in Paris. It revealed him as an aphorist in a long tradition descending from the ancient Greeks through La Rochefoucault but with a gift for lacerating, subversively off-kilter insights, a twentieth-century nose for the absurdities of the human condition, and what Baudelaire called spleen. The aphorisms collected here address themes from the atrophy of utterance and the condition of the West to the abyss, solitude, time, religion, music, the vitality of love, history, and the void. The award-winning poet and translator Richard Howard has characterized them as manic humor, howls of pain, and a vestige of tears, but, as he notes too, in these expressions of the philosopher's existential estrangement, there glows a certain sweetness for all of what Cioran calls 'amertume.'
  cioran: Searching for Cioran Ilinca Zarifopol-Johnston, 2009-01-07 Ilinca Zarifopol-Johnston's critical biography of the Romanian-born French philosopher E. M. Cioran focuses on his crucial formative years as a mystical revolutionary attracted to right-wing nationalist politics in interwar Romania, his writings of this period, and his self-imposed exile to France in 1937. This move led to his transformation into one of the most famous French moralists of the 20th century. As an enthusiast of the anti-rationalist philosophies widely popular in Europe during the first decades of the 20th century, Cioran became an advocate of the fascistic Iron Guard. In her quest to understand how Cioran and other brilliant young intellectuals could have been attracted to such passionate national revival movements, Zarifopol-Johnston, herself a Romanian emigré, sought out the aging philosopher in Paris in the early 1990s and retraced his steps from his home village of Rasinari and youthful years in Sibiu, through his student years in Bucharest and Berlin, to his early residence in France. Her portrait of Cioran is complemented by an engaging autobiographical account of her rediscovery of her own Romanian past.
  cioran: Cioran – A Dionysiac with the voluptuousness of doubt Ion Dur, 2019-08-31 Since its inception philosophical thought has been fixated by death. Death, as much as life, has been the unrelenting driving force behind some of history’s greatest thinkers. Yet, for Emil Cioran, a Romanian-French philosopher, even philosophy cannot attempt to understand nor contain the inevitable unknown. Considered to be an anti-philosopher, Cioran approached and reflected on the human experience with a despairing pessimism. His works are characterised by a brooding, fatalistic temperament that reveals and defines itself in his irony, black humour and inimitable style. Although Cioran’s later works have received much scholarly recognition, little attention has been paid to the texts he wrote in his adolescent. Grounded in the historical context of interwar Romania, this book presents for the first time an analysis of the little-known works of this pioneering Romanian thinker. Deeply affected by his upbringing, this book offers a glimpse into Cioran’s first attempts to delve into philosophical enterprise, before turning its attention to his later works, On the Heights of Despair (1934), The Transfiguration of Romania (1936) and Twilight of thoughts (1940; written in France). Using both the French and Romanian editions of these works, but also their original manuscripts, this volume seeks to provide a re-reading that takes language rather than a social or political critique as its focal point. As an important and provocative contribution to the existing literature on Cioran, this book will be an essential point of reference for students and researchers, alike.
  cioran: Tears and Saints E. M. Cioran, 1998-07-06 (Cioran's) statements have the compression of poetry and the audacity of cosmic clowning.--WASHINGTON POST. In TEARS AND SAINTS, Cioran touches on nearly all the themes that would preoccupy the writer over the course of his career. Self-consciously perverse, this collection will fascinate anyone interested in saints, mysticism, philosophy, the history of Christianity, or the ultimate strangeness of the sacred.
  cioran: A Short History of Decay E. M. Cioran, 2012-11-13 E. M. Cioran confronts the place of today's world in the context of human history—focusing on such major issues of the twentieth century as human progress, fanaticism, and science—in this nihilistic and witty collection of aphoristic essays concerning the nature of civilization in mid-twentieth-century Europe. Touching upon Man's need to worship, the feebleness of God, the downfall of the Ancient Greeks and the melancholy baseness of all existence, Cioran's pieces are pessimistic in the extreme, but also display a beautiful certainty that renders them delicate, vivid, and memorable. Illuminating and brutally honest, A Short History of Decay dissects Man's decadence in a remarkable series of moving and beautiful pieces.
  cioran: Cioran – A Dionysiac with the voluptuousness of doubt Ion Dur, 2019-05-31 Since its inception philosophical thought has been fixated by death. Death, as much as life, has been the unrelenting driving force behind some of history’s greatest thinkers. Yet, for Emil Cioran, a Romanian-French philosopher, even philosophy cannot attempt to understand nor contain the inevitable unknown. Considered to be an anti-philosopher, Cioran approached and reflected on the human experience with a despairing pessimism. His works are characterised by a brooding, fatalistic temperament that reveals and defines itself in his irony, black humour and inimitable style. Although Cioran’s later works have received much scholarly recognition, little attention has been paid to the texts he wrote in his adolescent. Grounded in the historical context of interwar Romania, this book presents for the first time an analysis of the little-known works of this pioneering Romanian thinker. Deeply affected by his upbringing, this book offers a glimpse into Cioran’s first attempts to delve into philosophical enterprise, before turning its attention to his later works, On the Heights of Despair (1934), The Transfiguration of Romania (1936) and Twilight of thoughts (1940; written in France). Using both the French and Romanian editions of these works, but also their original manuscripts, this volume seeks to provide a re-reading that takes language rather than a social or political critique as its focal point. As an important and provocative contribution to the existing literature on Cioran, this book will be an essential point of reference for students and researchers, alike.
  cioran: Anathemas and Admirations E. M. Cioran, 2012-11-13 Instead of accumulating wisdom, he has shed certainties. Instead of reaching out to touch someone, he has fastidiously cultivated his exemplary solitude. If he is an aphorist, he's one who resembles Nietzsche, not Kahlil...
  cioran: The Columbia History of Twentieth-century French Thought Lawrence D. Kritzman, Brian J. Reilly, M. B. DeBevoise, 2006 This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
  cioran: The Trouble With Being Born E. M. Cioran, 2020-10-29 'Not to be born is undoubtedly the best plan of all. Unfortunately it is within no one's reach.' In The Trouble With Being Born, E. M. Cioran grapples with the major questions of human existence: birth, death, God, the passing of time, how to relate to others and how to make ourselves get out of bed in the morning. In a series of interlinking aphorisms which are at once pessimistic, poetic and extremely funny, Cioran finds a kind of joy in his own despair, revelling in the absurdity and futility of our existence, and our inability to live in the world. Translated by Pulitzer Prize-winning poet and critic Richard Howard, The Trouble With Being Born is a provocative, illuminating testament to a singular mind.
  cioran: History and Utopia E. M. Cioran, 2015-01-20 “Only a monster can allow himself the luxury of seeing things as they are,” writes E. M. Cioran, the Romanian-born philosopher who has rightly been compared to Samuel Beckett. In History and Utopia, Cioran the monster writes of politics in its broadest sense, of history, and of the utopian dream. His views are, to say the least, provocative. In one essay he casts a scathing look at democracy, that “festival of mediocrity”; in another he turns his uncompromising gaze on Russia, its history, its evolution, and what he calls “the virtues of liberty.” In the dark shadow of Stalin and Hitler, he writes of tyrants and tyranny with rare lucidity and convincing logic. In “Odyssey of Rancor,” he examines the deep-rooted dream in all of us to “hate our neighbors,” to take immediate and irremediable revenge. And, in the final essay, he analyzes the notion of the “golden age,” the biblical Eden, the utopia of so many poets and thinkers.
  cioran: Drawn and Quartered E. M. Cioran, 2012-11-13 A brilliant and original exponent of a rare genre, the philosophical essay. Once read, Cioran cannot fail to provoke reaction. New York Times Book...
  cioran: The Fall Into Time Emile M. Cioran, 1970
  cioran: Pessimism Joshua Foa Dienstag, 2009-02-17 Pessimism claims an impressive following--from Rousseau, Schopenhauer, and Nietzsche, to Freud, Camus, and Foucault. Yet pessimist remains a term of abuse--an accusation of a bad attitude--or the diagnosis of an unhappy psychological state. Pessimism is thought of as an exclusively negative stance that inevitably leads to resignation or despair. Even when pessimism looks like utter truth, we are told that it makes the worst of a bad situation. Bad for the individual, worse for the species--who would actually counsel pessimism? Joshua Foa Dienstag does. In Pessimism, he challenges the received wisdom about pessimism, arguing that there is an unrecognized yet coherent and vibrant pessimistic philosophical tradition. More than that, he argues that pessimistic thought may provide a critically needed alternative to the increasingly untenable progressivist ideas that have dominated thinking about politics throughout the modern period. Laying out powerful grounds for pessimism's claim that progress is not an enduring feature of human history, Dienstag argues that political theory must begin from this predicament. He persuasively shows that pessimism has been--and can again be--an energizing and even liberating philosophy, an ethic of radical possibility and not just a criticism of faith. The goal--of both the pessimistic spirit and of this fascinating account of pessimism--is not to depress us, but to edify us about our condition and to fortify us for life in a disordered and disenchanted universe.
  cioran: Romanian Philosophical Culture, Globalization, and Education Alin Tat, Stefan Popenici, 2007
  cioran: The Fragment Camelia Elias, 2004 This monograph is an interdisciplinary study of the concept of 'fragment' in literature and in critical and literary theory. It discusses the fragment's performativity and function within a historical perspective, stretching from Heraclitus, via the German Romantics and European writers of the Modernist period, to American postmodern manifestations of the fragment. This is the first history of the fragment to appear in English, and it is also the first attempt at producing a consistent taxonomy of literary and critical fragments. The fragments are categorised according to function, not author intention, and the study addresses a number of questions: What constitutes the fragment, when the fragment can only be defined a posteriori? Does the fragment begin on its own, or is it begun by others, writers and critics? Does it acquire a name of its own, or is it labelled by others? All these questions revolve around issues of agency, and they are best discussed in terms of performativity, which means seeing fragments as acts: acts of literature, acts of reading, acts of writing. The book demonstrates how a poetics of the fragment as a performative genre can be created, situating the fragment both as literature and as a phenomenon within postmodern criticism against the background of philosophy, art history, and theology.
  cioran: ,
  cioran: An Infamous Past Marta Petreu, 2005 Cioran was one of the greatest scholars of the twentieth century to be seduced by totalitarianism. The scene of Cioran's excesses is Romania and Europe in the 1930s and 1940s, a time of xenophobia, anti-Semitism, racism, Nazism, and Stalinism.
  cioran: The Time is Now. Essays on the Philosophy of Becoming Douglas ALLEN, Arleen IONESCU, Claudiu MESAROȘ, Carl OLSON, Steven SAVITT, Michal VALČO, 2020-12-10 The time for what? The title of Mihaela Gligor’s edited collection is wonderfully flexible, as anything having to do with time should be. There is something not only boundless about time, but also raw and untamed. In its pure form, time would be too much for us to handle. We would be crushed by the sheer immensity of it, or else we would lose our minds trying to make sense of such unmediated time. Luckily, for the most part we don’t experience time in its pure form. Time comes to us already processed: shaped, engineered, tamed. The volume does fine justice to the notion that we experience time as already shaped by religion, politics, and culture. Whether its contributions cover religious or political figures, philosophers or poets, mystics or physicists, they show – sometimes explicitly, sometimes more discreetly – how difficult it is to deal with time in a pure, unmediated form. The contributors’ cultural, religious, and intellectual rooting inform the way think about time, just as about anything else. Which, far from being a weakness, is something to be recognized and celebrated. (Costică Brădățan, Texas Tech University, U.S.A.)
  cioran: Literary Translation and the Idea of a Minor Romania Sean Cotter, 2014 Examines translations by canonical Romanian writers Lucian Blaga, Constantin Noica, and Emil Cioran, arguing that that their works reveal a new, minor mode of national identity.
  cioran: Encyclopedia of the Essay Tracy Chevalier, 1997 A hefty one-volume reference addressing various facets of the essay. Entries are of five types: 1) considerations of different types of essay, e.g. moral, travel, autobiographical; 2) discussions of major national traditions; 3) biographical profiles of writers who have produced a significant body of work in the genre; 4) descriptions of periodicals important for their publication of essays; and 5) discussions of some especially significant single essays. Each entry includes citations for further reading and cross references. Annotation copyrighted by Book News, Inc., Portland, OR
  cioran: Encyclopedia of Modern French Thought Christopher John Murray, 2013-01-11 In this wide-ranging guide to twentieth-century French thought, leading scholars offer an authoritative multi-disciplinary analysis of one of the most distinctive and influential traditions in modern thought. Unlike any other existing work, this important work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more.
  cioran: The Temptations of Emile Cioran William Kluback, Michael Finkenthal, 1997 The Romanian-born Emile Cioran is one of the most important figures of modern French philosophy and literature. Even though most of his French works have been translated into English, this is the first attempt to produce a comprehensive presentation and appraisal of his work to an English-speaking public. Written in the form of a dialogue between two skeptical minds, this book discusses both the pre-war Romanian and post-war French works of Cioran.
  cioran: The Trouble with Being Born E. M. Cioran, 2013-02-01 In this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that disaster lies not in the prospect of death but in the fact of birth, that laughable accident. In the lucid, aphoristic style that characterizes his work, Cioran writes of time and death, God and religion, suicide and suffering, and the temptation to silence. Through sharp observation and patient contemplation, Cioran cuts to the heart of the human experience. “A love of Cioran creates an urge to press his writing into someone’s hand, and is followed by an equal urge to pull it away as poison.”—The New Yorker “In the company of Nietzsche and Kierkegaard.—Publishers Weekly No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion.—Boston Phoenix
  cioran: Henri Michaux, Emil Cioran Ovid Hurd, 1997
  cioran: Memory, Identity and Intercultural Communication Iulian Boldea, 2012
  cioran: In Praise of Failure Costica Bradatan, 2023-01-03 Success is all very well, but failure teaches us what is most important: humility. Costica Bradatan tells the stories of four thinkers who, for all their external success, courted failure throughout their years. From Simone Weil to Seneca and Gandhi, the greatest of us made meaningful lives by grasping the epiphanies of failure.
  cioran: The Aesthetic Subject in Contemporary Continental Philosophy and Literature Robert Hughes, 2024-08-01 Art makes its mark upon our flesh. It ravishes our eyes, invades our ears, and stirs our viscera; it commandeers our powers of attention and unsettles our body with its strangenesses. The event of art is thus an encounter both with a sensuous object and with ourselves, exposing us as subjects strangely susceptible to being moved. The twenty-first-century European thinkers elucidated here describe a theory of the aesthetic subject: Irigaray articulates the basic outlines of a subject ill at ease with itself. Badiou, Nancy, and Perniola theorize art as an event of deformation that befalls an aesthetic subject fundamentally invested in form. Rancière and Sloterdijk explore the figuration of the body (and its limits) in contexts closer to everyday experience and our life within modern history and politics. This study brings together feminist, psychoanalytic, and phenomenological inheritances to describe the operations of the real in art and aesthetic life.
  cioran: Gombrowicz's Grimaces Ewa Plonowska Ziarek, 1998-01-29 Examines Gombrowicz’s modernist aesthetics in the context of his critique of nationalism, his exploration of queer eroticism, and his interest in hybrid and subaltern identities.
  cioran: Literary Translation, Reception, and Transfer Norbert Bachleitner, 2020-09-21 The three concepts mentioned in the title of this volume imply the contact between two or more literary phenomena; they are based on similarities that are related to a form of ‘travelling’ and imitation or adaptation of entire texts, genres, forms or contents. Transfer comprises all sorts of ‘travelling’, with translation as a major instrument of transferring literature across linguistic and cultural barriers. Transfer aims at the process of communication, starting with the source product and its cultural context and then highlighting the mediation by certain agents and institutions to end up with inclusion in the target culture. Reception lays its focus on the receiving culture, especially on critcism, reading, and interpretation. Translation, therefore, forms a major factor in reception with the general aim of reception studies being to reveal the wide spectrum of interpretations each text offers. Moreover, translations are the prime instrument in the distribution of literature across linguistic and cultural borders; thus, they pave the way for gaining prestige in the world of literature. The thirty-eight papers included in this volume and dedicated to research in this area were previously read at the ICLA conference 2016 in Vienna. They are ample proof that the field remains at the center of interest in Comparative Literature.
  cioran: Samuel Beckett: Debts and Legacies Peter Fifield, David Addyman, 2013-03-28 Published in association with the seminar series of the same name held by the University of Oxford, Samuel Beckett: Debts and Legacies presents the best new scholarship addressing the sources, development and ongoing influence of Samuel Beckett's work. Edited by convenors Dr Peter Fifield and Dr David Addyman, the volume presents ten research essays by leading international scholars ranging across Beckett's work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett's work. Among the subjects covered the volume includes studies of: ·Beckett and the influence of new media 1956-1960 ·the influence of silent film on Beckett's work ·death, loss and Ireland in Beckett's drama - tracing Irish references in Beckett's plays from the 1950s and 1960s, including Endgame, All That Fall, Krapp's Last Tape and Eh Joe ·a consideration of Beckett's theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice. ·the French text of the novel Mercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett's career and indicates a crucial development in his writing ·the matter of tone in Beckett's drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance
  cioran: Modernism and Nihilism S. Weller, 2010-12-08 Focusing on a wide range of philosophers and writers, from Nietzsche to Derrida and Flaubert to Borges, this book charts the history of the deployment of the concept of nihilism within the discourses of philosophical and aesthetic modernism and considers the similarities and differences between modernist and postmodernist approaches to nihilism.
  cioran: Boning the Muse: Letters to Steve Eric Miles Williamson, 2019-08-30 I met Eric Williamson in Boulder, Colorado in 1984. We were in our early twenties and we both taught Introductory Creative Writing at the University of Colorado. We hung out in the same circles and joined other like-minded souls in late-night debates about literature and writing and philosophy and the meaning of life. Possessing a sense of unearned arrogance that comes naturally to graduate students in their early twenties, we looked forward to destinies of pre-ordained glory and success. Then we got older. Eric moved on to Houston and then Manhattan and eventually a town on the Mexican border. I moved to Syracuse and then Japan and eventually to Michigan. We would see each other from time to time in various parts of the world, but the true cement of our friendship came through our regular written correspondence. Through the years our swagger and self-importance met up with the tempering forces of actual life. Hope went to war against the realities of failed relationships and miserable jobs and poverty and alcohol and instability and despair. Getting a letter from Eric was always a momentous event. I remember delaying the gratification for hours, unsealing the envelope only when I knew I had an hour to read it and then re-read it, indulging his excessive observations and outrageous exaggerations set beside the anguished howls of genuine pain. You will never read anything like this again. Steve, 2018
  cioran: Suicide in French Thought from Montesquieu to Cioran Zilla Gabrielle Cahn, 1998 Suicide stems in large part from the human condition and, as such, is not a problem that can be solved. Former draconian and punitive laws against it have in the main been eliminated, but it remains a stigma and a heartache. In the twentieth century, suicide has become a problem for sociologists, psychiatrists, and social policymakers to «solve.» In past centuries, however, suicide was a subject most fit for philosophers, theologians, writers, and, as the nineteenth century progressed, physicians. What establishes itself clearly throughout is that social attitudes and public policies toward suicide, as toward other important human issues, mirror the needs and peculiar circumstances of a culture. Yet sanctions against suicide, except in highly prescribed instances, transcend cultural specificity. To the question when, if ever, is suicide permissible, Western peoples and institutions, both secular and religious, reply, never. Duty to others, to God, to society, or to all of these, virtually always overrides personal desire or reasons to commit suicide.
  cioran: Thus Spake the Corpse Andrei Codrescu, Laura Rosenthal, 1999 Andrei Codrescu's infamous anti-literary magazine Exquisite Corpse became a prime site of engaged dialogue in the stormy decade of its existence. Taking its name from Surrealism, the Corpse became the home of rebellion, passion, polemic, black humor, sedition, and all points between the front lines and back alleys of contemporary culture. In this text, Codrescu and Rosenthal resurrect the best essays and poems from Carl Rakosi, James Purdy, Joel Oppenheimer, Robert Creeley, Tom Clark and other members of America's vibrant and eclectic avant-garde.
  cioran: French XX Bibliography William J. Thompson, 2006-09 Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
  cioran: Modern French Philosophy Robert Wicks, 2013-10-01 This is a thorough and balanced guide to modern French philosophical thought, providing lucid, authoritative accounts of famous philosophers whilst also highlighting lesser-known figures. Author Robert Wicks introduces the major works of each philosopher, explaining their impact on their peers and on the wider world. Covering such major movements as Existentialism, Surrealism, Structuralism and Postmodernism, this handbook is a useful resource for Francophiles, students of philosophy and all those interested in the intellectual landscape of 20th- and 21st-century France. The book includes detailed coverage of such philosophers as Henri Bergson, Beauvoir, Sarte, Camus, Barthes, Derrida, Foucault, Deleuze and Levi-Strauss, among others.
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