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chinese erotic literature: Marrying Buddha Wei Hui Zhou, 2012-03-01 Her second semi-autobiographical novel of desire and lust in a new city far from China...According to the author, Marrying Buddha is the continuation of her first novel Shanghai Baby, the international bestseller which was banned in China and catapulted her to fame and notoriety in the country of her birth. As in Shanghai Baby, the protagonist is Coco, a young successful female novelist who decides to leave Shanghai for New York. Coco embarks on the next leg of life's journey, a road that leads her through love, desire, and spiritual awakening. In Manhattan she meets Muju. Muju and Coco share a deep, intense passion, experimenting and exploring their desires at every available opportunity. But into this relationship enters glamorous, wealthy and impossibly urbane New Yorker Nick. And when as a result her relationship with Muju is threatened, Coco returns to China, to the tiny temple-studded island of Putu, the place of her birth. It is on Mount Putu where Coco finds some inner peace - but once back in Shanghai she is visited by both Muju and Nick and is once again caught up in the intensity and passion of the two relationships. After both men leave Coco discovers she is pregnant, but has no idea of whether it is Muju or Nick who is the father... |
chinese erotic literature: The Fountainhead of Chinese Erotica Charles R. Stone, 2003-03-31 The Lord of Perfect Satisfaction (Ruyijun zhuan), a short work of fiction from the early sixteenth century, tells the story of the Tang dynasty's notorious Wu Zetian, the only woman to rule as emperor of China. It is famous not for the history it relates, but for its graphic sexual descriptions--the first ever in a Chinese novel--purportedly given from a woman's point of view. Despite its renown and unmistakable influence on later writing, the origins and significance of the Ruyijun zhuan have never been explored, in any language, and until now it has never been translated. Its date of composition is unknown, its author unidentified. One of its earliest appraisals, written by a contemporary scholar known for his conservatism, maintains that the Ruyijun zhuan is a moral work notwithstanding its sexual content. Combining a complete translation with a detailed and far-ranging study of the text, The Fountainhead of Chinese Erotica places this important cultural document into historical context and offers possibilities on its meaning. |
chinese erotic literature: The Embroidered Couch Tiancheng Lü, 2001 The first translation of a late Ming erotic novel that was originally published during the first decade of the 17th century, attributed to Lu Tiancheng, a well-known playwright in the Ming dynasty. It is regarded as a notorious classic in Chinese literature, and has been long banned in China. Shockingly explicit, it details the travails of a romantic scholar named Easterngate, who encourages a relationaship between his wife and his compadre Dali. The story that unfolds is one of lust, betrayal and revenge, played out against the extraordinary backdrop of 17C China. |
chinese erotic literature: Eastern Erotica Bret Norton, 2003-03 |
chinese erotic literature: Sex in China Fang Fu Ruan, Molleen Matsumura, 1991-10-31 Ruan (The Institute for Advanced Study of Human Sexuality, San Francisco), the leading authority in his field, presents a comprehensive historical survey of Chinese sexology covering ancient texts, the latest statistics and mass media reports, and his own interviews and correspondence with sexual minorities. Annotation copyrighted by Book News, Inc., Portland, OR |
chinese erotic literature: Carnal Prayer Mat (Revised) Yu Li, 1996-04-01 |
chinese erotic literature: Eroticism and Other Literary Conventions in Chinese Literature I-Hsien Wu, 2017 Building on the novel's rich content and this vast scholarship, and using Julia Kristeva's terms on intertextuality, this book presents a new understanding of the famous Chinese classic Dream of the Red Chamber (The Story of the Stone). This is a must-read for anyone interested in Hongloumeng and Chinese literature. |
chinese erotic literature: Chinese Erotic Art Michel Beurdeley, 1969 |
chinese erotic literature: Chinese Erotic Poems Tony Barnstone, Chou Ping, 2007-10-16 A dazzling collection of Chinese erotic poems about deep love and pure lust, enticement and seduction, ecstasy and disappointment, that span nearly three thousand years and include many poems never before translated into English. The ancient Chinese tradition of erotic poetry has been largely ignored in the west. Now, a vast continent of sensual verse is opened to us with this glorious collection spanning nearly Here are poems that express need, hunger, grief, and longing—for husbands and wives and for concubines and lovers; poems by turns explicit or subtle, light-hearted or desperate, written from both men’s and women’s points of view. The editors have drawn on a wide range of sources from 600 BCE to the present, including highly literary poems, popular verse, and folk songs, as well as poems that appeared in ancient Daoist sex manuals, in classical novels of the Ming Dynasty, and in collections of erotic prints. The result is an array of voices that speak the universal language of desire. For the first time, all the major works of this beloved writer are gathered together in one hardcover volume. |
chinese erotic literature: Erotic Literature in Adaptation and Translation Johannes D Kaminski, 2020-09-28 Transgressive by nature, erotic literature engages the reader in a dialogue informed by the social and aesthetic conventions that it playfully disregards or happily reproduces. But once this intimate, arousing and, often, disturbing dialogue transitions into another language, culture or medium, it must reposition itself within new conventions. How does this happen in practice? Examining erotic literature from multiple angles, this volume starts off with an ethical evaluation of the most recent rendering of Marquis de Sade into English. Other inquiries into European letters include the works of Goethe, Georges Bataille, Pierre Guyotat and E. L. James, and the films of Michael Haneke and Patrice Chéreau. Studies of Chinese and Japanese erotic traditions complement the picture by addressing the different functions of the erotic in discrete cultural settings. Johannes D. Kaminski is Marie Sklodowska-Curie Fellow at University of Vienna. |
chinese erotic literature: The Phantom Heroine Judith T. Zeitlin, 2007-06-30 The phantom heroine—in particular the fantasy of her resurrection through sex with a living man—is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin’s elegantly written and meticulously researched new book. Zeitlin’s study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies. The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers—that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance. |
chinese erotic literature: The Golden Lotus Volume 1 Lanling Xiaoxiaosheng, 2011-10-10 The greatest novel of physical love which China has produced. —Pearl S. Buck A saga of ruthless ambition, murder, and lust, The Golden Lotus (Jin Ping Mei) has been called the fifth Great Classical Novel in Chinese literature and one of the Four Masterworks of the Ming novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, it has also been denigrated as a dirty book for its sexual frankness. It centers on Ximen Qing, a wealthy, young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally Golden Lotus. In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her main weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. It fields a host of vivid characters, each seeking advantage in a corrupt world. The author of The Golden Lotus is Lanling Xiaoxiaosheng, whose name, a pseudonym, means Scoffing Scholar of Lanling. His great work, written in the late Ming but set in the Song Dynasty, is a virtuoso collection of voices and vices, mixing in poetry and song and sampling different social registers, from popular ballads to the language of bureaucrats, in order to recreate and comment mordantly on the society of the time. This edition features a new introduction by Robert Hegel of Washington University, who situates the novel for contemporary readers and explains its greatness as the first single-authored novel in the Chinese tradition. This translation contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun, later known as Lao She, one of the most prominent Chinese writers of the twentieth century. The translation has been pinyinized and corrected. |
chinese erotic literature: The Culture of Sex in Ancient China Paul R. Goldin, 2001-10-31 The subject of sex was central to early Chinese thought. Discussed openly and seriously as a fundamental topic of human speculation, it was an important source of imagery and terminology that informed the classical Chinese conception of social and political relationships. This sophisticated and long-standing tradition, however, has been all but neglected by modern historians. In The Culture of Sex in Ancient China, Paul Rakita Goldin addresses central issues in the history of Chinese attitudes toward sex and gender from 500 B.C. to A.D. 400. A survey of major pre-imperial sources, including some of the most revered and influential texts in the Chinese tradition, reveals the use of the image of copulation as a metaphor for various human relations, such as those between a worshiper and his or her deity or a ruler and his subjects. In his examination of early Confucian views of women, Goldin notes that, while contradictions and ambiguities existed in the articulation of these views, women were nevertheless regarded as full participants in the Confucian project of self-transformation. He goes on to show how assumptions concerning the relationship of sexual behavior to political activity (assumptions reinforced by the habitual use of various literary tropes discussed earlier in the book) led to increasing attempts to regulate sexual behavior throughout the Han dynasty. Following the fall of the Han, this ideology was rejected by the aristocracy, who continually resisted claims of sovereignty made by impotent emperors in a succession of short-lived dynasties. Erudite and immensely entertaining, this study of intellectual conceptions of sex and sexuality in China will be welcomed by students and scholars of early China and by those with an interest in the comparative development of ancient cultures. |
chinese erotic literature: The Chinese Room Vivian Connell, 2019-11-01 The Chinese Room, first published in 1942, is a novel combining a mysterious string of anonymous letters with the sex lives of the main characters: the exploits of Nicholas, a banker; the sexual awakening of his wife, Muriel; and Nicholas’ affair with Sidone, his secretary and mistress. Set in England in the 1940s, The Chinese Room was very popular despite attempts to censor the book, and underwent numerous reprintings into the 1960s. |
chinese erotic literature: Library of Congress Subject Headings Library of Congress, 1993 |
chinese erotic literature: Library of Congress Subject Headings Library of Congress. Cataloging Policy and Support Office, 2006 |
chinese erotic literature: Desire and Fictional Narrative in Late Imperial China Martin W. Huang, 2020-03-23 In this new study of desire in Late Imperial China, Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debates. Desire and Fictional Narrative in Late Imperial China shows that the obsession of authors with individual desire is an essential quality that defines traditional Chinese fiction as a narrative genre. Thus the maturation of the genre can best be appreciated in terms of its increasingly sophisticated exploration of the phenomenon of desire. |
chinese erotic literature: Library of Congress Subject Headings Library of Congress. Office for Subject Cataloging Policy, 1990 |
chinese erotic literature: A-E Library of Congress. Office for Subject Cataloging Policy, 1990 |
chinese erotic literature: Library of Congress Subject Headings , 2009 |
chinese erotic literature: Whispers and Moans Yeeshan Yang, 2010-11-16 Hong Kong has a bewildering range of sex businesses offering services to suit various imaginable tastes. This book shows the human side of sex for sale. It contains tales of easy money, financial ruin and hopeless relationships - and rare insights into Hong Kong's huge but hidden sex industry. |
chinese erotic literature: Wanton Women in Late-Imperial Chinese Literature , 2017-04-18 The contributors to Wanton Women in Late-Imperial Chinese Literature: Models, Genres, Subversions and Traditions draw attention to ‘wanton woman’ themes across time as they were portrayed in court history (McMahon), fiction (Stevenson), drama (Lam, Wu), and songs and ballads (Ôki, Epstein, McLaren). Looking back, the essays challenge us with views of sexual transgression that are more heterogeneous than modern popular focus on Pan Jinlian would suggest. Central among the many insights to be found is that despite gender performance in Chinese history being overwhelmingly determined by the needs of patriarchal authority, men and women in the late imperial period discovered diverse ways in which to reflect on how men constantly sought their own bearings in reference to women. |
chinese erotic literature: The Anchor Book of Chinese Poetry Tony Barnstone, Chou Ping, 2010-03-03 Unmatched in scope and literary quality, this landmark anthology spans three thousand years, bringing together more than six hundred poems by more than one hundred thirty poets, in translations–many new and exclusive to the book–by an array of distinguished translators. Here is the grand sweep of Chinese poetry, from the Book of Songs–ancient folk songs said to have been collected by Confucius himself–and Laozi’s Dao De Jing to the vividly pictorial verse of Wang Wei, the romanticism of Li Po, the technical brilliance of Tu Fu, and all the way up to the twentieth-century poetry of Mao Zedong and the post—Cultural Revolution verse of the Misty poets. Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition. |
chinese erotic literature: Chinese Erotic Art,.. Michel Beurdeley, Fou-jouei Tchang, Kristofer Marinus Schipper, Jacques Pimpaneau, 1969 |
chinese erotic literature: Encyclopedia of Erotic Literature Gaëtan Brulotte, John Phillips, 2006-09-11 The Encyclopedia of Erotic Literature is a two-volume work that contains some 540 entries on erotic literature on an international scale. The Encyclopedia has an unprecedented scope, the first scholarly reference resource to bring the field together in all its fascinating variety. The entries examine the history of the literature in different countries and languages from classical antiquity to the present day, individual writers from around the world (not all of them necessarily known as specialist writers of erotic literature), significant works, genres and critical approaches, and general themes pertinent to erotic literature (nudity, prostitution, etc.). The definition of erotic literature is broad, encompassing all the material recognized in the study of the field: not just fiction in all genres (novels, poetry, short stories, drama), but also essays, autobiographies, treatises and sex manuals from different cultures. This Encyclopedia deals with sexually explicit texts characterized by sexual representations and suggestions. All types of sexuality are included. For more information about the title and the editors, go to: http://www.londonmet.ac.uk/news/latest-news/erotic-encyclopedia-edited-by-london-met-professor.cfm/ |
chinese erotic literature: Lost in Translation Nicole Mones, 2007-12-18 A novel of searing intelligence and startling originality, Lost in Translation heralds the debut of a unique new voice on the literary landscape. Nicole Mones creates an unforgettable story of love and desire, of family ties and human conflict, and of one woman's struggle to lose herself in a foreign land--only to discover her home, her heart, herself. At dawn in Beijing, Alice Mannegan pedals a bicycle through the deserted streets. An American by birth, a translator by profession, she spends her nights in Beijing's smoke-filled bars, and the Chinese men she so desires never misunderstand her intentions. All around her rushes the air of China, the scent of history and change, of a world where she has come to escape her father's love and her own pain. It is a world in which, each night as she slips from her hotel, she hopes to lose herself forever. For Alice, it began with a phone call from an American archaeologist seeking a translator. And it ended in an intoxicating journey of the heart--one that would plunge her into a nation's past, and into some of the most rarely glimpsed regions of China. Hired by an archaeologist searching for the bones of Peking Man, Alice joins an expedition that penetrates a vast, uncharted land and brings Professor Lin Shiyang into her life. As they draw closer to unearthing the secret of Peking Man, as the group's every move is followed, their every whisper recorded, Alice and Lin find shelter in each other, slowly putting to rest the ghosts of their pasts. What happens between them becomes one of the most breathtakingly erotic love stories in recent fiction. Indeed, Lost in Translation is a novel about love--between a nation and its past, between a man and a memory, between a father and a daughter. Its powerful impact confirms the extraordinary gifts of a master storyteller, Nicole Mones. |
chinese erotic literature: Erotic Literature Jane Mills, 1995-05 |
chinese erotic literature: Diary of a Naked Official Ouyang Yu, 2014-05-01 Anonymous, the keeper of the diary, deputy director of a publishing company in a nameless city in China, is a happily married man with a daughter until he succumbs fully to his sexual desires, forever searching for new erotic experiences and secret liaisons. Anonymous is able to hoard a fortune, by embezzlement or corruption, with which he buys permanent resident status for his wife and daughter in the West. He stays behind in China, a situation commonly referred to as a naked official in contemporary Chinese terminology, one who has nothing to fear when exposed because his family is safely installed overseas with all his money. |
chinese erotic literature: Sex in China Fang Fu Ruan, 2013-11-22 China today is sexually (and in many other ways) a very repressive so ciety, yet ancient China was very different. Some of the earliest surviving literature of China is devoted to discussions of sexual topics, and the sexual implications of the Ym and Yang theories common in ancient China continue to influence Tantric and esoteric sexual practices today far dis tant from their Chinese origins. In recent years, a number of books have been written exploring the history of sexual practices and ideas in China, but most have ended the discussion with ancient China and have not continued up to the present time. Fang Fu Ruan first surveys the ancient assumptions and beliefs, then carries the story to present-day China with brief descriptions of homosexuality, lesbianism, transvestism, transsexualism, and prostitution, and ends with a chapter on changing attitudes toward sex in China today. Dr. Ruan is well qualified to give such an overview. Until he left China in the 1980s, he was a leader in attempting to change the repressive attitudes of the government toward human sexuality. He wrote a best selling book on sex in China, and had written to and corresponded with a number of people in China who considered him as confidant and ad visor about their sex problems. A physician and medical historian, Dr. Ruan's doctoral dissertation was a study of the history of sex in China. |
chinese erotic literature: Sexuality in China Howard Chiang, 2018-06-15 What was sex like in China, from imperial times through the post-Mao era? The answer depends, of course, on who was having sex, where they were located in time and place, and what kind of familial, social, and political structures they participated in. This collection offers a variety of perspectives by addressing diverse topics such as polygamy, pornography, free love, eugenics, sexology, crimes of passion, homosexuality, intersexuality, transsexuality, masculine anxiety, sex work, and HIV/AIDS. Following a loose chronological sequence, the chapters examine revealing historical moments in which human desire and power dynamics came into play. Collectively, the contributors undertake a necessary historiographic intervention by reconsidering Western categorizations and exploring Chinese understandings of sexuality and erotic orientation. |
chinese erotic literature: The Sing-song Girls of Shanghai Bangqing Han, 2005 Considered one of the great works of Chinese fiction, The Sing-song Girls of Shanghai is a story of desire and virtue set in the pleasure quarters of nineteenth-century Shanghai. Han Bangqing, himself a frequent habitue of the city's notorious brothels, reveals a world populated by lonely souls who seek consolation amid the pleasures and decadence of Shanghai's demimonde. From beautiful sirens to lower-class prostitutes, from well-respected patrons to repugnant criminals, The Sing-song Girls of Shanghai brings the romantic games of the sing-song girls to vivid life, as well as the tragic consequences faced by those who unexpectedly fall in love with their customers. Han Bangqing also tells his story from a male point of view, revealing the danger of becoming trapped between desire and propriety. First translated in draft by the legendary Chinese writer Eileen Chang, and later revised by Eva Hung, The Sing-song Girls of Shanghai combines psychological realism with modernist sensibilities and is a pioneering work of Chinese fiction. |
chinese erotic literature: The Good Women of China Xinran, 2008-11-26 When Deng Xiaoping’s efforts to “open up” China took root in the late 1980s, Xinran recognized an invaluable opportunity. As an employee for the state radio system, she had long wanted to help improve the lives of Chinese women. But when she was given clearance to host a radio call-in show, she barely anticipated the enthusiasm it would quickly generate. Operating within the constraints imposed by government censors, “Words on the Night Breeze” sparked a tremendous outpouring, and the hours of tape on her answering machines were soon filled every night. Whether angry or muted, posing questions or simply relating experiences, these anonymous women bore witness to decades of civil strife, and of halting attempts at self-understanding in a painfully restrictive society. In this collection, by turns heartrending and inspiring, Xinran brings us the stories that affected her most, and offers a graphically detailed, altogether unprecedented work of oral history. |
chinese erotic literature: My Beautiful Enemy Sherry Thomas, 2014-08-05 In this spellbinding romance by the acclaimed, USA Today bestselling author of The Luckiest Lady in London, a beautiful and cunning woman meets her match in a man just as dangerous and seductive as she is, putting both her heart and her future at risk… Hidden beneath Catherine Blade’s uncommon beauty is a daring that matches any man’s. Although this has taken her far in the world, she still doesn’t have the one thing she craves: the freedom to live life as she chooses. Finally given the chance to earn her independence, who should be standing in her way but the only man she’s ever loved, the only person to ever betray her. Despite the scars Catherine left him, Captain Leighton Atwood has never been able to forget the mysterious girl who once so thoroughly captivated him. When she unexpectedly reappears in his life, he refuses to get close to her. But he cannot deny the yearning she reignites in his heart. Their reunion, however, plunges them into a web of espionage, treachery, and deadly foes. With everything at stake, Leighton and Catherine are forced to work together to find a way out. If they are ever to find safety and happiness, they must first forgive and learn to trust each other again… |
chinese erotic literature: Erotic Literature Donald McCormick, 1992 This essential sourcebook is the first guide to all literature covering erotic (but not pornographic or scatological) themes--prose and poetry, ancient and modern, published and unpublished--which deserve to be called classics. From Ovid to Erica Jong, this collection shows how eroticism--the joyfully erotic--crops up in a multitude of ways throughout world history and literature. Includes a glossary of erotic terms and a useful bibliography. |
chinese erotic literature: Chinese Erotic Art Michel Beurdeley, 1969 |
chinese erotic literature: Same-Sex Love in India R. Vanita, S. Kidwai, 2016-08-02 Same-Sex Love in India presents a stunning array of writings on same-sex love from over 2000 years of Indian literature. Translated from more than a dozen languages and drawn from Hindu, Buddhist, Muslim, and modern fictional traditions, these writings testify to the presence of same-sex love in various forms since ancient times, without overt persecution. This collection defies both stereotypes of Indian culture and Foucault's definition of homosexuality as a nineteenth-century invention, uncovering instead complex discourses of Indian homosexuality, rich metaphorical traditions to represent it, and the use of names and terms as early as medieval times to distinguish same-sex from cross-sex love. An eminent group of scholars have translated these writings for the first time or have re-translated well-known texts to correctly make evident previously underplayed homoerotic content. Selections range from religious books, legal and erotic treatises, story cycles, medieval histories and biographies, modern novels, short stories, letters, memoirs, plays and poems. From the Rigveda to Vikram Seth, this anthology will become a staple in courses on gender and queer studies, Asian studies, and world literature. |
chinese erotic literature: Reinventing Licentiousness Y. Yvon Wang, 2021-03-15 Reinventing Licentiousness navigates an overlooked history of representation during the transition from the Qing Empire to the Chinese Republic—a time when older, hierarchical notions of licentiousness were overlaid by a new, pornographic regime. Y. Yvon Wang draws on previously untapped archives—ranging from police archives and surveys to ephemeral texts and pictures—to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world. Reinventing Licentiousness emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed proper sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture. |
chinese erotic literature: The Reader Bernhard Schlink, 1999-03-07 INTERNATIONAL BESTSELLER • Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany. A formally beautiful, disturbing and finally morally devastating novel. —Los Angeles Times When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder. |
chinese erotic literature: Shunga Bret Norton, 2002 Stories, terms and extracts of illustrated scrolls, known as pillow books, that reflect the atmosphere of Shunga or Japanese eroticism. |
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2 days ago · Order Chinese online from Lung Hing Kitchen - Lindenhurst in Lindenhurst, NY for delivery and takeout. Browse our menu and easily choose and modify your selection.
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See more chinese restaurants for delivery near Lindenhurst, NY.
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Mar 28, 2025 · Latest reviews, photos and ratings for Good Taste Chinese Restaurant at 756 N Wellwood Ave in Lindenhurst - view the menu, hours, phone number, address and map.
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Menu, hours, photos, and more for Kirin China Restaurant located at 46 Sunrise Hwy, Lindenhurst, NY, 11757-2504, offering Soup, Dinner, Seafood, Chinese, Asian, Lunch …
Order Authentic Chinese Online | New Empire - Pickup or Delivery …
Experience the best authentic and delicious Chinese at New Empire. View our hours, explore our menu, and order online for convenient pickup or delivery near you!
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Good Taste Chinese Kitchen, located at 756 Wellwood Ave, Lindenhurst, NY 11757, is a casual restaurant that specializes in delicious Chinese cuisine. They offer various service options …
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Yummy Yummy Restaurant offers authentic and delicious tasting Chinese and Asian cuisine in Lindenhurst, NY. Yummy Yummy's convenient location and affordable prices make our …
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Fried Seafood Platter. 1. Steak & Cheese Roll. 2. Egg Roll. 3. Shrimp Roll. 4. Spring Roll (Vegetable)
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Authentic Chinese cuisine available for delivery and carry out. Hunan, Szechuan, Cantonee specialities and lunch specials.
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Best Chinese Restaurants in Lindenhurst, Long Island: Find Tripadvisor traveller reviews of Lindenhurst Chinese restaurants and search by price, location, and more.